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Introduction by the Editor
INTRODUCTION BYTHE EDITOR HEN Dante Gabriel Rossetti, Edward Burne- Jones, William Morris, and some fellow-artists painted on the damp walls of the Oxford Un- ion debating hall in 1857, their ignorance of fresco technique led them to produce haunt- ing images of the Middle Ages which, in ghostly fashion, began to fade almost immedi- ately; but the more permanent legacy of this episode was a body of richly revealing anecdotes about the Pre- Raphaelites themselves. Burne-Jones, for example, recalled that Mor- ris was so fanatically precise about the details of medieval costume Figure 1 that he arranged for "a stout little smith" in Oxford to produce a suit of armor which the painters could use as a model. When the basinet arrived, Morris at once tried it on, and Burne-Jones, working high above, looked down and was startled to see his friend "embedded in iron, dancing with rage and roaring inside" because the visor would not lift.1 This picture of Morris imprisoned and blinded by a piece of medie- val armor is an intriguing one: certainly it hints at an interpretation of his career that is not very flattering. But we ought to set alongside it another anecdote, from the last decade of Morris's life, the symbol- ism of which seems equally potent. Early in November 1892, young Sydney Cockerell, recently hired by Morris to catalogue his incunab- ula and medieval manuscripts, spent the entire day immersed in that remote age while studying materials in Morris's library. As evening approached, he emerged again into the nineteenth century (or so he thought) and climbed the staircase of Kelmscott House: "When I went up into the drawing room to say goodnight Morris and his wife were playing at draughts, with large ivory pieces, red and white. -
Angeli, Helen Rossetti, Collector Angeli-Dennis Collection Ca.1803-1964 4 M of Textual Records
Helen (Rossetti) Angeli - Imogene Dennis Collection An inventory of the papers of the Rossetti family including Christina G. Rossetti, Dante Gabriel Rossetti, and William Michael Rossetti, as well as other persons who had a literary or personal connection with the Rossetti family In The Library of the University of British Columbia Special Collections Division Prepared by : George Brandak, September 1975 Jenn Roberts, June 2001 GENEOLOGICAL cw_T__O- THE ROssFTTl FAMILY Gaetano Polidori Dr . John Charlotte Frances Eliza Gabriele Rossetti Polidori Mary Lavinia Gabriele Charles Dante Rossetti Christina G. William M . Rossetti Maria Francesca (Dante Gabriel Rossetti) Rossetti Rossetti (did not marry) (did not marry) tr Elizabeth Bissal Lucy Madox Brown - Father. - Ford Madox Brown) i Brother - Oliver Madox Brown) Olive (Agresti) Helen (Angeli) Mary Arthur O l., v o-. Imogene Dennis Edward Dennis Table of Contents Collection Description . 1 Series Descriptions . .2 William Michael Rossetti . 2 Diaries . ...5 Manuscripts . .6 Financial Records . .7 Subject Files . ..7 Letters . 9 Miscellany . .15 Printed Material . 1 6 Christina Rossetti . .2 Manuscripts . .16 Letters . 16 Financial Records . .17 Interviews . ..17 Memorabilia . .17 Printed Material . 1 7 Dante Gabriel Rossetti . 2 Manuscripts . .17 Letters . 17 Notes . 24 Subject Files . .24 Documents . 25 Printed Material . 25 Miscellany . 25 Maria Francesca Rossetti . .. 2 Manuscripts . ...25 Letters . ... 26 Documents . 26 Miscellany . .... .26 Frances Mary Lavinia Rossetti . 2 Diaries . .26 Manuscripts . .26 Letters . 26 Financial Records . ..27 Memorabilia . .. 27 Miscellany . .27 Rossetti, Lucy Madox (Brown) . .2 Letters . 27 Notes . 28 Documents . 28 Rossetti, Antonio . .. 2 Letters . .. 28 Rossetti, Isabella Pietrocola (Cole) . ... 3 Letters . ... 28 Rossetti, Mary . .. 3 Letters . .. 29 Agresti, Olivia (Rossetti) . -
Essays on British Women Poets B Studi Di Letterature Moderne E Comparate Collana Diretta Da Claudia Corti E Arnaldo Pizzorusso 15
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Florence Research ESSAYS ON BRITISH WOMEN POETS B STUDI DI LETTERATURE MODERNE E COMPARATE COLLANA DIRETTA DA CLAUDIA CORTI E ARNALDO PIZZORUSSO 15 SUSAN PAYNE ESSAYS ON BRITISH WOMEN POETS © Copyright 2006 by Pacini Editore SpA ISBN 88-7781-771-2 Pubblicato con un contributo dai Fondi Dipartimento di Storia delle Arti e dello Spettacolo di Firenze Fotocopie per uso personale del lettore possono essere effettuate nei limiti del 15% di ciascun volume/fascicolo di periodico dietro pagamento alla SIAE del compenso previsto dall’art. 68, comma 4, della legge 22 aprile 1941 n. 633 ovvero dall’accordo stipulato tra SIAE, AIE, SNS e CNA, CONFARTIGIANATO, CASA, CLAAI, CONFCOMMERCIO, CONFESERCENTI il 18 dicembre 2000. Le riproduzioni per uso differente da quello personale potranno avvenire solo a seguito di specifica autorizzazione rilasciata dagli aventi diritto/dall’editore. to Jen B CONTENTS Introduction . pag. 7 Renaissance Women Poets and the Sonnet Tradition in England and Italy: Mary Wroth, Vittoria Colonna and Veronica Franco. » 11 The Poet and the Muse: Isabella Lickbarrow and Lakeland Romantic Poetry . » 35 “Stone Walls do not a Prison Make”: Two Poems by Alfred Tennyson and Emily Brontë . » 59 Elizabeth Barrett Browning: The Search for a Poetic Identity . » 77 “Love or Rhyme”: Wendy Cope and the Lightness of Thoughtfulness . » 99 Bibliography. » 121 Index. » 127 B INTRODUCTION 1. These five essays are the result of a series of coincidences rather than a carefully thought out plan of action, but, as is the case with many apparently haphazard choices, they reflect an ongoing interest which has lasted for the past ten years. -
Language in India
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 16:11 November 2016 ISSN 1930-2940 Managing Editor: M. S. Thirumalai, Ph.D. Editors: B. Mallikarjun, Ph.D. Sam Mohanlal, Ph.D. B. A. Sharada, Ph.D. A. R. Fatihi, Ph.D. Lakhan Gusain, Ph.D. Jennifer Marie Bayer, Ph.D. S. M. Ravichandran, Ph.D. G. Baskaran, Ph.D. L. Ramamoorthy, Ph.D. C. Subburaman, Ph.D. (Economics) N. Nadaraja Pillai, Ph.D. Renuga Devi, Ph.D. Soibam Rebika Devi, M.Sc., Ph.D. Assistant Managing Editor: Swarna Thirumalai, M.A. Contents Materials published in Language in India www.languageinindia.com are indexed in EBSCOHost database, MLA International Bibliography and the Directory of Periodicals, ProQuest (Linguistics and Language Behavior Abstracts) and Gale Research. The journal is included in the Cabell’s Directory, a leading directory in the USA. Articles published in Language in India are peer-reviewed by one or more members of the Board of Editors or an outside scholar who is a specialist in the related field. Since the dissertations are already reviewed by the University-appointed examiners, dissertations accepted for publication in Language in India are not reviewed again. This is our 16th year of publication. All back issues of the journal are accessible through this link: http://languageinindia.com/backissues/2001.html Language in India www.languageinindia.com ISSN 1930-2940 16:11 November 2016 Contents i Jimmy Teo THE 7 PILLARS OF THE HEALTH & SANITY iv-v Adiba Murtaza, M.A. Students’ Perceptions of English Language Instruction (EMI) at a Private University in Bangladesh: A Survey 1-11 K. -
Frick Fine Arts Library
Frick Fine Arts Library William Morris’s The Kelmscott Chaucer & Other Book Arts Library Guide No. 16 "Qui scit ubi scientis sit, ille est proximus habenti." Brunetiere* Before Beginning Research FFAL hours: M-H, 9-9; F, 9-5; Sa-Su, Noon – 5 Hillman Library – Special Collections – 3rd floor: M-F, 9:00 – Noon and 1:00 – 5:00; Closed on weekends. Policies: Food and drink may only be consumed in the building’s cloister and not in the library. Personal Reserve: Undergraduate students may, if working on a class term paper, ask that books be checked out to the “Personal Reserve” area where they will be placed under your name while working on your paper. The materials may not leave the library. Requesting Items: All ULS libraries allow you to request an item that is in the ULS Storage Facillity at no charge by using the Requests Tab in Pitt Cat. Items that are not in the Pitt library system may also be requested from another library that owns them via the Requests tab in Pitt Cat. There is a $5.00 fee for journal articles using this service, but books are free of charge. Photocopying and Printing: There are two photocopiers and one printer in the FFAL Reference Room. One photocopier accepts cash (15 cents per copy) and both are equipped with a reader for the Pitt ID debit card (10 cents per copy). Funds may be added to the cards at a machine in Hillman Library by using cash or a major credit credit car; or by calling the Panther Central office (412-648-1100) or visiting Panther Central in the lobby of Litchfield Towers and using cash or a major credit card. -
Pre-Raphaelite Brotherhood (PRB) Had Only Seven Members but Influenced Many Other Artists
1 • Of course, their patrons, largely the middle-class themselves form different groups and each member of the PRB appealed to different types of buyers but together they created a stronger brand. In fact, they differed from a boy band as they created works that were bought independently. As well as their overall PRB brand each created an individual brand (sub-cognitive branding) that convinced the buyer they were making a wise investment. • Millais could be trusted as he was a born artist, an honest Englishman and made an ARA in 1853 and later RA (and President just before he died). • Hunt could be trusted as an investment as he was serious, had religious convictions and worked hard at everything he did. • Rossetti was a typical unreliable Romantic image of the artist so buying one of his paintings was a wise investment as you were buying the work of a ‘real artist’. 2 • The Pre-Raphaelite Brotherhood (PRB) had only seven members but influenced many other artists. • Those most closely associated with the PRB were Ford Madox Brown (who was seven years older), Elizabeth Siddal (who died in 1862) and Walter Deverell (who died in 1854). • Edward Burne-Jones and William Morris were about five years younger. They met at Oxford and were influenced by Rossetti. I will discuss them more fully when I cover the Arts & Crafts Movement. • There were many other artists influenced by the PRB including, • John Brett, who was influenced by John Ruskin, • Arthur Hughes, a successful artist best known for April Love, • Henry Wallis, an artist who is best known for The Death of Chatterton (1856) and The Stonebreaker (1858), • William Dyce, who influenced the Pre-Raphaelites and whose Pegwell Bay is untypical but the most Pre-Raphaelite in style of his works. -
Annotated Bibliography
Annotated Bibliography: The William Morris Collection at the Archives and Rare Books Library, University of Cincinnati By Lilia Walsh Author’s note: This bibliography has been divided into sections by subject. All volumes written by Morris appear in the ‘Translated/written by William Morris’ section, even if they were also printed at Kelmscott. Attention! This is only the first half of the annotated bibliography. Please check back for books related to Morris’s influence in private press. Translated/Written by William Morris Morris, William. The Earthly Paradise, a Poem (Author's ed.). Boston: Roberts brothers, 1868. ARB RB PR5075 .A1 1868 Arguably the most popular of Morris’s written works; this novel made Morris’s name as a poet. It tells the story of twelve Norwegian sailors who flee the black plague and set off to look for the ‘earthly paradise’. They end up on an isolated island, which houses the last vestiges of an ancient Greek civilization. The book is made up of several poems, which are tied to the twelve months of the year, paralleling the 12 sailors. Morris, William. Letter to Aglaia Ionides Coronio. 24 October. 1872. ARB RB PR5083. A43 1872 See attached (or web linked) transcription and annotation. A three and a half page folded letter on one piece of paper with some repairs to original folds. Morris, William. Chants for Socialists. London: Socialist League Office, 1885. ARB RB PR5078 .C4 1885 Bound in red leather and red linen, with gold embossed title. Appears to be an inexpensive ‘propaganda’ pamphlet which has been but in a quality binding. -
Vol. VI, No. 4 (1945, Oct.)
THE SHAKESPEARE FELLOWSHIP JAN 29 1946 SEATTLE, WASH INC.TON The Shakespeare Fellowship was founded i,, London in 1922 under the presidency of Sir George Greenwo94~. VOL. VI OCTOBER, 194.5 NO. 4 Oxford-Shakespeare Case Loses Brilliant Advocate Bernard Mordaunt Ward (1893-1945), Author of The Seventeenth Earl oJ Oxjord Friends and admirers of Captain Bernard M. searching out the original records at great pains and Ward will be saddened to learn of his death, which expense. He took as his guiding principle in the occurred quite suddenly at his home, Lemsford Cot accomplishment of this task the following text of Itage, Lemsford, Hertfordshire, England, on October Edmund Lodge in Illustrations of Br,tish History 2, 1945. (17911: Captain Ward's untimely demise--due to over• "For genuine illustration of history, biography exertion in the war-removes the last of a distin• and manners, we must chiefly rely on ancient orig guished family of British soldier-scholars. He was inal papers. To them we must return for the correc• one of the founders of The Shakespeare Fellowship tion of past errors; for a supply of future materials; in 1922, and for several years prior to his return to and for proof of what hath already been delivered the British Army in 1940, served as Honorary Sec unto us." retary of The Ft-llowship. As author of The Seven• In order to keep the size of his book within reason• teentk Earl o/ Oxford, the authoritative biography able bounds, Captain Ward did not attempt to in o( Edward de Vere, based upon contemporary doc· troduce detailed Shakespearean arguments into The uments, and published by John Murray of London Seventeenth Earl of Oxford, being content to leave in 1928, Captain Ward will always occupy the place to others the rewarding task of making apparent the of honor next to the late J. -
The Stourbridge School of Art and Its Relations with the Glass Industry of the Stourbridge District, 1850-1905
A PROVINCIAL SCHOOL OF ART AND LOCAL INDUSTRY: THE STOURBRIDGE SCHOOL OF ART AND ITS RELATIONS WITH THE GLASS INDUSTRY OF THE STOURBRIDGE DISTRICT, 1850-1905 by JAMES SCOTT MEASELL A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History College of Arts and Law University of Birmingham April 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Founded in 1851, the Stourbridge School of Art offered instruction in drawing, art and design to students engaged in industries, especially glass. Using social history methodology and primary sources such as Government reports, local newspapers and school records, this thesis explores the school’s development from 1850 to 1905 and explicates its relationships with the local glass industry. Within the context of political, economic, social and cultural forces, the school contributed to the town’s civic culture and was supported by gentry, clergy and industrialists. The governing Council held public meetings and art exhibitions and dealt with management issues. Working class men attended evening classes. Women from wealthy families attended morning classes. -
Publishing Swinburne; the Poet, His Publishers and Critics
UNIVERSITY OF READING Publishing Swinburne; the poet, his publishers and critics. Vol. 1: Text Submitted for the degree of Doctor of Philosophy Department of English Language and Literature Clive Simmonds May 2013 1 Abstract This thesis examines the publishing history of Algernon Charles Swinburne during his lifetime (1837-1909). The first chapter presents a detailed narrative from his first book in 1860 to the mid 1870s: it includes the scandal of Poems and Ballads in 1866; his subsequent relations with the somewhat dubious John Camden Hotten; and then his search to find another publisher who was to be Andrew Chatto, with whom Swinburne published for the rest of his life. It is followed by a chapter which looks at the tidal wave of criticism generated by Poems and Ballads but which continued long after, and shows how Swinburne responded. The third and central chapter turns to consider the periodical press, important throughout his career not just for reviewing but also as a very significant medium for publishing poetry. Chapter 4 on marketing looks closely at the business of producing and of selling Swinburne’s output. Finally Chapter 5 deals with some aspects of his career after the move to Putney, and shows that while Theodore Watts, his friend and in effect his agent, was making conscious efforts to reshape the poet, some of Swinburne’s interests were moving with the tide of public taste; how this was demonstrated in particular by his volume of Selections and how his poetic oeuvre was finally consolidated in the Collected Edition at the end of his life. -
3. Pre-Raphaelite Brotherhood
• Of course, their patrons, largely the middle-class themselves form different groups and each member of the PRB appealed to different types of buyers but together they created a stronger brand. In fact, they differed from a boy band as they created works that were bought independently. As well as their overall PRB brand each created an individual brand (sub-cognitive branding) that convinced the buyer they were making a wise investment. • Millais could be trusted as he was a born artist, an honest Englishman and made an ARA in 1853 and later RA (and President just before he died). • Hunt could be trusted as an investment as he was serious, had religious convictions and worked hard at everything he did. • Rossetti was a typical unreliable Romantic image of the artist so buying one of his paintings was a wise investment as you were buying the work of a ‘real artist’. 1 • The Pre-Raphaelite Brotherhood (PRB) had only seven members but influenced many other artists. • Those most closely associated with the PRB were Ford Madox Brown (who was seven years older), Elizabeth Siddal (who died in 1862) and Walter Deverell (who died in 1854). • Edward Burne-Jones and William Morris were about five years younger. They met at Oxford and were influenced by Rossetti. I will discuss them more fully when I cover the Arts & Crafts Movement. • There were many other artists influenced by the PRB including, • John Brett, who was influenced by John Ruskin, • Arthur Hughes, a successful artist best known for April Love, • Henry Wallis, an artist who is best known for The Death of Chatterton (1856) and The Stonebreaker (1858), • William Dyce, who influenced the Pre-Raphaelites and whose Pegwell Bay is untypical but the most Pre-Raphaelite in style of his works. -
Transcriber's Note: Errors, When Reasonably Attributable to The
Transcriber’s Note: Errors, when reasonably attributable to the printer, have been corrected. The corrections appear underlined as corrected text. The original text appears when the mouse hovers on the underlined word or phrase. Please see the transcriber’s note at the end of this text for details. Footnotes have been resequenced to be unique across the book, and have been gathered at the end of the text. They are linked to their referents in the text. The illustrations have been moved to avoid falling within a paragraph. Each plate accompanied by a caption and attribution either on a previous or following page, and both caption and illustration were blank on their verso, and all four were not included in the pagination. The blank pages are not included here, obviously. DANTE ROSSETTI AND THE PRE-RAPHAELITE MOVEMENT “THE DAY-DREAM.” From the chalk. By permission of Mr. Theodore Watts. DANTE ROSSETTI AND THE PRE-RAPHAELITE MOVEMENT BY ESTHER WOOD LONDON: SAMPSON LOW, MARSTON AND COMPANY, LIMITED, SAINT DUNSTAN’S HOUSE, FETTER LANE FLEET STREET, E.C. MDCCCXCIIIJ CHISWICK PRESS:—C. WHITTINGHAM AND CO., TOOKS COURT, CHANCERY LANE, LONDON, E.C. PREFACE. v The following pages do not afford any material additions to what is already known of Dante Rossetti, or of the history and purpose of the Pre-Raphaelite Brotherhood. The authoritative biography of Rossetti has yet to be written; and while availing myself fully of such new details as may cast fresh side-lights upon the dominant personalities of the Pre- Raphaelite movement, my aim has rather been to present the main features of that movement in their relation to the larger intellectual tendencies of the age, and to the moral principles which have determined the growth of taste and feeling in the nineteenth century.