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DJ Skills the Rise of the Hip-Hop DJ 3
The Rise of the Hip-Hop DJ 1 74 The Rise of The Hip-hop DJ DJs were Hip-hop’s original architects, and remain crucial to its contin- ued development. Hip-hop is more than a style of music; it’s a culture. As with any culture, there are various artistic expressions of Hip-hop, the four principal expressions being: • visual art (graffiti) • dance (breaking, rocking, locking, and popping, collectively known in the media as “break dancing”) • literature (rap lyrics and slam poetry) • music (DJing and turntablism) Unlike the European Renaissance or the Ming Dynasty, Hip-hop is a culture that is very much alive and still evolving. Some argue that Hip-hop is the most influential cultural movement in history, point- ing to the globalization of Hip-hop music, fashion, and other forms of expression. Style has always been at the forefront of Hip-hop. Improvisation is called free styling, whether in rap, turntablism, breaking, or graf- fiti writing. Since everyone is using the essentially same tools (spray paint for graffiti writers, microphones for rappers and beat boxers, their bodies for dancers, and two turntables with a mixer for DJs), it’s the artists’ personal styles that set them apart. It’s no coincidence that two of the most authentic movies about the genesis of the move- ment are titled Wild Style and Style Wars. There are also many styles of writing the word “Hip-hop.” The mainstream media most often oscillates between “hip-hop” and “hip hop.” The Hiphop Archive at Harvard writes “Hiphop” as one word, 2 DJ Skills The Rise of the Hip-Hop DJ 3 with a capital H, embracing KRS-ONE’s line of reasoning that “Hiphop Kool DJ Herc is a culture with its own foundation narrative, history, natives, and 7 In 1955 in Jamaica, a young woman from the parish of Saint Mary mission.” After a great deal of input from many people in the Hip-hop community, I’ve decided to capitalize the word but keep the hyphen, gave birth to a son who would become the father of Hip-hop. -
Story by Rhiannon Kirkland, Illustrations by Jen Grond Editorial and Letters Editor-In-Chief: Cam Cotton-O’Brien 220-7752 [email protected]
81,9(56,7<2)&$/*$5< 92/80( _ ,668( 12 _ -81( _ I WWANTANT OOUTUT hen Josh Stieber to separate out the people he was supposed to 5,000 miles by foot and bicycle, and expects was deployed in be fi ghting from civilians. to take eight months. February 2007 as “You don’t know who’s going to attack you “If I’m saying the military is the wrong way a part of the surge and a lot of times, when you get hit or attacked, to solve problems, then I need to show what in Iraq, he was un- you don’t even see who did it,” said Stieber. the right answer is,” he said. “So this trip is aware that what he “Oft en times you end up attacking and hurting about visiting a lot of diff erent organizations Wwas going to experience would change who the people who had nothing to do with it. that focus on bringing people together and he was and how he saw the world. He came “I learned a lot more about people and being proactive and dedicated to solving back transformed, an advocate of non-vio- that it doesn’t matter what country you’re problems in the world non-violently.” lence and opposed to the surge he had been from or if you have a uniform on or not, it’s As Stieber travels across the U.S., he plans a part of. about how you treat people,” he continued. to showcase 12 charitable organizations. He Stieber joined the U.S. -
BEST of 2011 – OUR FAVOURITE ALBUMS of the YEAR 1317 Commercial Drive Vancouver, BC Tel: 604-251-6964 Email: [email protected] Web: Highlifeworld.Com
HIGHLIFE Donec Egestas Scelerisque WORLD dolor: MUSIC BEST OF 2011 – OUR FAVOURITE ALBUMS OF THE YEAR 1317 Commercial Drive Vancouver, BC tel: 604-251-6964 email: [email protected] web: highlifeworld.com BEST OF 2011 BOMBINO Agadez Niger From the Saharan sands of Niger comes this recording by the brilliant guitarist/vocalist Bombino, who manages to create a distinctive desert blues style with echoes of both Ali Farka Toure and Tinariwen. An essential recording! TOM WAITS Bad As Me USA Gravelly-voiced poet and musical maverick Tom Waits returns with this strong batch of rocking blues stompers and tender ballads, joined by the likes of Keith Richards, Marc Ribot and David Hidalgo. Beginning with a train journey north to Chicago and ending in a bar on New Year’s eve (singing ‘Auld Lang Syne’ no less) this is a trip worth taking. Highly recommended! KIRAN AHLUWALIA Aam Zameen: Common Ground Canada Indo-Canadian vocalist Kiran Ahluwalia, known for her beautifully updated Ghazal music, this time does some continent hopping as she collaborates with desert blues sensations Tinariwen and Terakaft. From the opening take on Nusrat Fateh Ali Khan’s classic ‘Mustt Mustt’, propelled by handclaps and call and response vocals, we are in for an exciting cross-cultural musical feast. WILCO The Whole Love USA The 8th release by Jeff Tweedy and cohorts impressively reprises the various musical inclinations of this effortlessly creative group. From the off-kilter whirlwind of the opener to the epic beauty of the 12 minute closer, this is an album by a band at the top of their game. -
Hanfparade 2009 Auf Seite 6
#107 kostenlos unabhängig, überparteilich, legal HanfJournal.de / Ausgabe 08.09 + Cannabis und Schizophrenie ist ein Thema, das immer wieder Wel- Massagen, Moskitos und Marihuana - Freut euch auf len schlägt. Zum Glück haben wir den Franjo, der euch über diese den zweiten Teil des spannend-eindrucksvollen Er- "zwiespältige Beziehung" auf Seite 4 aufklärt ... lebnisberichts "Laos - Eine Fahrt auf dem Mekong" Hanfparade 2009 auf Seite 6 ... Für eine freie Wahl & 2 news 5 guerilla growing 6 anderswo 8 wirtschaft 9 cooltour 12 fun action Am 1. August 2009 werden zum 13. Mal im Rahmen der Hanfparade Menschen auf die Straße gehen, um für die längst überfällige Cannabislegalisierung zu demonstrie- ren. Nach dem Start am Berliner Fernsehturm wird die Hanf- parade 2009 über die Karl-Liebknecht-Straße, die Span- Bitte ausziehen! dauer Straße über die Spandauer Brücke in die Oranien- burger Straße ziehen. Von dort wird es weiter durch die Kontrollierte Lebensqualität Text: Michael Knodt Friedrichstraße in die Reinhardstraße bis zur Spree gehen, dann entlang des nördlichen Spreeufers vorbei an der n Heidelberg (Juni 2009) und anderen süddeut- Südseite des Hauptbahnhofs und über die Willy-Brandt- schen Städten werden an Wochenenden ein- Straße in den Spreebogen. Von dort führt der Weg vorbei facheI Passanten gefilzt, die ins Zielgruppenbild der an der Schweizer Botschaft, dem Bundeskanzleramt, dem Polizei passen, in Hamburg (Juli 2009) und Han- Reichstag und dem Brandenburger Tor zum Ziel, der Stra- nover (Oktober 2008) werden mehrere Tausend ße des 17. Juni. BürgerInnen in Augenschein genommen, um Wenn Du Dich von doppelmoralischen Gesundheitsa- dann bei Anfangsverdacht in einer extra heran- posteln und verlogenen Politikern Deine Selbstbestim- gekarrten Kabine bis auf die Unterhose ausgezo- mung nicht nehmen lassen willst und von den Verant- gen zu werden. -
Dossier De Presse
Dossier de Presse POÉSIE MARSEILLE 2009 6ème FÉSTIVAL DE POÉSIE ET DE PERFORMANCE du 20 au 24 octobre 2009 organisé par l’association Poésie Marseille 43, rue Fort-Notre-Dame, 13001 Marseille, FRANCE www.poesie-marseille.net tél : 04.91.33.95.01 ou 04.91.92.83.96 fax : 04.91.33.95.01 avec le soutien de : la Ville de Marseille la Direction des Musées de Marseille le Conseil Général des Bouches du Rhône la Région Provence-Alpes-Côte d’Azur 1 POÉSIE MARSEILLE 2009 éme 6 FÉSTIVAL DE POÉSIE ET DE PERFORMANCE ÉDITO : Une édition comparable aux éditions précédentes : la poésie internationale présentée par les poètes eux-mêmes « en chair et en os » dans des cafés, des musées, des galeries, des librairies.... Comme en 2008, un programme inimaginable, des invités venus de partout et d’ici, des espaces en pleine expansion... Là se succéderont encore les poètes des 2 mers et des 3 océans avec un enthousiasme, leur force et leur voix, leur geste, leur déplacement... Oui ! Cette poésie jadis contemporaine et toujours actuelle, cette poésie faite de cris, de murmures, de corps immobiles et agités, oui ! Cette poésie est devenue « classique »! J.B. INTERVENANTS LIEUX Étranger [mac] Musée d’Art Contemporain Seiji Shimoda (Japon) Enzo Minarelli (Italie) Alain Arias-Misson (U.S.A.) Chapelle de la Vieille Charité Diana Chaumontet (Belgique) Jérome Rothenberg (U.S.A.) Galerie Jean-François Meyer Françoise Rod (Suisse) & (devant le départ du Ferry-boat) France Jean-François Bory Librairie Histoire de l’Œil Joachim Montessuis Michel Giroud Magali Brien Restaurant de la Friche de la Belle de Mai Black Sichi d’ici Librairie Le lièvre de Mars Florence Pazzottu Marina Mars Librairie l’Odeur du temps Éric Giraud Dorothée Volut Claude Ber Musée Cantini 2 au MAC un TRi soirée de clôture de l’exposition de Julien Blaine & soirée inaugurale de Poésie Marseille 2009 Joachim Montessuis Joachim Montessuis développe depuis 1993 une pratique transdisciplinaire ouverte entre art sonore, poésie sonore, performance, nouveaux médias, installations interactives et activisme. -
Télécharger Le
la mê r m u e s EIFFEL emporté par la foule ZenZile, SucceSS, Syrano, aerôflôt, abSynthe Minded, PhiliPPe Petit, SleePPerS… n°64 . ÉtÉ 2012 GRATUIT sommaire #64 4 coup d’envoi Été 2012 Avec Pas d’Casque, Daria, Lonely Drifter Karen, Egyptology, David Carroll, Von Pariahs 100.000 exemplaires France - Québec - Belgique - Suisse 11 coup de chapeau Philippe Petit, Absynthe Minded 14 coup d’éclat Success, Aerôflôt, Sleeppers édito 20 coup de maître Syrano, Zenzile Comment te dire ? 26 d’un coup d’aile Dans ta prime enfance, quand tu as fais connaissance avec Le Luxembourg nous, il a fallu que tu nous apprivoises, que te t’imprègnes de nous, que tu te familiarises. Bon, c’est vrai, il faut le reconnaî- 30 coup de foudre tre, nous sommes complexes et difficiles à saisir au premier Eiffel abord. Mais une fois assimilés un minimum, regarde comme ta vie a changé ! Nous sommes devenus le lien indissociable entre toi et les autres. Sans nous, le monde te serait incompréhensi- 37 enquête ble, alors ne nous malmène pas, respecte-nous. Les multiples voies de Un peu plus tard, dans les moments où l’amour pointait son l’indépendance nez, tu nous cherchais, mais tu ne nous trouvais pas. Nous ob- servions, nous attendions, mais nous ne venions pas… Bien que 42 festivals depuis très longtemps, toi et tes ancêtres nous répertorient et nous classent, il est parfois difficile de nous faire venir quand 45 initiative(s) on ne veut pas sortir… Prix Musiques de l’Océan Indien La vie passant, tu as fini par nous maîtriser totalement. -
Ohmega Watts, and Continues to Challenge the Expectations of What a Rap Album Could Be
While the eclecticism of his debut album The Find won him many fans, Watts Happening pushes the envelope to reveal even more about MC and producer Ohmega Watts, and continues to challenge the expectations of what a rap album could be. The record includes collaborations with OHMEGA WATTS - WATTS HAPPENING lauded Philly-based MC/producer Jneiro Jarel, and up FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 10/09/2007 n’coming Brazilian vocalist Tita Lima who appears on the DJ-friendly Brazilian-tinged excursion “Adaptacao.” Watts wrote “Are You Satisfied” for Bay Area blues n’funkstress, and one of James Brown’s favorite female vocalists Sugarpie Desanto, inspired by recent losses she suffered in a tragic fire at her Oakland home. London instrumentalist, and label mate, Shawn Lee also provides some key sounds from his over-stocked studio. The album includes features from favorite Watts cohorts like the Lightheaded crew, Triple Grip and Theory Hazit. Ohmega Watts has a wide-eyed, all-encompassing, set of musical influences that range from the more obvious soul and funk tunes, to being a big fan of Stereolab and Broadcast, and psychedelic Brazilian sounds, to music by UK producers like Quantic and Mr Scruff. As such Watts Happening follows on from his debut album, The Find, exploring and presenting a multitude of beats, rhythms, and styles. With The Find he threaded these sounds together for the first time and his popularity grew organically from a virtually-unknown MC to one who has performed all over the USA including dates like Lollapalooza and Bumbershoot with Lyrics Born and The Greyboy Allstars. -
Opportunities for Affordable Construction in Uganda Using Locally Available Materials by Herbert Mwesigye Nuwagaba B.S
Opportunities for Affordable Construction in Uganda using Locally Available Materials By Herbert Mwesigye Nuwagaba B.S. Civil Engineering University of Illinois at Chicago, 2019 SUBMITTED TO THE DEPARTMENT OF CIVIL AND ENVIRONMENTAL ENGINEERING IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ENGINEERING IN CIVIL AND ENVIRONMENTAL ENGINEERING AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY May 2020 © 2020 Herbert Mwesigye Nuwagaba. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: ………………………………………………………………………………. Herbert Mwesigye Nuwagaba Department of Civil and Environmental Engineering May 8, 2020 Certified by: ……………………………………………………………………………………….. Caitlin T. Mueller Ford International Career Development Professor Associate Professor of Civil and Environmental Engineering and Architecture Thesis Supervisor Accepted by: ………………………………………………………………………………………. Colette L. Heald Professor of Civil and Environmental Engineering Chair, Graduate Program Committee 2 Opportunities for Affordable Construction in Uganda using Locally Available Materials By Herbert Mwesigye Nuwagaba Submitted to the Department Of Civil and Environmental Engineering on May 8th, 2020 in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Structural Mechanics and Design. Abstract Uganda, like many other countries in the Global South, is in dire need of affordable housing. According to the 2017 Uganda National Household Survey, the number of poor Ugandans increased from 6.6 million in 2012/13 to 10 million in 2017 (Twinoburyo 2018). Uganda’s population growth is also the fourth highest in the world (The World Bank Group 2018). With the cost of manufacturing and purchasing construction materials like cement increasing due to scarcity of raw materials (Kamukama 2018), many Ugandans are unable to afford to construct homes. -
International Dimensions of Organizational Behavior
INTERNATIONAL DIMENSIONS OF ORGANIZATIONAL BEHAVIOR FIFTH EDITION NANCY J. ADLER McGill University with ALLISON GUNDERSEN Case Western Reserve University International Dimensions of Organizational Behavior, Fifth Edition by Nancy J.Adler with Allison Gundersen VP/Editorial Director: Manager, Editorial Media: Senior Art Director: Jack W. Calhoun John Barans Tippy Mclntosh Editor-in-Chief: Technology Project Manager: Internal Design: Melissa S.Acuña Kristen Meere Patti Hudepohl Senior Acquisitions Editor: Associate Content Project Cover Art: Michele Rhoades Manager: Global Rose Joanna Grote Nancy J. Adler Marketing Manager: Clint Kernen Senior Frontlist Buyer: Printer: Doug Wilke West Senior Marketing Manager: Eagan, MN Kimberly Kanakes Production House: Graphic World Inc. Senior Marketing Communications Manager: Jim Overly COPYRIGHT © 2008, 2002 ALL RIGHTS RESERVED. Library of Congress Control Thomson South-Western, a part No part of this work covered by Number: 2007928990 of The Thomson Corporation. the copyright hereon may be Thomson, the Star logo, and reproduced or used in any form South-Western are trademarks or by any means—graphic, For more information about used herein under license. electronic, or mechanical, our products, contact us at: including photocopying, record- Thomson Learning Printed in the United States ing, taping,Web distribution Academic Resource Center of America or information storage and 1234510090807 retrieval systems, or in any other 1-800-423-0563 manner—without the written Student Edition ISBN 13: permission of the publisher. 978-0-324-36074-5 Thomson Higher Education Student Edition ISBN 10: For permission to use material 5191 Natorp Boulevard 0-324-36074-6 from this text or product, Mason, OH 45040 submit a request online at USA http://www.thomsonrights.com. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
English Version
dDamage Title: Shimmy Shimmy Blade Label: Tsunami-Addiction Release date: 6 Novembre 2006 Distribution: Discograph Both Hanak brothers, known under the name of dDamage, play an indescribable electronic music, violent and melodic at the same time, juggling with hip-hop beats, riffs of guitars and heat of analog synths. With tended flow, their music lets appear a rare sensitivity, skilfully camouflaged behind intense “boom tchack” of modern cruelty. After two long years of intense work, these terrible children of the electronic music bring out again from the studios with a fortnight tracks, on which are invited the crême of the independent hip-hop scene. We can find Bigg Jus there (former member of the legendary new Yorkean band Company Flow) and his comparse Orko Eloheim (NMS / Project Blowed) for two on-vitaminized tracks, overloaded of intergalactic synths. Dose One, leader of the bands Subtle and Clouddead, makes his appearance beside the emblematic figures of French hip hop,TTC , in an opera of digital maths-rock. Mike Ladd rewards us with a featuring full of rapologic brick breakage, botching the walls of samples with blows of punchlines with a detonating force. We can also see Tes (Lex Records), feeling at ease on dynamic rock’ n roll, then teletransported in Zapp&Rogers’ talk-box. Also Crunc Tesla, Atlanta’s crunky south based rapper, posing his flow in a war of synthetic violins and vibrating basses. Or Stacs of Stamina, in an exercise of zigzag where the beats take sometimes the shape of anti-personal mines. dDamage leaves then rifles to pump, on the explosive “S.I.N.” track, where the dance is carried out by the rapper Sin, Sizzerb member affiliated with the new Yorkean scene Dipset/Diplomats. -
En Gironde / N°52 / Été 09 / Gratuit /// in C L U S L E S U P P L É M E N T Ga R D E N Ne F Pa R T Y 2009
/// 1969, UN JU KEBOX /// CHRISTOPHE DAVY /// BLAYE : 20 ANS D E CHANTIERS -THÉÂTRE /// MAR C DÉ M EREA U /// CHRISTOPHE HU TIN /// KI D BO M BAR D OS /// DI D IER ARNA ud ET /// TR ud Y BOLTER La clé des champs urbains en Gironde / n°52 / Été 09 / Gratuit /// INCLUS LE SUPPLÉMENT GARDEN NEF PARTY 2009 LA MATIÈRE ET L’ESPRIT DEMANDER PARDON Il est dommage que demander pardon soit rarement une démarche sincère. Elle masque en général la proclamation de sa propre innocence et le refus de la sanction. Ainsi, le petit pardon, lâché dans une bousculade, où le mot prétend suffire à faire disparaître l’affront. Ou encore la contrition de l’enfant fautif voire celle du criminel dont les demandes effectuées tête baissée et bouche déconfite équivalent à réduction de peine ou droit de récidive. C’est en effet tout bénéfice pour le coupable que de tirer le pardon vers le juridique et de voir en lui le début de la réparation et du non-lieu. Mais pardonner n’est pas légal, pardon n’est pas réparation. Celui-ci n’a rien à voir avec la mesure d’une faute et n’a pas pour fonction première de l’annuler ou d’en réduire l’importance. Au contraire, demander pardon, c’est d’abord demander la reconnaissance pleine et entière de sa faute, accepter d’en être l’auteur et d’en payer la juste sanction. C’est à partir de là que l’on pourra recevoir le pardon, comme un don, un surplus imprévu qui dépasse la faute en lui retirant sa fatalité.