The X-Files : Saison 1
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The Complete X-Files Ebook
THE COMPLETE X-FILES PDF, EPUB, EBOOK Chris Knowles,Matt Hurwitz | 224 pages | 23 Sep 2016 | Titan Books Ltd | 9781785654336 | English | London, United Kingdom The Complete X-Files PDF Book In one of the most tongue in cheek, unusual episodes of the series, Scully consults with a Truman Capote-like novelist who wants to write "non- fiction science fiction" based around an unusual x-file, giving an outsider's perspective to a case. You may not need files for most quick fixes. It's an unnerving, calculating episode, where the mere appearance of Modell onscreen spells very bad thing. There's also a lot of heart in the episode, with Boyle portraying a sensitive, gruff loner dealing with the worst of curses. The episode seems to be heavily influenced by the works of H. Essentially, the episode is about the government using television signals to drive people to madness. This not only makes filing faster but makes it much easier to find documents afterward. An FBI manhunt ensues, with agents in pursuit of an antagonist that can alter their very perceptions of reality. The beauty of customizing your filing system this way is that it can always be further subdivided and organized if you need to. This grisly, nightmare-inducing episode about an inbred family of killers was so terrifying and controversial that Fox famously decreed that it would never be aired again after its initial broadcast prompted a flood of complaints from concerned viewers. I could stop at that as a reason to watch, but there's more. You may be able to find the same content in another format, or you may be able to find more information, at their web site. -
Regimes of Truth in the X-Files
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
1 Evolving Authorship, Developing Contexts: 'Life Lessons'
Notes 1 Evolving Authorship, Developing Contexts: ‘Life Lessons’ 1. This trajectory finds its seminal outlining in Caughie (1981a), being variously replicated in, for example, Lapsley and Westlake (1988: 105–28), Stoddart (1995), Crofts (1998), Gerstner (2003), Staiger (2003) and Wexman (2003). 2. Compare the oft-quoted words of Sarris: ‘The art of the cinema … is not so much what as how …. Auteur criticism is a reaction against sociological criticism that enthroned the what against the how …. The whole point of a meaningful style is that it unifies the what and the how into a personal state- ment’ (1968: 36). 3. For a fuller discussion of the conception of film authorship here described, see Grist (2000: 1–9). 4. While for this book New Hollywood Cinema properly refers only to this phase of filmmaking, the term has been used by some to designate ‘either something diametrically opposed to’ such filmmaking, ‘or some- thing inclusive of but much larger than it’ (Smith, M. 1998: 11). For the most influential alternative position regarding what he calls ‘the New Hollywood’, see Schatz (1993). For further discussion of the debates sur- rounding New Hollywood Cinema, see Kramer (1998), King (2002), Neale (2006) and King (2007). 5. ‘Star image’ is a concept coined by Richard Dyer in relation to film stars, but it can be extended to other filmmaking personnel. To wit: ‘A star image is made out of media texts that can be grouped together as promotion, publicity, films and commentaries/criticism’ (1979: 68). 6. See, for example, Grant (2000), or the conception of ‘post-auteurism’ out- lined and critically demonstrated in Verhoeven (2009). -
Cómo Citar El Artículo Número Completo Más Información Del
Anagramas -Rumbos y sentidos de la comunicación- ISSN: 1692-2522 Sello Editorial - Universidad de Medellín Nitrihual-Valdebenito, Luis; Fierro-Bustos, Juan Manuel; Reyes-Velásquez, Carlos; Henríquez-Morales, Francisco Conspiración y nuda vida ¿The X-Files, I want to believe: mundo posible o mundo presente?* Anagramas -Rumbos y sentidos de la comunicación-, vol. 16, núm. 31, 2017, Septiembre-Diciembre, pp. 91-112 Sello Editorial - Universidad de Medellín DOI: https://doi.org/10.22395/angr.v16n31a3 Disponible en: https://www.redalyc.org/articulo.oa?id=491555087004 Cómo citar el artículo Número completo Sistema de Información Científica Redalyc Más información del artículo Red de Revistas Científicas de América Latina y el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Universidad de Medellín Conspiración y nuda vida ¿The X-Files, I want to believe: mundo posible o mundo presente?* Luis Nitrihual Valdebenito** Juan Manuel Fierro Bustos*** Carlos Reyes Velásquez**** Francisco Henríquez Morales***** Recibido: 2017-04-22 Enviado a pares: 2017-05-25 Aprobado por pares: 2017-07-18 Aceptado: 2017-07-25 DOI: 10.22395/angr.v16n31a3 Resumen El presente artículo problematiza, en general, la conspiración como una estructura política y narrativa fundamental de la Modernidad. A través de un análisis fílmico de la serie The X-Files, I want to believe, planteamos como objetivo revelar como el tópico de la conspiración, en un nivel superficial, es un articulador de la trama de la serie, pero en un nivel profundo y amplio entendemos la conspiración como una estrategia articuladora de la vida moderna y, en este marco, del control biopolítico. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Ancillary Documentation Certain
C L A S S I F I E D Documentation Ancillary Documentation Preface Certain Revisions to Advanced F. B. I. Contents Introduction Regulations and Procedures Designed to Safeguard Rules Clarifications Errata the X - F I L E S Collectible Card Game Dossier in Optional Rules Play Tips the Absence of More Formal Administrative and Deck Construction Variants Card Lists Review Structures. Resources Credits Glossary Index This document references materials copyrighted by, and has not been endorsed by Twentieth Century Fox (the producers of The X- Files television show), NXT Games (the designers of the X-Files CCG) or United States Playing Card Company (the publisher of the X-)LOHV &&* , each of whom retains ownership of Last Updated: 12/6/99 Release 1.1 Page 1 their respective copyrights and trademarks. Document contents and design (c) 1999 Stephen David Wark, unless indicated otherwise. Preface This document compiles information related to the defunct X-Files Collectible Card Game (CCG) designed by NXT Games and published by the United States Playing Card Company, and was created for the following reasons: * To give the author an opportunity to practice interactive documentation design and development using Framemaker 5.5 and Adobe Acrobat 4.0. This document will form part of the author’s documentation portfolio. * To promote the X-Files CCG by improving its playability. The marvellous design at the core of this product was undermined by poor marketing. All reasonable steps must be taken to preserve the CCG hobby in general, and the X-Files CCG in particular. The information contained in the Ancillary Documentation is as rigorously (un)official as anything else related to the X-Files CCG. -
FLEMING CO.SHOWCASE T Ht. Old and Oldlltj
FLEMING CO.SHOWCASE - -- A 11 4-H Classes (OPIN TO AlffRIMINC COUNTY YOUTll t Ht.OlD AND OlDlltJ • Items MUST entered on: July 18th at S-7pm and July 19th at 9am-12pm PDF File contains all CLASSES and RECIPES Cooperative ExtensionService Educational programs of Kentucky Cooperative Extensionserve all people regardless of economic Agriculture and Natural Resources or social status and will not dlscriminate on the basis of race, color, ethnic origin, national origin, creed, religion, political be!Jef, sex, sexual orientation, gender Identity,gender expression,pregnancy, marital Family and Consumer Sciences status,genetic !nformatlon, age, veteran status, or physical or mental disabillty. University of Kentucky, 4-H Youth Development Kentucky State University, U.S. Departmentof Agriculture, and Kentucky Counlles, Coopera1!ng. � �n•;� accomrnodatm:I Community and Economic Development LEXINGTON, KY 40546 9lU with prior notification. 輩讃鍔蓮誓S蔚 圏 鈴AI, 4_H 。A捕。R-ES 。r。 。。.。,ding ,。 ,h。 2。那Y5t。t。 F。ir s。。。,,r。ati。nS.鎗 OPEN CLASS CATEGORIES 輩出豊里嵩豊警護讐誓警手聖堂聖芋に ★ 繊細狐的加を調 Three CornmeaI Muffins: uSe the 「ecipe in this pu帥cation. Three pieces ofCoffeecake with Topping: Use the recipe in 4-H Cooking lOl, P. 59. Nuts are optionai. Three Chewγ GranoIa Bars (gluten-free): Use the recipe in 4-H Cool(ing lOl, P. 35. Three B「OWnies: Usethe recipe in 4-H Cooking lOl′ P. 67. Nuts a「e optiona上 Three Snickerdoodle Cookies: Use the recipe in 4-H Cooking 201′ P. 88. Ca具es 850 Halfofone 8’’or9’’layer Ri⊂h Chocoiate Cake (no icing): ¥ sethe recipe in 4-H Cooking 301, P. 116. 851 Half ofone 8’’or 9’’iayer Carrot or Zucchini Cake (no Icing): Use the recipe in 4-H Cooking 301, P. -
Brief of Amici Curiae Former Officials of U.S
No. 17-1678 IN THE Supreme Court of the United States __________________________________ JESUS C. HERNANDEZ, ET AL., Petitioners, v. JESUS MESA, JR., Respondent. __________________________________ ON WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE FIFTH CIRCUIT __________________________________ BRIEF OF AMICI CURIAE FORMER OFFICIALS OF U.S. CUSTOMS AND BORDER PROTECTION AGENCY IN SUPPORT OF PETITIONERS __________________________________ Kelsi Brown Corkran Counsel of Record Thomas M. Bondy Melanie R. Hallums ORRICK, HERRINGTON & SUTCLIFFE LLP 1152 15th Street, NW Washington, DC 20005 (202) 339-8400 [email protected] Counsel for Amici i TABLE OF CONTENTS Page TABLE OF AUTHORITIES .................................... iii INTEREST OF AMICI CURIAE .............................. 1 INTRODUCTION AND SUMMARY OF ARGUMENT ....................................................... 3 ARGUMENT ............................................................. 5 I. The Use Of Excessive Force By Border Patrol Agents, Along With High Rates Of Corruption And Misconduct, Is A Consequence Of Increased Militarization And Inadequate Screening And Training. ........ 5 A. The militarization of the Border Patrol contributes to improper use of force. ............................................................. 5 1. The United States has increasingly militarized the Border Patrol. ........................................ 5 2. Militarization has led to excessive uses of force. .......................................... 9 B. CBP’s failure to adequately -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994. -
Anna May Wong
Anna May Wong From Laundryman’s Daughter to Hollywood Legend Graham Russell Gao Hodges Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong www.hkupress.org © Hong Kong University Press 2012 Copyright © 2004 by Graham Russell Gao Hodges First published by Palgrave Macmillan ISBN 978-988-8139-63-7 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Liang Yu Printing Factory Ltd. in Hong Kong, China Contents Preface to Second Edition ix Acknowledgments xi Introduction xv List of Illustrations xxiii One Childhood 1 Two Seeking Stardom 27 Three Europe 65 Four Atlantic Crossings 99 Five China 141 Six In the Service of the Motherland 159 Seven Becoming Chinese American 191 Epilogue 207 Filmography 213 Television Appearances 223 Notes 225 Selected Bibliography 251 Index 265 Introduction Anna May Wong (1905–1961) remains the premier Asian American actress. In part this distinction stems from the historical rarity of Asian actors in American cinema and theater, yet her singularity derives primarily from her laudable acting in more than fifty movies, during a career that ranged from 1919 to 1961, a record of achievement that is unmatched and likely to remain so in the foreseeable future. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
The X-Files Battles
BATTLES RULE BOOK Ages 14+ “Sorry, nobody down here but the FBI’s most unwanted.” “Agent Mulder. Hi, I’m Dana Scully. I’ve been assigned to work with you.” – Fox Mulder and Dana Scully The Story So Far… For the past few years, players have fought epic battles featuring comic book heroes and villains as well as horrifying aliens, deadly hunters, vampires, and their victims. Now the struggle has entered our very own governments! Will you join the Bureau and fight from within? Or will you side with the dastardly Syndicate and team up with our would-be alien conquerors? Or maybe you have a wilder idea – to harness the supernatural power of the Monsters of the Week? What is the Vs. System® 2PCG®? The Vs. System® 2PCG® is a card game where 2-4 players each build a deck of Characters, Plot Twists, Locations, and Equipment to try to defeat their opponents. Each Vs. System® 2PCG® product comes with a full playset of cards. Game Contents • 200 Cards • Assorted Counters • This Rulebook Issues and Giant-Sized Issues The Vs. System® 2PCG® releases a new expansion almost every month. “Issues” are small expansions that include 55 cards. “Giant-Sized Issues” are large expansions, include 200 cards and are great for new players to get into the game. This Giant-Sized Issue adds one new Good team and two new Evil teams to the game: The Bureau ( ), The Syndicate ( ), and Monsters of the Week ( ) . 1 If you’re familiar with the Vs. System® 2PCG®... If you’ve already played the Vs.