FINE JAPANESE ART Thursday 10 November 2016
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The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
How to Witness the World with a Distance Barbican Young Poets 2013–14 Barbican.Org.Uk How to Witness the World with a Distance Barbican Young Poets 2013–14 Contents
How to Witness the World with a Distance Barbican Young Poets 2013–14 barbican.org.uk How to Witness the World with a Distance Barbican Young Poets 2013–14 Contents Anthony Adler 6–7 Rena Minegishi 30–31 Coconut Crab, Mia Anima Tokyo / Beijing Canute Goes to the Seaside After the Argument Shoshana Anderson 8–9 Luke E.T Newman 32–33 Redwood How to Father the Father Indea Barbe-Willson 10–11 in Three Minutes Where Charred Minds Go Ya Hobb (In the Name of Love) Paint-Stripped Doors Damilola Odelola 34–35 Sunayana Bhargava 12–13 Lego People Toiling And the Stuff that Comes Before a Fall Wallpaper Ghosts Kareem Parkins–Brown 36–37 Cameron Brady–Turner 14–15 It’s Not the Hinges; Change the Door Bend Sinister We Knew Before Living Alone: An Experiment Kieron Rennie 38–39 Katie Byford 16–17 Tottenham Letters Amaal Said 40–41 Night and Day in the Midwest He Loves Me, He’s Just Hurting Omar Bynon 18–19 Vollsmose Are We? Ankita Saxena 42–43 The Blue To Blink (Verb) James Coghill 20 Times Square – Halloween / IP6 9PS The A4 – Karva Chaut To a Station of the Overground Isabel Stoner 44–45 Greer Dewdney 21 Innocence Meant to Be Why Don’t We All Dance this Way? Sibling Rivalry Will Tyas 46–47 Emily Harrison 22–23 Illinois I Can’t Sleep Specular ‘Cause My Bed’s on Fire Harry Wilson 48–49 T-Cut Light/Gold Dillon Leet 24–25 White Cliff Country The Accident Antosh Wojcik 50–51 Thank You Letter Living in the Ozone Layer with Lana Masterson 26–27 Major Tom After He Lost Ground Control Lost Generation The Novelty of Flying has a Strange Odour Kiran Millwood Hargrave 28–29 Dulcet Cover image: Amaal Said Golden Shovel Courtesy of Susana Sanroman, Barbican 2014. -
Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
1 Bouilloire À Eau (Tetsubin) De Forme Cylindrique Décorée D’Un Dragon Et De Nuages En Relief
1 Bouilloire à eau (tetsubin) de forme cylindrique décorée d’un dragon et de nuages en relief. Période Meiji – Taisho. H. : 17 cm; l. : 14 cm. 150 - 180 € Round cylindrical iron water-kettle (tetsubin) decorated with a dragon with clouds relief. Meiji - Taisho Period. 2 Bouilloire à eau en métal de forme plate et arrondie (tetsubin). Avec une anse fixe et un motif en bas-relief figurant des chevaux. Le couvercle arbore une poignée en forme de pomme de pin. Période Meiji. H. : 22,5 cm; D. : 21 cm. 250 - 350 € Round flat iron water-kettle (tetsubin) with a fixed handle and decorated in low relief with horses. The lid has a pine-cone shaped knob. Meiji period. 3 Bouilloire à eau (tetsubin) de forme globulaire. Motifs en relief à picots (arare). Le couvercle de cuivre affiche sur l’intérieur la marque Ryûbundô. Période Meiji. l. : 17,5 cm; D. : 16,5 cm 280 - 320 € Globular iron water-kettle (tetsubin) decorated with hailstone (arare) motive. Copper lid marked at the inside Ryûbundô. Meiji Period. 4 Bouilloire à eau (tetsubin) en métal de forme ronde. Motifs en relief à picots (arare). Période Meiji – Taisho. l. : 20 cm; D. : 14 cm. 200 - 250 € Round iron water-kettle (tetsubin) decorated with hailstone (arare) motive. Meiji - Taisho Period. 5 Bouilloire à eau en métal (tetsubin). L’objet arbore un couvercle et des anses en laiton et des décors en relief figurant des phénix. Période Meiji – Taisho. l. : 19 cm; D. : 15 cm. 350 - 450 € Iron water-kettle (testubin) with brass lid and handle and decorated with a relief of phoenixes. -
Leca, Radu (2015) the Backward Glance : Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary Between 1673 and 1704
Leca, Radu (2015) The backward glance : concepts of ‘outside’ and ‘other’ in the Japanese spatial imaginary between 1673 and 1704. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/23673 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. The Backward Glance: Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary between 1673 and 1704 Radu Leca Thesis submitted for the degree of PhD 2015 Department of the History of Art and Archaeology SOAS, University of London 1 Declaration I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
Japonica Humboldtiana 8 (2004)
JAPONICA HUMBOLDTIANA 8 (2004) Contents MARKUS RÜTTERMANN Ein japanischer Briefsteller aus dem ‘Tempel zu den hohen Bergen’ Übersetzung und Kommentar einer Heian-zeitlichen Handschrift (sogenanntes Kôzanjibon koôrai). Zweiter und letzter Teil ............ 5 GERHILD ENDRESS Ranglisten für die Regierungsbeamten des Hofadels Ein textkritischer Bericht über das Kugyô bunin ............................. 83 STEPHAN KÖHN Alles eine Frage des Geschmacks Vom unterschiedlichen Stellenwert der Illustration in den vormodernen Literaturen Ost- und Westjapans .................... 113 HARALD SALOMON National Policy Films (kokusaku eiga) and Their Audiences New Developments in Research on Wartime Japanese Cinema.............................................................................. 161 KAYO ADACHI-RABE Der Kameramann Miyagawa Kazuo................................................ 177 Book Reviews SEPP LINHART Edo bunko. Die Edo Bibliothek. Ausführlich annotierte Bibliographie der Blockdruckbücher im Besitz der Japanologie der J. W. Goethe-Universität Frankfurt am Main als kleine Bücherkunde und Einführung in die Verlagskultur der Edo-Zeit Herausgegeben von Ekkehard MAY u.a............................................ 215 4 Contents REGINE MATHIAS Zur Diskussion um die “richtige” Geschichte Japans Steffi RICHTER und Wolfgang HÖPKEN (Hg.): Vergangenheit im Gesellschaftskonflikt. Ein Historikerstreit in Japan; Christopher BARNARD: Language, Ideology, and Japanese History Textbooks ........................................................................... -
Shigisan Engi Shigisan Engi Overview
Shigisan engi Shigisan engi Overview I. The Shigisan engi or Legends of the Temple on Mount Shigi consists of three handscrolls. Scroll 1 is commonly called “The Flying Granary,” Scroll 2 “The Exorcism of the Engi Emperor,” and Scroll 3 “The Story of the Nun.” These scrolls are a pictorial presentation of three legends handed down among the common people. These legends appear under the title “Shinano no kuni no hijiri no koto” (The Sage of Shinano Province) in both the Uji sh¯ui monogatari (Tales from Uji) and the Umezawa version of the Kohon setsuwash¯u (Collection of Ancient Legends). Since these two versions of the legends are quite similar, one is assumed to be based on the other. The Kohon setsuwash¯u ver- sion is written largely in kana, the phonetic script, with few Chinese characters and is very close to the text of the Shigisan engi handscrolls. Thus, it seems likely that there is a deep connection between the Shigisan engi and the Kohon setsuwash¯u; one was probably the basis for the other. “The Flying Granary,” Scroll 1 of the Shigisan engi, lacks the textual portion, which has probably been lost. As that suggests, the Shigisan engi have not come down to us in their original form. The Shigisan Ch¯ogosonshiji Temple owns the Shigisan engi, and the lid of the box in which the scrolls were stored lists two other documents, the Taishigun no maki (Army of Prince Sh¯otoku-taishi) and notes to that scroll, in addition to the titles of the three scrolls. -
Supernatural Elements in No Drama Setsuico
SUPERNATURAL ELEMENTS IN NO DRAMA \ SETSUICO ITO ProQuest Number: 10731611 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731611 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Supernatural Elements in No Drama Abstract One of the most neglected areas of research in the field of NS drama is its use of supernatural elements, in particular the calling up of the spirit or ghost of a dead person which is found in a large number (more than half) of the No plays at present performed* In these 'spirit plays', the summoning of the spirit is typically done by a travelling priest (the waki)* He meets a local person (the mae-shite) who tells him the story for which the place is famous and then reappears in the second half of the.play.as the main person in the story( the nochi-shite ), now long since dead. This thesis sets out to show something of the circumstances from which this unique form of drama v/as developed. -
University of Nevada, Reno American Shinto Community of Practice
University of Nevada, Reno American Shinto Community of Practice: Community formation outside original context A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology By Craig E. Rodrigue Jr. Dr. Erin E. Stiles/Thesis Advisor May, 2017 THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by CRAIG E. RODRIGUE JR. Entitled American Shinto Community Of Practice: Community Formation Outside Original Context be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Erin E. Stiles, Advisor Jenanne K. Ferguson, Committee Member Meredith Oda, Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School May, 2017 i Abstract Shinto is a native Japanese religion with a history that goes back thousands of years. Because of its close ties to Japanese culture, and Shinto’s strong emphasis on place in its practice, it does not seem to be the kind of religion that would migrate to other areas of the world and convert new practitioners. However, not only are there examples of Shinto being practiced outside of Japan, the people doing the practice are not always of Japanese heritage. The Tsubaki Grand Shrine of America is one of the only fully functional Shinto shrines in the United States and is run by the first non-Japanese Shinto priest. This thesis looks at the community of practice that surrounds this American shrine and examines how membership is negotiated through action. There are three main practices that form the larger community: language use, rituals, and Aikido. Through participation in these activities members engage with an American Shinto community of practice. -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
Title Enhanced Tradition Sub Title Author Sokol, Wilhelmine Edna
Title Enhanced tradition Sub Title Author Sokol, Wilhelmine Edna Kunze, Kai Publisher 慶應義塾大学大学院メディアデザイン研究科 Publication year 2015 Jtitle Abstract Notes Genre Thesis or Dissertation URL http://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=KO40001001-00002015 -0457 Powered by TCPDF (www.tcpdf.org) Master’s Thesis Academic Year 2016 Enhanced Tradition Graduate School of Media Design, Keio University Wilhelmine Edna Sokol AMaster’sThesis submitted to Graduate School of Media Design, Keio University in partial fulfillment of the requirements for the degree of MASTER of Media Design Wilhelmine Edna Sokol Thesis Committee: Associate Professor Kai Kunze (Supervisor) Professor Masahiko Inami (Co-supervisor) Professor Ichiya Nakamura (Member) Abstract of Master’s Thesis of Academic Year 2016 Enhanced Tradition Category: Design Summary Nowadays, people of this generation seem to be slowly loosing interest in tradi- tional culture of their own country. By focusing on future and possibilities o↵ered by technological advancements and following popular culture is how most people connect with each other. Tradition, expressed by both customs and objects is not something people put much thought in their everyday lives. When unification of everyday culture seems to be the leading trend, by forgetting about traditions countries, ethnic groups, etc. face the real danger of loosing their cultural iden- tity and uniqueness. While museums and galleries do wonderful job of preserving tradition, the best way to preserve it is to find a way to make it again interesting and valuable for younger generations and functional in everyday life. The purpose of this research is to establish a new path in design that combines modern interactive design with traditional wearable artifacts in a natural way. -
Introduction This Exhibition Celebrates the Spectacular Artistic Tradition
Introduction This exhibition celebrates the spectacular artistic tradition inspired by The Tale of Genji, a monument of world literature created in the early eleventh century, and traces the evolution and reception of its imagery through the following ten centuries. The author, the noblewoman Murasaki Shikibu, centered her narrative on the “radiant Genji” (hikaru Genji), the son of an emperor who is demoted to commoner status and is therefore disqualified from ever ascending the throne. With an insatiable desire to recover his lost standing, Genji seeks out countless amorous encounters with women who might help him revive his imperial lineage. Readers have long reveled in the amusing accounts of Genji’s romantic liaisons and in the dazzling descriptions of the courtly splendor of the Heian period (794–1185). The tale has been equally appreciated, however, as social and political commentary, aesthetic theory, Buddhist philosophy, a behavioral guide, and a source of insight into human nature. Offering much more than romance, The Tale of Genji proved meaningful not only for men and women of the aristocracy but also for Buddhist adherents and institutions, military leaders and their families, and merchants and townspeople. The galleries that follow present the full spectrum of Genji-related works of art created for diverse patrons by the most accomplished Japanese artists of the past millennium. The exhibition also sheds new light on the tale’s author and her female characters, and on the women readers, artists, calligraphers, and commentators who played a crucial role in ensuring the continued relevance of this classic text. The manuscripts, paintings, calligraphy, and decorative arts on display demonstrate sophisticated and surprising interpretations of the story that promise to enrich our understanding of Murasaki’s tale today.