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Welcome Back: Fall 2014
Keeping you in... The newsletter of the UA Department of Art and Art History! art.ua.edu Welcome Back: Fall 2014 WELCOME to our new office associates ANGIE BROWN (RIGHT) and MARTHA SEARS (BELOW), who have been with us for a few weeks this summer. Brown handles our budget and comes with lots of experi- ence in collections and bookkeeping. Sears established and managed a UA Students in Assistant Professor Pete campus ministry, Schulte’s class take an unusual approach to drawing from nature. and worked as a financial aid specialist at Savannah College of Art and Design. If you Two of our instructors and a current grad student have opened a have not met them yet, please visit Garland new art space in Northport. The Grocery – founded by VIRGINIA 103 and introduce yourself. ECKINGER (MFA 2014), CLAIRE LEWIS EVANS (MFA candidate) and ANNE HERBERT (MFA 2013 and full-time instructor) – opened its Welcome to APRIL JEHAN MORRIS (RIGHT), doors on Art Night, September 4. This artist-run studio, exhibit our new Medievalist, who teaches and performance space emanates creative vibes from 900 Main graduate and undergraduate courses in Avenue in Northport, Alabama. If you missed Art Night, visit them Medieval and Ancient art. Morris taught in person or check out their lovely and informative website, previously at Bowdoin College, Kenyon http://www.groceryartplace.com/. College and the University of North Texas. Her research focuses on the visual and material cultures of the Crusades Our New Website and on the roles of symbol, material and metaphor in Romanesque France. Thanks to the fabulous design team at e-Tech, our 21st-century Department of Art and Art History now has a website that reflects Congratulations to LUCY CURZON, who our mission, our accessibility and our expanding horizons. -
The Stourbridge School of Art and Its Relations with the Glass Industry of the Stourbridge District, 1850-1905
A PROVINCIAL SCHOOL OF ART AND LOCAL INDUSTRY: THE STOURBRIDGE SCHOOL OF ART AND ITS RELATIONS WITH THE GLASS INDUSTRY OF THE STOURBRIDGE DISTRICT, 1850-1905 by JAMES SCOTT MEASELL A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History College of Arts and Law University of Birmingham April 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Founded in 1851, the Stourbridge School of Art offered instruction in drawing, art and design to students engaged in industries, especially glass. Using social history methodology and primary sources such as Government reports, local newspapers and school records, this thesis explores the school’s development from 1850 to 1905 and explicates its relationships with the local glass industry. Within the context of political, economic, social and cultural forces, the school contributed to the town’s civic culture and was supported by gentry, clergy and industrialists. The governing Council held public meetings and art exhibitions and dealt with management issues. Working class men attended evening classes. Women from wealthy families attended morning classes. -
SECAC Conference
SECAC UNIVERSITY OF TENNESSEE AT CHATTANOOGA OCT 16–19_PRELIMINARY SCHEDULE SECAC 2019 Conference Preliminary Program Tucked in the foothills of the Appalachian Mountains, Chattanooga is The Chattanoogan will serve as the conference hotel and hub, known for its beautiful scenery and significant place within American conveniently located in the heart of our lively downtown history, and it has earned a reputation for cultivating a spirit of and steps away from many cafes, restaurants, and attractions. entrepreneurship and innovation. The Hunter Museum of American Beyond conference sessions, opportunities to come together Art, outdoor sculpture park Sculpture Fields, and artist residency and experience the city will include: Stove Works contribute to our city’s burgeoning arts community, and we are excited to share it with you. A reception and keynote address by Sharon Louden at the spectacular Hunter Museum of American Art. Louden is a Along with our colleagues at the University of Tennessee at renowned visual artist, newly appointed Artistic Director of Chattanooga, we are honored to host the 2019 SECAC Conference. Chautauqua Institution’s Visual Arts Program, and editor of We are eager to see rich and meaningful conversations unfold the Living and Sustaining a Creative Life series, which brings amongst conference attendees and community members, rippling together essays by visual artists centered on building a out beyond the conference in ways we cannot yet imagine. fulfilling professional practice and approaching work beyond the studio as “culture producers.” The 2019 conference is slated to have more than 140 sessions exploring topics of scholarly importance and timely cultural issues The SECAC Juried Members and Artist Fellowship exhibitions. -
St Colmon Stained Glass Windows
Stained Glass Windows St Colmon Church Colmonell 1 Three light window at the west end of the church by Louis Davis, 1909-10. The Sacraments, Praise with the Ascent of the Blessed to Heaven, Accompanied by Banners of Music and All the Works of the Lord. Donated by Robert Finnie McEwen of Bardrochat. 2 he church contains T outstanding Arts and Crafts stained glass, by both Louis Davis and Douglas Strachan. The glory of the church is the three light window in the west wall, The Benedicite, by Louis Davis, considered the last of the Pre- Raphaelites. Its theme is Praise, and shows all the works of the Lord. The window was exhibited at Leighton House in London to great acclaim, before its installation at Colmonell in 1910. The architect Robert Lorimer, who designed many elements of the church’s interior — including the pulpit, linenfold panels and the fine organ case — suggested that the window was possibly “the finest example of stained glass, ancient or modern, that had ever been produced”. The design, glorious in its use of Stephen with his stone, St Cecilia, “Davis blue”, has a great sense of a small organ in her arms, St poetry and energy in the Hubert holding the couples for his ascending figures, with spiralling hounds, and St Andrew the banners of music increasing the Apostle with cross on girdle. sense of movement. Below them ride the Crusaders, led by St Louis King of France. The standard above his head displays he central light: the Rood “in a glory”, the sign of T At the top are the gates one greater than the King. -
Stained and Painted Glass Janette Ray Booksellers, York, England
Stained and Painted Glass Janette Ray Booksellers, York, England Janette Ray Booksellers, 8 Bootham, York YO30 7BL UK. Tel: +44 (0)1904 623088 email [email protected] STAINED AND PAINTED GLASS: CATALOGUE 16 Introduction: This catalogue is our first specialist list on aspects of stained and painted glass. It includes material on making glass, commentaries on glass in situ, including a selection of out of print volumes from Corpus Vitrearum, monographs on individual makers and a small group of items which comprise original designs for glass. It is designed to appeal to those who have a general interest in the subject alongside those with specific interests in periods or individual artists. We would particularly draw your attention to Christopher Whall’s rare promotional booklet for his own firm which has original photographs of items he made,(no 31 ) and other trade catalogues, the massive colour illustrated portfolio Vorbildliche Glasmalereien aus dem späten Mittelalter und der Renaissancezeit which records glass in pre First World War Germany (no 99), the original heraldic designs recorded by F C Eden at Aveley Belhus. (no 187) and the substantial collection of original material from Hardman’s in Birmingham when the company was under the jurisdiction of Patrick Feeney and Donald Taunton. (no 188 ) [Cover design from the collection S268] We have not included Journals in the list but have a large stock of the major academic publication of the Society of Glass Painters and other journals and welcome any enquiries on this subject. Furthermore, there are many small pamphlets which provide valuable insights into the windows in churches all over Great Britain and beyond. -
SECAC 2018 in BIRMINGHAM SECAC Met for the 74Th Time in Birmingham, Alabama, Hosted by the University of Alabama at Birmingham
Vol. L, No. 2 Fall 2018 PO Box 9773 | Wilmington DE 19809-9773 PHONE 302-575-1575 EMAIL [email protected] www.secacart.org secac SECAC 2018 IN BIRMINGHAM SECAC met for the 74th time in Birmingham, Alabama, hosted by the University of Alabama at Birmingham. 561 members attended, and of those, 102 were students. 284 institutions were represented throughout more than 120 dynamic sessions and a standout juried exhibition. Wednesday evening’s welcome reception took place at the conference hotel, the Sheraton Birmingham. Sessions and panels began the next morning and continued through Saturday afternoon. Thursday interim chair Jessica Dallow, professor Doug evening saw members at Birmingham Barrett, and staff Monica Diltz, Heather Museum of Art for the keynote address by Holmes, and Laura Merrill, in addition to Andrew Freear of Auburn University’s Rural AEIVA staff John Fields, Christina McClellan, Studio. Friday evening took SECAC across and Samantha Arceneaux. the Magic City to a reception at UAB’s Abroms-Engel Institute for the Visual Arts SECAC 2018 MENTORING for the 2018 SECAC Annual Juried PROGRAM Exhibition, juried by Peter Baldaia, and 2017 In the eighth year of the SECAC mentoring SECAC Artist’s Fellowship Exhibition: program, participation remained high with Stacey Holloway—Not to be Otherwise. A 40 members meeting as mentors and successful conference always requires the mentees. Thanks to Heather Stark of efforts of many, and in the spirit of Marshall University for organizing the partnership, openness, and inclusivity, the program and to the following members for 2018 conference greatly benefitted through volunteering as mentors: Caroline a diverse group of Birmingham community Covington, Al Denyer, Jason Guynes, Claire co-sponsors, including: Birmingham- Kovacs, Tony Morris, Debra Murphy, Roja Southern College, Samford University, Najafi, Jennifer Printz, Carol Prusa, Sandra Kentuck Festival of the Arts, Four Corners Reed, Danielle Rosen, Jeff Schwartz, Karen Gallery, Space One Eleven, and Forstall Art Shelby, Greg Shelnutt, Jessica Stephenson, Supply. -
The Kuehlthau Family Foundation
July 9 — October 1, 2017 Lead Sponsor: The Kuehlthau Family Foundation Awards Sponsors: Anonymous Alice Chang Huntsville Museum of Art Docents Susan and Robert Kuehlthau Kelly and Randy Schrimsher Anne and Ed Uher Additional Supporters: Alabama State Council on the Arts Altherr Howard Design Huntsville Museum of Art Guild Copyright © 2017 Huntsville Museum of Art All rights reserved ISBN 1-885820-48-8 Catalogue Design, Illustration & Production: Betty Altherr Howard New Market, AL Photography: The Individual Artists Jeff White Huntsville, AL Printing: Colonial Printing Huntsville, AL Huntsville Museum of Art 300 Church Street Southwest Huntsville, AL 35801 USA 256.535.4350 www.hsvmuseum.org The Red Clay Survey is organized by Peter J. Baldaia, Director of Curatorial Affairs, and David J. Reyes, Curator of Exhibitions and Collections of the Huntsville Museum of Art, to highlight outstanding regional contemporary art. Contents Foreword & Acknowledgments 4 Museum Purchase Awards 5 Juror’s Comments 8 Juror’s Awards 10 The Exhibition 17 Exhibition Checklist 61 Foreword & Acknowledgments by Peter J. Baldaia Director of Curatorial Affairs of the Huntsville Museum of Art The Huntsville Museum of Art is very pleased Purves — for their hard work on behalf of to present the 2017 edition of The Red Clay this endeavor. Thanks also go to graphic Survey exhibition of contemporary Southern designer Betty Altherr Howard for providing art. Since its inception in 1988, this recurring a handsomely designed exhibition competition has provided a showcase for announcement and catalogue, and for her current art in our region through a critical meticulous supervision of all aspects of their selection of work from eleven Southern production. -
Jackson Phd 2014.Pdf
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. Pre-Raphaelite and Working-Class poetry, 1850-1900: an examination of a contiguous tradition by Kathrine Angela Jackson Submitted in accordance with the requirements for the degree of Doctor of Philosophy January 2014 Keele University Institute of Humanities ii SUBMISSION OF THESIS FOR A RESEARCH DEGREE Part I. DECLARATION by the candidate for a research degree. To be bound in the thesis Degree for which thesis being submitted Doctor of Philosophy Title of thesis Pre-Raphaelite and Working-Class poetry, 1850-1900: an examination of a contiguous tradition. This thesis contains confidential information and is subject to the protocol set down for the submission and examination of such a thesis. YES/NO [please delete as appropriate; if YES the box in Part II should be completed] Date of submission 10/01/2014 Original registration date 29/09/2009 (Date of submission must comply with Regulation 2D) Name of candidate Kathrine Angela Jackson Research Institute Humanities Name of Lead Supervisor Dr Jonathon Shears I certify that: (a) The thesis being submitted for examination is my own account of my own research (b) My research has been conducted ethically. -
Red Clay Survey Digital Catalogue
Red Clay 2020_INSIDE COVERS:Layout 1 7/22/20 3:44 PM Page 1 The Red Clay Survey: 2020 Exhibition of Contemporary Southern Art August 9 — October 4, 2020 Lead Sponsor: The Kuehlthau Family Foundation Awards Sponsors: Alice Chang Huntsville Museum of Art Docents Huntsville Museum Association Susan and Robert Kuehlthau Rosemary and Joe Lee Kelly and Randy Schrimsher Sasha and Charlie Sealy Anne and Ed Uher Wendy Yang and Rick Myers Additional Supporters: Alabama State Council on the Arts Huntsville Museum of Art Guild 1 Copyright © 2020 Huntsville Museum of Art All rights reserved ISBN 1-885820-48-8 Catalogue Design: Panciera Design, Huntsville, AL Photography: The Individual Artists Printing: Colonial Printing, Huntsville, AL HUNTSVILLE MUSEUM OF ART 300 Church Street SW Huntsville, AL 35801 USA 256.535.4350 www.hsvmuseum.org The Red Clay Survey is organized by Peter J. Baldaia, Director of Curatorial Affairs of the Huntsville Museum of Art, and David J. Reyes, Curator of Exhibitions and Collections of the Huntsville Museum of Art, to highlight outstanding regional contemporary art. 2 Contents 4 - Foreword and Acknowledgements 5 - Museum Purchase Awards 9 - Jurors’ Awards 15 - Comments 17 - The Exhibitition 76 - Exhibition Checklist 3 foreword & acknowledgements The Huntsville Museum of Art is very pleased to present the 2020 edition of The Red Clay Survey exhibition of contemporary Southern art. Since its inception in 1988, this recurring competition has provided a showcase for current art in our region through a critical selection of work from across the South. This year’s Survey features 85 works by 67 artists, juried by myself and my colleague David Reyes, Curator of Exhibitions and Collec- tions. -
The Subject Index
DAS Index – Subjects AA Journal 20.64 Aalto, Alvar 10.34–6, 19.48, 56, 27.16, 31.75 Abadie, Paul 14.6 Abbey, Edwin Austin 21.60, 24.50, 28.197 Abbey Theatre (Dublin) 9.29 Abbot Hall Museum (Kendal) 31.42 Abdulla Cigarettes 23.62–3 Abels, Gustaf 5.6 Abercrombie, Patrick 26.121, 127 Aberdeen 21.35–44 Argyll Place and Crescent 21.37, 39 Art Gallery 35.125 Ecclesiological Society (later Scottish Ecclesiological Society) 21.35, 41–2, 44 Episcopal Church 21.42 Hamilton Place 21.35, 37, 39 Philosophical Society 21.35 Queens Cross Church 21.37 St Machar’s Cathedral 23.40 Seaton Cottage 23.34 Society of Architects 21.35 Victoria Park fountain 21.35 West Kirk 23.42–3 Aberdeen Directory 21.35 Aberdeen, Ishbel-Maria, Lady 18.63 Abney Hall, Cheshire 25.54–5 Abspoel, Willem F. 7.34 Abu Dhabi 32.145 The Academy 23.93, 98 Academy of Fine Arts (Valenciennes) 21.119 Acatos (Peter) (pottery) 15.25 Accles and Pollock (furniture) 8.54 Ackroyd, Peter 35.77, 79 Acton Burnett Hall (Shrewsbury) 24.13 Acton, Sir Harold 35, 8.31–2, 35.136 Acton, William 8.32 Adam & Small 23.48 Adam, Robert 8.7, 33.62, 67 Adam, Stephen 23.33, 35, 48 Adam style 8.7, 9.45, 46 Adams, John 30.117 Adams, Katharine 28.193 Adams, Maurice B 26.61, 28.116 Adams, Percy 21.122 Adburgham, Alison 33.82, 34.38 Addams, Jane 28.67, 75 Addison, David 24.54 Addison, Ruth 33.14–15 Adelphi (London) 21.127–8 Adeney, Bernard 17.34 Adie Bros 17.61, 62 Adjani, Isabelle 22.87 Adler, Rose 1.38 Adlington, William Sampson 21.95 Admiralty Harbour (Dover) 21.109 Adnet, Jacques 27.18 Adnet, J.J. -
Alabama's Gulf Coast
Winter / Spring 2011 MOSAICThe magazine of the Alabama Humanities Foundation Study Alabama’s Gulf Coast With Us Celebrating a Legendary Author Explore Alabama’s “Journey Stories” ahf.net Alabama Humanities Foundation Board Our kudzu philosophy: of Directors At AHF, we think we have a lot to learn from kudzu, or at least its concept. Jim Noles, Chair, Birmingham Like it or hate it, kudzu is truly a ubiquitous John Rochester, Vice Chair, Ashland feature of Alabama as well as our Southern Danny Patterson, Treasurer, Mobile neighbors. No matter who you are, Lisa Narrell-Mead, Secretary, Birmingham Lynne Berry*, Huntsville where you’re from or how deeply you’re Calvin Brown*, Decatur rooted in the humanities, if you know Malik Browne, Eutaw Alabama, you know kudzu. Pesky as it may Rick Cook, Auburn be, the plant is common to everyone. Kudzu Cathy Crenshaw, Birmingham spreads and grows, links and connects. And David Donaldson, Birmingham much like the rich humanities in our state, Kathleen Dotts, Huntsville kudzu can be found, well, everywhere. Reggie Hamner, Montgomery Janice Hawkins*, Troy Kay Kimbrough, Mobile John Knapp, Birmingham Robert Olin, Tuscaloosa Carolyn Reed, Birmingham Guin Robinson, Birmingham Nancy Sanford, Sheffield archaeology art history classics film studies history Lee Sentell*, Montgomery Dafina Ward, Birmingham Wyatt Wells, Montgomery Bob Whetstone*, Birmingham Billie Jean Young, Marion *denotes governor’s appointee jurisprudence languages literature philosophy & ethics theatre history Alabama Humanities The Alabama Humanities Foundation (AHF), founded in 1974, is the state nonprofit affiliate of the National Endowment for the Humanities. Foundation Staff Bob Stewart, Executive Director The Alabama Humanities Foundation. -
Dictionary of Irish Biography
Dictionary o f Irish Biography Relevant Irish figures for Leaving Cert history CONTENTS PART 3. Pursuit of sovereignty and the impact PART 1. of partition Ireland and 1912–1949 the Union 138 Patrick Pearse 6 Daniel O’Connell 150 Éamon de Valera 18 Thomas Davis 172 Arthur Griffith 23 Charles Trevelyan 183 Michael Collins 27 Charles Kickham 190 Constance Markievicz 31 James Stephens 193 William Thomas Cosgrave C 35 Asenath Nicholson 201 James J. McElligott 37 Mary Aikenhead 203 James Craig O 39 Paul Cullen 209 Richard Dawson Bates 46 William Carleton 211 Evie Hone N 49 William Dargan T PART 4. PART 2. The Irish diaspora E Movements for 1840–1966 political and N 214 John Devoy social reform 218 Richard Welsted (‘Boss’) Croker T 1870–1914 221 Daniel Mannix 223 Dónall Mac Amhlaigh 56 Charles Stewart Parnell 225 Paul O’Dwyer S 77 John Redmond 228 Edward Galvin 87 Edward Carson 230 Mother Mary Martin 94 Isabella Tod 96 Hanna Sheehy-Skeffington 99 James Connolly 107 Michael Davitt PART 5. 116 James Larkin Politics in 122 Douglas Hyde Northern Ireland 129 William Butler Yeats 1949–1993 239 Terence O’Neill 244 Brian Faulkner 252 Seamus Heaney Part 1. Ireland and the Union Daniel O’Connell O’Connell, Daniel (1775–1847), barrister, politician and nationalist leader, was born in Carhen, near Caherciveen, in the Iveragh peninsula of south-west Kerry, on 6 August 1775, the eldest of ten children of Morgan O’Connell (1739–1809) and his wife, Catherine O’Mullane (1752–1817). Family background and early years Morgan O’Connell was a modest landowner, grazier, and businessman.