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The Abysmal Brute, by Jack London
The Project Gutenberg EBook of The Abysmal Brute, by Jack London This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: The Abysmal Brute Author: Jack London Illustrator: Gordon Grant Release Date: November 12, 2017 [EBook #55948] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK THE ABYSMAL BRUTE *** Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/ for Project Gutenberg (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE ABYSMAL BRUTE Original Frontispiece. Original Title Page. THE ABYSMAL BRUTE BY JACK LONDON Author of “The Call of the Wild,” “The Sea Wolf,” “Smoke Bellew,” “The Night Born,” etc. NEW YORK THE CENTURY CO. 1913 Copyright, 1913, by THE CENTURY CO. Copyright, 1911, by STREET & SMITH. New York Published, May, 1913 THE ABYSMAL BRUTE I Sam Stubener ran through his mail carelessly and rapidly. As became a manager of prize-fighters, he was accustomed to a various and bizarre correspondence. Every crank, sport, near sport, and reformer seemed to have ideas to impart to him. From dire threats against his life to milder threats, such as pushing in the front of his face, from rabbit-foot fetishes to lucky horse-shoes, from dinky jerkwater bids to the quarter-of-a-million-dollar offers of irresponsible nobodies, he knew the whole run of the surprise portion of his mail. -
The Invention of Martial Arts About the Journal
ISSUE EDITORS Spring 2016 Paul Bowman ISSN 2057-5696 Benjamin N. Judkins MARTIAL ARTS STUDIES THEME THE INVENTION OF MARTIAL ARTS ABOUT THE JOURNAL Martial Arts Studies is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. C b n d The journal is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. Martial Arts Studies is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. cardiffuniversitypress.org Journal DOI 10.18573/ISSN.2057-5696 Issue DOI 10.18573/n.2016.10060 Martial Arts Studies Journal design by Hugh Griffiths MARTIAL issue 2 ARTS STUDIES SPRING 2016 1 Editorial Paul Bowman and Benjamin N. Judkins 6 The Seven Forms of Lightsaber Combat ARTICLES Hyper-reality and the Invention of the Martial Arts Benjamin N. Judkins 23 The Fifty-Two Hand Blocks Re-Framed Rehabilitation of a Vernacular Martial Art Thomas A. Green 34 The @UFC and Third Wave Feminism? Who Woulda Thought? Gender, Fighters, and Framing on Twitter Allyson Quinney 59 Ancient Wisdom, Modern Warriors The (Re)Invention of a Mesoamerican Warrior Tradition in Xilam George Jennings 71 Fight-Dancing and the Festival Tabuik in Pariaman, Indonesia and lemanjá in Salvador da Bahia, Brazil Paul H. -
Master Bibliography for Sports in Society, 1994–2009
1 MASTER BIBLIOGRAPHY Sports In Society: Issues & Controversies, 1994–2015 (5,089 references) Jay Coakley This bibliography is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. CSPS Working Papers may be distributed or cited as long as the author(s) is/are appropriately credited. CSPS Working Papers may not be used for commercial purposes or modified in any way without the permission of the author(s). For more information please visit: www.creativecommons.org/licenses/by-nc-nd/3.0/. 60 Minutes; ―Life after the NFL: Happiness.‖ Television program, (2004, December); see also, www.cbsnews.com/stories/2004/12/16/60minutes/main661572.shtml. AAA. 1998. Statement on ―Race.‖ Washington, DC: American Anthropological Association. www.aaanet.org/stmts/racepp.htm (retrieved June, 2005). AAHPERD. 2013. Maximizing the benefits of youth sport. Journal of Physical Education, Recreation & Dance 84(7): 8-13. Abad-Santos, Alexander. 2013. Everything you need to know about Steubenville High's football 'rape crew'. The Atlantic Wire (January 3): http://www.theatlanticwire.com/national/2013/01/steubenville-high-football-rape- crew/60554/ (retrieved 5-22-13). Abdel-Shehid, Gamal, & Nathan Kalman-Lamb. 2011. Out of Left Field: Social Inequality and Sport. Black Point, Nova Scotia: Fernwood Publishing Abdel-Shehid, Gamal. 2002. Muhammad Ali: America‘s B-Side. Journal of Sport and Social Issues 26, 3: 319–327. Abdel-Shehid, Gamal. 2004. Who da man?: black masculinities and sporting cultures. Toronto: Canadian Scholars‘ Press. www.cspi.org. Abney, Roberta. 1999. African American women in sport. Journal of Physical Education, Recreation & Dance 70(4), 35–38. -
Alcohol Brand Sponsorship Report: Identified Alcohol Brand Sponsorships – U.S., 2010-2013
Alcohol Brand Sponsorship Report: Identified Alcohol Brand Sponsorships – U.S., 2010-2013 Olivia Belt, Korene Stamatakos, Amanda J. Ayers, Victoria A. Fryer, and Michael Siegel Department of Community Health Sciences Boston University School of Public Health February, 2014 Online supplement to manuscript entitled “Alcohol brand sponsorship of events, organizations and causes in the United States, 2010-2013” Methods This study examined sponsorship of organizations and events in the U.S. by alcohol brands from 2010-2013. The top 75 brands of alcohol consumed by underage drinkers were identified based on a previously conducted national internet-based survey. For each of these brands, a systematic search for sponsorships was conducted using Google. This report identifies and briefly summarizes each of the 945 sponsorships identified in this research. TABLE OF CONTENTS ALCOHOLIC ENERGY DRINKS ....................................................................................................... 3 P.I.N.K. SPIRITS ............................................................................................................................... 3 BEERS .................................................................................................................................................... 3 AMSTEL LIGHT ............................................ 3 GUINNESS BEERS .......................................16 BLUE MOON ................................................ 4 HEINEKEN .................................................16 BUD ICE ...................................................... -
FIGHT CLUB Final Script Based on the Novel by Chuck Palahniuk
FIGHT CLUB Final Script Based on the novel by Chuck Palahniuk Screenplay by Jim Uhls Redone by The Weekend Game INT. SOCIAL ROOM - TOP FLOOR OF HIGH RISE - NIGHT TYLER' s hand holds a HANDGUN with barrel lodged in JACK'S MOUTH. Jack is sitting on a chair. They are both sweating and disheveled, both around 30; Tyler is blond, handsome (we can't see Tyler's face yet, only his body moving); and Jack, brunette, is appealing in a dry sort of way. JACK (V.O.) People are always asking me if I know Tyler Durden. TYLER Three minutes. This is it: Ground zero. Would you like to say a few words to mark the occasion? JACK ...i...ann....iinn..ff...nnyin.... JACK (V.O.) With a gun barrel between your teeth, you speak only in vowels. Tyler removes the gun from Jack's mouth. JACK I can't think of anything. JACK (V.O.) For a second I totally forgot about Tyler's whole controlled demolition thing and I wonder how clean that gun is. Tyler approaches the window so that he can see down --31 stories. TYLER Getting exciting now. JACK (V.O.) That old saying, how you always hurt the one you love, well, it works both ways. JACK (V.O.) We have front row seats for this theater of Mass Destruction. The Demolitions Committee of Project Mayhem wrapped the foundation columns of a dozen buildings with blasting gelatin. In two minutes, primary charges will blow base charges, and a few square blocks will be reduced to smoldering rubble. -
The Encyclopedia of ADDICTIVE DRUGS
The Encyclopedia of ADDICTIVE DRUGS RICHARD LAWRENCE MILLER GREENWOOD PRESS The Encyclopedia of ADDICTIVE DRUGS The Encyclopedia of ADDICTIVE DRUGS RICHARD LAWRENCE MILLER GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Miller, Richard Lawrence. The encyclopedia of addictive drugs / Richard Lawrence Miller. p. cm. Includes bibliographical references and index. ISBN 0–313–31807–7 (alk. paper) 1. Drugs of abuse—Handbooks, manuals, etc. I. Title. RM316.M555 2002 615'.78—dc21 2002075332 British Library Cataloguing in Publication Data is available. Copyright ᭧ 2002 by Richard Lawrence Miller All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2002075332 ISBN: 0–313–31807–7 First published in 2002 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America TM The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 Contents Introduction 1 Drug Types 11 Alphabetical Listings of Drugs 31 Sources for More Information 445 Drug Name Index 453 Subject Index 489 Introduction The Encyclopedia of Addictive Drugs will save readers many hours of time that would otherwise be spent tracking down basic facts in science journals and libraries. This book is useful to a wide variety of persons—from a student doing a term paper to reporters preparing a story, from parents reading that story to a narcotics law enforcement officer needing extra information for a public presentation. -
Matt Humehume Godfather of Pankration Marcelo Alonso
NW FIGHTSCENE MAGAZINE SUMMER 2006 THE NORTHWEST’S PREMIER FIGHTLIFE & NIGHTLIFE MAGAZINE MATTMATT HUMEHUME GODFATHER OF PANKRATION MARCELO ALONSO EVENTSEVENTS SPORTFIGHTSPORTFIGHT 1515 AMATEURAMATEUR PRIDEPRIDE FCFC X-FIGHTINGX-FIGHTING CHAMPIONSHIPSCHAMPIONSHIPS DESERTDESERT BRAWLBRAWL XVIIXVII AXAX FIGHTINGFIGHTING CHAMPIONSHIPSCHAMPIONSHIPS NWNW NIGHTNIGHT LIFELIFE DRAGSTRIPDRAGSTRIP RIOTRIOT RINGRING GIRLSGIRLS DESERTDESERT BRAWLBRAWL RINGRING GIRLSGIRLS $5.00 USD $7.00 CAN LLOCALOCAL SPOSPOTLIGHTTLIGHT 74589 0157490 ZERO ISSUE SUMMER 2006 EDED “SHORT“SHORT FUSE”FUSE” HERMAN HERMAN nwfightscene.com CAMICAMI “HOSTILE”“HOSTILE” HOSTETLER HOSTETLER ONON THETHE RECORDRECORD Summer 2006 Welcome to the next generation of pop culture. We couldn’t be more Editors: Mike Hoernlein, Mike Renouard, excited as we embark on this new journey called NW FightScene Shelli Hoernlein Magazine (NWFS). For decades, local bands have had publications that covered their events and took an inside look at stand out performers. A Creative Director: Tripp Sherr good portion of our staff has a long history working with these publica- tions as advertisers and contributors. We’ve also been long time fans of Graphic Design: Tripp, Mike Hoernlein local pankration and kickboxing events held in the Northwest. Seeing Contributing Writers: Mike Hoernlein, fights on TV is great, but nothing compares to the spectacle of seeing these warriors compete in person, with the crowd so pumped you can Marc Forsyth, Chris Hoernlein, Steve feel the energy. “Spaniard” Roberts, Aeryn As the sport of Mixed Martial Arts (MMA) grows, the new & novice Contributors: Kink Clothing, fans need to be educated to get the most enjoyment out of it. Luckily, Charlie's Combat Club, there are a few great MMA mags distributed nationally, but we don’t get Freedumbimages.com to read about our local fighters in them too often. -
Triller Presents First Concert of New Triller Live Concert Series With
FOR IMMEDIATE RELEASE: Triller Presents First Concert of New Triller Live Concert Series With Superstars Meek Mill, Myke Towers and Lunay in A Full-Set Concert Directly Before Boxing’s Biggest Event of the Year, the Not-To-Be-Missed Triller Fight Club June 19 Extravaganza at loanDepot park, With More Acts To Be Announced “Greatest Showman”-Themed Event Features Bigger Than Life Show Created by the Visionary Behind ‘American Idol’ and ‘So You Think You Can Dance’ Tickets Now On Sale for The Event That Marks First Time A Full Concert and Boxing Will Be Joined LOS ANGELES AND MIAMI (May 25, 2021) – Triller Fight Club today announced the ticket onsale for the Triller Fight Club June 19 event, dubbed “Fight Club-Greatest Showman,” which will mark the first time a world-class music festival line-up will perform a full concert prior to full boxing event. Representing Miami’s first “full open seating” event post-COVID, the first concert of the new Triller Live Concert Series presents Hip Hop superstar Meek Mill, Latin superstar Myke Towers, and Reggaeton sensation Lunay performing a full-set concert prior to the start of the June 19 Fight Club event at loanDepot park, boxing’s biggest event of the year. More acts will be announced shortly. Produced by “So You Think You Can Dance” co-creator Nigel Lythgoe and featuring Miami’s hottest salsa dancers and a world-class pyrotechnics display, the Fight Club event is an unprecedented evening combining the world’s best boxers and entertainers in a not-to-be-missed, four-quadrant entertainment extravaganza. -
'THE @UFC and THIRD WAVE FEMINISM? WHO WOULDA THOUGHT?': GENDER, FIGHTERS, and FRAMING on TWITTER by ALLYSON QUINNEY B.A., T
‘THE @UFC AND THIRD WAVE FEMINISM? WHO WOULDA THOUGHT?’: GENDER, FIGHTERS, AND FRAMING ON TWITTER by ALLYSON QUINNEY B.A., The University of British Columbia, 2012 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF JOURNALISM in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) October 2015 © Allyson Quinney, 2015 Abstract Most professional sports, such as hockey, tennis, and basketball, separate men’s and women’s sports leagues. In 2013, the Ultimate Fighting Championship (UFC) disrupted this pattern by showcasing its first women’s mixed martial arts (MMA) fight in a once male-only fight league. While the UFC’s inclusion of female fighters is a step forward for gender equality, the change does not come without issues. This essay focuses on the framing of female UFC fighters on Twitter over a four year period. Through an intersectional feminist analysis, it examines how Twitter users frame female fighters’ bodies in relation to gender, race, class, and sexuality. It argues that there is an imbalance in attention paid to female fighters in regards to gender, race, class, and sexuality, and this constructs contradictory messaging about feminism, female fighters’ bodies, and the UFC on Twitter. ii Preface This thesis is original, unpublished, independent work by the author, Allyson Quinney. Mary-Lynn Young, Ph.D., Associate Dean at the University of British Columbia’s Faculty of Arts, and Becki Ross, Ph.D, Professor at the Institute for Gender, Race, Sexuality, -
The Gavel Montezuma Lodge No
The gavel monTezuma lodge no. 1 af & am 431 Paseo de Peralta Santa Fe, New Mexico 87501-1958 Just west of the Scottish Rite Temple Phone: 505-982-0971 - Email: [email protected] Volume 20 Issue 4 “The Oldest Masonic Lodge in the Rockies“ Organized May 8, 1851 April 2020 Dear Brethren of Montezuma Lodge No.1, I hope you are all staying safe and healthy. As we continue through this public health crisis, we should take time to remember those who have been lost to COVID-19 and be grateful for those who have recovered. New Mexico has done a remarkable job in flattening the curve which has recently gotten national attention. As the state begins work on planning a reopening, it is very important that we follow the Public Health Orders and continue practicing social distancing. It is unclear when we will return to a place of normalcy and what that new norm will mean for Montezuma Lodge and Freemasonry. Some recent adaptations include the use of video conferencing platforms such as Skype, Zoom, GotoMeeting, MS Teams to name a few. Lodges are already using video conferencing to have untiled meetings and share presentations as allowed by the Grand Lodge. Montezuma Lodge is planning to host our own meeting so keep a lookout for an email announcement. For those of you who do not have a strong internet connection or a camera, a call-in number will be provided. I imagine during the new normal, video conferencing will be more common. I would be happy to hear about your ideas on things we can do with video conferencing. -
Mitch Clarke Knows He Isn't Your Typical Mixed Martial Arts Fighter
Clarke relies on skill, instead of gimmicks Soft-spoken Edmontonian defies fighter stereotypes BY CHRIS O'LEARY, EDMONTONJOURNAL.COM JANUARY 28, 2011 9:02 AM This story was originally published on Sept. 10, 2010. EDMONTON -- Mitch Clarke knows he isn't your typical mixed martial arts fighter. If you've seen the 24-year-old Edmonton product in action, you've already been tipped off as well. That is, if you can remember who he is. "Everyone needs a gimmick to kind of come into the forefront," he said. "I don't really have one, probably because I've got my crappy dry humour and that's it." Clarke's fighting non-persona isn't his fault. The five-foot-10, 170-pounder doesn't make any efforts to play up the MMA fighter image. He takes his entrance music -- the song that plays as he makes his way to the cage to fight -- as a chance to make his friends in the crowd laugh. "I usually come out to something different every time," he explained. When fighting Paul Grandbois in Lloydminster in March of last year, Clarke used the entrance music of 1990s WWF star the Ultimate Warrior. "I've used The Safety Dance, by Men Without Hats," he said. "I like music that's not going to get me amped up, because I'm very calm, or at least that's the plan. "I used a really, really old reggae song called Liquidator (by The Harry J All Stars) and it's used with an organ, mostly and man, did it bomb. -
MMA As the Canadian Gracie Challenge to the Big Stage, Rorion Eventually Teamed up with Centre for Ethics in Sports, Though
Allyson Quinney received her Masters in Journalism from the CONTRIBUTOR University of British Columbia and she begins her PhD at Florida State University in the fall of 2016. THE @UFC AND THIRD WAVE FEMINISM? WHO WOULDA THOUGHT? GENDER, FIGHTERS, AND FRAMING ON TWITTER ALLYSON QUINNEY DOI ABSTRACT 10.18573/j.2016.10063 Most professional sports, such as hockey, tennis, and basketball, separate men’s and women’s sports leagues. In 2013, the Ultimate Fighting Championship (UFC) disrupted this pattern by showcasing its first women’s mixed martial arts (MMA) fight in a once male-only fight league. While the UFC’s inclusion of KEYWORDs female fighters is a step forward for gender equality, the change does not come without issues. This essay focuses on the framing Martial arts studies, mixed martial of female UFC fighters on Twitter over a four year period. arts, intersectionality, feminist theory, Through an intersectional feminist analysis, it examines how framing theory, gender, women’s sport, Twitter users frame female fighters’ bodies in relation to gender, Ultimate Fighting Championship. race, class, and sexuality. It argues that there is an imbalance in attention paid to female fighters in regards to gender, race, class, CITATION and sexuality, and this constructs contradictory messaging about feminism, female fighters’ bodies, and the UFC on Twitter. Quinney, Allyson. 2016. ‘The @UFC and Third Wave Feminism? Who Woulda Thought?: Gender, Fighters, and Framing on Twitter’, Martial Arts Studies 2, 34-58 MARTIAL Gender, Fighters, and Framing on Twitter ARTS STUDIES Allyson Quinney Introduction age, and class for women in the UFC, and discuss the issues related to them.