DOCSLIB.ORG

Nuzn 1 9 8 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nuzn 1 9 8 3 ibabwe News ibabwe News ie Zimbabwe African National Union (Patriotic Front) - ZANU(PF) 14 No. 3 lent of Information and Publicity. No. 14 Austin Road, Workington, Harare. lk.h K 4~4 '$1'I4 , l L,1 'N nniversary Zimbabwe News Vo1.14 No. 3 October 1983 Contents Editorials Letters to the Editor The Party The Party's Government International Solidarity Zimbabwe's Struggle: The Road to Lancaster The Second Congress .................................................. 2 A zan ia ........................................................................... 3 ..................................................................................... 3 ZANU Birthday: 20th Anniversary by Cde. Mugabe .... 5 The ZANU Idea - The 'Gun Idea by Cde. Zvobgo ...... 9 ZANU-PF: The Role of Party Organs by Cde. Nyagumbo ..................................................... 11 Restructuring and Transforming ZANU-PF Manicaland Provincial Party Congress ........................ :12 Masvingo Provincial Party Congress ........................... 13' Matabeleland Seminar ................................................. 15 The Police in Independent Zimbabwe by Cde. H. Ushewokunze ..................... 16 Review and Main Problems of Economic and Social Development in Mozambique ..................................... 20 The Balance of Power ................................................. 32 South Africa: Tottering on the Edge of a Political Cataclysm by Cde. M.T. Zivai Zvinhu ...................... 33 The National Democratic Party (N.D.P.) (1960 - 61) by Cde. E. Zvobgo ...................................................... 39 Zimbabwe News is the official News Organ of the Zimbabwe African National Union (ZANU) component of the Patriotic Front and is produced on the authority of the Central Committee by the Department of information and Publicity, Jongwe Printing and Publishing, No. 14 Austin Road, Wbrkington, Harare. World Copyright, Central Committee (ZANU-PF). Pictures by National Archives, 'Ministry of Information and Jongwe Archives. 9 Zimbabwe News Vol. 14 No. 3 October 1983 Editorials The 2nd Congress Of ZANU The Central Committee has now decided that the historic SECOND CONGRESS of ZANU (PF) will be, held in May 1984. May is a propitious month in the history of the party. The First and only Congress in the 21 year life of the party was held at Gweru on May 21 - 23 1964. Much water has passed under the bridge since the First Congress. It is important to bear in mind that the ZANU of 1963/64 has, over the years, undergone several transformations. Before its ban in 1965, ZANU was the underdog. ZAPU was larger in numbers and the RF more powerful because it had its hands on State power. ZAPU was the favourite of the O.A.U. liberation committee until mid 70's and basked in the sunshine of massive international support. But the tables were to be turned. As a result of the resilience of ZANU in the armed struggle process - ZAPU faded into i'rrelevance and-the Rhodesia Front evaporated. ZANU conquered state power in 1980. The rest is now history. Following the historic conquest of power by ZANU (PF) in 1980,.the Central Committee resolved that the road to the Second Congress would be a long and tortuous one. First, the party would have to be reconstructed throughout the Couhtry. Second, the reconstructed party would hve to be restructured at the cell/village, branch, district and provincial levels. Third, and finally, both the Women's and Youth' leagues would have to hold their national conferences at which their national leaderships would have to be'elected. These processes have taken three years of hard work. We are now in the final phase. The Women's and Youth league conferences will be held between November and March. The stage will then 4e set for the May Congress. The Second Congress will be historic in more ways than one. The Central Committee Report will certainly be the Centrepiece of the Congress. It will present a full account of what happened to the party after May 23rd 1964 until 1980. It will spell out the problems which face the party and the country. It will, truthfully, give an account of the party's stewardship over its government since the elections. It will posit questions to the Congress for its definitive guidance. It 'is public knowledge that the party has suffered for lack of a comprehensive single Constitution. The 1964 constitution had to be supplemented -by the 1977 "Chimoio" Constitution in order to facilitate the war effort. Neither document meets the realities of independent Zimbabwe. The Second Congress will have before it a draft constitution prepared by the Central Committee. When adopted the party will have one single basic law - the new Constitution will enshrine democracy, democratic centralism and socialist legality as the basic principles. Another great leap forward will be made at the Second Congress when a revised party programme and policy statements are presented to the delegates. The Second Congress must spell-out clearly where we all go from here. The major issue will be to define our socialist road and to spell-out how we must proceed to walk that road. The highlight of the Congress will, without doubt, be the election of a new Central 'Committe. A democratic Party must be led by persons elected freely by the broad masses. It will be important that the process of, nominations, and' voting are demonstrably demouratic. The Central Committee will certainly ensure that the ground rules governing this part of the Congress proceedings are fair. The road -between the Second and Third Congress will be defined and the tasks set by the Resolutions of the Second Congress. These will be .the guiding Laws binding the whole party. They will become part of the party programme. The Central Committee has now appointed a Congress Preparation Committee. It has commenced in its work. During the months that remain'before May 1984, the party will make repeated calls upon the entire membership to make sacrifices in order to make the. Second Congress a success. The peasants, the farmers, the workers, Civil servants, the Police, the Army - everybody, can play their part in ensuring that the Second Congress Succeeds.' Long live the Second Congress! News Vol.14 No. 3 October 1983 2 4a r hundreds of years of sound culture and comity living, Azania was forcibly usurped by nts of imperialism who have consistently sub. ed the people to all forms of human degreda. From their actions and attitude towards the ;k man, one comes to the conclusion that the !rs, who rule the country believe that Africans second-rate immitations of Europeans. They are ponents of the old racist and colonial belief that iricans are savages, fit for nothing else but hard our. By advancing this strange logic they have n at pains, albeit unsuccessfully, to defend their bolical actions. lmost every week we hear of arbitrary arrests unwarranted detentions without trial and rictions of movement. We hear of gun-totting cemen firing indiscriminately into crowds (killchildren as well) and of the regime's intention ierpetuate its internationally condemned policy ipartheid. It is most depressing to hear of this itinued suppression and tragedy that stalks inia. The regime, bolstered by its imperialist ntors, in its typical arrogant fashion refuses to idall international appeals to release detained Dear Editor, So the big fat "old woman is back." It Is gratifying that the Press Ignored him denying him the publicity and attention that he so much wishes for. He had hoped he would be treated to a heroe's welcome, or be apprehended by the Police when e would step down at the airport so that he would be construed as a martyr by his dwindling supporters. Alas, he was not afforded any of that. Instead he was ignored and viewed with the contempt he deserves. It Is a pity our female members of society did not organise themselves in time. They should have met him at the airport to ask hir where he had got that "massive" dress he'disguised himself in when he illegally crossed the Zimbabwe- Botswana border by night. Seriously, I believe our women-folk should have challenged him for what amounts to a mockery of their mode of dress. I am surprised that he had the shameless effrontery to say "Its marvellous to be back home," as if he had been forced or asked to leave in the first place. If he had seriously believed that somebody was after his life, he should have approached our Prime Ministei and sought his protection. Considering the many magnanimous gestures Comrade Mugabe has made to Nkomo, the Prime Minister would certainly have done something for this political renegade if they had been serious grounds for believing Nkomo's story. The truth Is either Nkomo was running away from his own massive shadow, or he was missing the comfort and luxury of London or maybe he just wanted to tarnish the Image of our government and embarass our Prime Minister. If he seriously bellev- ed that his life was threatened In Zimbabwe why has he come back? What has since happened to dispel his fears? It is apparent that Nkomo does not want to accept his complete rejection by the people who overwhelmingly turned out in support of ZANU-PF at the 1980 General Elections. That is why he organised his former Zipra militants to wage a campaign of terror in the hope of undermining and thus bring down the government. Unfortunately we cannot acqulse to the demands of his dissidents. That would amount to a betrayal of the revolutionary sacrifices that were a part of the struggle. Nkomo must accept that politicians come and go. It is now time for him to quit politics. He is now an anachronism within our midst. Its not surprising that even his most ardent supporters are abandoning the sinking ship that is ZAPU. It Is the old-guard politician - the Chinamanos, Jlrlras, the Gonakudzlngwa squad - who still support him. From his utterances It would seem that Nkomo still cherishes his old dream that of becoming "King of Zimbabwe." It is unfortunate because he has been overtaken by events.
Load more

Recommended publications
  • The Politics of Urban Cultural Policy Global
    THE POLITICS OF URBAN CULTURAL POLICY GLOBAL PERSPECTIVES Carl Grodach and Daniel Silver 2012 CONTENTS List of Figures and Tables iv Contributors v Acknowledgements viii INTRODUCTION Urbanizing Cultural Policy 1 Carl Grodach and Daniel Silver Part I URBAN CULTURAL POLICY AS AN OBJECT OF GOVERNANCE 20 1. A Different Class: Politics and Culture in London 21 Kate Oakley 2. Chicago from the Political Machine to the Entertainment Machine 42 Terry Nichols Clark and Daniel Silver 3. Brecht in Bogotá: How Cultural Policy Transformed a Clientist Political Culture 66 Eleonora Pasotti 4. Notes of Discord: Urban Cultural Policy in the Confrontational City 86 Arie Romein and Jan Jacob Trip 5. Cultural Policy and the State of Urban Development in the Capital of South Korea 111 Jong Youl Lee and Chad Anderson Part II REWRITING THE CREATIVE CITY SCRIPT 130 6. Creativity and Urban Regeneration: The Role of La Tohu and the Cirque du Soleil in the Saint-Michel Neighborhood in Montreal 131 Deborah Leslie and Norma Rantisi 7. City Image and the Politics of Music Policy in the “Live Music Capital of the World” 156 Carl Grodach ii 8. “To Have and to Need”: Reorganizing Cultural Policy as Panacea for 176 Berlin’s Urban and Economic Woes Doreen Jakob 9. Urban Cultural Policy, City Size, and Proximity 195 Chris Gibson and Gordon Waitt Part III THE IMPLICATIONS OF URBAN CULTURAL POLICY AGENDAS FOR CREATIVE PRODUCTION 221 10. The New Cultural Economy and its Discontents: Governance Innovation and Policy Disjuncture in Vancouver 222 Tom Hutton and Catherine Murray 11. Creating Urban Spaces for Culture, Heritage, and the Arts in Singapore: Balancing Policy-Led Development and Organic Growth 245 Lily Kong 12.
    [Show full text]
  • The 2019-20 Grand Jury Report
    FINAL CONSOLIDATED REPORT A Report for the Citizens of Yolo County, California Arcade Arroz Beatrice Brooks Browns Corner Cadenasso Capay Central 2019-20 Yolo County Citrona Kiesel Clarksburg Kings Farms Conaway Knights Landing Grand Jury Coniston Lovdal Daisie Lund Davis Madison Tancred Dufour Merritt Tyndall Landing Dunnigan Monument Hills University of California Davis El Macero Norton Valdez El Rio Villa Peethill Vin Esparto Plainfield Webster Fremont Riverview West Sacramento Green Rumsey Willow Point Greendale Saxon Winters Guinda Sorroca Woodland September 24, 2020 Hershey Sugarfield Yolo Jacobs Corner Swingle Zamora Woodland, California 2019-2020 YOLO COUNTY GRAND JURY FINAL CONSOLIDATED REPORT A Report for the Citizens of Yolo County, California September 24, 2020 Woodland, California i Acknowledgements Special thanks to jurors Lisa DeSanti, Ann Kokalis, Richard Kruger, Sherwin Lee, Lynn Otani, and Laurel Sousa for their extra time and effort in performing important officer duties during our term. Thanks also to all the jurors during our tenure who gathered information, contributed to the writing of the various individual committee reports, and worked the many hours required for thorough investigations. Cover Art by Judy Wohlfrom, 2017-2018 Foreperson ii Table of Contents Acknowledgements .......................................................................................... ii Honorable Sonia Cortés .................................................................................... vi The 2019-2020 Yolo County Grand Jury
    [Show full text]
  • West Portland
    Happy Holidays december 09 VOLUME 24, ISSUE 4 FREE Serving Portland’s Northwest Neighborhoods since 1986 The urban renewal question Does spiking growth, adding public projects, the question in terms of whether urban renewal would advance the association’s long-established goals, spelled out in the 240’ outweigh the burdens of density? 2003 Northwest District Plan. Height “We have a plan already,” Limit said NWDA Secre- tary Steve Pinger. “If a URA helps Code-compliant option us reach that goal, great.” 6:1 FAR* He asks this question: “Does urban renewal help achieve things that the market wouldn’t, and is that enough of a Pettygrove reason to bring it into being? … If all we’re doing is accelerating the 3:1 FAR* development process, is 65’ NW 21st that a good thing?” Height Since the idea of a Limit new urban renewal area was first floated early Pettygrove proposed concept option in the year, Northwest neighborhood activists have been highly critical of the whole concept, NW 21st Urban renewal will have a substantial bearing on whether the Con- *FAr= from its excesses and floor-area ratio way area develops to the level envisioned by the Northwest District inequities to its unpre- Plan (left) or to perhaps twice that density, as intended by Con-way dictability. One board itself. (The company, which prepared these renderings, recently revised member likened the sys- its position and is no longer circulating the image at right.) tem to pigs feeding at a trough. By allan Classen President Juliet Hyams. “However, it could uation committee created by the Portland But when pushed to take a firm either/ also invite development that does not Development Commission to consider if or position, most neighborhood represen- he siren song of urban renewal fit the character of the neighborhood.
    [Show full text]
  • The Plumed Serpant
    The Plumed Serpant D H Lawrence Chapter 1 - Beginnings Of A Bull-Fight It was the Sunday after Easter, and the last bull-fight of the season in Mexico City. Four special bulls had been brought over from Spain for the occasion, since Spanish bulls are more fiery than Mexican. Perhaps it is the altitude, perhaps just the spirit of the western Continent which is to blame for the lack of 'pep', as Owen put it, in the native animal. Although Owen, who was a great socialist, disapproved of bull- fights, 'We have never seen one. We shall have to go,' he said. 'Oh yes, I think we must see it,' said Kate. 'And it's our last chance,' said Owen. Away he rushed to the place where they sold tickets, to book seats, and Kate went with him. As she came into the street, her heart sank. It was as if some little person inside her were sulking and resisting. Neither she nor Owen spoke much Spanish, there was a fluster at the ticket place, and an unpleasant individual came forward to talk American for them. It was obvious they ought to buy tickets for the 'Shade.' But they wanted to economize, and Owen said he preferred to sit among the crowd, therefore, against the resistance of the ticket man and the onlookers, they bought reserved seats in the 'Sun.' The show was on Sunday afternoon. All the tram-cars and the frightful little Ford omnibuses called camions were labelled Torero, and were surging away towards Chapultepec. Kate felt that sudden dark feeling, that she didn't want to go.
    [Show full text]
  • EXPOSE YOURSELF to ART Towards a Critical Epistemology of Embarrassment
    EXPOSE YOURSELF TO ART Towards a Critical Epistemology of Embarrassment Gwyneth Siobhan Jones Goldsmiths University of London PhD Thesis 2013 1 I declare that the work presented in this thesis is my own. Gwyneth Siobhan Jones 2 ABSTRACT This thesis investigates the negative affect of ‘spectatorial embarrassment’, a feeling of exposure and discomfort sometimes experienced when looking at art. Two particular characteristics of embarrassment figure in the methodology and the outcome of this enquiry; firstly that embarrassment is marginal, of little orthodox value, and secondly, it is a personal experience of aversive self-consciousness. The experiential nature of embarrassment has been adopted throughout as a methodology and the embarrassments analysed are, for the most part, my own and based on ‘true’ experience. Precedent for this is drawn from ‘anecdotal theory’, which uses event and occasion in the origination of a counter-theory that values minor narratives of personal experience in place of the generalising and abstract tendencies of theory-proper. The context is a series of encounters with artworks by Gilbert & George, Jemima Stehli, Franko B, Adrian Howells, and Sarah Lucas. They are connected by their contemporaneity, their ‘British-ness’, and that they allow the spectator no comfortable position to look from. This enquiry engages with theories of ‘the gaze’ (as both aesthetic disinterest and a dubious sign of cultural competence) and the challenge to aesthetic disinterest made by ‘transgressive art’ which may provoke a more engaged, even embodied response. Each encounter sparks consideration of differing causes and outcomes of embarrassment that resonate beyond art to broader sociocultural territories particularly in terms of gender and class.
    [Show full text]
  • “Something About the Way You Look Tonight” Geneva Jackson Advised
    “Something About the Way You Look Tonight” Popular Music Festivals as Rites of Passage in the Contemporary United States Geneva Jackson Advised by Judith Schachter Carnegie Mellon University Dietrich College Honors Fellowship Program Spring 2016 Acknowledgements This project was made possible by the love and support of many people, to whom I will be forever indebted. First, I would like to thank the Dietrich College of Humanities and Social Sciences, for the creation of the Honors Fellowship Program, through which I received additional support to begin work on my thesis over the summer of 2015. I am thankful for the opportunity to explore my nonacademic interests in an academic setting. Weekly meetings with the other fellows, Eleanor Haglund, Kaylyn Kim, Kaytie Nielsen, Sayre Olson, Lucy Pei, Chloe Thompson, and Laurnie Wilson, as well as our mentors Dr. Joseph Devine, Dr. Jennifer Keating-Miller, and Dr. Brian Junker, were invaluable in the formation of my topic focus. Thank you for the laughter and advice. I’d also like to express endless gratitude to my thesis advisor, Dr. Judith Schachter, for her limitless encouragement, critical eye, and keen ability to parse out exactly I was trying to say when my phrasing became cumbersome. I would like also to acknowledge Dr. Scott Sandage for agreeing to consult with me over the summer and to thank him for telling the freshman-engineering-major version of me to consider a history degree. Special thanks must be given to my music festival partners, Catherine Kildunne, Emily Clark, Ian Einhorn, Sam Ho, and Anthony Comport, without whom field research would have been a woefully solitary task.
    [Show full text]
  • Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
    1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS
    [Show full text]
  • Trimet MAX Green Line Public Art Guide
    TriMet MAX GREEN LINE PUBLIC ART GUIDE TriMet MAX Green Line 1 I-205 MAX Stations Christine Bourdette Public Art 6th 5th Cairns, 2008 Podcast available at trimet.org Don Merkt 28 Driver’s Seat, 1994 2 Gateway Portland Transit Mall Glisan Daniel Duford 27 5 The Green Man of Portland, MAX station 4th 2009 Bruce Conkle # New work Burls Will Be Burls, 2009 Broadway Everett Muliple-part work 3 John Killmaster Davis # Original collection Untitled, 1977 Anne Storrs 1 SE Main St Tall and Fallen, 2009 Lee Kelly 26 Couch # On loan Untitled Fountain, 1977 4 Ivan Morrison Burnside Untitled, 1977 25 Carolyn Law 2 SE Division St Ash 5 Sky to Earth, 2009 John Buck Mark R. Smith Lodge Grass, 2000 Pine Reading the Street, 2008 Valerie Otani 3 SE Powell Blvd James Lee Hansen 24 Talos No. 2, 1977 Oak Money Tree, 2009 Stark 6 23 Suzanne Lee 4 SE Holgate Blvd Bruce West 22 Mark Calderon Shared Vision, 2009 Mel Katz Untitled, 1977 Washington Floribunda, 1998 Daddy Long Legs, 2006 7 Alder Don Wilson M Interlocking Forms, 1977 21 Morrison Brian Borrello 5 Lents Town Center/ Malia Jensen 8 Lents Hybrids, 2009 SE Foster Rd Norman Taylor 20 Pile, 2009 Yamhill Kvinneakt, 1975 Cris Bruch Whistlestop for an Taylor Organ Teacher, 2009 Melvin Schuler 19 Brian Borrello 6 SE Flavel St Salmon Johnson Creek Watershed, 2009 Thor, 1977 9 Kathleen McCullough James Lee Hansen 18 Main Cat in Repose, 1977 Winter Rider No. 2, 2003 10 Georgia Gerber Madison J Animals in Pools, 1986 11 17 Jefferson Pete Beeman 7 SE Fuller Rd Patti Warashina Rick Bartow Waving Post, 2009 City Reflections, 2009 Columbia The Responsibility of Raising a Child, 2004 Clay 12 Tom Hardy 16 Chris Gander Running Horses, 1986 Market Puzzle Tower I, 2007 Mill Montgomery 15 13 Robert Maki Richard C.
    [Show full text]
  • Introduction
    32157 00252 2209 INTRODUCTION Because_there is a substantial amount of material of historical interest in the area surounding Bergholz proper, this account will include not only Bergholz but will also make reference to events, settlements and porsons in the nearby outlying arca. The macerial found in this volune was gathered from old history texts, non-fiction historical novels, fanily histories, news articles and personal interviews. Due to the fact that a ceriain amount of our pioneer history was passed from generation to gencration “by word of mouth,” there may oceasionally be a discreptancy between this account and othor stories with whieh the reader is familiar. In gathering this material these differences did arise and in these instances the author hus entered into this account what was b lieved to bo tho most accurate version. Any omissions which have oceurred in the preparation of this text were due to oversight rather than intent. It is hoped that your enjoyment in reading this test is equal Lo the authors enjoyment in compiling il. In the words of Dr. Robert Wilson Schilling, “Whatever is recomled is preserved; Whatever is remen- bered i Tost,”” DEDICATION to_the spirit of those early pioncers who This book is dedicated oven in the midst of hardship could thankfully reflect . “Grain and a mill o grind it, maple suger and o lasses - vegetables of il kinds (o satisly tho everyday wants and no thristing for luxuries - good heallh and everyhody contented and happy.” Taken from the Crabbs Family History- Written in 1883 May we renew our faith this hicentennial year and move thought- faure with much the samo spirit as those carly Tully inw the ago.
    [Show full text]
  • The AMP: AIDS Memorial Pathway Master Art Plan Seattle, Washington
    The AMP: AIDS Memorial Pathway Master Art Plan Seattle, Washington HEALING IN REMEMBERING Prepared by Horatio Hung-Yan Law January, 2019 Art is a path to individual and community healing. 00_Executive Summary Executive Summary The AMP: AIDS Memorial Pathway The AMP: AIDS Memorial Pathway is community-driven and collaboratively- funded, and its goals are: to use public art to create a physical place for remembrance and reflection, to utilize technology to share stories about the epidemic and the diverse community responses to the crisis, and to provide a call to action to end HIV/AIDS, stigma, and discrimination. The AMP Master Art Plan The AMP Master Art Plan is founded on consultations with communities affected by HIV/AIDS, and conversations in public open houses and community engagements. Efforts were made to not only connect with individuals and organizations concerning HIV/AIDS history and efforts in the past, but also with groups currently dealing with HIV/AIDS, especially people of color, transgender individuals, and other under-represented communities. The art plan is also the result of continual dialog with stakeholder-agencies and organizations: Sound Transit, Seattle Parks Department, Seattle Department of Transportation (SDOT), Seattle Public Utilities (SPU), Office of Arts & Culture, Berger Partnership, Schemata Workshop, and Gerding Edlen, the developer of the Transit Oriented Development (TOD). Their input has provided understanding of their concerns and helped set up pertinent parameters for the sites and designated art
    [Show full text]
  • Livable Portland Land Use and Transportation Initiatives
    Livable Portland Land Use and Transportation Initiatives November 2010 Capital Projects 710 NE Holladay Street Portland, OR 97232 503-962-2150 trimet.org Preface At TriMet, we are proud of our contribution to the livability of the Portland region. We have seen enormous growth here since 1969 when the agency was formed. In that time, due to numerous visionary leaders and passionate citizen involvement that increases with each passing year, this region has made great strides in enhancing our sustainability, livability and economic vitality. One of the key tools in making this work has been to integrate land use and transportation planning, policy and development. TriMet’s role is to provide service across our district in ways that encourage the kind of growth this region has said it wants to accommodate in 2040. The result of this marriage of smart transportation investments—particularly transit— and land use planning is more compact, efficient cities that are easier to serve with non-automobile transportation modes. A fundamental measure of our success is whether more people can conveniently meet their needs Neil McFarlane by walking, rolling, biking or transit without adding to traffic congestion, TriMet General Manager emissions and other local, regional and global impacts. Reliable and frequent bus, light rail and streetcar service, combined with attention to bicycle and pedestrian mobility, make it possible for more and more people to choose not to drive for many or all of their daily needs. The numbers tell the story of this region’s success. Between 1997 and 2007, TriMet ridership grew faster than the region’s population, the amount of service we provide, and the number of miles that people drove.
    [Show full text]
  • April 2017 Introduction
    April 2017 Introduction The Regional Arts & Culture Council (RACC) established the Design Team Roster as an on-line resource that can be used by anyone seeking an artist for a project – community groups, business or property owners, schools, architecture firms, private developers or other public art programs. The Roster provides a pool of highly qualified artists, and increases the efficiency of the selection process. The intent of the roster is to provide users a range of artistic styles from which to select an artist that fits the needs of a particular project -- creating an art plan for a site; collaborating on early design along with having a budget to create artwork(s); identifying opportunities for other artists to provide design elements within the construction budget and/or complemented with public art funds; or, for creating a distinctive artwork for a site. These artist have demonstrated skills, experience and interest in commissioned projects. As you review this roster, please read the artists’ statement and view details of up to three past projects to get a feel for their work. You are strongly encouraged to visit the artists’ websites and social media outlets to further explore their practice. Please note that there are two different PDF versions you can view/download with the larger PDF containing artists’ resumes. Questions? Contact Public Art Managers: Kristin Calhoun [email protected] | 503.823.5101 Peggy Kendellen [email protected] | 503.823.4196 Cover artists clockwise from upper left: Anne Marie Karlsen, Lawndale, CA, 2008; Adam Kuby, Aberdeen, WA, 2013; Norie Sato, San Francisco, CA, 2011; Napoleon Jones-Henderson, Bruce C.
    [Show full text]