Alabama's Gulf Coast
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Over Our Dead Bodies: Port Arthur and Australia's Fight for Gun Control
OVER OUR DEAD BODIES Port Arthur and Australia’s fight for gun control Simon Chapman Copyright Originally published in 1998 by Pluto Press (Annandale, Australia) This reprint edition published in 2013 by SYDNEY UNIVERSITY PRESS © Simon Chapman 1998, 2013 © Sydney University Press 2013 Reproduction and Communication for other purposes Except as permitted under the Act, no part of this edition may be reproduced, stored in a retrieval system, or communicated in any form or by any means without prior written permission. All requests for reproduction or communication should be made to Sydney University Press at the address below: Sydney University Press Fisher Library F03 University of Sydney NSW 2006 AUSTRALIA Email: [email protected] National Library of Australia Cataloguing-in-Publication entry Author: Chapman, Simon Title: Over our dead bodies : Port Arthur and Australia’s fight for gun control / Simon Chapman. ISBN: 9781743320310 (pbk.) Notes: Includes bibliographical references. Subjects: Gun control--Australia. Firearms ownership--Australia. Dewey Number: 363.330994 Cover design by Dushan Mrva-Montoya iv Contents Copyright iv Foreword to the reprint edition vi Preface and acknowledgments to the 1998 edition viii Introduction xii 1 The massacre 24 2 The case for fewer guns 57 3 The campaign for gun control 78 4 The main reforms 93 5 The gun lobby in Australia 121 6 The gun lobby’s arguments … and the responses 154 7 The future tasks for gun control 197 Other books by Simon Chapman 214 About the author 215 v Foreword to the reprint edition The firearm massacre at a primary school in Sandy Hook, Connecticut on 14 De- cember 2012 in which a lone gunman armed with three semi-automatic firearms killed 20 children, six teachers, his gun-owning mother and then himself, has stimulated unprecedented momentum for meaningful gun controls in the US. -
INDIANAPOLIS COLTS WEEKLY PRESS RELEASE Indiana Farm Bureau Football Center P.O
INDIANAPOLIS COLTS WEEKLY PRESS RELEASE Indiana Farm Bureau Football Center P.O. Box 535000 Indianapolis, IN 46253 www.colts.com REGULAR SEASON WEEK 6 INDIANAPOLIS COLTS (3-2) VS. NEW ENGLAND PATRIOTS (4-0) 8:30 P.M. EDT | SUNDAY, OCT. 18, 2015 | LUCAS OIL STADIUM COLTS HOST DEFENDING SUPER BOWL BROADCAST INFORMATION CHAMPION NEW ENGLAND PATRIOTS TV coverage: NBC The Indianapolis Colts will host the New England Play-by-Play: Al Michaels Patriots on Sunday Night Football on NBC. Color Analyst: Cris Collinsworth Game time is set for 8:30 p.m. at Lucas Oil Sta- dium. Sideline: Michele Tafoya Radio coverage: WFNI & WLHK The matchup will mark the 75th all-time meeting between the teams in the regular season, with Play-by-Play: Bob Lamey the Patriots holding a 46-28 advantage. Color Analyst: Jim Sorgi Sideline: Matt Taylor Last week, the Colts defeated the Texans, 27- 20, on Thursday Night Football in Houston. The Radio coverage: Westwood One Sports victory gave the Colts their 16th consecutive win Colts Wide Receiver within the AFC South Division, which set a new Play-by-Play: Kevin Kugler Andre Johnson NFL record and is currently the longest active Color Analyst: James Lofton streak in the league. Quarterback Matt Hasselbeck started for the second consecutive INDIANAPOLIS COLTS 2015 SCHEDULE week and completed 18-of-29 passes for 213 yards and two touch- downs. Indianapolis got off to a quick 13-0 lead after kicker Adam PRESEASON (1-3) Vinatieri connected on two field goals and wide receiver Andre John- Day Date Opponent TV Time/Result son caught a touchdown. -
2004 Annual Report} MEMBERS Alabama State Council on the Arts
ALABAMA STATE COUNCIL ON THE ARTS ---------------{2004 Annual Report} MEMBERS Alabama State Council On the Arts BERNICE PRICE CHAIRMAN Montgomery BECKY QUINN VICE CHAIRMAN Huntsville FRANK HELDERMAN SECRETARY Florence EVELYN ALLEN Birmingham JULIE HALL FRIEDMAN Fairhope RALPH FROHSIN, JR. Alexander City DOUG GHEE Anniston ELAINE JOHNSON Dothan DORA JAMES LITTLE Auburn JUDGE VANZETTA PENN MCPHERSON Montgomery VAUGHAN MORRISSETTE Mobile DYANN ROBINSON Tuskegee JUDGE JAMES SCOTT SLEDGE Gadsden CEIL JENKINS SNOW Birmingham CAROL PREJEAN ZIPPERT Eutaw ANNUAL REPORT 2004 --------------[ mission ]-------------- The Mission of the Alabama State Council on the Arts is to enhance quality of life in Alabama culturally, economically, and educationally by supporting the state’s diverse and rich artistic resources. THE GOALS OF THE COUNCIL ARE TO COMMIT GREATER FINANCIAL TO INCORPORATE THE ARTS AS AN ESSENTIAL ELEMENT IN THE EDU- RESOURCES TO SUPPORT EXCELLENCE AND PROFESSIONALISM IN ALL CATIONAL EXPERIENCE OF ALL ALABAMIANS AND TO PROVIDE AN OP- ART FORMS SO THAT QUALITY IS THE HALLMARK OF ARTISTIC ACTIV- PORTUNITY FOR ALL TO PARTICIPATE IN AND APPRECIATE THE ARTS. ITY IN ALABAMA. ALABAMA STATE COUNCIL ON THE ARTS 1 ------------------[ contents ]------------------ Arts-in-education Programs ......................... 7 community arts Programs............................ 9 folklife Programs ........................................ 11 literature Programs ..................................... 15 Performing Arts Programs ........................... 17 Visual -
An Analysis and Evaluation of the Acting Career Of
AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD APPROVED: Major Professor m Minor Professor Directororf? DepartmenDepa t of Speech and Drama Dean of the Graduate School AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jan Buttram Denton, Texas January, 1970 TABLE OF CONTENTS Chapter Page I. THE BEGINNING OF SUCCESS 1 II. ACTING, ACTORS AND THE THEATRE 15 III. THE ROLES SHE USUALLY SHOULD NOT HAVE ACCEPTED • 37 IV. SIX WITH MERIT 76 V. IN SUMMARY OF TALLULAH 103 APPENDIX 114 BIBLIOGRAPHY. 129 CHAPTER I THE BEGINNING OF SUCCESS Tallulah Bankhead's family tree was filled with ancestors who had served their country; but none, with the exception of Tallulah, had served in the theatre. Both her grandfather and her mother's grandfather were wealthy Alabamians. The common belief was that Tallulah received much of her acting talent from her father, but accounts of her mother1s younger days show proof that both of her parents were vivacious and talented. A stranger once told Tallulah, "Your mother was the most beautiful thing that ever lived. Many people have said you get your acting talent from your father, but I disagree. I was at school with Ada Eugenia and I knew Will well. Did you know that she could faint on 1 cue?11 Tallulahfs mother possessed grace and beauty and was quite flamboyant. She loved beautiful clothes and enjoyed creating a ruckus in her own Southern world.* Indeed, Tallulah inherited her mother's joy in turning social taboos upside down. -
Welcome Back: Fall 2014
Keeping you in... The newsletter of the UA Department of Art and Art History! art.ua.edu Welcome Back: Fall 2014 WELCOME to our new office associates ANGIE BROWN (RIGHT) and MARTHA SEARS (BELOW), who have been with us for a few weeks this summer. Brown handles our budget and comes with lots of experi- ence in collections and bookkeeping. Sears established and managed a UA Students in Assistant Professor Pete campus ministry, Schulte’s class take an unusual approach to drawing from nature. and worked as a financial aid specialist at Savannah College of Art and Design. If you Two of our instructors and a current grad student have opened a have not met them yet, please visit Garland new art space in Northport. The Grocery – founded by VIRGINIA 103 and introduce yourself. ECKINGER (MFA 2014), CLAIRE LEWIS EVANS (MFA candidate) and ANNE HERBERT (MFA 2013 and full-time instructor) – opened its Welcome to APRIL JEHAN MORRIS (RIGHT), doors on Art Night, September 4. This artist-run studio, exhibit our new Medievalist, who teaches and performance space emanates creative vibes from 900 Main graduate and undergraduate courses in Avenue in Northport, Alabama. If you missed Art Night, visit them Medieval and Ancient art. Morris taught in person or check out their lovely and informative website, previously at Bowdoin College, Kenyon http://www.groceryartplace.com/. College and the University of North Texas. Her research focuses on the visual and material cultures of the Crusades Our New Website and on the roles of symbol, material and metaphor in Romanesque France. Thanks to the fabulous design team at e-Tech, our 21st-century Department of Art and Art History now has a website that reflects Congratulations to LUCY CURZON, who our mission, our accessibility and our expanding horizons. -
An Econometric Approach to Applied Microeconomic Theories: the Case of Natural Resource-Based Industries
An Econometric Approach to Applied Microeconomic Theories: The Case of Natural Resource-Based Industries by Hakan Uslu A dissertation submitted to the Graduate Faculty of Auburn University in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Auburn, Alabama May 7, 2016 Keywords: Economic well-being, Demand, Cost Copyright 2016 by Hakan Uslu Approved by Larry Teeter, Professor, School of Forestry and Wildlife Sciences Conner Bailey, Professor, Department of Agricultural Economics and Rural Sociology Duha Altindag, Assistant Professor, Department of Economics Yaoqi Zhang, Professor, School of Forestry and Wildlife Sciences Abstract The forest products industry of Alabama has a dominant role in the state’s economy. The industry has experienced a general downturn in production, employment and number of operating establishments since the mid-1990s. In this study, the possible determinants of the decline in the forest products industry of Alabama are discussed. Moreover, economic impact analyses are used to investigate how the contribution of the industry to the economy of Alabama has changed since the mid-1990s. Additionally, econometric analyses are employed to estimate the relationship between the decline in the industry and changes in the factors behind the decline. Furthermore, additional econometric analyses are employed to estimate the relationship between economic well-being and forest sector dependence in the counties of Alabama. Results showed that the forest products industry of Alabama has lost many employees, production, mills, and contribution to the economy of the state between 1996 and 2012. There is statistically significant relationship between increases in cost of production and decreases in demand for the forest products and the downturn in the industry. -
Guide to the Papers of Wayne Greenhaw Archives & Special Collections
AUM Library Guide to the Papers of Wayne Greenhaw Archives & Special Collections Guide to the Papers of Wayne Greenhaw Auburn University at Montgomery Library Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 6/24/2005 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 3 Restrictions 3 Index Terms 3-4 Biographical Information 4-5 Scope and Content Note 5-6 1 of 21 AUM Library Guide to the Papers of Wayne Greenhaw Archives & Special Collections Arrangement 6-15 Inventory 15-20 Collection Summary Creator: H. Wayne Greenhaw Title: Wayne Greenhaw Papers Dates: 1940-2003 Quantity: 10 boxes; 12 linear feet Identification: 87/3 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Wayne Greenhaw Papers, Auburn University at Montgomery Library, Archives & Special Collections. Acquisition Information: The Wayne Greenhaw collection was originally given to the library June 24, 1971. Additional accessions were given: April 17, 1990; June 1, 1995; March 15, 1996; April 27, 2005. Processing By: Rickey D. Best, Archivist/Special Collections Librarian (1996); Tracy Marie Lee, Student Assistant (1996); Jason Kneip, Archivist/Special Collections Librarian (2005); Jimmy Kanz, Student Assistant (2005). Processing Note: The materials have been processed as a living collection, meaning that new accessions are physically and intellectually kept separate from the 2 of 21 AUM Library Guide to the Papers of Wayne Greenhaw Archives & Special Collections initial donation. Series titles have been kept consistent with the initial donation where possible. -
Kathryn Tucker Windham
IRST RAFT FTHE JOURNAL OF THE ALABAMA WRITERS’ FORUMD VOL. 5, NO. 3 FALL 1998 Kathryn Tucker Windham: Also in this issue: MORE PLAYWRITING Page 6 Telling Stories of the South OPEN THE DOOR: Page 1 WORKS BY YOUNG WRITERS Page 9 AWF-AUM WRITERS’ AND ASSOCIATES’ COLLOQUIUM, ALABAMA VOICES, AND MORE! ROM THE XECUTIVE IRECTOR ALABAMA F E D WRITERS’ ctober 17, 1998, was a watershed day for poetry in Alabama. FORUM At the same time that the Alabama State Poetry Society was 1998-99 Board of Directors Ocelebrating its 30th anniversary with a daylong PoetryFest in President Birmingham–bringing together over 200 members and others to revel Brent Davis (Tuscaloosa) in the Word of poetry–Robert Pinsky, our U.S. Poet Laureate, was vis- Immediate Past President iting Montgomery to fulfill a dream of his own. Norman McMillan (Montevallo) Pinsky visited Montgomery to introduce a staged selection of his Vice-President translation of Dante’s “The Inferno” at the historic Dexter Avenue King Rawlins McKinney (Birmingham) Memorial Baptist Church, just one block from the state capitol. Secretary Jonathan Levi’s production, which features four actors and a violinist, Jay Lamar will travel to Miami, Kansas City, Seattle, Boston and back to New (Auburn) York (where it originated at the 92nd Street Y through the auspices of Treasurer Doug Lindley the Unterberg Poetry Center). Montgomery was the only deep South (Montgomery) stop for “The Inferno.” In the Winter First Draft, we will review the Co-Treasurer production at length. Edward M. George (Montgomery) Regrettably, these events (PoetryFest and “The Inferno” produc- Writers’ Representative Ruth Beaumont Cook tion) conflicted. -
William March (William Edward Campbell)
William March (William Edward Campbell) William March (1893-1954) was a decorated combat veteran of the U.S. Marine Corps in the First World War, a successful businessman, and an influential author of numerous novels and short stories. His literary work draws primarily on two sources: his childhood and youth in Alabama and his war experiences in France. Four of March’s six novels are set in Alabama, as are most of his short stories. March’s Alabama-based works are commonly referred to as the “Pearl County” or “Reedyville” series, after the fictional Alabama locales in which many of them are set. March was born William Edward Campbell on September 18, 1893, in Mobile, Mobile County. March was the second of 11 children born to John Leonard Campbell, an orphaned son of a Confederate soldier and itinerant worker in the lumber towns of south Alabama and the Florida panhandle, and Susan March Campbell, daughter of a well-to- do Mobile family. The Campbells, however, were poor, so William left school at the age of 14 to work in the office of a lumber mill in Lockhart, Covington County. At the age of 16, he moved to Mobile, where he took a job in a law office to earn money for school. He spent a year obtaining his high school diploma at Valparaiso University in Indiana and then studied law for a year at the University of Alabama in Tuscaloosa, Tuscaloosa County. He moved to New York City in 1916 and settled in Brooklyn, taking a job as a clerk with a New York law firm. -
Rewriting the Frontier: Making History in Tuscaloosa, Alabama
REWRITING THE FRONTIER: MAKING HISTORY IN TUSCALOOSA, ALABAMA by THOMAS CHASE HAGOOD (Under the Direction of Allan Kulikoff) ABSTRACT This dissertation explores the dynamics of white settlement at Tuscaloosa, Alabama and the role of settlers’ written words in mythologizing the nineteenth-century, American frontier. The lived experiences of settlers, captured in individuals’ letters, diaries, deeds, wills, poems and books, tell how they transformed a frontier into the Old South. Over the course of the nineteenth century, however, generations of migrants, storytellers and local writers also blended historical accounts, memories, Native legends and fiction, thereby contributing to the creation of the myths of the American frontier and the early formations of southern identity. INDEX WORDS: White settlement, Tuscaloosa, Alabama, American frontier, Old South, southern identity. REWRITING THE FRONTIER: MAKING HISTORY IN TUSCALOOSA, ALABAMA by THOMAS CHASE HAGOOD B.A., The University of North Alabama, 2004 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2011 © 2011 Thomas Chase Hagood All Rights Reserved REWRITING THE FRONTIER: MAKING HISTORY IN TUSCALOOSA, ALABAMA by THOMAS CHASE HAGOOD Major Professor: Allan Kulikoff Committee: Claudio Saunt Kathleen Clark Stephen Mihm Michael Kwass Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2011 DEDICATION My parents, Thomas and Linda Hagood, have stood by me my whole life. Because of their unfailing love and unwavering support, this work is dedicated to them. iv ACKNOWLEDGEMENTS This project’s maturation and my evolution as an historian who takes seriously the people of the past has left me deeply indebted to countless individuals I have encountered over the past seven years. -
Hitchcock Great Anxiety
a remadeVanity Fair collection design layout by Coritha Guyala table of contents dial m for murder 03 rear window 04 marnie 05 rebecca 06 strangers on a train 07 vertigo 08 to catch a thief 09 lifeboat 10 the birds 11 north by northwest 12 psycho 13 dial for 03 MMURDER 1954 Charlize Theron. Photograph by Norman Jean Roy. The scene in which Charles Alexander Swann (Dawson) attempts to strangle Margot Mary Wendice (Kelly), only to be himself stabbed with a pair of scis- sors, caused Hitchcock great anxiety. Although the entire film was shot in just 36 days, this single scene required a full week of rehearsals and multiple takes to get the choreography and timing right. The original still: Anthony Dawson and Grace Kelly. © Warner Brothers. 04 Rea R 1954 Windo Scarlett Johansson and Javier Bardem. W Photograph by Norman Jean Roy. The film has been called a superb commentary on watching films, on loneliness, and on obsession, as well as a sharp critique of the male psyche. But at its essence, Rear Window is a paean to old-fashioned snooping. “Sure he’s a snooper, but aren’t we all?” said Hitchcock. “I’ll bet you that nine out of ten people, if they see a woman across the courtyard undressing for bed, or even a man puttering around in his room, will stay and look; no one turns away and says, ‘It’s none of my business.’ ” The original still: Grace Kelly and James Stewart. Paramount/Neal Peters Collection. 05 1964 Marnie Naomi Watts. Photograph by Julian Broad. -
Art Trails in Alabama Public Art Members Alabama State Council on the Arts
ALABAMA Volume XXI, Number 2ARTS Art Trails in Alabama Public Art Members Alabama State Council on the Arts BERNICE PRICE CHAIRMAN Montgomery REBECCA T. B. QUINN VICE CHAIRMAN Huntsville FRANK HELDERMAN SECRETARY Florence EVELYN ALLEN Birmingham JULIE HALL FRIEDMAN Fairhope RALPH FROHSIN, JR. Alexander City DOUG GHEE Anniston ELAINE JOHNSON Dothan DORA JAMES LITTLE Auburn JUDGE VANZETTA PENN MCPHERSON Montgomery VAUGHAN MORRISSETTE Mobile DYANN ROBINSON Tuskegee JUDGE JAMES SCOTT SLEDGE Gadsden CEIL JENKINS SNOW Birmingham CAROL PREJEAN ZIPPERT Eutaw Opinions expressed in AlabamaArts do not necessarily reflect those of the Alabama State Council on the Arts or the State of Alabama. ALABAMAARTS In this Issue Volume XXI Public Art Trails in Alabama Number 2 Public Art in Alabama 3 Al Head, Executive Director, ASCA 4 Discovering Public Art: Public Art Trails in Alabama Georgine Clarke, Visual Arts Program Manager, ASCA 6 Continuing the Trail New Deal Art in Alabama Post Offices 42 and Federal Buildings On the cover: Roger Brown Autobiography in the Shape of Alabama (Mammy’s Door) (recto), 1974 Oil on canvas, mirror, wood, Plexiglas, photographs, postcards, and cloth shirt 89 x 48 x 18 inches Collection of Museum of Contemporary Art, Chicago, gift of Maxine and Jerry Silberman Photography © Museum of Contemporary Art, Chicago ©The School of the Art Institute of Chicago and the Brown family. Roger Brown, (1941-1997) was born in Hamilton, Alabama and later moved to Opelika. From the 1960’s he made his home in Chicago, where he graduated from The School of the Art Institute of Chicago and played a significant role in the city’s art scene for over 30 years as one of the Chicago Imagist artists.