SECAC 2019

THE UNIVERSITY OF TENNESSEE AT CHATTANOOGA

OCT 16–19 CONFERENCE PROGRAM 13th St 14 15 16 13 9 8 11 10 7 12 Registration To Room Walker Room Rose Room Roberts Amphitheater Room Kinsey Room Chambliss Room Thompson Hardy Room Stations Coffee Vendor Tables Vendor 9 11 10 12 13 14 15 16

Broad St Registration 6 Chattanoogan 1 Ballroom Chattanoogan 2 Ballroom Chattanoogan 3 Ballroom Chattanoogan 4 Ballroom Grille Broad Street Foundry The Room Ochs Room Kelley 1 7 8 2 3 4 5 6 KEY 5 THE CHATTANOOGAN HOTEL CHATTANOOGAN THE 3 1 2

4 To Registration To

12th St WELCOME TO CHATTANOOGA TABLE OF CONTENTS Tucked in the foothills of the Appalachian Mountains, Chattanooga is known regionally for its beautiful scenery and place within American history as well as for cultivating a spirit of entrepreneurship and innovation. Along with our colleagues at The University of Tennessee at Chattanooga, we are pleased to welcome you to our city for the SECAC 2019 Conference. We are excited to see rich and meaningful conversations unfold over the next several days, rippling out beyond the conference in ways we cannot yet imagine. 2 Hotel Map We hope you will have the opportunity to explore Chattanooga throughout the run of the conference, and we encourage you to join us for off-site programming 3 Welcome including the keynote reception and address at the Hunter Museum of American 5 Conference at a Glance Art, the annual SECAC Artist Fellowship Exhibition at UTC’s ConTemporary Cress Gallery, and a reception for the 2019 SECAC Juried Exhibition at the Stove Works 6 Evening Events satellite location. 7 Keynote Speaker We would like to extend our sincere gratitude to the many people who have made this conference possible. We are grateful for the leadership of SECAC President 8 Fellowship Exhibition Sandra Reed and the assistance of SECAC Administrator Christine Tate. Thank 9 Juried Exhibition you to Sharon Louden for accepting our invitation to serve as our conference keynote, juror Amelia Briggs for selecting a focused and dynamic collection of 12 Sessions at a Glance artworks, and Stove Works staff for partnering with us to present the 2019 SECAC Juried Exhibition. The University of Tennessee at Chattanooga Department 14 Sessions Program of Art, College of Arts and Sciences, Honors College, Library, and Office for Undergraduate Research and Creative Endeavor, along with many of our regional 14 Thursday institutions and organizations, have come together in sponsorship and support to make this conference possible. Finally, thank you to the Hunter Museum of 22 Friday American Art for hosting the conference keynote event and for opening your 30 Saturday galleries to our conference attendees. These partnerships are what makes our extended community special. 40 Notes

More than 140 concurrent sessions will explore parenthood, strategies for 42 Governance & Affiliates supporting each other, the place of the institution amongst current political turmoil, and community engagement through design, amongst dozens of other topics. 43 Institutional Members Through our collaboration as conference co-directors, we have worked to develop 45 2019 Sponsors programming that reflects our priorities to address strategies for intentional diversity and inclusivity; promotes professional development; centers on generous 52 Local Arts & Culture and generative community building; highlights innovative teaching; and seeks to challenge conventions. To this end, we are proud to have waived the juried 54 Food & Drink exhibition submission fee this year and have offered the UTC Art Award for Equity and Inclusion, small gestures we hope will bring new people to SECAC, help to 55 Chattanooga Map make everyone feel welcome, and encourage future SECAC directors to consider new ways to provide support and encourage inclusivity. We are impressed and invigorated by the spirit of sharing, mentorship, and collegiality reflected in this year’s conference programming. This generosity is what brought us to SECAC, what keeps us returning, and what encouraged us to accept the charge to plan SECAC 2019 for our community. Land Acknowledgment Thank you for joining us to make SECAC 2019 another outstanding conference. We wish to acknowledge the land on which SECAC 2019 is taking place. This area is the traditional territory of the Cherokee and Yuchi indigenous peoples, and their Katie Hargrave, Assistant Professor of Art, Foundations Coordinator history is integral to the rich and complex Christina Vogel, Associate Professor of Art, Painting and Drawing story of our region. The University of Tennessee at Chattanooga SECAC 2019 Conference Co-Directors 3 WELCOME LETTER Aggie Toppins

On behalf of the Department of Art at The University of Speaking of our students, we are proud to say that the Tennessee at Chattanooga, I am delighted to welcome promotional graphics for SECAC 2019 were designed by our you to SECAC 2019. Chattanooga is a beautiful, vibrant city students. I’d like to acknowledge the BFA Graphic Design and I hope you enjoy your time here. Class of 2019 whose talents supplied the initial identity design. Thank you to: Stephanie Adams, Lexi Alexander, Sean Burney, The University of Tennessee at Chattanooga (UTC) is a public Bobbie Carey, Kayla Green, Jocelyn Humphries, Naylene university and the second largest school in the University of Huneryager, Juniper Jefferies, Taylor Jones, Chris Kuchma, Tennessee system. Founded in 1886 as a private Methodist Ashley Prak, Emily Ricks, and Patrick Tyree. I also acknowledge Episcopal college, the University of Chattanooga (UC) merged Quin Crumb (BFA Graphic Design, Class of 2021) for his with the UT system in 1969. Today we are a bustling campus outstanding work in designing this program, the conference with more than 10,000 students. If you walk through campus signage, and many other components that will shape your during your stay, you’ll see many changes taking place. experience here. UTC is growing and the Department of Art is part of that. At UTC Art, we believe that art has power and is woven into all UTC Art, located in the College of Arts and Sciences, is an aspects of our world. We strive to nurture and amplify diverse exciting place to study, teach, and visit. Our vision is to be at voices through the work that we do. From exhibitions and the forefront of undergraduate education in the making and performances to public lectures to hallway critiques, study of art. We offer an accessible, rigorous, and supportive there is always something interesting happening here. learning environment that exposes our students to a wide range of creative processes and intellectual models for We are pleased to host SECAC 2019. I hope you will find the contemporary practice. Our programs include BA degrees conference engaging and thought-provoking. I hope you will in Studio Art, Art History, and Art Education as well as BFA see old friends and make new ones. I hope you will explore concentrations in Graphic Design, Painting and Drawing, our campus and community, and return again in the future. Photography and Media Art, and Sculpture. We are a NASAD- accredited institution with nationally recognized faculty and a wonderful community of students.

Aggie Toppins Head, Department of Art The University of Tennessee at Chattanooga

4 CONFERENCE AT A GLANCE

Wednesday, Thursday, Friday, Saturday, October 16 October 17 October 18 October 19

7:00PM–9:00PM 7:00AM–5:00PM 7:00AM–5:00PM 7:00AM–5:00PM Conference Registration desk open Registration desk open Registration desk open* Registration Registration desk open

Concurrent I 8:00AM–9:45AM V 8:00AM–9:45AM IX 8:00AM–9:45AM Session II 10:00AM–11:45AM VI 10:00AM–11:45AM X 10:00AM–11:45AM Blocks III 1:15PM–3:00PM VII 1:15PM–3:00PM XI 1:15PM–3:00PM IV 3:15PM–5:00PM VIII 3:15PM–5:00PM XII 3:15PM–5:00PM

Juried and NOON–5:00PM NOON–5:00PM NOON–5:00PM NOON–5:00PM 2019 SECAC Juried 2019 SECAC Juried 2019 SECAC Juried 2018 Fellowship Fellowship Exhibition and 2018 Exhibition and 2018 Exhibition and 2018 Exhibition open hours Exhibition Fellowship Exhibition Fellowship Exhibition Fellowship Exhibition Hours open hours open hours open hours

SECAC 4:00–7:00PM NOON–1:00PM NOON–1:00PM 7:00AM–8:00PM SECAC Board of Writing for SECAC Info Awards Luncheon Annual Members’ Events Directors Meeting Session in the in Ballroom 2 Breakfast and Business in the Walker Room Kinsey Board Room *Tickets required. Meeting in Ballroom 2 Limited space available. *Open to all members

6:00PM–7:00PM 5:30–7:00PM 5:00–7:00PM 6:00PM–8:00PM Evening New Member Meet-Up, Reception at the Meet the Artists of the End of Conference Events hosted by SECAC Past Hunter Museum of Fellowship Exhibition Meet-Up at Presidents at American Art, buses located at The UTC WanderLinger Brewing The Chattanoogan begin at 5:00pm at ConTemporary Cress Company, Foundry Gastropub The Chattanoogan Gallery, 1208 King Street Hotel 123 E. 7th Street

7:00–9:00PM 7:00PM–8:00PM 6:00–8:00PM Welcome Reception Keynote Address with Closing Reception at The Chattanoogan Sharon Louden at the for the 2019 SECAC Hotel in Ballroom 2 Hunter Museum of Juried Exhibition at the American Art Stove Works satellite location, 1404 Cowart Street *From 3:30PM onward this will be staffed by a volunteer to assist with technical questions, but no payments will be accepted.

Conference Contacts On Social Media Katie Hargrave and Christina Vogel For conference news, follow along on social media (@secacart SECAC 2019 Conference Co-Directors on Facebook and Instagram) and make sure to tag your own The University of Tennessee at Chattanooga posts #secac2019. You can find more information via the [email protected] SECAC 2019 Conference app. The app allows you to navigate the conference, browse the schedule, message colleagues, and Christine Tate, SECAC Administrator see suggestions for restaurants and area outings. To download [email protected] the app, look for CrowdCompass AttendeeHub in the App Store. 302-575-1575 Once you’ve downloaded, search SECAC to find the2019 app.

5 EVENING EVENTS

WEDNESDAY, OCT. 16 New Member Meet-Up, 6:00pm - 7:00pm Foundry Gastropub in The Chattanoogan Hotel Hosted by SECAC past presidents. Join us if this is your firstSECAC or to welcome new members.

Welcome Reception, 7:00pm - 9:00pm Ballroom 2 in The Chattanoogan Hotel TRANSPORTATION Sponsored by the UTC College of Arts and Sciences. Join us as we kick off this year’s conference.

THURSDAY, OCT. 17 Airport Transportation Buses begin at 5:00pm The conference hotel is located only fifteen minutes from the Reception at 5:30pm nearby Chattanooga Airport. Taxi and popular ridesharing Keynote Address at 7:00pm - 8:00pm services (UBER/LYFT) are available for approximately $20 Hunter Museum of American Art each way. Wednesday-Friday local bus services departing 10 Bluff View, Chattanooga,TN 37403 the Chattanooga airport every hour and a half. The trip takes Meander through the galleries at the Hunter Museum of approximately 40 minutes and costs $1.50. More information American Art in this special SECAC reception. In addition available online: https://www.gocarta.org/maps/route19.pdf to their permanent collection, special exhibition “Noel W. CARTA’s Downtown Electric Shuttle provides a free and easy Anderson: Blak Origin Moment” is on display. The 2019 way to navigate downtown, with buses that operate daily SECAC keynote address will be delivered by Sharon M. from the historic Chattanooga Choo Choo to the Tennessee Louden. Aquarium.

FRIDAY, OCT. 18 Special Thursday Evening Transportation Meet the Artists for the Fellowship Exhibition The Hunter Museum of American Art is located in the Bluff UTC ConTemporary Cress Gallery 5:00pm - 7:00pm View Arts District in Chattanooga. There will be coach buses 123 E. 7th Street, Chattanooga, TN 37402 circulating from The Chattanoogan Hotel to the Hunter Learn more about the exhibition artists and their work. beginning at 5:00pm until the beginning of the Keynote Transportation is not provided, but it is a short 15 minute walk address at 7:00pm. Following the event, buses will run for from The Chattanoogan Hotel. approximately one hour from the Hunter Museum. There are numerous attractions, restaurants, and bars within walking 2019 SECAC Juried Exhibition Closing Reception distance from the museum, and should you miss the last Stove Works 6:00pm - 8:00pm shuttle back to the hotel, CARTA’s Downtown Electric Shuttle 1404 Cowart St, Chattanooga, TN 37408 stops only blocks from the Hunter and from At Stove Works satellite location, the 2019 SECAC Juried The Chattanoogan Hotel. Exhibition features 22 artists, juried by Amelia Briggs.

Special Friday Evening Transportation SATURDAY, OCT. 19 The Stove Works satellite location is a short walk from The Conference Closing Meet-Up Chattanoogan Hotel, but should you prefer to take a bus, WanderLinger Brewery 6:00pm - 8:00pm a small shuttle will run from The Chattanoogan to the gallery 1208 King Street, Chattanooga, TN 37403 approximately every 20 minutes, beginning at 5:40pm and Join us at one of Chattanooga’s newest breweries. ending at 8:00pm. WanderLinger is located only steps from The Chattanoogan Hotel. Enjoy a free beer on us, and discounted beer the rest of the night with your SECAC badge, food from a food truck, and camaraderie as we celebrate the close of the 2019 conference.

6 SHARON M. LOUDEN Keynote Speaker

KEYNOTE ADDRESS THURSDAY, OCTOBER 17 7:00PM–8:00PM THE HUNTER MUSEUM OF AMERICAN ART*

Sharon M. Louden is an artist, educator, advocate for artists, Sharon is a faculty member in the MFA Fine Arts program at editor of the Living and Sustaining a Creative Life series of the School of Visual Arts in New York and a Senior Critic at books and the Artistic Director of the Visual Arts at the New York Academy of Art where she organizes a popular Chautauqua Institution. lecture series, interviewing luminaries and exceptional individuals in the art world and from afar. Published in October, 2013, Living and Sustaining a Creative Life is now in its 7th printing, with sales in over 24 countries. In addition to teaching in colleges and universities, Louden is The book has been translated into Korean, garnered over 45 also active on boards and committees of various not-for-profit reviews, the subject of 15 podcasts and radio appearances art organizations and volunteers her time to artists to further and received more individual feedback than can be counted. their careers. Sharon is a consultant for the Joan Mitchell Foundation and is a member of the Artist Advisory boards of From September, 2013 until late May, 2015, Louden traveled the New York Foundation for the Arts, Ox-Bow School of Art on a 62-stop book tour, where she met thousands of artists and the Carolyn Glasoe Bailey Foundation. from all over the US. Louden has continued this momentum bringing her second book, The Artist as Culture Producer, on *Buses leave The Chattanoogan beginning at 5pm, an extensive 102-stop conversation/book tour which launched with a reception beginning at 5:30pm, and the 2019 on March, 2017, and concluded in April, 2018. This book is SECAC keynote address at 7pm. The Hunter Museum now in its second printing and has also sold in 24 countries as of American Art has extended free admission to well as adopted in many schools all over the US. The last book SECAC attendees with their badge through Sunday, in the trilogy of Living and Sustaining a Creative Life books, October 20. Last Artist Standing (which focuses on artists over the age of 50), will be published in 2020.

7 Karen Graffeo, “My Other Body: Transgender Cubans,” July 2018. Media pigment print on archival photo paper.

“In each and every photograph, these four exceptional artists 2018 SECAC ‘speak of the encounter,’ capturing a moment in the lives of ARTISTS’ FELLOWSHIP their subjects, but opening a window to personal narratives that well surpass the edges of the printed image. In bearing RECIPIENT EXHIBITION witness, Graffeo, Larramendi, Rieger, and Sherer communicate My Other Body: Trans-Culture, the personhood of their sitters to us, creating pathways for Transgender Cuba/Alabama awareness, understanding, and acceptance.” Karen Graffeo, Julio Larramendi, -Graham C. Boettcher, The R. Hugh Daniel Director Sonja Rieger, and Carolyn Sherer September 24 – October 19

Gallery Hours Wednesday - Saturday, 12:00pm – 5:00pm Meet the Artists Friday, October 18, 5:00pm – 7:00pm UTC ConTemporary Cress Gallery 123 E. 7th Street Chattanooga, TN 37402

8 STOVE WORKS Exhibition Partner

We have partnered with Chattanooga’s Stove Works, a new residency program and exhibition space, to present the 2019 SECAC Juried Exhibition. Serving as our juror is Amelia Briggs, who has shaped an incredible exhibition from over 650 unique artwork submissions. AMELIA BRIGGS Exhibition Juror Artists selected for the exhibition include:

Elissa Armstrong Mary Laube Brianna Bass Vivian Liddell Tony M. Bingham Symphony Medley Amelia Briggs is a visual artist based in Nashville, TN where Mark Bradley-Shoup Lacy Mitcham she has served as the Director of David Lusk Gallery since Holt Brasher Ann Moody Chung-Fan Chang Benedict L. Scheuer 2017. She received her BFA from Herron School of Art and Melissa Dunn Astri Snodgrass Design through Indiana University and her MFA from the McLean Fahnestock Karla Stinger-Stein University of Memphis. Her work has been exhibited and Nell Gottlieb Tracy Treadwell published extensively throughout the US. Briggs is currently Natalie Harrison Ting Wang represented by Red Arrow Gallery in Nashville, TN and Uprise Anne Herbert Danner Washburn Art in New York, NY.

Visit the 2019 SECAC Juried Exhibition at Stove Works satellite location (1404 Cowart Street) throughout the conference. The venue is open 12-5pm Wednesday-Friday of the conference. On Friday night, make sure to join us for the closing reception from 6-8pm.

9 SECAC SCHEDULE

Chattanoogan Chattanoogan Chattanoogan Amphitheater Chambliss Room Hardy Room Ballroom 1 Ballroom 3 Ballroom 4

I 8:00AM– Articulating More than Talk Catalyst for Change Drawing and Art School of Decadence... 9:45AM the Invisible Bleicher Giorgio-Booher Contemp. Practice the Future Slavkin Chudy Chang Colón

II 10:00AM– Limits on New The Artist’s Archive Turning on the Spill the Tea Close to 11:45AM Content I Approaches Hottle, Lights I Walker Home Aurbach Nygard Gardner-Huggett DiSalvo Weichbrodt

III 1:15PM– Limits on Attention Extending Turning on the The Joys of Graphic Design 3:00PM Content II Economy Pedagogy Lights II Tight Budgets Stories Shelnutt Townsend Malis Hunt Gadsden, Sales Cates

THURSDAY IV 3:15PM– Destructive Breaking Contemporary Turning on the Ethical Places Practice What 5:00PM Forces Boundaries Ceramics? Lights III Morton You Teach Denyer Corvette Schmuki Houston Irla

Chattanoogan Chattanoogan Chattanoogan Amphitheater Chambliss Room Hardy Room Ballroom 1 Ballroom 3 Ballroom 4

V 8:00AM– Not Just Mutual Ground Alternative Artist, Parent, Setting the Stage Approaching 9:45AM for Artists Khalili, Dedas Understandings Academic I Hargrave the Gates Epps Levin Evans Boone

Art/Data/ Reverberations & Fame and Infamy... Artist, Parent, Ethical Designer Making the Grade VI 10:00AM– Information I Correlations I Murphy Academic II Horton, Ezzell Lovelace 11:45AM Hoelscher Stephens Buteyn Nasadowski

VII 1:15PM– Art/Data/ Reverberations & Professional Social Practice Art I Windows Information II Correlations II Practices & MFA Olson onto Nature 3:00PM Williamson Kuykendall Mueller Huang FRIDAY

VIII 3:15PM– Creating Art Cannot be Integrating Process Social Practice Art II Threat of the Holiness, Virginity Queer Bodies Taught Online? Meredith, Reed Schruers Foreign Collector & Martyrdom 5:00PM Brinlee, Morris Yeager Laufer Lake-Jedzinak

Chattanoogan Chattanoogan Chattanoogan Amphitheater Chambliss Room Hardy Room Ballroom 1 Ballroom 3 Ballroom 4

IX 8:00AM– Recipes for Eliciting Empathy Food & Feasting I Out of the Frame Creating Enhancing 9:45AM Success I Zalewski Kutbay (SGC I) Community Graduate Research Sullivan Potts Cullen Kim

Recipes for Rolls, Wrinkles Power to Crossing America I Creative Undergraduate X 10:00AM– Success II & Hair the People? I Smucker Collaborations Art History I 11:45AM Smith Wangwright, Wingate Malone, Bradley Mulvaney Lockard

XI 1:15PM– Combat Artists Revisionist Ok, Now What? Crossing America II New Approaches to Undergraduate 3:00PM Robertson Curriculum Life after the MFA Han-Chih Wang Altars & Altarpieces Art History II Falk Ryan Silva, Elston Frederick

Calling All What’s in an Idea? Power to Using...the Art Undergraduate XII 3:15PM– SATURDAY Termites! Cumberland the People? II History Textbook Art History III 5:00PM DesChene Beetham DeLosSantos, Mansfield Pierce EVENING EVENTS Wednesday Thursday Friday Saturday

6:00PM–7:00PM 5:30PM–7:00PM 5:00PM–7:00PM 6:00PM–8:00PM New Member Meet-up, Reception at the Meet the Artists of the End of Conference Hosted by SECAC Hunter Museum of Fellowship Exhibition Meet-Up at Past Presidents at The American Art, buses at UTC ConTemporary WanderLinger Brewing Chattanoogan Foundry begin at 5:00pm at Cress Gallery, Company, 1208 King Gastropub The Chattanoogan 123 E. 7th Street Street

6:00PM–8:00PM Closing reception for 7:00PM–9:00PM 7:00PM–8:00PM the 2019 SECAC Juried Welcome Reception Keynote Address with Exhibition at Stove at The Chattanoogan Sharon Louden at the Works satellite location, Hotel in Ballroom 2 Hunter Museum of 1404 Cowart Street American Art

12 Kelley Room Ochs Room Roberts Room Rose Room Thompson Room Walker Room Kinsey Board room

Change from Within The Art & History Artists, Architects Broadened Global Art Projects Datchuk, Mednicov of Research & Cities I Horizons Hertel, Kim Moseley-Christian Martin Wang-Hedges Writing for Thrill of it All ITI ThinkSessions American Art Un-Defining Stained Glass Figuring Alterity SECAC Info Farmer Fonder, Beekman Open Session Identity Windows Berkowitz Session with Art Stephens, Liakos Swift Waldeier Bizzarro Inquiries Editor Kerr Houston Now Is The Time Sculptural Acts American Porous Ethnic Notions The Mythic Bestiary and SECAC Yes, Trondson in Photography Museums I Borders IV Re-Revisited Lyons Online Exhibition McGuire, Skees Terrono Schulte, Head Bingham Reviews Editor Roann Barris, Artists Research 101 Visionaries, Outliers Artists, Architects, Migrants, Colonists, Three Credits to Professional NOON-1:00PM Speed Oddball Ramblers & Cities II Settlers Street Credit Development... McFalls Martin Sutton, Esquivel Anderson, Anderson Fee, Courts

Kelley Room Ochs Room Roberts Room Rose Room Thompson Room Walker Room Kinsey Board room

RE(:)Thinking Civic Engagement American Access: Studio Photography and Small Design Space I & the Arts Museums II Practices Album Making Programs Culler Bobick Causey Geiger Trent Manning, Schwarte

RE(:)Thinking New Approaches Beyond Art Gallery & Collegial Printerdisciplinary How to Get Space II Photography Frida Kahlo I Museum... Collaborations Practices Published: Enos Contreras-Koterbay Gluzman Pearson, Galliera Cruz, Goloborotko Howsare, Routledge Editor Skillin-Brauchle Isabella Vitti gives advice to RE(:)Thinking Intertwining of Art Beyond Artist Residencies Art in Experiential Eco-Critical Space III and Literature Frida Kahlo II Inside / Outside Learning Conditions scholars looking Miller Alexander Wolf Drennen Carlson Hulshoff to publish their work, 10-11:45AM Deconstructing Flip the Demo Eclecticism, Why are They The Art of Feminist Art... the Beast Finn Appropritation... Now? Depicting Paragoni Cordero, Holloway, Vincent Crouther Rahn Cheney Comisarenco

Kelley Room Ochs Room Roberts Room Rose Room Thompson Room Walker Room Kinsey Board room

Art and Parenting Modern & Theorizing Space Seeing Words, Synnergism: Objects as Art Kutis Contemp. Asian Danford Reading Pictures Interprofessional I Sturgill Art History Miller Johnson, Landau Banning Past and Future Being/Becoming/ Food & Feasting II Museums are Not ART and Synnergism: Material Conference Sustaining Duffy Neutral (Fill in the Blank) Interprofessional II Obsessions... Directors’ Hays Kovacs, Dickins Gower Perthes Najafi Meeting *If you wish Guiding Creativity Digital Fabrication Disruptions... “Red Roots of From Innovation From the Present to attend, be vs. Art Directing Owens Ridlen White Feminism” to Permanence into the Past in touch with Langdon, Wilson Hawley Thompson Craig, Buffenmyer conference co-directors Transforming Eco Intervention It’s Nothing New: Can Noise Agrarian Ideal... “Radical Women” 12:15-1:45PM Communities... Hirsch Collaborative Be Beautiful? Whole Foods Canac Brown, McKelvey Practices Mazurek Mandravelis Concannon *Session titles have been abbreviated for space. Full titles are available beginning on page 14.

Special Thursday Evening Transportation Special Friday Evening Transportation The Hunter Museum of American Art is located in the Bluff The Stove Works satellite location is a short walk from The View Arts District in Chattanooga. Coach buses will circulate Chattanoogan Hotel, but should you prefer to take a bus, from The Chattanoogan Hotel to the Hunter beginning a small shuttle will run from The Chattanoogan to the gallery at 5:00pm until the beginning of the Keynote address at approximately every 20 minutes, beginning at 5:40pm and 7:00pm. Following the event, buses will run for approximately ending at 8:00pm. one hour from the Hunter. There are numerous attractions, 2019 SECAC restaurants, and bars within walking distance from the Mentoring Program Those participating in the program either as mentors or museum, and should you miss the last shuttle back to the mentees should check in at the SECAC registration desk hotel, CARTA’s Downtown Electric Shuttle stops only blocks a few minutes before their appointment, unless other from the Hunter Museum and from The Chattanoogan Hotel. arrangements have been made. If you missed the mentoring program deadline and would like to talk with a mentor, please contact Heather Stark, [email protected]

13 Decadence, Degeneration, and Decay: Ideologies and Impacts in Art and Popular Culture WEDNESDAY, OCTOBER 16 Hardy Chair: Mary Slavkin, Young Harris College 4:00PM–7:00PM Daniel Guernsey, Florida International University SECAC Board of Directors Meeting in the Walker Room Universal History and Degeneration in Paul 6:00PM–7:00PM Chenavard’s “Social Palingenesis” New Member Meet-Up hosted by SECAC Past Presidents at The Chattanoogan Foundry Gastropub Kylie R. J. Seltzer, University of Pittsburgh Degenerate Urbanism: Racial Anxieties in Paris 7:00PM–9:00PM Registration desk open after 1871 7:00PM–9:00PM Jessica Dandona, Minneapolis College of Art and Welcome Reception at The Chattanoogan Hotel in Ballroom 2 Design The (Re)birth of the Nation: Medicine, Maternity, and Regeneration in Fin-de-Siècle France Stephanie Chadwick, Lamar University Distortions and Decadence: Pictorialism, Late Romanticism, and the Symbolist Aesthetic in Fin de Siècle Photography

THURSDAY, OCTOBER 17 The Art and History of Research: Recipients of the William R. Levin Award for Research in the 7:00AM–5:00PM History of Art Registration desk open Ochs NOON–1:00PM Chair: Michelle Moseley-Christian, Virginia Tech Writing for SECAC Info Session with Art Inquiries Editor Kerr Houston and SECAC Online Exhibition Reviews Sarah Archino, Furman University Editor Roann Barris in the Kinsey Board Room American Art in 1910s New York 5:30PM–7:00PM Ashley Elston, Berea College Reception at the Hunter Museum of American Art Space and Presence in Italian Multimedia Ensembles Buses begin at 5:00pm at The Chattanoogan 7:00PM–8:00PM Andrew Wasserman, University of North Carolina at Keynote Address with Sharon Louden at the Hunter Greensboro Museum of American Art A Bridge to Nowhere

More than Talk Ballroom 3 Chair: Steven Bleicher, Coastal Carolina University Anne Simpkins, Elon University THURSDAY Not Just Talk: Critique for the Introductory Studio SESSION I Terry Barrett, Ohio State University 8:00-9:45AM Interactive Crits: Getting Them Started and Keeping Them Going Kim Wilson, Arts in Basic Curriculum Project The Art School of the Future…Exists Now? Art, A Model Process for Consideration Money, Entrepreneurship & Education Paul Rodgers, University of Kentucky Chambliss Lenses and Metaphors Chair: Carlos Colón, SCAD Carlos Colón, SCAD An Art Education for the 21st Century: Taking Stock + Proposal Casey Collier, Independent Consultant for LIFEWTR/PepsiCo Artist Incubation Center Ross McClain, Furman University Art Innovation and Entrepreneurship in the Liberal Arts

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American Art Open Session Roberts of Alabama / The University Stephens, Co-chairs: Rachel Northern Virginia Community College Barbaranne Liakos, Turning on the Lights in the Classroom: in the Lights on the Turning – Learning Active through History Art Teaching I Session Amphitheater University Dixie State DiSalvo, Chair: Lauren to Visualizing and AnalyzingNew Approaches the Natural World Ballroom 3 Nygard, Ripon College Chair: Travis

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Ballroom 4 University / Rowan Co-chairs: Andrew Hottle, University Joanna Gardner-Huggett, DePaul Archive: Navigating Questions of The Artist’s Preservation and Loss

Spill the Tea: What Does Teaching Web Web Does Teaching What Spill the Tea: Like? Classroom Look Design in Today’s Chambliss University State Peay Austin Chair: David Walker, THURSDAY SESSION II 10:00-11:45AM

Kelley MelissaUniversity of Iowa / Kimberly Datchuk, Co-chairs: University State Sam Houston Mednicov, Change from Within: Challenging Traditions Challenging Within: from Change

THURSDAY 16 Jeff Beekman,Florida State University Co-chairs: CarrieFonder, UniversityofWest Florida/ Ochs in CurriculumandTeaching Development ITI ThinkSessions:ACollaborativeApproach Chair: MichaelAurbach, Vanderbilt University Ballroom 1 Sponsored byVanderbilt UniversityDepartmentofArt in theStudio ArtClassroom? –SessionI Limits onContent:HowFarCanStudents Go Chair: JasonSwift, UniversityofWest Georgia Rose Identity, Teaching, andStudio Practice of Un-Defining InstitutionalizedDefinitions Chair: ElissaWeichbrodt, CovenantCollege Hardy to EngageLocal JusticeIssues Close toHome:UsingArtandHistory in CollegeArtP Examining FailuresofWhiteness Sunny Spillane Collaboration intheClassroom Hamlett Dobbins,UniversityofMemphis for MeaningfulW Brainstorming OurBeliefs:MakingConnections Naomi J Challenges inCollegeandtheS Educating the“Safe Commonwealth University Elissa Armstrong,V Artist asT R in theUniversity What’ G. JamesDaichendt,P Professional CodeinAmericanHigherEducation A LioninaMatchbo Clayton Funk,TheOhioS Photography inDanville Capturing theSoulofSecondS Amy Frederick,CentreCollege S The MaterialW W Heidi K The ChallengeoftheL Elissa W t. Louis andItsTraumatic Pasts aymond Yeager, SCAD ashington UniversityinSt. Louis s inaTitle? TheDevelopingRole ofanArtist-Critic olk, SamFox SchoolofDesign&VisualArts, . Falk,UniversityofSouthCarolina eichbrodt, CovenantCollege eacher andModel orld of Modern Segregation: Engaging orld ofModernSegregation:Engaging , UNCGreensboro edagogy edagogy ork ” Generation: iGen Pitfalls and ” Generation:iGenPitfallsand x: ArtisticIdentityandCrackingthe CUarts Virginia CUarts Virginia ocal: AReal TimeCaseStudy oint Loma NazareneUniversity , KY tate University treet: Race and tudio Classroom

Chair: TinaWaldeier Bizzarro, Rosemont College Thompson In Memoriam:CharlesRandall (Randy) Mack in Pre-Raphaelite Art The Stained Glass Windows The UniversityofMarylandatCollegePark Chair: SaraBerkowitz, Walker Bodies inArtisticPractice Ambiguous andGenderNon-Conforming Figuring Alterity:Representations of Fayetteville Technical CommunityCollege Chair: CallieFarmer, Kelley Family, Life, Art,andCareer The ThrillofItAll:BalancingAct The PhotographsofDelL Living inQueerTime: L Out ofEden:EmpoweredBodies K Picturing P K Ithyphallic R Priapus ontheThreshold:SpatialAmbiguityand College P Amanda K.Chen,UniversityofMaryland, Beyond Balance: R Jackie ofAllT Crystal Brown,W Promise W Double Deuces!Murder Virginia R College inOxford,UK The S Edward Burne-Jones Liana DeGirolamiCheney Morris WindowatS Mysticism andDesign:ABurne-JonesWilliam L Edward Burne-Jones Whitman Drawn intheSemi-MysticalManner:SarahW Jennifer BatesEhlert,SalveR ynette M.F. Bosch,SUNY, Geneseo ucy Curzon,TheUniversityofAlabama athryn McFadden,IndependentScholar/Artist ara Carmack,MisericordiaUniversity achel EppBuller, BethelCollege tained GlassWindowsatHarrisManchester ’s PraiseandUseof ougon Chavis,TheUniversityofMississippi ark otassa deLafayette e Made. epresentations inAncientRoman Art

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17 THURSDAY

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on the Lights in the Classroom: Turning through Art History Teaching – Session II Active Learning Amphitheater University Chair: Courtney A. Hunt, The Ohio State Landscape in the “Attention Economy” “Attention in the Landscape 3 Ballroom Factory The Peanut Townsend, Chair: Julia to from Classroom Extending Pedagogy Studio Ballroom 4 Maryland University Chair: Jon Malis, Loyola

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, University of West Georgia , University of West earning: An Old Dog Learns New Tricks earning: An Old Dog Learns yree, Western Kentucky University Kentucky Western yree, ornatzky, Colorado State University Colorado State ornatzky, orst and Worster of Graphic Design Education orst and Worster s Dierdorff, University of Central Florida s Dierdorff, ole-Playing Game for Designers oody Holliman, Meredith College obin Hill, University of California - Davis evin Cates, University of Arkansas at Little Rock evin Cates, University of Arkansas at Little ethinking Resources R Thought Bubbles Casey McGuire Great Moon Hoax: Analogue L Brook Notes from the Field: Combating Empty Images through Sculptural Form The School of Hard Knock A R Cyane T Collaborative L K The W W Natalie T Budget Big Impact on a Shoestring Jim Benedict, Jack Ambitious Goals on Tiny Budgets Courtney Adair Johnson, T Courtney Adair Johnson, R

Ochs Georgia / University of West Co-chairs: Casey McGuire, Christopher Newport University Kristin Skees, –Sculptural Acts in Photography Engagements with Objects Photography’s Hardy Arkansas at Little Rock Cates, University of Chair: Kevin from the Trenches Graphic Design Stories Chambliss / University State Tennessee Co-chairs: Cynthia Gadsden, University State Sales, Tennessee Kaleena 1:15-3:00PM BudgetsThe Joys of Tight THURSDAY III SESSION and Limited Resources

THURSDAY 18 Travis Head,VirginiaTech University Co-chairs: Pete Schulte, TheUniversityofAlabama/ Rose Contemporary Drawing Porous BordersIV:TheChangingFaceof Chair: BeauvaisLyons, UniversityofTennessee, Knoxville Walker The MythicBestiary Chair: GregShelnutt,UniversityofDelaware Ballroom 1 in theStudio Art Classroom? –SessionII Limits onContent:HowFarCanStudents Go Drawing: AP John HarlanNorris,ArkansasS Drawings FromMarnaysurSeine Community College Ashley K Drawing OutCheck Ale Michael K Historian Beard’ The DeerwiththeMonaLisaSmile:WilliamHolbrook K A SusurrusofMultispeciesIntimacy Ruth K.Burk and OtherMen The P Elizabeth Howie Gilles Aillaud’ Molly W Pre-Columbian P Bar ...(Aesthetics,AnimalIconography A Jaguar Dito Morales,NorfolkS Campus Security Seeking theBalancebetweenCreativeFreedomand Debra Murphy T Gary K Conte Zip CodeDependent:RightsintheClassroom Greg Shelnutt,UniversityofDelaware eaching onaTightrope elly Wacker, UniversityofMontevallo xandra Robinson, St. Edward’s University erforming Bestiary:Peter’s Hugo’s TheHyena xt ofPlace s Anthropomorphic Animals and an Art s AnthropomorphicAnimalsandanArt eown, SoutheasternLouisiana University arnock, JohnsHopkinsUniversity , AnEmu,andanArtHistorianWalk intoa ’s JourneyintoCreativeNon-Fiction enneth Chavis, Northwest Mississippi enneth Chavis,NorthwestMississippi ellner, ColumbusCollegeofArt&Design/ ortrait byOtherMeans e, BowlingGreenState University s AnimalOthers , UniversityofNorthFlorida , CoastalCarolinaUniversity ainting inBrazil) s andBalances tate University tate University

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Chair: AnthonyBingham,MilesCollege Thompson Ethnic NotionsRe-Revisited Chair: EvieTerrono, Randolph-Macon College Roberts Sites ofSocialJustice–SessionI American Museums:FromTemples ofArtto / AnnTrondson, IndependentArtist Co-chairs: MelissaYes, UniversityofAlabamaatBirmingham Kelley Now IsTheTime, HereIsThePlace Chattanooga Ethnic Notions Anthony Bingham,MilesCollege and SocialJustice (R Elise Smith,MillsapsCollege Practices atAcademicMuseumsinthe1970s The EffectofFemaleL Kimberly Datchuk,UniversityofIowa Whitney’ Artists MeetingforCulturalChangeProteststhe Alan W T K Cindy P Run CuratorialSpace Creating Opportunity:InitiatingandSustaininganArtist John P Space If itDoesn K Jason Schwab Out ofConte Daren K A DashofVinegar Ann T Melissa Y Ethnic Notions Emily G.Hanna,BirminghamMuseumofArt Ethnic Notions Heath Schultz,TheUniversityofT aylor andtheCaseforSocialyEnagedArtHistory unstgeschichte Horsegeschichte: Francis Henry unstgeschichte Horsegeschichte:FrancisHenry utztown University e)examining Race: TheMississippiMuseumofArt rondson, IndependentArtist owers, UniversityofTennessee --Knoxville allach, William and Mary allach, WilliamandMary ersinger, CaliforniaUniversityofPennsylvania endall, UniversityofOklahoma s BicentennialExhibition es, University of Alabama at Birmingham / es, UniversityofAlabamaatBirmingham/ ’t Exist,Make it:SouthernExposureProject xt Re-Revisited , Art,andSolidarity Revisited , FlaglerCollege/JayneStruble, eadership on Inclusive Exhibition eadership onInclusiveExhibition ennessee at ennessee at

19 THURSDAY

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and Equity in the Arts Equity and on the Lights in the Classroom: Turning through Art History Teaching – Session III Active Learning Amphitheater College of Art Houston, Maryland Institute Chair: Kerr Breaking Boundaries: Diversity, Inclusion, Diversity, Boundaries: Breaking Ballroom 3 University Belmont Corvette, Chair: Michelle Ceramics? Contemporary Ballroom 4 University Chair: Jeff Schmuki, Georgia Southern

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Visionaries, Outliers, and Oddball Ramblers Ochs University Chair: Michael McFalls, Columbus State

Practice What You Teach: Promoting Teach: Practice What You ThroughInformation and Engagement Materials Thoughtfully Designed Course Hardy Chair: Chloe Irla, McDaniel College

Chambliss Covenant College Chair: Jeffrey Morton, Ethical Places: Build Community How Art Departments THURSDAY IV SESSION 3:15-5:00PM

THURSDAY 20 Savannah Esquivel,UniversityofChicago Co-chairs: ElizabethSutton,UniversityofNorthernIowa/ Rose Histories inArtHistory Migrants, Colonists,Settlers,andNative Courts, UniversityofSouthernMississippi Co-chairs: CareyE.Fee, FloridaState University/JenniferE. Walker Students Professional DevelopmentforStudio Art Chair: AlDenyer, UniversityofUtah Ballroom 1 Destructive Forces;AVisualResponse White Environmentalism Spirit oftheEarth:Appropriating NativeHistoriesfora University ofCaliforniaSantaBarbara Matthew K Americans, andW Before-and-A Maria BeatrizH.Carrion,TheGraduateCenter Metaphor andL Only R Joshua Fisher Sixteenth-Century MapofMe Visualizing IndigenousSocialSpaceina Jennifer Saracino R The AntwerpP P Professional Development S Shannon Lindsey Intent &Purpose:TheDriveofCreativeProfessionals Lily K Future ProfessionalSelves There andBackAgain:HelpingS Elizabeth DiDonna,FloridaS Our ImagesofNature As theW Jered Sprecher R Under OurSkin:ContemporaryNicaraguanArtists Eddy L S Chattanooga Shane W Artistic ProcessingasS Proof ofExistence: Y tudent Artist to Emerging Artists: Breaking Down tudent ArtisttoEmergingArtists:BreakingDown trategic MaterialChoices:InWar andinArt eflection ofEmpire espond toOurCountry’s Traumatic History vonne Petkus, Western Kentucky University amela MerrillBrekka,UniversityofSouthFlorida uonen, Jacksonville University oom forOneBoat:TheTwo Row Wampum as ópez, BucknellUniversity orld (Slow) Burns around Us: orld (Slow)BurnsaroundUs: ard, TheUniversityofTennessee at arl Limb, arl Limb, fter Portraiture: Photography, Native , ArkansasTech University olyglot “Hebrew-Indian” Map as a olyglot “Hebrew-Indian” Mapasa , UniversityofTennessee andscape , UniversityofCentralFlorida estern HistoricalTime , FlaglerCollege

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Chad Anderson,Jacksonville State University Co-chairs: Patrice Anderson,Jacksonville State University/ Thompson that areClientRelevant Building OutcomesinDesignCurricula From ThreeCreditstoStreet Credit: Chair: FloydMartin,UniversityofArkansasatLittleRock Roberts Artists, Architects,andCities–SessionII Chair: BryceSpeed,UniversityofAlabama Kelley Artists Research 101 Classroom R Matthew Finn,WilliamP Centered Environment Non-T How UI/UXPrinciplesCanBeAppliedto K and Columbus,Indiana The MainstreamingofModernism:MillerHouse Kristina Olson,W Archetypes ofNewDomesticModernism See-Through S Victoria DeBlasio Sabbatical, T Jason S Finding SupportandT Claudia Wilburn,BrenauUniversity A R Betsy Williamson,EasternNewMe Self: S L L Centered P Graphic DesignCurriculumonCommunity- From ClassroomtoCommunity:R Feifei P R osing MyArtisticIdentityandtheTransformation ofthe auren Woods, Auburn University ewards: Exploring Client-Based Projects In the ewards: ExploringClient-BasedProjectsInthe eal World Clients,Real World Challenges,Real World arine Parker, Jacksonville State University oaming Studio fromIndiatotheUnitedStates raditional ProjectsinanAcademic- tudio PracticeasAlchemicalExperience ang, MurrayState University wift, UniversityofWest Georgia edagogy ravel, Research Failure, andSuccess tructures: GeorgeFredKeck’s est VirginiaUniversity , FloridaState University aming theCreativeMuse aterson University edesigning the edesigning the xico University

21 THURSDAY Civic Engagement and the Arts Ochs FRIDAY, OCTOBER 18 Chair: Bryna Bobick, University of Memphis 7:00AM–5:00PM Sherry Jankiewicz, University of Tennessee, Knoxville Registration desk open MFA Partnerships That Work: Community Engagement 10:00AM–11:45AM within Higher Education Curriculum Design How to Get Published: Routledge Editor Isabella Vitti Stephanie Danker, Miami University gives advice to scholars looking to publish their work Civic Engagement through Myaamia Culture and in the Kinsey Board Room Imagery Curriculum Development and Implementation NOON–1:00PM Awards Luncheon in Ballroom 2 Nicole Foran, Middle Tennessee State University *Tickets required. Limited space available A Responsibility to Connect 5:00PM–7:00PM Bryna Bobick, University of Memphis Meet the Artists of the Fellowship Exhibition at The UTC ConTemporary Cress Gallery, 123 E. 7th Street Civic Engagement and Art Education at an Urban University 6:00PM–8:00PM Closing Reception for the 2019 SECAC Juried Exhibition at Stove Works satellite location, Mutual Ground: Rebelling Against Curriculum 1404 Cowart Street That Encourages Academia to Stay in Their Lane Ballroom 3 Co-chairs: Meena Khalili, University of South Carolina / FRIDAY Brent Dedas, University of South Carolina SESSION V Nick Satinover, Middle Tennessee State University 8:00-9:45AM Analog Analog Catherine A. Moore, Georgia Gwinnett College Visual Literacy & Communication: An Interdisciplinary Approach Setting the Stage: Project Share (FATE) Kathleen O’Connell, Middle Tennessee State Chambliss University Chair: Katie Hargrave, Book Arts is the THING! The University of Tennessee at Chattanooga Carrie A. Dyer, High Point University Mark Mcleod, Middle Tennessee State University Process Particles: Embracing Voice & Abstract Thinking Creating Engagement through Proximity, Community, in Design Education Relationships, and Expectations Jessica Burke, University of North Carolina at Alternative Understandings of Works by Major Charlotte Artists of the Italian Renaissance Created Spaces In Memoriam: Charles Randall (Randy) Mack Amy Babinec, South Suburban College Ballroom 4 Creating Shared Studio Community: Contemporary Art Chair: William R. Levin, Centre College and Foundations Courses Mary D. Edwards, Pratt Institute The Vitruvian Man as Christ Libby (Elizabeth) McFalls, Columbus State University Getting Them To Care Eston Adams, University of Louisville New Observations Toward an Interpretation of Approaching the Gates and Thereafter Michelangelo’s Sistine Chapel Ceiling Frescoes Hardy Or Vallah, University of Washington Chair: Harry Boone, Georgia Gwinnett College From a Success to a Failure: Re-reading Vasari’s Floyd Martin, University of Arkansas at Little Rock Struggle to Depict Duke Alessandro de’ Medici Almost at the Gates..... in Armor Donald Van Horn, Marshall University Bryan Robertson, Yavapai College Retirement: What are the Questions to Ask Tempera Emulsions in Early Modern Italian Painting

Dennis Ichiyama, Purdue University I’m Retired Larry Millard, The University of Georgia Artists Never Retire from Their Love

22 Schwarte, MaryvilleCollege Co-chairs: MorganManning,MaryvilleCollege/Adrienne Walker Big AcademicWorld Small DesignPrograms:FindingaNichein Chair: CyndyEpps,GeorgiaSouthernUniversity Ballroom 1 with Non-ArtMajors Not JustforArtists-BridgingtheGap Chair: Lauren Evans,SamfordUniversity Amphitheater of ArtandHistory Sponsored byTheUniversityofSouthDepartment The ArtistasParent asAcademic–SessionI Education ProgramwithinaLiberalArtsCurriculum Developing andMaintainingaSmallbutSkillfulDesign P Adrienne Schwarte Success byW Nicholas McMillan,ColumbusS Small, LiberalArtsInstitution In andOutofCurriculum:TheSurpriseBenefitsthe Brandon W Seeking andDrivingtheIndividual Jessica Fife Approachability inBeginningArtCourses Kimberly Riner Art Isn College L Non-Art Majors Fostering ArtisticCommunity:IntroductiontoArtand Jennifer Snyder Motherhood, Academic,andArtistasOne Connecting theDots:CombiningR Tiffany L On BecomingaT Jessica W and R A De-CompartmentalizedMind:EffectsonT T & Academic Mirroring: A T Colleen Merrill,BluegrassCommunity& echnical College racy Stonestreet, VirginiaCommonwealthUniversity anette Blankenship, Lawson State Community assion, Perseverance, andPride: TheTools to esearch ’t JustforArtists each, Jacksonville University ohl, TheUniversityoftheSouth aybright, GeorgeFox University ffirming theSelfas Parent,Artist, , Austin Peay State University ay ofCommunity , GeorgiaSouthernUniversity , Austin Peay State University riple Threat:Artist,Parent, Professor , MaryvilleCollege tate University oles of

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Chair: AderaCausey, HunterMuseumofAmericanArt Roberts Sites ofSocialJustice–SessionII American Museums:FromTemples ofArtto East Stroudsburg UniversityofPennsylvania Chair: MelissaGeiger, Rose and ArchivalResearch Access: Studio Practices, CommunityArt, Chair: MaryTrent, CollegeofCharleston Thompson Photography andAlbumMaking Anthropological DisplaywithChrisP Drawing onandW Kimik Ne R Adera Causey T Sara S Francis BaconArchive Monika K Absences inandoftheArchive Melissa Mednicov Wife Photograph AlbumofInternationalAbolitionist,Mother Encircled: PrivateSelf-Expressioninthe1860s Mary T Connecticut, 1890-1910:ACaseS A PhotographAlbumandBlackW History andCulture L Photo Albums ‘Homosociality’ inGeorgeWhitney’ Interpreting CisgenderP “ Kris Belden-Adams,UniversityofMississippi American Lives R of A Michele GatesMoresi,SmithsonianNationalMuseum Plantation Sites R R Queering” theArchive, orArchiving“Queer-ness”?: races: TimeintheArtofHungLiu aura Coyle, NationalMuseumofAfrican American econsidering History’s Huts:ATravelogue ofThirty e-Inventing theInstitution:NewModelsfor ecovering Memory: Photography Albums and African ecovering Memory:PhotographyAlbumsandAfrican achel Stephens, TheUniversityofAlabama xt Generation frican AmericanHistoryandCulture , andMixed-Race Fugitive SlaveEllenCraft o Matsumura,IndependentScholar tepp, UniversityofKansas rent, CollegeofCharleston eska, UniversityofGranada

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Kelley South Carolina Aiken University of Culler, Chair: Jeremy RE(:)Thinking Space – Session I – Session Space RE(:)Thinking

FRIDAY 24 Chair: JasonHoelscher, GeorgiaSouthernUniversity Ballroom 1 Art /DataInformation–SessionI Chair: Kaylan Buteyn, Artist/MotherPodcast Amphitheater The ArtistasParent asAcademic–SessionII Chair: DebraMurphy, UniversityofNorthFlorida Ballroom 4 In Memoriam:CharlesRandall (Randy) Mack and Thereafter Fame andInfamyintheItalianRenaissance Form FollowsCommunication Naghmeh Hachempour Self-Quantification Differing Data:FeministConceptualism Miriam Kienle Feminist Gesture Embodied Data:MaterializingS Becky Alley On ArtandInstagram T Mother/Artist Kristin Sk Mother andSon Intertwined W Francisca MariaV Artist/Mother P K University ofSouthCarolina The L R University ofSouthCarolina L R T of AntonioRinaldeschi Active ImagesSeenThroughtheCase Marisa Andropolis,TheUniversityofMississippi Significance oftheItalianCassone Marriage RitualsinR at LittleR Mary MelissaMiller ess Elliot,UniversityofOklahoma amara Smithers,Austin Peay State University ana Burgess, McKissick Museum, ana Burgess,McKissickMuseum, elationship Built and Knowledge Shared: elationship BuiltandKnowledgeShared: aphael’s Fame, or“SecondLife” aylan Buteyn,Artist/MotherPodcast egacy ofCharlesR.(Randy) Mackat the ock ees, ChristopherNewportUniversity , UniversityofKentucky orlds, a Collaboration Between orlds, aCollaborationBetween , UniversityofKentucky odcast InterviewPresentation elasco, UniversityofKansas , University of Arkansas , UniversityofArkansas enaissance Florence and the enaissance Florenceandthe , GeorgiaSouthernUniversity tatistics as tatistics as

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Susquehanna University Co-chairs: Steven Pearson, McDanielCollege/IzabelGalliera, Rose and Constraints Tool inHigherEducation:Possibilities Art GalleryandMuseumasCurricular Cayla Skillin-Brauchle Co-chairs: Robert Howsare, West VirginiaWesleyan College/ Walker Printerdisciplinary Practices Investigaciones Científicasy Técnicas Chair: GeorginaGluzman,ConsejoNacionalde Roberts American Women Artists–SessionI Beyond FridaKahlo: OtherModernLatin Interdisciplinary PrintPlay L Y L and L Rubbing W Noah Breuer P L Interdimensional Prints R Tsuchiya Multiculturalism, Modernism,andMythintheArtofTilsa Mey- Photomontages (1948-1951) Making W Michel Otayek,IndependentScholar and A Deepest R P Artes yLiteratura(INBAL) Dina Comisarenco in ModernMe Maria Izquierdo:Self-P Ximena Kilroe Practice Uninvited Guests:CommunityEngagement,Social Jeffry Cudlin,MarylandInstitueCollegeofArt Art Spaces Determining V Julia Finch,MoreheadS addah Yaddah Yaddah: PrintandPerformance eslie Friedman,Louisiana State University auren Cardenas,UniversityofMississippi ars Roeder, Texas A&MUniversity-CorpusChristi ainting totheSoundofConchaMichel’s Voice: “The erforming thePrint obert Howsare, West VirginiaWesleyan College Yen Moriuchi,La SalleUniversity abor urora Reyes , andtheLocked GalleryDoor ords Palatable: GreteStern’s Dream oot ofSolidarity”intheWork ofFridaKahlo orkshops: Authorship, Appropriation, , Auburn University , Willamette University , WillametteUniversity xico, 1927-1935 alue and Defining Identities of Campus alue andDefiningIdentitiesofCampus , CityCollegeofNewYork, CUNY , Instituto Nacional de Bellas , InstitutoNacionaldeBellas ortrait, Gender, andIndigenismo tate University

25 FRIDAY

ravel-Based A everberations in the endering Characters ellissippi State Community ellissippi State A , Independent Scholar ane, Florida State University State Florida ane, el, German Center for Art History Paris el, German Center for Art History Paris on, Searching for a Home: Painted and Painted on, Searching for a Home: tory Vibrates Within: Endi Poskovic’s Endi Poskovic’s tory Vibrates Within: aris) eather Score Project: Climate Change Articulated obert Bubp, Wichita State University Wichita State obert Bubp, enneth Hartvigsen, BYU Museum of Art BYU enneth Hartvigsen, aul Catanese, Columbia College Chicago Columbia aul Catanese, oetic Imagination in the American West oetic Imagination in the win Cities ouly Peacock, Brevard College ouly Peacock, University of Missouri Bradley, orinda Roorda Dominik Eck (DFK P Considering Abstract Expressionism as Dance L Black Mountain College Blues: R Mountains of North Carolina Mary McGuire Theater Queers Art: A Judson Church Genealogy L The W Through Craft and Musical Composition P The Evolving MF R Connecting From the Margins: Creating T Professional Experiences in the MF Preston McL Magnasco as Pícaro Intention: Alessandro Fiction by Hyde as Magnasco and James K Maynard Dix P of Minnesota, Christina Schmid, University T Another S Uneasy Fiction P Caroline Covington, College R Mind Diagraming: Visually in Conflict MFA Professional Practices and the Ballroom 4 Minneapolis College of Art and Design Chair: Ellen Mueller, The Intertwining of Art and Literature Art and of Intertwining The Ochs of Mississippi The University Alexander, Chair: Brooke and Correlations: Creative Reverberations Art, Music,Interdependence among Visual Dance – Session II and Theater, Ballroom 3 University Ball State Kuykendall, Chair: Lara

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, Augusta University , Augusta e University tockton University tony Brook University eal: Roles of Blood in Nineteenth- eal: Roles , Boston University oesis and the Aesthetics of Intelligibility: On elley, Georgia Southern University elley, estern Painting anessa Cruz, University of North Florida anessa Cruz, University ast Scale – Intimate Space epresenting the Void: The “Oriental” Carpet in The “Oriental” epresenting the Void: aintings from 17th-Century China R W Hyunjin Cho Making History R Century Illustrated Manuscripts of Firdausi’ Rivalry within an Artistic Lineage Olga Johnson, S Ut Pictura P the Project of Liberation during Modernism April Claggett, Independent Amy Huang, University of Iowa Mimesis and Space in Site-Specific L P Dana Hogan, Duk Mimesis as a Form of Invenzione: A R Information Overload James Enos, University of Georgia Integrating Network Methodologies Cheryl Goldsleger V Zachary K through Hyper-Theatricality: Understanding Space Opening Golden Doors: The Challenges and Opening Golden Doors: Collaborations Opportunities of Creative Michael McFalls, Columbus S Michael McFalls, Columbus Explorers The Chattahoochee Mariana Smith, S Collaborative Crossover: Academic Art/Science Drive Us Mad Projects that Did Not V Sam Blanchard, Virginia T Sam Blanchard, Source Form

Windows onto Nature: A Comparative Exploration on the Issue of Mimesis Hardy Chair: Amy Huang, University of Iowa FRIDAY SESSION VII 1:15-3:00PM

– Session II RE(:)Thinking Space Kelley Chair: James Enos, University of Georgia

Thompson Florida / University of North Cruz, Vanessa Co-chairs: Collegial Collaborations: Success Stories of Stories Success Collaborations: Collegial Projects Multi-Disciplinary of North Florida University Sheila Goloborotko,

FRIDAY 26 Chair: CraigDrennen,GeorgiaState University Rose Artist Residencies Inside/OutsidetheSouth Chair: AmyHulshoff, UniversityofNewMexico Walker Aesthetics ofAnthropocentricThinking Eco-Critical Conditions:R the VisualArts Chair: LisaWilliamson,TheInstituteforDoctoralStudies in Ballroom 1 Art /DataInformation–SessionII Chair: KristinaOlson,West VirginiaUniversity Amphitheater of SocialandPolitical Change Art, Performance Art,and Street ArtasAgents Session I:HistoricalPerspectives onPublic Social PracticeArtintheAgeofResistance, S Charlotte Caldwell,S The HistoryofHambidgeCenter Craig Drennen,GeorgiaS Jamie Badoud,TheHambidgeCenter/ The CityasR Eric Asboe Adjacent Futures Chattanooga Carolyn L (Petro-)Capitalocene Purposive P Flint Collins,SpaldingUniversity S Anank Viola Arduini,UniversityofNewMe Site Photocollages T Chris Balaschak,FlaglerCollege Art, Information,andtheAestheticSingularity Jason Hoelscher V Marc Boyson,SouthernAdventistUniversity P Y the VisualArts Lisa Williamson,TheInstituteforDoctoralS Eleanor Antin Jennifer Kruglinski,SalisburyUniversity Art/W Margo Handwerk racing Toxicity: MasumiHayashi’s EPA Superfund ou MayAlsoLike: LiberatingtheAudience fromthe arasitic Pixel tove Works: TheLong Short torytelling againsttheAnthropocene ector Trace oftheCommuteDérive ork: TheSystems-Oriented ArtistExpert e (Nina’s Story): PracticesforEmbodied ambert, TheUniversityofTennessee at , CityofChattanooga erturbations: Art and Eco-Horror in the erturbations: ArtandEco-Horrorinthe esidency: ChattanoogaCityArtistProgram ’s ActivistKingofSolanaBeach , GeorgiaSouthernUniversity er, Texas State University tove Works e-Examining the e-Examining the tate University tate University xico

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The UniversityofTennessee atChattanooga Chair: BengtCarlson, Thompson Art inExperientialLearning The UniversityofTennessee atChattanooga Chair: CarolineOliviaM.Wolf, Roberts American Women Artists–SessionII Beyond FridaKahlo: OtherModernLatin Chair: Tami Miller, KraslArtCenter Kelley RE(:)Thinking Space–SessionIII Designing FieldExperiencesinArtEducation Experiential Practicum:UtilizingGameS Jeremy Blair Absence asPresence:R Visual Arts Jocelyn Holmes,InsituteforDoctoralS Subjectivity in1980sMe Unraveling theMyth:ExperimentalTheaterandFemale New Y Madeline MurphyT More SubtleS The (Se Barbara T of anOutdoorSculptureCommission Sculpting Community:ThePhysicalandPsychicSpace T at the1939NewY Using theSensestoExperienceBrazilianP Julia K Installations V T Emily Schollenberger A ConversationalInterfaceforDistanceL S College ofDesign/P Russell Flinchum,NorthCarolinaS The OpenR Evan Baden,OregonS between EngineeringandArt Art forAll:AnExperientialL T Chattanooga /CeceliaWigal,TheUniversityof Christina V ennessee atChattanooga ami Miller, KraslArtCenter yler SchoolofArt tate UniversityCollegeofDesign ulnerable Site-SpecificityinDorisSalcedo’s ork University ershaw, FloridaState University xy) Unsexy MagicofMarianaYampolsky: A yner, CentrodeCulturaCasaLamm ogel, TheUniversityofTennessee at oad—Photography andtheRoadtrip , Tennessee Tech University

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tate University xico City edefining CulturalNarrative earning Collaboration earning Collaboration tate University tate University ystems for ystems for tudies in the tudies inthe earning

avilion avilion

27 FRIDAY

alley University erformance and Food as evolution in South Korea and evolution in South Korea ashington State University ashington State , Nicholls State University , Nicholls State , Fayetteville Technical Community Technical , Fayetteville cellence, Ambition, & Optimism throughcellence, edagogy in the Online Environment edagogy in ork, Digital Applications upa, Jacksonville Universiy upa, Jacksonville ameen, University of South Carolina Aiken ameen, University of eed, Marshall University esistance in Hungary’s Orban Era esistance in Hungary’s oots of Knowledge olitical Discourse om Williams, Watkins College of Art om Williams, Watkins eaching Art Online, It is Possible eaching Art Online, Juxtaposing Process: Glass Art Installations from the Juxtaposing Process: Glass Art Installations 4th and 21st centuries Ashley Busby Feeding Change: Public P P Izabel Galliera, Susquehanna University Acts of R Nogin Chung, Bloomsburg University The 2016 Candlelight R the Art of Memento Mori T Collaboration in Spite of It All: Incarceration and Social Practice Dana C. T P TRIBES: Art Callie Farmer College T Joseph K Physical W Sandra R New Life Courtney R. Davis, Utah V Cultivating Ex the R Hallie Meredith, W of Resistance, Social Practice Art in the Age Art, on Public Session II: Current Perspectives of Art as Agents Art, and Street Performance Change Social and Political Amphitheater Chair: Eric Schruers, Independent Scholar Art Cannot Be Taught…Online! Or Can It? Or Be Taught…Online! Art Cannot 3 Ballroom SCAD Yeager, Chair: Raymond Cross-Temporal Integrating Process: Making and Viewing Approaches to Ballroom 4 University / State Washington Co-chairs: Hallie Meredith, Marshall University Sandra Reed,

elic Body xandria ’s Vence Chapel and Vence ’s s Angelus in the U.S. s Angelus in the U.S. tate University olitics of Sex, Skin, and Sanctity olitics of Sex, ymbological Sanctity in Early

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eality a Reality: Applying Augmented Applying Augmented eality a Reality: , Virginia Tech ransformations: The Body and Donatello’s ransformations: The Body and Donatello’s e, Auburn University at Montgomery Auburn e, eality Technologies to Real-World Projects to Real-World eality Technologies e Our Software Training Tasty (Fun), Chewy Tasty e Our Software Training , City College of New York, CUNY , City College of New York, ake-Jedzinak, Bryn Mawr College ake-Jedzinak, ead, Independent Scholar eogh, Ringling College of Art and Design ynn McCoy, Indiana State University Indiana State ynn McCoy, erfect Foil: Jews, Americans, and the Battleerfect Foil: Jews, Americans, aufer, Washington University in Saint Louis University Washington aufer, , Portraiture and the Popish Plot: Catherine of and the Popish , Portraiture enitent Mary Magdalene auren Cesiro, Fairfield University auren Cesiro, eanne Zalewski, Meaghan Dee Making Virtual R and Virtual R Muyuan He How to Mak (Informative), and Spicy (Challenging) Nikhil Ghodk Enriching Software Demos Piety Braganza as Saint Catherine of Ale The Virgin Diaries: S Modern European P Jennifer E. Courts, The University of Southern Mississippi Agnès Sorel and the P Justinne L Convergent T P Kristina K R Exuding Sanctity: Envisioning the Productive Jodi L L Mia L The P for Impressionism Heather R The French Connection: Matisse the Threat of Americanization L S Central Connecticut Millet’ The Battle of the Century: and in France

Software Education Flip the Demo: Rethinking in the Classroom Ochs University Chair: Matthew Finn, William Paterson

Holiness, Virginity, and Martyrdom: Female Holiness, Virginity, Europe Bodies and Sanctity in Early Modern Hardy Bryn Mawr College Chair: Justinne Lake-Jedzinak,

Chambliss Saint Louis University in Washington Chair: Mia Laufer, The Threat of the Foreign Collector The Threat of the FRIDAY VIII SESSION 3:15-5:00PM

FRIDAY 28 Chair: AmyRahn, UniversityofMaineatAugusta Rose Artists inContemporaryDiscourse Why AreTheyNow?20thCenturyWomen de BellasArtesyLiteratura(INBAL) Mexico City/DinaComisarenco, InstitutoNacional Co-chairs: Karen Cordero, UniversidadIberoamericana Walker Feminist Art,Politics, and Intertextuality Anthony Morris,Austin Peay State University Co-chairs: JoshuaBrinlee, UniversityofMississippi/ Ballroom 1 Creating QueerBodies Contemporary W The “FeminineRising”:NewArtHistoryof R Medieval W The “FeminineRising”:NewArtHistoryof Carlee Bradbury “Five Decades Suzanne Jack R a L Anne RyanandHerCollages:AnArtistwith Material Culture Olivia Armandroff Marval Fashion &Fantasy:ExploringtheW Courtney Hunt,TheOhioS of MónicaMayer T Universidad IberoamericanaMe K From WhoretoHeroine:Schneemanninthe1990s Sherry Buckberrough,UniversityofHartford Handling Others:Bravado W Evin Dubois,P Contemporary Art Gender T L and theDivineFeminine Queering MormonArt:JohnHafen Nathan R extuality asaFeministStrategy intheWork eo Quirk,Independent oann Barris,Radford University aren Cordero, aren Cordero, achel Reese, Telfair Museums est Kentucky CommunityandTechnical College ayered Biography ranscendence: HistoricalPatterns Influencing ees, UniversityofWest Georgia omen Artists son: Celebrating and Negotiating son: CelebratingandNegotiating ” aducah School of Art and Design at aducah SchoolofArtandDesignat

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In Memoriam:SarahLippert The ArtofDepictingParagoni ofLife Chair: BettyCrouther, UniversityofMississippi Roberts Borrowing inArt Eclecticism, Appropriation,Forgery:Issuesof Austin Peay State University Birmingham /Patrick Vincent, Co-chairs: Stacey Holloway, UniversityofAlabamaat Kelley Deconstructing theBeast Chair: LianaCheney, IndependentScholar Thompson Between QuotationofFormandPlagiarismS Principles oftheCulturalT T Noah R The CriticasCopyist:FryafterCézanne Benjamin Harvey the Barberini Appropriation andT From R Pierette K P R Lindsay Alberts,SC It’ Lillian Joyce Specific Installations The W Birmingham Douglas Baulos,TheUniversity ofAlabamaat Sometimes Y Carrie Fonder and HumansthroughPrint Beasts onR P The LionandtheMouse Birmingham S Héloïse (1761) Contested L Boris Zaki R The P Emily White Imaginary toOlmstedP Cyclops intheL Charles Burroughs,SUNYGeneseo Fourteenth-Century FlorentineMisericordia Art AnswersAnguish:A William R.L emple University antheon oftheKings oyal Inspiration: Francesco de’ Medici and the oyal Inspiration:Francescode’ Mediciandthe omano: Paragone inRenaissance Courts tacey Holloway, UniversityofAlabamaat atrick Vincent,Austin Peay State University s notGrecophilia:Hadrian,Athens, andRome ortrait Medal of Isabella d’Este by Gian Cristoforo ortrait MedalofIsabellad’EstebyGianCristoforo ounded DeerLeaps Highest,“Queering” Site oman Mosaic to Modern Michelangelo: The oman MosaictoModernMichelangelo:The andolph, Tyler SchoolofArt, ulpa, Kutztown Universityof Pennsylvania ć , GeorgetownCollege epeat: Dis/Connections between Animal epeat: Dis/ConnectionsbetweenAnimal evin, CentreCollege etters: Rousseau’s Julie, oulaNouvelle , FloridaState University , UniversityofAlabamainHuntsville ou EattheGoat... , UniversityofWest Florida andscape: FromtheRenaissance , MississippiState University ransformation of Artworks Under ransformation ofArtworks Under AD AD

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29 FRIDAY Open Session for Modern and Contemporary Asian Art History Sponsored by The University of The South Department SATURDAY, OCTOBER 19 of Art and Art History 7:00AM–8:00AM Ochs Annual Members’ Breakfast and Business Meeting in Chair: Alison Miller, University of the South Ballroom 2 *Open to all members Yan Yang, City University of New York - Borough of 7:00AM–5:00PM Manhanttan Community College Registration desk open *From 3:30PM onward this Birth of a National Pictorial Style? Yamato-e in will be staffed by a volunteer to assist with technical questions, but no payment will be accepted. Nineteenth-Century Japan 12:15PM–1:45PM Yanfei Zhu, University of North Georgia Past and Future Conference Directors Meeting Finding Rhythm: The Politics of Art among Europe, in the Kinsey Board Room *Speak with Conference Japan, and China in the Early Twentieth Century Co-Directors if interested in attending 6:00PM–8:00PM Luming Zhang, Duke University End of Conference Meet-Up at WanderLinger Brewing The Loss of Original Painting: The Founding Ceremony Company, 1208 King Street of the Nation Doris Sung, The University of Alabama Sirens: The Forgotten Women Artists of Contemporary Art in China Eunyoung Park, Case Western Reserve University SATURDAY Contemporaneity: Contemporary Art in South Korea SESSION IX Eliciting Empathy: 8:00-9:45AM Reevaluating Sentimental Art Ballroom 3 Chair: Leanne Zalewski, Central Connecticut State University Creating Community through Vulnerability: Albert Stabler, Appalachian State University Graphic Design for Social Change Sentimentalism and Race in 19th-Century American Chambliss Visual Culture and Education Chair: Carley Cullen, Missouri Valley College Alison Napier, The College of William and Mary Melissa Airy, University of Iowa The Art of Mourning: Hairwork, Sentimentality, and Pilgrimage and the Power in Sharing Our Journey Bourgeois Social Status in the 19th Century Jennifer Vess, University of Iowa Janalee Emmer, Brigham Young University Conversant Containment: Passing Through Museum of Art James Johnson, Jacksonville State University Picturesque and Charming: Daniel Ridgway Knight’s Black Men Design Idyllic Countryside Danielle Mužina, Murray State University Enhancing Graduate Research in the Field of Maudlin Careers: Recontextualizing Women’s Use of Arts and Design the Domestic Interior Hardy Chair: Joo Kim, University of Central Florida Annette Tojar, University of Central Florida Food & Memory Parisa Farmoudehyamcheh, Georgia Southern University Improving Online Shopping Experience Danielle Powell, The University of Central Florida Exploring Transcultural Identity through Visual Art: On Women Artists Creating Art about Cultural Plurality and Personal Identity in America Gabe Cortese, University of Central Florida The Male Body and Sexual Identity: Queering the Male Image

30 Chair: Wanda Sullivan,SpringHillCollege Ballroom 1 Best Studio Assignments–SessionI Recipes forSuccess: Chair: Tatiana Potts, UniversityofHartford Amphitheater Out oftheFrame(SGCI) Chair: BonnieKutbay, MansfieldUniversityof Pennsylvania Ballroom 4 through theBaroque–SessionI Food andFeastinginArtfromAntiquity P Brad Adams,BerryCollege Exploration BegetsCreativity Process BegetsSkillConfidence Birmingham Gary Chapman,TheUniversityofAlabamaat New-Master P Philip R.Jack Limitations asPushT Martyna Matusiak,W Contemporary Practice Material Encounters:PrintmakingandSewingin Melissa Harshman,UniversityofGeorgia Contemporary Printmaking:AboveandBeyond2D R in Printmedia Multiple Ones:ContemporaryP Sheila Goloborotk Outside theConfinesofT R Adrian Rhodes,UniversityofSouthCarolina Chiarito T Feasting UpontheBodyandBloodofChristin Carey E.Fee Classe The SacredMealofMelchizedekinSant’ Bonnie K Alfresco DrinkingonR Splendor intheVines:ImagesofWine-Makingand College T Unsavory Sights:CannibalisminGreekArt University Michael AnthonyFowler racey Eckersley, JeffersonCommunityand Technical aper orPlastic? econsidering the Function of the Matrix When Printing econsidering theFunctionofMatrixWhenPrinting aluca Iancu,Louisiana Tech University , Ravenna utbay, MansfieldUniversityof Pennsylvania abernacle (c.1340) , FloridaState University son, TheUniversityofMississippi ainting Techniques o, UniversityofNorthFlorida

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Champaign Champaign /JessicaLandau, UniversityofIllinois,Urbana- Co-chairs: AllyJohnson,UniversityofIllinois,Urbana- Rose Seeing Words, Reading Pictures Chair: ThomasSturgill, MiddleTennessee State University Walker Objects asArt Chair: Rachel Danford,MarshallUniversity Roberts Interaction ofArtandArchitecture Theorizing Space:Episodesfromthe Annie Dell’ or aProductiveExpansion Graphic Design:AHarmfulR The UniversityofT Becky Nasadowski, The QuotidianObjectinContemporarySculpture Jason Brown,TheUniversityofT When ObjectsBecomeForm The UniversityofT David Court, and BaroqueSensibility Living Objects:TheProW R T (De)colonial R Catherine Holochwost,L The OtherVietnamMemorial “ Mallory Nanny and SeeingT S Melissa T The Invaders W W Age ofSocialMedia Image Countering” theWar Narrative:ChrisBurden’s ranshistorical Imagination ticky Captions:TheStakes ofReading ocky Horton,LipscombUniversity ord isBond:TheVisualWeight oftheTreaty in endy Castenell,TheUniversityofAlabama , Text, Place:PublicSculpturesofWords inthe erry, SouthTexas College Aria, Miami University Aria, MiamiUniversity

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31 SATURDAY I

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ennessee at ennessee , Hunter Museum of American Art,, Hunter Museum of American ” and the Art of Parenting after Loss ” and the Art of Parenting , Southeast Center for Education in Center for Education , Southeast , University of Michigan Stamps School , University of Michigan Stamps ” Smetana, Murray State University ” Smetana, Murray State yckoff, Kendall College of Art and Design Kendall yckoff, tate University / Cayla Skillin-Brauchle, an der Laan, Walters State Community State Walters an der Laan, ransparent Mother , Gender, and Care , Gender, artnership among the University of Tennessee University of Tennessee artnership among the athy Mueller, Temple University / Jennifer Freeman, University Temple athy Mueller, ynergy between Art and Science ynergy between Art and eproductive Media trategy + Creative: Cross-Disciplinary Collaboration trategy + Creative: Cross-Disciplinary eft Brain, Right Brain, One Brain: Unobstructedeft Brain, Right Brain, emple University Emilia White of Art & Design “The Ugly Placenta Danielle W of Ferris S Willamette University R Sarah Irvin, Self-Employed Artist Time Jessie V College The T Zbynek “ZB L S Chattanooga a P College of Medicine for Education in the Arts and the Southeast Center K T S Angela Dittmar The University of T the Arts at for Physician and P The Art of Balance: Caring

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Thompson University Banning, Drexel Chair: Adrian Synergism: Interprofessional Education andEducation Interprofessional Synergism: I – Session Collaborations

SATURDAY 32 Chair: JenniferWingate, St. FrancisCollege Ballroom 4 Public Political Figures–SessionI Power tothePeople? DisplayingPortraits of / BrittanyLockard, WichitaState University Co-chairs: AmandaWangwright, UniversityofSouthCarolina Ballroom 3 of BeautyintheGlobalArtWorld Rolls, Wrinkles, andHair:TheDiversification Chair: MichaelDuffy, EastCarolinaUniversity Ochs through theBaroque–SessionII Food andFeastinginArtfromAntiquity Diaspora CultureandInstitutionalCritique Amy Sherald’ Chapel Hill John Bowles,UniversityofNorthCarolinaat L Julia Marsh,P Agency inBlackandWhite Lincoln inRichmond:EmancipationDayandBlack Evie T Francis P “Pictures oftheCherok Joseph Litts,UniversityofDelaware W No TinyDancer:QuestioningXuHongfei’ Brittany L Beauty oftheNaturalBody The NudeP Amanda W T Framing AgingFemininity:MaryCassatt’ Mary FrancesIvey Bacchus andHisBeasts Food, FeastingandFestivies:TheBacchanalsof University ofNewY T Functions ofMedievalandR The SaltanditsSavour:IconographiesSocial P Northern EuropeanImagery Eve asGluttonandTheoriesofT Michelle Moseley-Christian,VirginiaT ea Table ooking atLincoln:PicturesandPersuasions rinity Martinez,TheGraduateCenter, City eter ScottBrown,UniversityofNorthFlorida omen andTheirWestern Reception errono, Randolph-Macon College arsons’s Portrait ofCunneShote ockard, WichitaState University angwright, UniversityofSouthCarolina ortrait ofMr. XuLangxi (1884-1961)andthe s Portrait ofMichelleObama:Black ennsylvania AcademyoftheFineArts , UniversityofKansas ork ee Chief”: The Many Lives of TheManyLivesof ee Chief”: . enaissance Salts aste in Early Modern aste inEarlyModern ech s Lady atthe s Chubby s Chubby

Photography, andVisual Culture–SessionI Chair: JessicaSmith,TheUniversityofWest Alabama Ballroom 1 – SessionII Recipes forSuccess:BestStudio Assignments Chair: DavidSmucker, PrattInstitute Amphitheater CROSSING AMERICA Chair: Roja Najafi,OklahomaCityMuseum ofArt Walker Material ObsessionsandPostwar Art R Settler ColonialismontheNavajoNation L L Accidents inthe1930s Highway Mania:P Lisa Dorrill,DickinsonCollege John S Holy R Jeffrey Richmond-Moll,UniversityofDelaware T Can aR Chris Slaby A Not JustP Antje Gamble Soundsuits S Melissa W Xero T Y Jennifer W Printmaking inaBasicDesignCourse From P Jessica Smith,TheUniversityofW P Jason John,UniversityofNorthFlorida Methods in3DDesignandMix Projects UsingArchitecturalSubjectMatterand From ConcretetoImaginary:PlaceasGeneratorfor S Richard Metzgar Self-Directed S Framework ourism andIndigenousHistoryontheMohawkTrail esbian Invasion:Road Trips, QueerFreedom,and aylor Bradley, TheUniversityofTexas atAustin ouise Siddons,OklahomaState University ainting asMediatedbyNewWays ves Klein’s (Im)materiality titched onSound:MaterialityinNickCave’s tate UniversityofNewYork atOswego obin Mandel,UMassAmherst fter WWII x, Verifax, Offset,andHalftone ollers: Religion andModernMobilityintheArtof teuart Curry ossibility To Portfolio: ExploringIdeasand oad PlayIndian? TheVisualCultureofScenic ots: Ceramic Production by Italian Sculptors ots: CeramicProductionbyItalianSculptors arak, UniversityofTexas atElPaso ester, NotreDameofMarylandUniversity s andSeries:MovingStudents towarda , CollegeofWilliam&Mary , MurrayState University tudio Practice , , aintings and Prints of Cars and Car aintings andPrintsofCarsCar

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33 SATURDAY

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“Red Roots of White Feminism”: Indigenous White Feminism”: of Roots “Red

SATURDAY 36 3:15-5:00PM Art HistorySession–III SESSION XII SATURDAY Ochs Chair: ElizabethMansfield, Penn State Chair: JillianHirsch,UniversityofTennessee -Knoxville Undergraduate Undergraduate Hardy Practice intheAnthropocene Eco Intervention:ArtMakingandCreative Amy about L C Thomas Asmuth,University We HavetoCounttheClouds Lily Brooks, Southeastern Louisiana University No DarkinSight:LightandtheNightItTransforms Bill Davis,Western MichiganUniversity Princess QajarandtheRole ofBeautyStandards Ava Baghestani,HendersonState University Identity throughCraft Textiles ofSouthernAppalachia:CultivatingCultural Grayson Sloan,FurmanUniversity Eighteenth-Century London Stages ofCrueltyandtheCyclicalNatureViolencein A CenturyofViolence:WilliamHogarth’s TheFour at LittleRock Cassandra Christ,UniversityofArkansas A NewImageofanIntercessorInArtHistory Queen Esther: East Tennessee State University Leslie MariaPilarArnold, Anglo-Saxon BurialOrnament A Look To DieFor:AV Pennsylvania State University Isabel RuthBraybrookBrady, O E iving in“TheInformationAge,”MakingArt co-Art andSciencesinan h u ristopher McNulty, Auburn Un tside In Feger,UniversityofMont “TheAnthropocene”

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37 SATURDAY

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“Radical Women”: Critical Perspectives on a Perspectives Critical Women”: “Radical

SATURDAY 38 Current and future members of SECAC give a heartfelt thank you to William R. Levin for his major gift to support a second Levin Award for Research in the History of Art.

For more information about the Levin Awards and additional awards for SECAC members, go to https://secacart.org/page/Awards

39 40 NOTES

41 GOVERNANCE

President Editor, Art Inquiries Sandra Reed, Marshall University Kerr Houston, Maryland Institute College of Art

1st Vice-President Chair, SECAC Artist's Fellowship Lawrence Jenkens, University of Massachusetts Dartmouth Committee Greg Shelnutt, University of Delaware 2nd Vice-President Kevin Concannon, Virginia Tech Chair, Levin Award Committee Sarah Archino, Furman University Secretary-Treasurer Beth Mulvaney, Meredith College Coordinator, SECAC Mentoring Program Heather Stark, Marshall University Past President Jason Guynes, University of Alabama Co-Directors, 2019 Annual Conference Katie Hargrave and Christina Vogel, The University of Tennessee at Chattanooga

SECAC Board of Directors Alabama—Wendy DesChene, Auburn University South Carolina—Sarah Archino, Furman University Arkansas—Kevin Cates, University of Arkansas at Little Rock Tennessee—Christina Vogel, The University of Tennessee Florida—Jeff Schwartz, Ringling College of Art and Design at Chattanooga Georgia—Jeff Schmuki, Georgia Southern University Virginia—Michael Borowski, Virginia Tech Kentucky—Eileen Yanoviak, University of Louisville West Virginia—Heather Stark, Marshall University and Speed Art Museum At Large—Al Denyer, University of Utah Louisiana—Rachel Stephens, The University of Alabama At Large—Dennis Ichiyama, Purdue University Mississippi—Elise Smith, Millsaps College At Large—Claire L. Kovacs, Augustana College North Carolina—Kathryn Shields, Guilford College

Affiliate Organizations AHPT FATE SESAH Art Historians Interested in Foundations in Art: Southeast Chapter of the Society of Pedagogy and Technology Theory and Education Architectural Historians ATSAH Historians of Netherlandish Art Society for Paragone Studies Association for Textual MACAA VRA Scholarship in Art History Mid-America College Art Association Visual Resources Association CAA College Art Association SGC International

42 INSTITUTIONAL MEMBERS

Agnes Scott College Jacksonville State University University of Louisville Arkansas Arts Center Jacksonville University University of Massachusetts Dartmouth Arkansas State University James Madison University University of Mississippi Athens State University Jefferson Community University of Montevallo Auburn University and Technical College University of North Alabama Auburn University at Montgomery Kennesaw State University University of North Carolina Austin Peay State University Lake Region State College at Asheville Birmingham-Southern College Louisiana State University University of North Carolina Marshall University Brevard College/Art Dept at Chapel Hill Maryland Institute College of Art Campbell University University of North Carolina Centenary College of Louisiana Meredith College at Greensboro Chico State University North Carolina State University University of North Carolina Wilmington Clemson University Northwest Florida State College University of North Florida Coastal Carolina University Old Dominion University University of North Georgia College of Charleston Pitt Community College University of Pittsburgh Columbus College of Art & Design Queens University of Charlotte University of Richmond Davidson College Ringling College of Art and Design University of South Alabama Duke University Roger Williams University University of South Carolina Aiken East Tennessee State University SCAD University of South Carolina Upstate Eckerd College Slippery Rock University University of South Florida Elon University Spring Hill College Southern Adventist University The University of Tennessee Florida Gulf Coast University at Chattanooga Stetson University Creative Arts Florida International University The University of Tennessee, Florida Southern College Stove Works Knoxville Florida State University The 500 Capp Street Foundation University of the South Furman University The College of New Jersey University of Virginia Gardner-Webb University Towson University University of West Florida George Mason University Troy University University of West Georgia Georgetown College Tulane University Valdosta State University Georgia College & State University University of Akron Vanderbilt University Georgia Museum of Art | University of University of Alabama Virginia Commonwealth University Georgia University of Alabama at Birmingham Virginia Tech Georgia Southern University University of Alabama in Huntsville Wallace Community College Georgia Southwestern University of Arkansas-Fayetteville Washington & Lee University State University School of Art Wayne State University Georgia State University University of Arkansas at Fort Smith Wesleyan College Grand Valley State University University of Arkansas at Little Rock West Virginia University Henderson State University University of Central Arkansas Western Kentucky University High Point University University of Central Florida Winthrop University IDSVA University of Delaware Youngstown State University Jackson State University University of Florida 43 SECAC 2019 SPONSORS

44 45 October 21–24 Richmond, Va.

[email protected]

WITH GRATITUDE

Presenting Sponsors Supporters The University of Tennessee at Chattanooga College of Arts Adera Causey, Curator of Education, and Sciences Hunter Museum of American Art The University of Tennessee at Chattanooga Department of Art Art Creations Hunter Museum of American Art Charlotte Caldwell, Founder and Director, Stove Works Stove Works Chattanooga Visitors Bureau Emily Thomson, Director, The University of Tennessee at Chattanooga Library Studio Sponsors Joe Wilferth, UC Foundation Professor and Interim Dean, Burnaway The University of Tennessee at Chattanooga, College of Arts Covenant College Department of Art and Sciences Middle Tennessee State University Department of Art and Royal Talens Design WonderPress Number: Inc. WanderLinger Brewing Company SCAD Southern Adventist University School of Visual Art & Design Townsend Atelier The University of Tennessee at Chattanooga Library University of Tennessee at Chattanooga Office for Undergraduate Research and Creative Endeavor The University of the South Department of Art and Art History Vanderbilt University Department of Art Watkins College of Art

46 47 Bringing tradition forward

a visual art school serving the Southeast

Townsend Atelier is a visual art school and materials store that offers demos, classes and workshops year-round in painting, drawing, print-making, sculpture, and a weekly figure-drawing studio. All classes are taught by professional working artists who are top in their fields. Our students range from beginner to professional artists who seek to develop their artistic skills in a unique and welcoming atelier setting. Our retail store offers an array of thoughtfully selected art materials.

TOWNSEND ATELIER The Arts Building | 301 East 11th Street | Chattanooga, TN www. townsendatelier.com | 423-266-2712

48 PERSPECTIVES THAT TRANSFORM Contemporary art and innovative voices

Visit scadmoa.org or call 912.525.7191 for information on current exhibitions, tours and membership.

601 TURNER BLVD. | SAVANNAH, GEORGIA | SCADMOA.ORG

49 OPEN HOUSE tours, workshops, and demos DEPARTMENT of November 2, 2019 B.F.A. in Art 11 a.m. – 2 p.m. (concentration in Studio or Graphic Design) The MTSU Department of Art and Design’s B.S. in Art Education mission is to provide a visual education to a B.S. or B.A. in Art student population with diverse life experiences, (concentration in educational expectations, and professional ART Visual Arts or Art History) requirements. To achieve this, we provide a structured and supportive creative environment in which students are encouraged to ask and questions and explore traditional and emerging technologies. Students can acquire the aesthetic judgment, art historical knowledge, technical skills, vocabulary, and attitudes necessary to become professionals in their chosen fields. We serve as advocates for the visual arts by creating original DESIGN art and scholarship, by presenting art exhibitions, To tour Todd Hall and visit the Department of Art and Design, and by offering public lectures and workshops for contact 615-898-2455 or email [email protected] the University, local, and regional communities.

0819-7890 / Middle Tennessee State University does not discriminate against students, employees, or applicants for admission or employment on the basis of race, color, religion, creed, national origin, sex, sexual orientation, gender identity/expression, disability, age, status as a protected veteran, genetic information, or any other legally protected class with respect to all employment, programs, and activities sponsored by MTSU. The Assistant to the President for Institutional Equity and Compliance has been designated to handle inquiries regarding the non-discrimination policies and can be reached at Cope Administration Building 116, 1301 East Main Street, Murfreesboro, TN 37132; [email protected]; or 615-898-2185. The MTSU policy on non-discrimination can be found at www.mtsu.edu/iec.

50 The Department of Art at the University of Tennessee at Chattanooga

UTC Art conceives of material engagement, process, critical thinking, and context as cornerstones of an education in the arts. The depth and substance that insures the development of artistic competencies among our student majors is attested by the success of our graduates in meeting their professional objectives, entering highly competitive graduate schools in the fine arts, and securing professional placement in their respective fields.

BFA Studio BA Graphic Design Art Education Painting and Art Studio Drawing Art History Sculpture Photography and Media Art

615 McCallie Ave Chattanooga, Tennessee 37403

Visit utcart.com for more information

51 LOCAL ARTS & CULTURE

Beyond the conference, there is lots to do while you are visiting Chattanooga. Some of our favorite art venues and cultural spaces are listed here.

The Hunter Museum of American Art Chattanooga Public Library 4th Floor 10AM-8PM Monday-Thursday 9AM-8PM 10 Bluff View, Chattanooga, TN 37403 Friday + Saturday 9AM-6PM https://www.huntermuseum.org 1001 Broad St. Chattanooga, TN 37402 The Hunter Museum of American Art’s mission is to https://chattlibrary.org/4th-floor engage our diverse audiences in active dialogue about the The 4th floor is a public laboratory and educational facility importance, meaning, and relevance of American Art. In with a focus on information, design, technology, and the addition to their permanent collection, special exhibition applied arts. The more than 12,000 sq foot space hosts “Noel W. Anderson: Blak Origin Moment” is on display. equipment, expertise, programs, events, and meetings Special reception and keynote address Thursday, October 17 that work within this scope. While traditional library spaces starting at 5:30pm, circulator buses from The Chattanoogan support the consumption of knowledge by offering access begin at 5:00pm. to media, the 4th floor is unique because it supports the production, connection, and sharing of knowledge by offering access to tools and instruction. Stove Works Satellite 1404 Cowart St, Chattanooga, TN 37408 https://www.stoveworks.org Sculpture Fields Stove Works is a new residency and exhibition venue in Open Dawn to Dusk Chattanooga. Their mission is to serve the Chattanooga 1800 Polk St. Chattanooga, TN 37408 community by providing local, national, and international https://www.sculpturefields.org artists a venue for the production of, exhibition of and Sculpture Fields is a 33 acre public park populated with education through contemporary works of art. sculptures from all over the world. Located on Chattanooga’s Stove Works is our partner organization for the 2019 SECAC Southside, it is also the largest sculpture park in the Juried Exhibition. *The site for this exhibition is in a satellite Southeast and beckons visitors from near and far. Founded location while their permanent home undergoes extensive by local sculptor John Henry. renovations in preparation for their first batch of residents. Special reception Friday, October 18 starting at 6pm, the VERSA exhibition venue is a short walk away, but there is also a Gallery Opening Reception Friday, October 18 6PM-10PM shuttle beginning at 5:40pm from The Chattanoogan. 1918 Union Avenue, Chattanooga, TN 37404 in the Mercy Junction Justice and Peace Center Townsend Atelier https://www.versagallery.org Open by appointment and during classes. Feel free to call to VERSA is an artist-run space exhibiting contemporary art stop by 423-266-2712 that values experimentation, diversity, and cross-disciplinary 301 East 11th, Chattanooga, TN 37403 exchange. Their team collaborates with artists in the http://townsendatelier.com presentation and discussion of their work, developing Townsend Atelier is a store for excellent quality exhibitions and programming organically to facilitate a critical artist-grade materials as well as a venue for workshops exchange of ideas. They have an opening “VERSA + ART by professional artists. TRAP Collaboration” opening the Friday of the conference, and available by appointment.

52 AVA (Association for Visual Arts) The Levitt Amp Series Tuesday - Friday 11AM - 6PM, Saturday 12PM - 5PM 200 E M L King Blvd Chattanooga, TN 37402 30 Frazier Ave., Chattanooga, TN 37405 https://concerts.levittamp.org/chattanooga http://www.avarts.org The Levitt AMP Chattanooga Music Series energizes the The Association for Visual Arts is a non-profit 501(c)3 Bessie Smith Cultural Center lawn. Situated at the core of organization dedicated to connecting visual arts and Chattanooga’s Historic Martin Luther King District—a formerly community in personal and experiential ways because they vibrant hub for African American community life known as the believe that art makes people and communities better. Big Nine—the series celebrates the area’s rich heritage while fueling its revitalization through the power of free, live music. Hours: Thursday night. Opening acts begin at 5:45, headliner The Mountain Opry goes on at 7pm. Admission is free. Food and beverage Friday nights, 8PM. Admission is free. vendors on site. 2501 Fairmount Pike, Signal Mountain, TN 37377 https://www.facebook.com/pages/The-Mountain-Opry The Mountain Opry takes place each Friday night in The Open Press an atmospheric old community hall in Walden, Tennessee. by appointment. Bluegrass and old-time acoustic bands take the stage at 8pm Please call 423-401-8606 for a tour. and play thirty minute sets. 1271 Market Street, Suite B Chattanooga, TN 37405 http://theopenpress.org The Open Press is a letterpress, printmaking, and book Bessie Smith Cultural Center arts studio. Their aim is to provide access to a unique and Monday - Friday 10AM - 5PM. Admission $7. under-utilized artistic resource in Chattanooga, and to build 200 E M L King Blvd Chattanooga, TN 37402 a community of fine artists and craftspeople around this https://www.bessiesmithcc.org equipment and knowledge. The mission of the BSCC is to preserve and celebrate African American History and Culture in Chattanooga through art, Carley Cullen of Missouri Valley College will offer a letterpress education, research and entertainment. workshop on Sat., Oct. 19 from 1:15-3:00pm at The Open Press.

For registration information, [email protected] on Instagram.

53 FOOD AND DRINK

Walking Bridge Chattanooga has great options for food and drink, and many are within Libations Only TENNESSEE RIVER Veterans Bridge walking distance from The Chattanoogan Hotel. These options are some of our WanderLinger, Thursday 4:00pm- favorites and are listed in order of distance from the hotel. 11:00pm, Friday + Saturday 12pm- midnight, 1208 King Street 3 Breakfast Terminal Brewhouse, 11:00am-midnight, 1464 Market Street Broad Street Grill, 6:30am-2:00pm, within The Chattanoogan Hotel Aquarium Way Kenny’s, 7:00am-3:00pm (open at 8am on Saturday + Sunday), 1251 Market The Social, 5pm-9pm, 1110 Market Street Street (open for lunch) Pickle Barrel (smoking), 11:00am- Niedlov’s, 7:00am-4:00pm, 215 E. Main Street (open for lunch & great coffee) 3:00am, 1012 Market Street 3th St Walnut St. Cherry St Southern Squeeze, 9:00am-4:00pm, 818 Georgia Ave. (also open for lunch) Matilda Midnight, 3:00pm-midnight, Camp House, 7:00am-5:00pm (closed Saturday + Sunday), 149 E M L King Blvd 120 E. 10th Street The Bitter Alibi, 11:00am-midnight, (also open for lunch) 4th St 825 Houston Street Mad Priest, 7:00am-10:00pm, Coffee/Tea 719 Cherry Street (coffee too!) Stroud’s Sidewalk Cafe, 6:30am-3:00pm (closed Saturday + Sunday), 5th St within The Chattanoogan Hotel Wildflower Tea Shop, 10:00am -6:00pm, 1423 Market Street Frothy Monkey, 6:30am-10:00pm, 1400 Market Street 6th St 4

Goodman Coffee, 7:00am-7:00pm (except Saturday opening at 8:00am), Georgia Ave 1110 Market Street 2 114 W. Main Street (great breakfast & lunch too!) 7th St Mean Mug, 7:00am-6:00pm, Market St Broad St

Chestnut St Mad Priest, 7:00am-10:00pm, 719 Cherry Street (great cocktails!) Pine St Riverfront Pkwy 8th St McCallie Ave Lunch Niedlov’s, 7:00am-4:00pm, 215 E. Main Street (open for breakfast & great coffee) Tupelo Honey, 11:00am-9:00pm (except Saturday, open at 9:00am), 1110 Market Street Kenny’s, 7:00am-3:00pm (open at 8am on Saturday + Sunday), 27 ML King Blvd 1251 Market Street (open for breakfast) Taqueria Jalisco, 8:00am-3:00pm, 850 Market Street Camp House, 7:00am-5:00pm (closed Saturday and Sunday), 149 E M L King Blvd Carter St 10th St

(open for breakfast) Chestnut St 11:00am-10:00pm, 217 E. Main (open for dinner) Main Street Meats, 1th St Southern Squeeze, 9:00am-4:00pm, 818 Georgia Ave. (also open for breakfast) Flatiron Deli, 9:00am-3:00pm (closed Saturday + Sunday), 706 Walnut Street (right by the UTC ConTemporary Cress Gallery) 1

Dinner King st 13th St 6 The Foundry, 2:00pm-11pm (Happy Hour 2-7pm), within The Chattanoogan Hotel. Southern Star, 11:00am-9:00pm (closed Saturday + Sunday), 1300 Broad Street Public House, 5:00pm-10:00pm, 1110 Market Street Urban Stack, 11:00am-10:00pm, 12 W. 13th Street 14th St Two Ten Jack, 11:00am-10:00pm, 1110 Market Street (great cocktails!) Main St Meeting Place, 5:00pm-10:00pm, 1274 Market Street 1444 Market Street (great cocktails!) STIR, 11:00am-midnight, Cowart St 5 Alleia, 5:00pm-10:00pm, 25 E. Main Street Flying Squirrel, 5:00pm-midnight, 55 Johnson Street Main Street Meats, 11:00am-10:00pm, 217 E. Main (also open for lunch)

HiFi Clyde’s, 11:00am-midnight, 122 W. Main William St Community Pie, 9:30am-11:00pm, 850 Market Street

54 Walking Bridge TENNESSEE RIVER Veterans Bridge

3

Aquarium Way

3th St Walnut St. Cherry St

4th St

5th St

6th St 4

2 Georgia Ave 7th St Market St

Broad St

Chestnut St Pine St Riverfront Pkwy 8th St McCallie Ave

27 ML King Blvd

Conference Locations Carter St 10th St

Chestnut St The Chattanoogan Hotel 1 1201 Broad St, 1th St Chattanooga, TN 37402 UTC ConTemporary 2 Cress Gallery 1 123 E. 7th Street Chattanooga, TN 37402 King st Hunter Museum 13th St 6 3 of American Art 10 Bluff View, Chattanooga, TN 37403 The University of 4 Tennessee Chattanooga 14th St 615 McCallie Ave, Main St Chattanooga, TN 37403

Stove Works Satellite Cowart St 5 5 1404 Cowart St, Chattanooga, TN 37408 WanderLinger 6 Brewing Company 1208 King St, William St Chattanooga, TN 37403 53 UTC DEPARTMENT OF ART

www.utcart.com