Chemistry 2A Lab Manual Standard Operating Procedures Winter Quarter 2020
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Regimes of Truth in the X-Files
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
Cómo Citar El Artículo Número Completo Más Información Del
Anagramas -Rumbos y sentidos de la comunicación- ISSN: 1692-2522 Sello Editorial - Universidad de Medellín Nitrihual-Valdebenito, Luis; Fierro-Bustos, Juan Manuel; Reyes-Velásquez, Carlos; Henríquez-Morales, Francisco Conspiración y nuda vida ¿The X-Files, I want to believe: mundo posible o mundo presente?* Anagramas -Rumbos y sentidos de la comunicación-, vol. 16, núm. 31, 2017, Septiembre-Diciembre, pp. 91-112 Sello Editorial - Universidad de Medellín DOI: https://doi.org/10.22395/angr.v16n31a3 Disponible en: https://www.redalyc.org/articulo.oa?id=491555087004 Cómo citar el artículo Número completo Sistema de Información Científica Redalyc Más información del artículo Red de Revistas Científicas de América Latina y el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Universidad de Medellín Conspiración y nuda vida ¿The X-Files, I want to believe: mundo posible o mundo presente?* Luis Nitrihual Valdebenito** Juan Manuel Fierro Bustos*** Carlos Reyes Velásquez**** Francisco Henríquez Morales***** Recibido: 2017-04-22 Enviado a pares: 2017-05-25 Aprobado por pares: 2017-07-18 Aceptado: 2017-07-25 DOI: 10.22395/angr.v16n31a3 Resumen El presente artículo problematiza, en general, la conspiración como una estructura política y narrativa fundamental de la Modernidad. A través de un análisis fílmico de la serie The X-Files, I want to believe, planteamos como objetivo revelar como el tópico de la conspiración, en un nivel superficial, es un articulador de la trama de la serie, pero en un nivel profundo y amplio entendemos la conspiración como una estrategia articuladora de la vida moderna y, en este marco, del control biopolítico. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
GENERAL CHEMISTRY 101 LABORATORY MANUAL an Inquiry Approach Through an Environmental Awareness
East Los Angeles College Department of Chemistry GENERAL CHEMISTRY 101 LABORATORY MANUAL An Inquiry Approach through an Environmental Awareness The following laboratories have been compiled and adapted by Alan Khuu, M.S. & Armando Rivera, Ph.D. 1 Table of Contents I. Chemical Safety in the Laboratory ............................................................. 4 II. Green Chemistry Twelve (12) Principles of EPA Green Chemistry ........................................ 7 III. Unit 1 Water ............................................................................................................. 9 IV. Experiment 2 Water Analysis ............................................................................................ 18 V. Experiment 3 Methods of Evaporation and Filtration Used to Separate Mixtures ..................................................................................................... 29 VI. Unit 2 Waste and Recycling.................................................................................... 34 VII. Experiment 4 Waste and Recycling of Aluminum ............................................................ 39 VIII. Experiment 5 Identification of an Unknown Compound Through Mass Correlations ................................................................................................ 46 IX. Experiment 6 Classifying Chemical Reactions Through Copper Reactions ................... 50 X. Experiment 7 Using Titration to Verify the Chemical Formula of Calcium Hydroxide .................................................................................................. -
Chemistry 2A Lab Manual Standard Operating Procedures Fall Quarter 2017
Chemistry 2A Lab Manual Standard Operating Procedures Fall Quarter 2017 Department of Chemistry University of California - Davis Davis, CA 95616 Student Name Locker # Laboratory Information Teaching Assistant’s Name Laboratory Section Number Laboratory Room Number Dispensary Room Number 1060 Sciences Lab Building Location of Safety Equipment Nearest to Your Laboratory Safety Shower Eye Wash Fountain Fire Extinguisher Fire Alarm Safety Chemicals Revision Date 08/31/2017 Preface Chemistry is an experimental science. Thus, it is important that students of chemistry do experiments in the laboratory to more fully understand that the theories they study in lecture and in their textbook are developed from the critical evaluation of experimental data. The laboratory can also aid the student in the study of the science by clearly illustrating the principles and concepts involved. Finally, laboratory experimentation allows students the opportunity to develop techniques and other manipulative skills that students of science must master. The faculty of the Chemistry Department at UC Davis clearly understands the importance of laboratory work in the study of chemistry. The Department is committed to this component of your education and hopes that you will take full advantage of this opportunity to explore the science of chemistry. A unique aspect of this laboratory program is that a concerted effort has been made to use environmentally less toxic or non-toxic materials in these experiments. This was not only done to protect students but also to lessen the impact of this program upon the environment. This commitment to the environment has presented an enormous challenge, as many traditional experiments could not be used due to the negative impact of the chemicals involved. -
November 2001
April 2007 Volume 8, Issue No 2 ISSN 1109-4028 Pages 105 – 273 Chemistry Education Research and Practice Published quarterly by The Royal Society of Chemistry Chemistry Education Research and Practice April 2007 Volume 8, Issue no 2 ISSN 1109-4028 Pages 105-273 This is a themed issue on Experiments and the Laboratory in Chemistry Education. Guest editors: Avi Hofstein and Rachel Mamlok-Naaman Contents Papers The laboratory in science education: the state of the art.........................................105-107 Avi Hofstein and Rachel Mamlok-Naaman A lesson plan on ‘methods of separating matter’ based on the Learning Company Approach – A motivating frame for self-regulated and open lab-work in introductory secondary chemistry lessons.......................................................................................108-119 Torsten Witteck, Bettina Most, Stephan Kienast and Ingo Eilks The project CHEMOL: Science education for children – Teacher education for students!.................................................................................120-129 Mirjam Steffensky and Ilka Parchmann Developing practical chemistry skills by means of student-driven problem based learning mini-projects.................................................................................................130-139 Claire Mc Donnell, Christine O’Connor and Michael K Seery Students’ perceptions of when conceptual development occurs during laboratory instruction ....................................................................................................................140-152 -
Advanced Organic Chemistry Laboratory
Advanced organic chemistry Advanced organic chemistry Laboratory Bartosz Szyszko 1 Advanced organic chemistry Advanced organic chemistry – laboratory Description This course deals with laboratory techniques in organic chemistry laboratory. Upon successful completion of this course students will posess practical skills required for work in modern chemical laboratory. Website http://do.chem.uni.wroc.pl/przedmiot/Metody-Laboratoryjne-laboratorium-ChOrg2 Language English Prerequisites basic organic chemistry Time commitment 75 hours; introductory class (3 hours), 3 – 4 preparatory sessions (12 hours) and 7 regular sessions (60 hours) Learning objectives 1. Purification and drying organic solvents and reagents by distillation in an inert and moisture-free atmosphere. 2. Microscale synthesis. 3. Running a reaction for a long time (also under reflux). 4. Synthesis under moisture- and air-free condtions. 5. Running a reaction at low temperature. 6. Performing multi-step synthesis without isolation of the intemediates. 7. Isolation of the product from a mixture containing very reactive reagents. 8. Isolation of the product by distillation, crystallization and chromatography. 9. Using Schlenk line. Removing solvents with high vacuum. Performing a vacuum distillation (also fractional) and bulb-to- bulb distillation. Calendar and class meetings wednesday, 900-1400 class Date class date 0 (intro) 25 X 2017 6 20 XII 2017 1 (P) 8 XI 2017 7 3 I 2018 2 (P) 22 XI 2017 8 10 I 2018 3 (P) 29 XI 2017 9 17 I 2018 4 (P) 6 XII 2017 10 24 I 2018 5 13 XII 2017 (11) 31 I 2018 Instructor Dr. Bartosz Szyszko [email protected] office 1066 (1st floor, Biotechnology Department) phone no. -
The X Files: Entries on Meaning AXEL KRUSE
Sydney Studies The X Files: Entries on Meaning AXEL KRUSE ‘There’s a starman waiting in the sky’ (David Bowie, Starman) View metadata, citation and similar papers at core.ac.uk The X Files brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online The success of The X Files (1993- ) makes it one of the defining programs of a period of transition in which television moves towards a new range of commercial mega-media provided by global communication enterprises. As so many viewers are aware, the narrative basis for the series is that Special Agents Fox Mulder and Dana Scully work in the Violent Crimes section of the Federal Bureau of Investigation with the X Files, a set of fictional files about violent crimes which involve elements of the unknown and unexplainable. Strange mutations, madness, the paranormal, and aliens are linked under the general category of X, the unknown, with the effect that The X Files brings the unknown and the inhuman into the domestic site of prime time television. In addition, Mulder and Scully become increasingly involved with evidence that the world is threatened both by alien invasion and an international government conspiracy to keep people ignorant about what is happening. In that way The X Files defines itself in terms of news about millennial, end-of-the-world crisis at the same time as it contributes to a new stage of global authority for television as a medium for the definition and communication of meaning. Seeing the series in perspective involves questions about its appeal to millennial horror and its basis in American mainstream television and international corporate culture. -
The X-Files, I Want to Believe: Mundo Posible O Mundo Presente?*
Universidad de Medellín Conspiración y nuda vida ¿The X-Files, I want to believe: mundo posible o mundo presente?* Luis Nitrihual Valdebenito** Juan Manuel Fierro Bustos*** Carlos Reyes Velásquez**** Francisco Henríquez Morales***** Recibido: 2017-04-22 Enviado a pares: 2017-05-25 Aprobado por pares: 2017-07-18 Aceptado: 2017-07-25 DOI: 10.22395/angr.v16n31a3 Resumen El presente artículo problematiza, en general, la conspiración como una estructura política y narrativa fundamental de la Modernidad. A través de un análisis fílmico de la serie The X-Files, I want to believe, planteamos como objetivo revelar como el tópico de la conspiración, en un nivel superficial, es un articulador de la trama de la serie, pero en un nivel profundo y amplio entendemos la conspiración como una estrategia articuladora de la vida moderna y, en este marco, del control biopolítico. Así entonces, el artículo muestra cómo la estructura argumentativa de la serie propone tramas y personajes a través de los cuales el poder gubernamental interviene los cuerpos y el espacio, quita y permite la vida, distorsiona la realidad, informa y desinforma. Todo es parte de una estrategia global de confabulación y ocultamiento de la verdad. En conclusión, la serie de televisión permite observar los regímenes de hipervisibilidad e intervención de la máquina gubernamental actual y es, en esta medida, un punto de entrada para reconocer problemas sociales y políticos de total actualidad. Palabras clave: series de televisión; cine; conspiración; nuda vida; control; Archivos Secretos X; estado de excepción; biopolítica. * Artículo producto de los proyectos de investigación FONDECYT n.º 1141289 y FONDECYT n.º 1161253, PLU n.º 1110 y PLU n.º 120010 financiados por el Consejo Nacional de Ciencia y Tecnología. -
AP® Chemistry Acids and Bases
PROFESSIONAL DEVELOPMENT AP® Chemistry Acids and Bases Special Focus The College Board: Connecting Students to College Success The College Board is a not-for-profit membership association whose mission is to connect students to college success and opportunity. Founded in 1900, the association is composed of more than 5,400 schools, colleges, universities, and other educational organizations. Each year, the College Board serves seven million students and their parents, 23,000 high schools, and 3,500 colleges through major programs and services in college admissions, guidance, assessment, financial aid, enrollment, and teaching and learning. Among its best-known programs are the SAT®, the PSAT/NMSQT®, and the Advanced Placement Program® (AP®). The College Board is committed to the principles of excellence and equity, and that commitment is embodied in all of its programs, services, activities, and concerns. For further information, visit www.collegeboard.com. The College Board acknowledges all the third-party content that has been included in these materials and respects the intellectual property rights of others. If we have incorrectly attributed a source or overlooked a publisher, please contact us. Page 13, 18, 22, 23: Chemistry: Matter and it's Changes, 4th edition, by James Brady and Fred Senese, Copyright (c) 2003 by John Wiley & Sons, Inc. Reprinted with permission of John Wiley & Sons, Inc. Page 14, 15, 17: HILL/PETRUCCI/MCCREARY/PERRY, GENERAL CHEMISTRY, 4th edition, © 2005. Electronically reproduced by permission of Pearson Education, Inc., Upper Saddle River, New Jersey. Page 18, 19: BROWN, THEODORE E.; LEMAY, EUGENE; BURSTEN, BRUCE E, CHEMISTRY: THE CENTRAL SCIENCE, 10th edition, © 2006. -
The X Files: Entries on Meaning AXEL KRUSE
Sydney Studies The X Files: Entries on Meaning AXEL KRUSE ‘There’s a starman waiting in the sky’ (David Bowie, Starman) The X Files The success of The X Files (1993- ) makes it one of the defining programs of a period of transition in which television moves towards a new range of commercial mega-media provided by global communication enterprises. As so many viewers are aware, the narrative basis for the series is that Special Agents Fox Mulder and Dana Scully work in the Violent Crimes section of the Federal Bureau of Investigation with the X Files, a set of fictional files about violent crimes which involve elements of the unknown and unexplainable. Strange mutations, madness, the paranormal, and aliens are linked under the general category of X, the unknown, with the effect that The X Files brings the unknown and the inhuman into the domestic site of prime time television. In addition, Mulder and Scully become increasingly involved with evidence that the world is threatened both by alien invasion and an international government conspiracy to keep people ignorant about what is happening. In that way The X Files defines itself in terms of news about millennial, end-of-the-world crisis at the same time as it contributes to a new stage of global authority for television as a medium for the definition and communication of meaning. Seeing the series in perspective involves questions about its appeal to millennial horror and its basis in American mainstream television and international corporate culture. Prime Time Horror Chris Carter’s background and his development of the idea for The X Files are the starting point for the legend in the official 108 108 Sydney Studies and unofficial guides to the series.1 He completed a degree in journalism at California State University and worked first as an editor for Surfing magazine. -
The X-Files : Saison 1
The X-Files : Saison 1 • 1X79 - Nous ne sommes pas seuls (The X-Files : Pilot) : Les agents du FBI, Fox Mulder et Dana Scully, enquêtent sur leur premier dossier «non-classé», une série d’étranges décès que Mulder pense être liée à un enlèvement extraterrestre. Ecrit par Chris Carter – Dirigé par Robert Mandel • 1X1 - Gorge profonde (Deep throat) : Le conseil d’un indicateur très haut placé guide les agents sur la piste de pilotes d’essais mystérieusement disparus ; ils découvriront que le gouvernement tente probablement de dissimuler une zone où un OVNI se serait écrasé. Ecrit par Chris Carter – Dirigé par Daniel Sackheim • 1X2 - Compressions (Squeeze) : Mulder et Scully doivent arrêter Eugène Tooms – un tueur en série mutant qui peut se faufiler par les interstices les plus étroits et attaquer ses victimes. Ecrit par Glen Morgan et James Wong – Dirigé par Harry Longstreet • 1X3 - L’enlèvement (Conduit) : Alors que les agents enquêtent sur l’étrange disparition d’une adolescente, Mulder doit affronter ses sentiments vis-à-vis de l’enlèvement de sa sœur par les extraterrestres. Ecrit par Alex Gansa et Howard Gordon – Dirigé par Daniel Sackheim • 1X4 - Le diable du New Jersey (The Jersey devil) : Mulder et Scully enquêtent sur une série de meurtres attribuée à une créature légendaire, mi-homme, mi-bête. Ecrit par Chris Carter – Dirigé par Joe Napolitano • 1X5 - L’ombre de la mort (Shadows) : Mulder enquête avec Scully sur une série de meurtres étranges commis par une force inconnue. Mulder est persuadé d’être en présence d’un fantôme. Ecrit par Glen Morgan et James Wong – Dirigé par Michael Katleman • 1X6 - Un fantôme dans l’ordinateur (Ghost in the machine) : Mulder et Scully affrontent un ordinateur doté d’une intelligence artificielle et capable de tuer pour préserver son existence.