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Italian Films (Updated April 2011)
Language Laboratory Film Collection Wagner College: Campus Hall 202 Italian Films (updated April 2011): Agata and the Storm/ Agata e la tempesta (2004) Silvio Soldini. Italy The pleasant life of middle-aged Agata (Licia Maglietta) -- owner of the most popular bookstore in town -- is turned topsy-turvy when she begins an uncertain affair with a man 13 years her junior (Claudio Santamaria). Meanwhile, life is equally turbulent for her brother, Gustavo (Emilio Solfrizzi), who discovers he was adopted and sets off to find his biological brother (Giuseppe Battiston) -- a married traveling salesman with a roving eye. Bicycle Thieves/ Ladri di biciclette (1948) Vittorio De Sica. Italy Widely considered a landmark Italian film, Vittorio De Sica's tale of a man who relies on his bicycle to do his job during Rome's post-World War II depression earned a special Oscar for its devastating power. The same day Antonio (Lamberto Maggiorani) gets his vehicle back from the pawnshop, someone steals it, prompting him to search the city in vain with his young son, Bruno (Enzo Staiola). Increasingly, he confronts a looming desperation. Big Deal on Madonna Street/ I soliti ignoti (1958) Mario Monicelli. Italy Director Mario Monicelli delivers this deft satire of the classic caper film Rififi, introducing a bungling group of amateurs -- including an ex-jockey (Carlo Pisacane), a former boxer (Vittorio Gassman) and an out-of-work photographer (Marcello Mastroianni). The crew plans a seemingly simple heist with a retired burglar (Totó), who serves as a consultant. But this Italian job is doomed from the start. Blow up (1966) Michelangelo Antonioni. -
Volume I, Spring 2011
Detail: the Burgos Tapestry Image courtesy of the Metropolitan Museum of Art. Volume I, Spring 2011 The Burgos Tapestry: Medieval Theatre and Visual Experience | Attitudes towards Immigration Reform in the United States: The Importance of Neighborhoods | The Spontaneous Formation of Selenium Nanoparticles on Gallic Acid Assemblies and their Antioxidant Properties | “A Pow- er Beyond the Reach of Any Magic”: Mythology in Harry Potter | A Canyon Apart: Immigration Politics and Hispanic Mobilization in Arizona FURJ | Volume 1 | Spring 2011 www.fordham.edu/fcrh/furj www.fordham.edu/fcrh/furj FURJ | Volume 1 | Spring 2011 The Fordham Undergraduate Research Journal will soon be accepting submissions for our second issue. Matteo Ricci Seminar Makes Great Strides in in this issue... Inaugural Year Margaret Palazzolo, FCRH ’13 FURJ welcomes original research articles, short research p. 5 Dr. Naison Enlists Help of Undergrads in communications, book reviews, and review essays for Recording Bronx African American History Aaron Dowdell, FCRH ’12 Mussolini, Romano. My Father, Il Duce: A Mem- consideration for publication. p. 9 oir by Mussolini’s Son. Carlsbad, CA: Kales Press (Distributed by W. W. Norton), 2006. Honors Program Fosters Community of Sarah Sullivan, FCRH ’12 Research at Rose Hill p. 17 Margaret Palazzolo, FCRH ’13 Visit www.fordham.edu/fcrh/furj for information and A Review of “An Ethical Market in Human Or- p. 11FEATURES gans,” by Charles A. Erin and John Harris, and submission guidelines. Please send questions to “Print, Publics, and Culture”: The Fall 2010 A Proposed Solution to the Current Organ Short- American Studies Thesis Presentations age [email protected]. -
Page 1 of 19 Dear Chinese and European Friends Alike
Page 1 of 19 Dear Chinese and European friends alike, After the great success of the first two European Union Film Festivals in China, it is my great pleasure to welcome you again to the third European Union Film Festival in China. And this year the festival will be even bigger and better than ever as we are expanding to yet another city: Xi'an. Our motto in the EU is "United in Diversity", and this festival is a wonderful example of hard work and cooperation among all our 27 Member States, providing a unique opportunity for a Chinese audience to experience the most recent, most successful and most exciting films the European Union has to offer. European cinema is like a Chinese banquet: many dishes with distinct flavours and colours to please every palate. I hope that you will like the delicious menu we will serve up for you this time, not on a silver platter but on the magical silver screen! Serge Abou EU Ambassador to China 亲爱的中国和欧洲朋友们, 继两届欧盟中国电影节的成功举办,我荣幸地邀请您参与第三届欧盟中国电影节。 今年的电影节比往届规模更大、质量更高。因为我们将把电影节带到另一个城市——西安。 欧盟的口号是“多元的统一”,本次电影节正是 27 个欧盟成员国通力合作的印证。电影节将为观众带来一次绝佳的机会,来体验欧洲最新、 最好和最令人激动的影片。 欧洲电影节如同一道色味纷呈的中式大餐,可以满足不同的口味。我希望你们会喜欢我们在银色荧幕上为您奉上的美味佳肴! 赛日· 安博 欧盟驻华大使 *** Dear friends, In many countries, any non-local and non-Hollywood movie was automatically classified as "arthouse". Until not so long ago Chinese movies in Europe would be shown mainly in festivals and independant cinemas. Yet you all know that chinese movies can be as gripping, as entertaining, spectacular and intense as anything produced elsewhere on the Pacific coast, while retaining their own identity. Nowadays many chinese movies attract huge crowds in Europe. -
Benito Mussolini Ve Clara Petacci
BENITO MUSSOLINI VE CLARA PETACCI DÜNYA EDEB YATI-II İ MEHMET KAPLAN 0409170011 • Mussolini’nin Hayatı İçerik • Petacci’nin Hayatı • Mussolini ve Petacci • Mussolini: Güç ve Kadınlar • Birlikte Ölüme Giden Yol • Avrupa’nın ilk faşist lideri olan Il Duce lakaplı Benito Mussolini, 20. yüzyıla damgasını vuran siyasi kişilikler denildiğinde akla gelen ilk isimlerden. Binlerce insanın ölümüne yol açmış, Mussolini’nin Hayatı şiddet yanlısı politikalarıyla tarihe kanlı imzasını atmıştır. • 29 Temmuz 1883’te Allesandro ve Rosa Maltoni’nin oğlu olarak Forli, İtalya’da dünyaya geldi. • Tam adı Benito Amilcare Andrea Mussolini’dir. Benito ismi Meksikalı reformist Benito Juarez’den, Andrea ve Amilcare ise İtalyan sosyalistler Andrea Costa ve Amilcare Cipriani’den gelmekteydi. • Annesi öğretmen, babası nalbant ve sosyal aktivist olan Mussolini , kavga ve sataşmalara henüz çocuk yaşlarda başladı. Sınıf arkadaşının eline bıçak sapladığı gerekçesiyle 10 yaşındayken yatılı Katolik okulundan uzaklaştırıldı. Benzer bir bıçaklama olayı, gittiği diğer okulda da yaşandı. Kız arkadaşlarından birinin kolunu da bıçakla kestiğini yine kendisi itiraf etmiştir. • İsviçre’de yaşadığı 1902 – 1904 tarihlerinde sosyalist bir aydın kimliği edinmiş ve yine sosyalist bir yayın olan L’avvenire del Lavoratore (Emekçilerin Geleceği) isimli dergide yazılarını yayımlamıştır. • Akabinde orduya katılmış ve kariyerine öğretmen ve gazeteci olarak devam etmeden önce iki yılını orduda geçirmiştir. Bu dönemdeki yazı ve konuşmalarında Mussolini, kanlı bir devrim ihtiyacından bahsetmiş ve komünist düşünür Karl Marx’ı övmüştür. Hatta daha ileri giderek vatanperverliği eleştirmiştir. • Mussolini 1912 yılında İtalyan Sosyalist Parti’nin resmi yayın organı olan Avanti‘nin (İleri) editörü oldu. Ancak iki yıl sonra, Birinci Dünya Savaşı’na verdiği destek sebebiyle gazeteden atıldı. • 1919’a kadar fikirleri çok hızlı bir şekilde değişen Mussolini daha sonra Faşist Parti’ye dönüşecek olan faşist hareketin öncüsü oldu. -
The Policy of Electro-Amplified Popular Music in France: the Liberal Context and the Regulation of Rebellious Cultures Jean-Marie Seca
The Policy of Electro-Amplified Popular Music in France: the Liberal Context and the Regulation of Rebellious Cultures Jean-Marie Seca To cite this version: Jean-Marie Seca. The Policy of Electro-Amplified Popular Music in France: the Liberal Context and the Regulation of Rebellious Cultures. Mathieu Dehem (éd). Music and Law, Sociology of Crime, Law and Deviance, Volume 18, Emerald/The JAI Press, pp.103-127, 2013, 1521-6136. 10.1108/S1521- 6136(2013)0000018008. halshs-02967317 HAL Id: halshs-02967317 https://halshs.archives-ouvertes.fr/halshs-02967317 Submitted on 14 Oct 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - ShareAlike| 4.0 International License Seca Jean-Marie, « The Policy of Electro-Amplified Popular Music in France: the Liberal Context and the Regulation of Rebellious Cultures », in Mathieu Dehem (éd), Music and Law, Sociology of Crime, Law and Deviance, Volume 18, Bingley, Emerald/The JAI Press, pp. 103-127 ABSTRACT Purpose: The aim of this chapter is to theorize and describe the main characteristics of the social construction of the policy of electro-amplified popular music (EAPM) in the French context. -
Directory European Films Pusan
English Title Original Title Page THE 40TH DOOR 40-CI QAPI 7 THE ABSENCE L'ABSENCE 8 ALIVE! ALIVE! 9 ALL THAT I LOVE WSZYSTKO CO KOCHAM 10 ANGEL AT SEA ANGE À LA MER, UN 11 ARENA ARENA 12 BAD DAY TO GO FISHING MAL DÍA PARA PESCAR 13 BAMOUN LOVE MAH SAAH-SAH 14 BETWEEN TWO WORLDS AHASIN WETEI 15 THE BIG DREAM GRANDE SOGNO, IL 16 BILAL BILAL 17 THE BIRD WITH THE CRYSTAL PLUMAGE UCCELLO DALLE PIUME DI CRISTALLO, L' 18 BLANK ABSENCE L' 19 BORDER NAKHSKO 20 A BRAND NEW LIFE VIE TOUTE NEUVE, UNE 21 BRIGHT STAR BRIGHT STAR 22 BROKEN PROMISE NEDODRŽANÝ SLUB 23 CAIRO TIME CAIRO TIME 24 THE CAT O' NINE TAILS GATTO A NOVE CODE, IL 25 CLIVE BARKER'S DREAD CLIVE BARKER'S DREAD 26 COSMONAUT COSMONAUTA 27 DEEP RED PROFONDO ROSSO 28 DELIVER US FROM EVIL FRI OS FRA DET ONDE 29 DIVA DIVA 30 DOGTOOTH KYNODONTAS 31 THE DOOR TÜR, DIE 32 European Film Promotion – EFP, Friedensallee 14-16, 22765 Hamburg, Germany 3 Phone +49-40-390 62 52 │ Fax +49-40-390 62 49 │ [email protected] │ www.efp-online.com DRAFT DODGERS RÉFRACTAIRE 33 DUST DUST 34 EDEN IS WEST EDEN A L'OUEST 35 EX EX 36 EYE OF THE STORM NO MEU LUGAR 37 FACE VISAGE 38 THE FAMOUS AND THE DEAD OS FAMOSOS E OS DUENDES DA MORTE 39 FATHER OF MY CHILDREN PÈRE DE MES ENFANTS, LE 40 FISH TANK FISH TANK 41 FIVE MINUTES OF HEAVEN FIVE MINUTES OF HEAVEN 42 THE FOREST LAS 43 FOXES LISTICKY 44 FRANCESCA FRANCESCA 45 THE FRENCH KISSERS BEAUX GOSSES, LES 46 THE FROST ESCHARCHA, LA 47 GIALLO GIALLO 48 GIULIA DOESN'T DATE AT NIGHT GIULIA NON ESCE LA SERA 49 THE GOOD HEART GOOD HEART, THE 50 HAPPY EVER AFTERS HAPPY -
DP Vincere Fr
GIOVANNA MEZZOGIORNO FILIPPO TIMI VINCERE La vie héroïque et tragique de la femme cachée de Mussolini. Un film de MARCO BELLOCCHIO Ad Vitam présente Une production Offside, Raï Cinéma et Celluloid dreams VINCERE La vie héroïque et tragique de la femme cachée de Mussolini. Un film de Marco BELLOCCHIO Avec Giovanna Mezzogiorno et Filippo Timi Italie - 2h08 Plus d’information, photos du film et dossier de presse disponibles sur : www.advitamdistribution.com RELATIONS PRESSE LE PUBLIC SYSTÈME CINÉMA Bruno Barde / Alexis Delage-Toriel / Camille Bonvallet 40, rue Anatole France • 92594 Levallois-Perret Cedex Tél. : 01 41 34 20 32 / 22 03 • Fax : 01 41 34 20 77 DISTRIBUTION www.lepublicsystemecinema.com AD VITAM Tél. : 01 46 34 75 74 À CANNES Fax : 01 46 34 75 09 13, rue d’Antibes • 4ème étage • 06400 Cannes [email protected] Tél. : 04 93 68 02 46 / 08 64 • Fax : 04 93 99 17 77 SYNOPSIS Dans la vie de Mussolini, il y a un lourd secret que l’histoire officielle ne raconte pas : une femme, Ida Dalser, et un enfant, Benito Albino - conçu, reconnu puis désavoué. Ida rencontre Mussolini de manière fugace à Trente et en est éblouie. Elle le retrouve à Milan où il est un ardent militant socialiste qui harangue les foules et dirige le quotidien l’Avanti. Ida croit en lui, en ses idées. Pour l’aider à financer le Popolo d’Italia, point de départ du futur parti fasciste, elle vend tous ses biens… Lorsque la guerre éclate, Benito Mussolini s’engage et disparaît de la vie de la jeune maman, qui découvrira avec stupeur qu’il est déjà marié avec une autre femme. -
Maniacs and Perverts: Dictators Also Between the Sheets
FROM MUSSOLINI TO STALIN Maniacs and perverts: dictators also between the sheets CULTURE 24-06-2021 Francesco Agnoli The private lives of great historical figures, particularly the dictators of the 20th century, are attracting increasing interest. Every inch of their lives has been investigated, in terms of their thinking, their political choices, etc., and they have also been the subject of much debate. For some time now, investigations into the private and emotional lives of Mussolini and Hitler in particular have also enjoyed considerable success (Stalin, on the other hand, has been less 'lucky'). Mussolini the “womaniser” Italy was marked for many years by the political activity of Benito Mussolini, first a Socialist leader, acclaimed on the left for his anticlericalism and revolutionary zeal, and then a Fascist. Mussolini's love life is fairly well known: as a young man he was a theorist of “free love”, opposed to marriage and children (he translated a neo-Malthusian pamphlet entitled Meno figli, meno schiavi, “Fewer Children, Fewer Slaves”), close to left-wing feminism. Before he became Il Duce, he frequented brothels, managed even 3 or 4 relationships at the same time, disregarding the children that were born from them: they were destined for the madhouse, as in the case of the son he had by Ida Dalser, abandonment, or even abortion, as in the case of one of the two children he had by the very young Bianca Ceccato, his personal secretary at Popolo d'Italia. Historians such as Mimmo Franzinelli, author of Il duce e le donne. Avventure e passioni extraconiugali di Mussolini, “Il Duce and Women. -
The Myth of the Political Physicality of Mussolini In
109 THE BODY OF IL DUCE: THE MYTH OF THE POLITICAL PHYSICALITY OF MUSSOLINI IN MARCO BELLOCCHIO’S VINCERE Marco Luceri (University of Florence) Stare sul corpo significa cercare un’intensità che si valorizza nel rimanere lì più a lungo possibile. Il che prevede una tensione e una capacità degli attori superiore. — Marco Bellocchio 1. REMARKS ON THE BODY AND ON ACTING IN MARCO BELLOCCHIO’S CINEMA Marco Bellocchio’s cinema is a cinema of the body. The characters in his films not only break the rules to which their bodies are subjected to, they also use their body as a means to express their agonizing emotions and as a way to undermine the presumed harmony of narration. The actors’ bodies have a problematic relationship with space, time, sounds, movements and images;1 they are bodies that are trapped in pauses, contractions, and in interior and exterior conflicts. In short, Bellocchio’s cinema is inhabited by interpreters whose physical potentialities are exalted almost to the limit, ready to become witnesses of a discomfort which is often irreconcilable with reality. One could call it a cinema in which the body, which has its own autonomous dimension, breaks down the mechanism of mimesis that is at the basis of the relationship between actor and character. Bellocchio devotes a great part of Cinema 3 ARTICLES | ARTIGOS Luceri 110 his poetic and stylistic work to the uncontrollable and irreducible force of the body because it enables him to bring forward the most obscure and hidden nature of the human soul. If actor and character belong to the narrative dimension of the film, then the body, as third element, becomes the vehicle of the visible which bears witness to that “suspension of meaning”2 that characterizes the entire filmography of Bellocchio. -
FICHA TÉCNICA La Amante De Mussolini
FICHA TÉCNICA La amante de Mussolini TÍTULO ORIGINAL: Vincere AÑO: 2009 DURACIÓN: 128 min. PAÍS: Italia DIRECTOR: Marco Bellocchio GUIÓN: Marco Bellocchio, Daniela Ceselli MÚSICA: Carlo Crivelli FOTOGRAFÍA: Daniele Ciprí PRODUCTORA: Offside / Rai Cinema / Celluloid Dreams / Istituto Luce / Ministero per i Beni e le Attività Culturali (MiBAC) / Eurimages / Provincia Autonoma di Trento / Film Commission Torino-Piemonte / Film Commission Regione Piemonte GÉNERO: Drama | Biográfico. Histórico GÉNERO: Ciencia ficción. Thriller. Fantástico. Romance | Thriller futurista. Drama romántico REPARTO: Giovanna Mezzogiorno, Filippo Timi, Michela Cescon, Fabrizio Costella, Fausto Russo Alesi PREMIOS: 2009: Premios del Cine Europeo: 2 nominaciones: actor (Filippo Timi), Premio a la Excelencia 2010: Premios David di Donatello: mejor director, nominada a la mejor película SINOPSIS: Estamos a principios del siglo XX y un joven revolucionario socialista llamado Benito Mussolini conoce a Ida Dalser, una mujer tan pasional como él, que lo seguirá en la lucha política y lo secundará también cuando cambie de rumbo y sustituya el socialismo por el fascismo. Quizá uno de los menos conocidos episodios de la vida de Benito Mussolini es la relación que tuvo con su amante Ida Dalser. En la época en la que él luchaba por un ideal socialista, Ida quedó perdidamente enamorada de él. Pronto se convirtió en un pilar importante en la vida de Mussolini, no solamente en el aspecto emocional, sino incluso en el económico. Ida fue capaz de vender todas sus pertenencias para apoyar al periódico propagandístico del movimiento: Il Popolo d’Italia. Se casarán y tendrán un hijo, pero Ida descubre que su matrimonio por la Iglesia tiene mucho menos valor que el que Mussolini ha contraído con Rachele Guidi. -
The Cult of the Duce
The cult of the Duce Mussolini and the Italians Edited by Stephen Gundle, Christopher Duggan and Giuliana Pieri Manchester University Press Manchester and New York distributed in the United States exclusively by Palgrave Macmillan Contents List of illustrations vii Notes on contributors ix introduction 1 Stephen Gundle, Christopher Duggan and Giuliana Pieri Part I THE ORIGINS OF A PERSONALITY CULT 1 Political cults in liberal Italy, 1861-1922 1.1 Christopher Duggan 2 The propagation of the cult of the Duce, 1925-26 27 Christopher Duggan 3 Margherita Sarfatti and the invention of the Duce 41 Simona Storchi 4 Sanity from a lunatic asylum: Ida Dalser's threat to Mussolini's image 57 Daniela Baratieri 5 Mass culture and the cult of personality 72 Stephen Gundle Part II THE DUCE AND THE FASCIST REGIME 6 A town for the cult of the Duce: Predappio as a site of pilgrimage 93 Sofia Serenelli 7 Mussolini's appearances in the regions 110 Stephen Gundle 8 The internalisation of the cult of the Duce: the evidence of diaries and letters 129 Ch ristopher Dugga n 9 Mussolini and the Italian Empire, 1935—41 144 Giuseppe Finaldi Contents Part III THE ICONOGRAPHY OF THE DUCE 10 Portraits of the Duce Giuliana Pieri 11 Photographing Mussolini Alessandra Antola 12 Mussolini as monument: the equestrian statue of the Duce at the Littoriale Stadium in Bologna Simona Storchi 13 Mussolini and the city of Rome Eugene Pooley Part IV AFTER THE FALL OF FASCISM 14 The destiny of the art and artefacts Giuliana Pieri 15 The aftermath of the Mussolini cult: history, nostalgia and popular culture Stephen Gundle 16 Mussolini and post-war Italian television Vanessa Roghi Afterword R.J.B. -
Cinema 3 Journal of Philosophy and the Moving Image Revista De Filosofia E Da Imagem Em Movimento
CINEMA 3 JOURNAL OF PHILOSOPHY AND THE MOVING IMAGE REVISTA DE FILOSOFIA E DA IMAGEM EM MOVIMENTO EMBODIMENT AND THE BODY edited by Patrícia Silveirinha Castello Branco MATERIALIZAÇÃO E O CORPO editado por Patrícia Silveirinha Castello Branco i EDITORIAL TEAM EDITORS Patrícia Silveirinha Castello Branco (New University of Lisbon/University of Beira Interior) Sérgio Dias Branco (University of Coimbra) Susana Viegas (New University of Lisbon) EDITORIAL ADVISORY BOARD D. N. Rodowick (Harvard University) Francesco Casetti (Università Cattolica del Sacro Cuore/Yale University) Georges Didi-Huberman (École des hautes études en sciences sociales) Ismail Norberto Xavier (University of São Paulo) João Mário Grilo (New University of Lisbon) Laura U. Marks (Simon Fraser University) Murray Smith (University of Kent) Noël Carroll (City University of New York) Patricia MacCormack (Anglia Ruskin University) Raymond Bellour (Centre national de la recherche scientifique/Université Sorbonne Nouvelle - Paris 3) Stephen Mulhall (University of Oxford) Thomas E. Wartenberg (Mount Holyoke College) INTERVIEWS EDITOR Susana Nascimento Duarte (New University of Lisbon) BOOK REVIEWS EDITOR Maria Irene Aparício (New University of Lisbon) PUBLICATION Instituto de Filosofia da Linguagem Faculdade de Ciências Sociais e Humanas Universidade Nova de Lisboa Edifício I&D, 4.º Piso Av. de Berna 26 1069-061 Lisboa Portugal www.ifl.pt WEBSITE www.cjpmi.ifl.pt ii EQUIPA EDITORIAL EDITORES Patrícia Silveirinha Castello Branco (Universidade Nova de Lisboa/Universidade da Beira Interior) Sérgio Dias Branco (Universidade de Coimbra) Susana Viegas (Universidade Nova de Lisboa) CONSELHO EDITORIAL CONSULTIVO D. N. Rodowick (Harvard University) Francesco Casetti (Università Cattolica del Sacro Cuore/Yale University) Georges Didi-Huberman (École des hautes études en sciences sociales) Ismail Norberto Xavier (Universidade de São Paulo) João Mário Grilo (Universidade Nova de Lisboa) Laura U.