Stained and Painted Glass Janette Ray Booksellers, York, England

Total Page:16

File Type:pdf, Size:1020Kb

Stained and Painted Glass Janette Ray Booksellers, York, England Stained and Painted Glass Janette Ray Booksellers, York, England Janette Ray Booksellers, 8 Bootham, York YO30 7BL UK. Tel: +44 (0)1904 623088 email [email protected] STAINED AND PAINTED GLASS: CATALOGUE 16 Introduction: This catalogue is our first specialist list on aspects of stained and painted glass. It includes material on making glass, commentaries on glass in situ, including a selection of out of print volumes from Corpus Vitrearum, monographs on individual makers and a small group of items which comprise original designs for glass. It is designed to appeal to those who have a general interest in the subject alongside those with specific interests in periods or individual artists. We would particularly draw your attention to Christopher Whall’s rare promotional booklet for his own firm which has original photographs of items he made,(no 31 ) and other trade catalogues, the massive colour illustrated portfolio Vorbildliche Glasmalereien aus dem späten Mittelalter und der Renaissancezeit which records glass in pre First World War Germany (no 99), the original heraldic designs recorded by F C Eden at Aveley Belhus. (no 187) and the substantial collection of original material from Hardman’s in Birmingham when the company was under the jurisdiction of Patrick Feeney and Donald Taunton. (no 188 ) [Cover design from the collection S268] We have not included Journals in the list but have a large stock of the major academic publication of the Society of Glass Painters and other journals and welcome any enquiries on this subject. Furthermore, there are many small pamphlets which provide valuable insights into the windows in churches all over Great Britain and beyond. If you seek information on the glass in a particular building please contact us. Index: Methods of Making, Saving and Recording Glass 1-26 Trade Catalogues 27 - 31 Commentary of Corpus Vitrearum 32 - 43 Other Commentaries 44 - 143 Monographs on individual makers 144 - 185 Original material 186 – end 2 Janette Ray Booksellers, 8 Bootham, York YO30 7BL UK. Tel: +44 (0)1904 623088 email [email protected] METHODS OF MAKING, SAVING AND RECORDING GLASS 1. ANGUS. Mark, (Foreword by John Piper) Modern Stained Glass in British Churches Oxford A.R. Mowbray & Co. Ltd. 1984 120 pp. Colour ills throughout. 4to. Decorated cover, in protective sleeve. Vg. Bookplate. Detailed guide to modern stained glass design and techniques across England. Considers functional and architectural context of glass. Presented in series of short essays. Includes selected gazetteer. Foreword by John Piper. [ 16197 ] £22 2. BAKER. John, (Preface by Herbert Read) English Stained Glass London, Thames and Hudson 1960 244pp with 34 colour photographic reproductions and 103 b/w photographic reproductions by Alfred Lammer. 4to. Purple cloth in slightly frayed dw protected in glassine. Informative guide to the development of stained glass and its techniques in this country. Fine series of images accompanying text. [ 13916 ] £35 3. BROWN. Sarah and O’CONNOR. David, Glass Painters London: British Museum Press 1991 72pp with 44 colour and 40 b/w illustrations. Small square 4to in wrappers, vg condition. This is an important and readable introduction to the glass painting industry in the Middle Ages, from techniques to networks of patrons and workshops. Inserted cards, photographs and notes provide supplementary information. Signed by the authors. [ 17402 ] £18 4. DAY. Lewis F. Windows: a Book About Stained & Painted Glass London, B T Batsford 1909, third edition, revised & enlarged 420pp +300 plates and text illustrations. (32pp catalogue of Batsford publications). Tall 8vo. Gilt decorated blue cloth with arts and crafts style decorative gilt lettering on upper board. Decorated end papers. Slight foxing on fore edge else good. Slightly worn at head and base of spine and hinges else a bright copy. Authoritative study of stained glass. Loosely inserted 1922 newspaper cutting on “stained glass finds.” [ 16621 ] £80 5. DIVINE. J.A.F. and BLACKFORD. G., Stained Glass Craft London Frederick Warne & Co 1940 115 pp. Colour frontispiece, 92 b/w line ills. Cream cloth boards with red embossed cover and spine lettering. Decorated dust wrapper worn at edges, else vg copy. 8vo. Exploration of the craftsmanship of the art of stained glass making. Chapters include Summary of Processes, Etching, Fitting a Window, Firing, and Stained Glass as a School Craft. [ 17367 ] £16 3 Janette Ray Booksellers, 8 Bootham, York YO30 7BL UK. Tel: +44 (0)1904 623088 email [email protected] 6. FISCHER. Joseph Ludwig, Handbuch der Glasmalerei Leipzig Verlag Karl W Hiersemann (1914) 1937 296pp, 55 text illustrations + 124 b/w plates. Lettered cloth. Booksellers ticket of C Grosenberg & Co Ltd London on front paste down 2nd edition revised. Text in German. General historical study on stained glass histories and design. [ 17391 ] £40 7. GEDDE. Walter, A booke of sundry draughtes: Principaly serving for glasiers: and not impertinent for plasterers, and gardiners: besides sundry other professions. Whereunto is annexed the Manner how to anniel in Glas: and also the true Forme of the Fornace (1615) London, The Leadenhall Press 1898 Irregularly paginated, but c134 pp. + 24 pp. ads for books published by the Leadenhall Press. Royal 8vo. Bound in velum reproduction of original binding, missing two of four leather thong ties. Covers slightly grubby but lettering on upper board very bright. Dedication leaf partially detached else internally sound. Facsimile of this fascinating early 17th C text and pattern book for glaziers. Beautifully calligraphic inscription to Robert Dalby Reeve (Architect b1863 of Reeve, Reeve and Walker of Margate from F.R.H.) From the books of Eric Korn, Bookseller. [ 15716 ] £165 8. HERMANN. Felix, Painting on Glass and Porcelain and Enamel Painting A Complete Introduction to the Preparation of all the Colours and Fluxes Used for Painting on Glass, Porcelain, Enamel, Faience and Stoneware, the Colour Pastes and Coloured Glasses, Together with a Minute Description of the Firing of Colours and Enamels - On the Basis of Personal Practical Experience of the Condition of the Art up to Date London Scott Greenwood & Co, The Pottery Gazette 1897 300 pp. 18 b/w line ills. Dark green cloth boards, sl. worn, with impressed line border. Gilt lettering on cover and spine. 8vo. Vg copy. Second enlarged edition. Translated by Charles Salter. Pp. 199 with vertical crease down centre of page. On the technical production of the colours for glass painting, including the chemical and mechanical preparation of the pigments and metals 4 Janette Ray Booksellers, 8 Bootham, York YO30 7BL UK. Tel: +44 (0)1904 623088 email [email protected] necessary for this art. With detailed chapters including ‘Metallic Pigments’, ‘Firing the Colours’, ‘Accidents Occasionally Supervening During the Process of Firing’. Includes appendix ‘Cleaning old glass paintings’. [ 17365 ] £65 9. LEE. Lawrence, Stained Glass London, Oxford University Press 1967 96pp. bw illustrations. 8vo. Very good in decorated paper wraps, some slight shelfwear to spine. From the ‘Handbooks for Artists’ series, the focus of the book is technique, design and training with informative diagrams and photographs throughout. [ 14804 ] £10 10. LIDDALL ARMITAGE. E, Stained Glass: History, Technology and Practice London Leonard Hill Books 1960 216 pp. 117 mostly b/w plates, with line drawings and diagrams throughout text. Boards in laminated, decorated dust wrapper, in protective sleeve. 4to. Vg. Intended to provide an introduction to the art and craft of designing a stained glass window. With practical guides and diagrams. [ 17259 ] £36 11. LLOYD. Alison (Ed), The Painter in Glass Llandysul, Wales Gomer Press 1992 74 pp. Colour b/w ills throughout. 4to. Good. Decorated wrapper. Explores collaborative relationship between artist and master craftsman, focusing on translation of painter’s vision to glass. With essays by leading stained glass historians, including Dr. Sarah Brown, and John Piper. [ 16199 ] £14 12. MILNER-WHITE, Eric. How to Choose stained Glass: Advice on Planning and Commissioning a Design Central Council for the Care of Churches nd [1959] 8pp + 6pp b/w plates. Red wrappers. Useful advise on commissioning work etc. Work of L C Evetts, Geoffrey Clarke and others illustrated. [17581] £18 13. MOORE. Peter (Ed.), Crown in Glory: A Celebration of Craftsmanship-Studies in Stained Glass Norwich Jarrold & Sons nd c.1986 80 pp. 58 b/w plates. Square 8vo. Decorated laminated wrappers. Vg. Collection of essays on the art of the glazier and glass craftsmanship. Essays by experts in the field, including Lawrence Lee, David King, Madeline Caviness and Michael Archer. [ 17282 ] £12 5 Janette Ray Booksellers, 8 Bootham, York YO30 7BL UK. Tel: +44 (0)1904 623088 email [email protected] 14. NEWTON. R.G., The Deterioration and Conservation of Painted Glass: a critical bibliography and three research papers: Corpus Vitrearum Medii Aevi Great Britain - occasional papers 1 London The British Academy by Oxford University Press 1974 93pp illustrated with diagrams. Wrappers. Spine slightly sunned else good copy. The occasional papers cover Recovery of lost or faded decoration on painted glass by Roy Newton, A Study on Cleaning painted and Enamelled Glass in an Ultrasonic Bath by Peter Gibson and Roy Newton and Use of “isoprobe” for Studying the Chemical Composition of some 12th century Glass from York Minster, by Robert Hedges and Roy Newton. Useful appraisals of major articles covering issues relating to stained glass conservation. Out of Print. [ 17406 ] £16.50 15. NEWTON. Roy, Caring for Stained Glass Ecclesiastical Architects’ and Surveyors’ Association 1987 27 pp 4to booklet. 5 b/w photographs and diagrams. Decorated wrappers. Vg. Study of the practical conservation of stained glass windows. Fifth in a series of publications recording the talks of the Ecclesiastical Architects’ and Surveyors’ Association, concerning the use and care of ecclesiastical buildings. [ 17516 ] £20 16. O'BRIEN. Vincent Techniques of Stained Glass: Leaded, Faceted & Laminated Glass London Cassell & Co.
Recommended publications
  • Annual Report 2018–2019 Artmuseum.Princeton.Edu
    Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb.
    [Show full text]
  • How Float Glass Is Produced?-MORN BM
    QINGDAO MORN BUILDING MATERIALS CO.,LTD Your turnkey China tempered glass/laminated glass/insulated glass supplier How float glass is produced?-MORN BM The float glass process is also known as the Pilkington process, named after the British glass manufacturer Pilkington, which pioneered the technique (invented by Sir Alastair Pilkington) in the 1950s at their production site in St Helens, Merseyside. Float glass,mostly are soda-lime glass, is made by floating molten glass on a bed of molten metal- tin, This method gives the sheet uniform thickness and very flat surfaces.Which makes it easy to be further processed-heat treated glass(tempered glass,heat soaked glass,heat strengthened glass),laminated glass,and low-E coated insulated glass panels to enhance its strength,safety and insulation performance. Here is a video shows how the float glass is produced: https://youtu.be/fNmbGyIBnFs OK,here are more details: https://youtu.be/2T9a59z7p6E Float glass is the mostly popular production methods and will last long time till new and more cost efficient methods developed. Morn Building materials is your turnkey architectural glass supplier in China,welcome contact us for more info. Tags: FLOAT GLASS, float glass productin, float glass production line, heat soaked glass, heat strengthened glass, Heat treated glass, laminated glass, low-E coated insulated glass panels, tempered glass Add:Room A304,Shengxifu Road,NO.209 Weihai Road,Shibei Di1strict,Qingdao,China,266024 [email protected] QINGDAO MORN BUILDING MATERIALS CO.,LTD Your turnkey China tempered glass/laminated glass/insulated glass supplier About Morn Building Materials: Morn Building Materials Co.,Ltd is trading company offering the right facade materials for a wide range of applications for architectural,design and system requirements.Cooperating with China premium glass fabricators,Morn is able to supply whatever glass products applied in facade,Spandrel ,roof ,handrail,partition,balustrade,canopy,greenhouse,sun room ,interior exterior application.
    [Show full text]
  • WICK's VARIETY STORE Bicycles and Automobiles |
    REV. MR. BURK’S LETTERS. it is, ami now tlie plaster has been removed WEST DEPTFORD. j CLARKSBORO. MULLICA HILL. ©lottccslcts «& Urmocral. one can see how Roman and Saxon, Eng- A WEEK’S NEWSCONDENSED. lish and Norman have contributed to its C. B. Platt and Samuel Sweeten Mr. ami Mrs. J. I). and Miss Tamsen Cole and Mrs. Hor- Income PUBLISHED EVERY Capt. Hoffman, Sr., sister, Surplus THURSDAY, AT Here was the each are the of a new of have been FAMILIAR WORDS ON ENTERING THE erection. chapel of Queen proud grandfather Miss Elsie Hoffman are spending tlie week ner, Phila., visiting their Friday, August 29. ■Woodbury, New Jersey. Bertha before came, and it grandson. Platt’s son Charlie, Hweeten’s at Ocean Grove. uncles, Joseph and Ira Coles. The boat destroyer cannot be HARBOR OF DOVER. Augustine here, torpedo Barry better spent than is St. son Forrest. said, Augustine baptized King Etbel- | Mr. C. Walter Higgins, of Philadelphia, A very light shower fell here on Wednes- made 28.12 knots an hour in her offi- PRICE—PAYABLE IN ADVANCE: bert. How much before Bertha’s Queen Irvin Starr’s five children and three and Carlton B. Higgins, of Long Island day evening, but entirely insufficient for cial trial yesterday. One Year.*1.30 A RIDE TO CANTERBURY—DESCRIPTION OF time there was a Christian church there no their the in Life Insur- others, of Thorofare, were visiting were over of Mr. and Mrs. needs. colored purchasing Hix Snnday guests Frank Smith, a lad, aged 11 Months.73 THE OLD TOWN—THE CATHEDRAL AND one can say.
    [Show full text]
  • Literary Miscellany
    Literary Miscellany Including Recent Acquisitions. Catalogue 286 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.
    [Show full text]
  • Quarterly Journal of the All India Glass Manufacturers' Federation
    Vol. 3 | No. 4 | January - March 2016 Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual www.aigmf.com Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material An Publication - GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Kanch | Vol. 3 | No. 4 | January-March 2016 2 Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: www.aigmf.com President SANJAY GANJOO Sr. Vice President ARUN KUMAR DUKKIPATI Vice President RAJ KUMAR MITTAL Hon. General Secretary BHARAT SOMANY Hon. Treasurer SANJAY AGARWAL Member Editorial Board A K Bandyopadhyay Quarterly Journal of THE ALL INDIA GLASS MANUFACTURERS’ FEDERATION Former Principal, Govt. College of Engineering & Ceramic Technology-GCECT, Kolkata DEVENDRA KUMAR Prof. & HOD, Dept. of Ceramic, Indian Institute of Technology (Banaras Hindu University) Vol. 3 | No. 4 | January-March 2016 K K SHARMA President, NIGMA and Plant Head, HNG Neemrana, Rajasthan MEMBER ASSOCIatIONS EASTERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (EIGMA) Contents c/o La Opala RG Ltd. Chitrakoot, 10th Floor, 230 A, A.J.C. Bose Road From President's Desk 5 Kolkata - 700 020 President - Sushil Jhunjhunwala Glass as Vital Building Material for Smart / Solar Cities NORTHERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (NIGMA) & c/o Hindustan National Glass & Industries Limited 6 Post Office - Bahadurgarh, Jhajjar, Haryana-124 507 Book Launch: “Glass - A Sustainable Building and Packaging President - KK Sharma Material” Vice President - Jimmy Tyagi Honorary General Secretary - NN Goyal Glass News 13 Secretary & Treasurer - JB Bhardwaj SOUTH INDIA GLASS MANUFACTURERS’ ASSOCIATION (SIGMA) Smart City and Glasses for Flat-Screen Products – Part II 21 c/o AGI Glasspac (An SBU of HSIL Ltd.) Glass Factory Road, Off.
    [Show full text]
  • Books Available to Buy
    The Stained Glass Centre: Books Available to Buy If you are interested in purchasing any of the books listed below, please get in contact with the Friends Administrator by post or email: The Stained Glass Centre Friends Administrator, c/o York Glaziers Trust, 6 Deangate, York YO1 7JB, or [email protected] Books can be picked up from the centre by arrangement, made available to collect at any of our upcoming events, or will be posted to you. Postage and packaging prices will be dependent on the weight and size of purchase. Many thanks The Stained Glass Centre Author Title Price Stock History of York Minster (no cover so title and author £1.00 1 unknown) Albutt, R. Stained Glass Windows of AJ Davies of the £25.00 1 Bromsgrove Guild, Worcestershire Albutt, R. Stained Glass Windows of Bromsgrove and Redditch, £8.00 1 Worcestershire Angus, M. Modern Stained Glass in British Churches £5.00 3 Archer, M. Introduction to English Stained Glass £2.00 7 Archer, M. Stained Glass £1.00 4 Armitage, L. Stained Glass £10.00 1 Atterbury, P. Pugin £25.00 2 Aubert, M. Stained Glass of the Xiith and Xiiith Centuries from £12.00 1 French Cathedrals Aubert, M. Le Vitrail en France £5.00 1 Baker, E. Church Archaeology £5.00 1 Baker, J. English Stained Glass of the Medieval Period (83 £10.00 3 Plates) Beaulah, K. Church Tiles of the Nineteenth Century £1.00 1 Beckett, L. & A. York Minster £3.00 1 Hornak Beckett, W. & G. Pains of Glass: The Story of the Passion from King's £2.00 2 Pattison College Chapel, Cambridgeshire Bell, C.C.
    [Show full text]
  • Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass
    Envelopes in Architecture (A4113) Designing holistic envelopes for contemporary buildings Silvia Prandelli, Werner Sobek New York A4113 ENVELOPES IN ARCHITECTURE - FALL 2016 Supply chain for holistic facades 2 Systems Door systems Media Facades Rainscreen facades Dynamic facades Mesh System Structural glass/Cable Glass floors Multiple skins Shading systems Green facades Panelized systems Stick/Unitized systems 3 Curtain wall facades 4 What are the components of a façade system? 5 What are the components of a façade system? 6 What are the components of a façade system? 7 Glass 8 Glass Types Base Glass (float glass) Heat Treated Glass Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass 9 Base Glass (Float Glass) 10 3500 BC Glass Making: Man-made glass objects, mainly non-transparent glass beads, finds in Egypt and Eastern Mesopotamia 1500 BC Early hollow glass production: Evidence of the origins of the hollow glass industry, finds in Egypt 11 27 BC - 14 AD Glass Blowing: Discovery of glassblowing, attributed to Syrian craftsmen from the Sidon- Babylon area. > The blowing process has changed very little since then. 12 Flat Glass Blown sheet 13 15th century Lead Crystal Glass: During the 15th century in Venice, the first clear glass called cristallo was invented. In 1675, glassmaker George Ravenscroft invented lead crystal glass by adding lead oxide to Venetian glass. 14 16th century Sheet Glass: Larger sheets of glass were made by blowing large cylinders which were cut open and flattened, then cut into panes 19th century Sheet Glass: The first advances in automating glass manufacturing were patented in 1848 by Henry Bessemer, an English engineer.
    [Show full text]
  • Bullseye Glass Catalog
    CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations.
    [Show full text]
  • 15Avp201 / Amrita Values Programme I / 1 0 0 1 15Avp211
    SYLLABI B. Tech. - Electrical & Elctronics Engg. 2015 admissions onwards SYLLABI B. Tech. - Electrical & Elctronics Engg. 2015 admissions onwards 15AVP201 / AMRITA VALUES PROGRAMME I / 1 0 0 1 Upanishads and Indian Culture – Relevance of Upanishads for modern times – A 15AVP211 AMRITA VALUES PROGRAMME II 1 0 0 1 few Upanishad Personalities: Nachiketas, SatyakamaJabala, Aruni, Shvetaketu. Amrita University's Amrita Values Programme (AVP) is a new initiative to give Message of the Bhagavad Gita exposure to students about richness and beauty of Indian way of life. India is a Introduction to Bhagavad Gita – Brief storyline of Mahabharata - Context of country where history, culture, art, aesthetics, cuisine and nature exhibit more Kurukshetra War – The anguish of Arjuna – Counsel by Sri. Krishna – Key teachings diversity than nearly anywhere else in the world. of the Bhagavad Gita – Karma Yoga, Jnana Yoga and Bhakti Yoga - Theory of Karma and Reincarnation – Concept of Dharma – Concept of Avatar - Relevance Amrita Values Programmes emphasize on making students familiar with the rich of Mahabharata for modern times. tapestry of Indian life, culture, arts, science and heritage which has historically drawn people from all over the world. Life and Message of Swami Vivekananda Brief Sketch of Swami Vivekananda’s Life – Meeting with Guru – Disciplining of Students shall have to register for any two of the following courses, one each in Narendra - Travel across India - Inspiring Life incidents – Address at the Parliament the third and the fourth semesters, which may be offered by the respective of Religions – Travel in United States and Europe – Return and reception India – school during the concerned semester.
    [Show full text]
  • The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
    Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages.
    [Show full text]
  • Download New Glass Review 15
    eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird.
    [Show full text]
  • The Stourbridge School of Art and Its Relations with the Glass Industry of the Stourbridge District, 1850-1905
    A PROVINCIAL SCHOOL OF ART AND LOCAL INDUSTRY: THE STOURBRIDGE SCHOOL OF ART AND ITS RELATIONS WITH THE GLASS INDUSTRY OF THE STOURBRIDGE DISTRICT, 1850-1905 by JAMES SCOTT MEASELL A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History College of Arts and Law University of Birmingham April 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Founded in 1851, the Stourbridge School of Art offered instruction in drawing, art and design to students engaged in industries, especially glass. Using social history methodology and primary sources such as Government reports, local newspapers and school records, this thesis explores the school’s development from 1850 to 1905 and explicates its relationships with the local glass industry. Within the context of political, economic, social and cultural forces, the school contributed to the town’s civic culture and was supported by gentry, clergy and industrialists. The governing Council held public meetings and art exhibitions and dealt with management issues. Working class men attended evening classes. Women from wealthy families attended morning classes.
    [Show full text]