Enrico Rava / Dino Saluzzi Quintet Volver Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Enrico Rava / Dino Saluzzi Quintet Volver mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Volver Country: Germany Released: 1987 Style: Contemporary Jazz MP3 version RAR size: 1697 mb FLAC version RAR size: 1194 mb WMA version RAR size: 1257 mb Rating: 4.7 Votes: 896 Other Formats: AA DTS AHX VQF VOX MIDI MP4 Tracklist Hide Credits Le But Du Souffle A1 6:25 Written-By – Enrico Rava Minguito A2 11:16 Written-By – Dino Saluzzi Luna-Volver A3 6:29 Written-By – Gardel*, Saluzzi* Tiempos De Ausencias B1 7:56 Written-By – Dino Saluzzi Ballantine For Valentine B2 4:46 Written-By – Harry Pepl Visions B3 9:56 Written-By – Enrico Rava Companies, etc. Phonographic Copyright (p) – ECM Records GmbH Copyright (c) – ECM Records GmbH Recorded At – Tonstudio Bauer Credits Bandoneon – Dino Saluzzi Design [Cover] – Dieter Bonhorst Double Bass – Furio Di Castri Drums – Bruce Ditmas Engineer – Martin Wieland Guitar – Harry Pepl Photography By [Cover] – Werner Hannappel Producer – Manfred Eicher Trumpet – Enrico Rava Notes Digital recording, October 1986, at Tonstudio Bauer, Ludwigsburg. © ℗ 1988 ECM Records GmbH (on Back Cover) ℗ 1987 ECM Records GmbH (on Center Labels) Made in W.Germany Barcode and Other Identifiers Barcode: 0 42283 13951 0 Label Code: LC 2516 Rights Society: GEMA Other versions Category Artist Title (Format) Label Category Country Year Enrico Rava / ECM 1343, Volver (CD, ECM Records, ECM 1343, Dino Saluzzi Germany 1988 831 395-2 Album) ECM Records 831 395-2 Quintet Enrico Rava / ECM 1343 Dino Saluzzi Volver (LP, TP) ECM Records ECM 1343 Germany Unknown Quintet Enrico Rava / ECM 1343, Volver (CD, ECM Records, ECM 1343, Dino Saluzzi Germany Unknown 831 395-2 Album, RP) ECM Records 831 395-2 Quintet Related Music albums to Volver by Enrico Rava / Dino Saluzzi Quintet Dauner, Mariano, Saluzzi - Live In Concert Dino Saluzzi - El Encuentro Nello Toscano With Enrico Rava - Winter Sky Enrico Rava - Easy Living Enrico Rava - Italian Ballads Wolfgang Dauner / Charlie Mariano / Dino Saluzzi - Pas De Trois Al Di Meola - Di Meola Plays Piazzolla Enrico Rava Quartet - Opening Night.

Copy Link

Recommended publications

Dino Saluzzi, Anja Lechner Ojos Negros
ECM Dino Saluzzi, Anja Lechner Ojos Negros Dino Saluzzi: bandoneon; Anja Lechner: violoncello ECM 1991 CD 6025 170 9757 (5) Release: March 2007 “As close to perfection as any music-making I can recently recall" Richard Cook, Jazz Review, on the Saluzzi/Lechner duo in concert Chamber music with inspirational roots in Argentinean traditions: “Ojos Negros” puts the emphasis on Dino Saluzzi’s finely-crafted compositions –and adds the beautiful old tango by Vicente Greco that is the album’s title track. Interplay and improvisation also have roles to play in a recording that follows six years of duo concerts as well as ten years of collaboration between bandoneon master Saluzzi and the Rosamunde Quartet, of which cellist Anja Lechner is a founder member. They have taken their time to get this right. A classical musician firstly, Anja Lechner’s interest in tango goes back some 25 years, when she formed a duo with pianist Peter Ludwig to play their German interpretations of the idiom. She gave her first concerts in Argentina in the early 1980s and made a point of looking for tango’s master musicians. But she first encountered Dino Saluzzi at a Munich concert where he played solo bandoneon. “He was playing a music that was really his own. When we finally began to play together I can say that I entered a new world.” The shared work has been a gradual process of becoming freer with the material while respecting it, resulting in a very integrated music. Saluzzi praises the cellist’s commitment and stylistic independence: “Anja has become part of the music without losing her own identity.
[Show full text]
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
[Show full text]
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
[Show full text]
Vallelyn Phd2018.Pdf
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Beyond the tune: new Irish music Author(s) Vallely, Niall Publication date 2018 Original citation Vallely, N. 2018. Beyond the tune: new Irish music. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2018, Niall Vallely. http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Not applicable Item downloaded http://hdl.handle.net/10468/7021 from Downloaded on 2021-10-10T08:36:19Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork Beyond the Tune: New Irish Music Thesis presented by Niall Vallely For the degree of Doctor of Philosophy University College Cork School of Music and Theatre Head of School: Prof. Jools Gilson Supervisor: John Godfrey 2018 2 Table of Contents Declaration 4 List of accompanying musical scores and CD 5 Acknowledgements 6 Preface 7 Chapter 1 Introduction and Background 8 Education 9 Performance 12 Impact of cross-cultural music 14 Chapter 2 Context and Influences 17 Seán Ó Riada 17 Shaun Davey 18 Mícheál Ó Súilleabháin 19 Other Composers 21 Beyond Genre 23 Chapter 3 Artistic Statement 26 Compositions 27 The Red Tree 28 Sondas 35 Ó Riada Room 37 Time Flying 38 throughother 42 Nothing Else 44 Connolly’s Chair 46 Concertina Concerto 47 Conclusion 50 Appendix 1 List of compositions used in PhD 51 Appendix 2 Complete list of compositions to date 54 Discography 75 3 Bibliography 79 4 Declaration I, Niall Vallely, declare that this dissertation is the result of my own work, except as acknowledged by appropriate reference in the text.
[Show full text]
Spoleto Festival Usa Program History 2016 – 1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2016 – 1977 Spoleto Festival USA Program History Page 2 2016 Opera Porgy and Bess; created by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin; conductor, Stefan Asbury; director, David Herskovits; visual designer, Jonathan Green; lighting designer, Lenore Doxsee; wig and makeup designer, Ruth Mitchell; set designer, Carolyn Mraz; costume designer, Annie Simon; fight director, Brad Lemons; Cast: Alyson Cambridge, Lisa Daltirus, Eric Greene, Courtney Johnson, Lester Lynch, Sidney Outlaw, Victor Ryan Robertson, Indra Thomas; Spoleto Festival USA Orchestra, Johnson C. Smith University Concert Choir; Charleston Gaillard Center *La Double Coquette; music by Antoine Dauvergne with additions by Gérard Pesson; libretto by Charles-Simon Favart with additions by Pierre Alferi; director, Fanny de Chaillé; costume designer, Annette Messager; costume realization, Sonia de Sousa; lighting designer, Gilles Gentner; lighting realization, Cyrille Siffer; technical stage coordination, Francois Couderd; Cast: Robert Getchell, Isabelle Poulenard, Mailys de Villoutreys; Dock Street Theatre *The Little Match Girl; music and libretto by Helmut Lachenmann; conductor, John Kennedy; co-directors, Mark Down and Phelim McDermott; costume designer, Kate Fry; lighting designer, James F. Ingalls; set designer, Matt Saunders; puppet co-designers, Fiona Clift, Mark Down, Ruth Patton; Cast: Heather Buck, Yuko Kakuta, Adam Klein; Soloists: Chen Bo, Stephen Drury, Renate Rohlfing, Memminger Auditorium Dance Bill T. Jones/Arnie
[Show full text]
Dino Saluzzi Group Juan Condori
ECM Dino Saluzzi Group Juan Condori Dino Saluzzi: bandoneon; Felix ‘Cuchara’ Saluzzi: tenor and soprano saxophones, clarinet; José Maria Saluzzi: acoustic and electric guitars; Matias Saluzzi: double-bass, bass guitar; U.T. Gandhi: drums, percussion ECM 1978 CD 6024 985 9237 (3) Release: October 2006 “Everything flows together. Like clear water.” – Dino Saluzzi Dino Saluzzi is a unique musical storyteller. The fact that he is also, by general consensus, the outstanding bandoneonist of his generation, is for Dino almost an incidental distinction. “I don’t want to be a competitor in a championship world of music making. If we think like that we lose much, including our understanding of our culture, including our memories.” Saluzzi writes his music to hold onto these things: “If we don’t take responsibility for our memories, who will? As a musician, I’m the servant of my memories, but my memories also help me.” Consider the title track here: “Juan Condori was one of our friends from childhood, who grew up with us in the same village”, the village of Campo Santo in Northern Argentina. “My first picture of him is when I was three or four... now we go back almost 70 years... this picture is inside of me like a dream. But when we play the music I remember more clearly – and I am together with him again.” “Juan Condori”, the composition, is a portrait of a man from one of the Amerindian families of the Salta province, “who had a real sense of humanity and a magical relationship to the whole context of nature.
[Show full text]
Catalogue 2009/10 ECM Paul Griffiths Bread and Water
Catalogue 2009/10 ECM Paul Griffiths Bread and Water Here is someone standing at the entrance to the gallery who goes on talking all the time while almost all the visitors who come are rushing by in their eagerness to inspect what is on show inside. The hall a little way beyond is packed with rare and wonderful things, beautifully laid out and informatively labelled. There is much to see, much to learn. This is what the visitors have come for. Why, then, linger at the doorway? Why wait? But you, you have stopped. Thank you. Yes, this is the gallery, this the exhibition: a catalogue. We can use the word either to mean this paper object you hold in your hands or the totality of items a publisher or, as in this case, record company has available for sale: the CATALOGUE, as we may put it. Such a CATALOGUE is changeable as the ocean is: things will go (though rarely, where ECM is concerned), more will come. The catalogue, on the other hand, is fixed, a photograph of the ocean. There was a moment, probably before it reached print, when the catalogue was identical with the CATALOGUE. But that moment has passed and will not come again, for the ocean is growing and the photograph cannot. Is the catalogue therefore impoverished? No, no more than a photograph is. This is no snapshot, no fuzzy image trapped half_thoughtlessly on a mobile phone. Look at what you have in your hands: this is something well made, something composed. A professional photographer must have been invited to make a study of the ocean.
[Show full text]
The Jazz and Improvised Music Scene in Vienna After Ossiach (1971-2011)
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) Thomas Albert Zlabinger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1684 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FREE FROM JAZZ: THE JAZZ AND IMPROVISED MUSIC SCENE IN VIENNA AFTER OSSIACH (1971-2011) by THOMAS ALBERT ZLABINGER A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 ii 2013 THOMAS ALBERT ZLABINGER All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Jeffrey Taylor Date Chair of Examining Committee Prof. David Olan Date Executive Officer Prof. Peter Manuel Prof. Stephen Blum Prof. Reinhold Wagnleitner (Universität Salzburg) Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) by Thomas Albert Zlabinger Advisor: Prof. Peter Manuel Focusing on a diverse and eclectic scene that is under-documented, this dissertation investigates the historical, social, and cultural aspects of jazz and improvised music in Vienna over the last four decades.
[Show full text]
Catalogonote2c.Rpt
Aggiornamento novità dla 29-06-11 al 26-08-11 Etichetta: East Meets West Abbreviazione: EMW SHANKAR RAVI Sounds and Silence - Colonna sonora tratta Nine Decades - Vol.1 dal documentario su Manfred Eicher Musiche di Arvo Paert, Eleni Karaindrou, Nik Bartch, Anouar Brahem, Jan Garbarek, Saluzzi/Lechner, East Meets West è l’etichetta discografica ufficiale della Ravi Marilyn Mazur, Gianluigi Trovesi 1 CD ECM 2250 Shankar Foundation. Il suo compito è quello di raccogliere e VARI Alto Prezzo presentare in maniera ordinata le numerose registrazioni 1 CD EMW 1000 disseminate in varie produzioni discografiche e nei più diversi Alto Prezzo ambiti, dalla New Age a un generico invito al benessere. La ¶|xGACFCHy700809z nuova collana vorrebbe riproporre i brani nella sua originaria espressione di musica classica indiana, attraverso i periodi ¶|xGBGIJCy081562z storici della lunga carriera di Ravi Shankar. Etichetta: Ecm Records Abbreviazione: ECM Sounds and Silence - Unterwegs mit Manfred BATTAGLIA STEFANO Eicher The River of Anyder Un film di Peter Guyer e Norbert Wiedmer sull'attività di Manfred Eicher, fondatore di ECM Minas Tirith, The River Of Anyder, Ararat dance, Return 1 DVD ECM 5050 To Bensalem, Nowhere Song, Sham-bha-Iah, Pubblicazione del DVD dell'acclamato documentario che ha Alto Prezzo Bensalem, Anagoor, Ararat prayer, Anywhere Song. vinto il Berner Film Prize nel 2009 ed è stato nominato per lo Swiss Film Prize. Il documentario segue il produttore della ECM Stefano Battaglia, pianoforte; Salvatore Maiore, contrabbasso; 1 CD ECM 2151 Manfred Eicher durante le registrazioni, i concerti e i festival in Alto Prezzo ¶|xGACFCHy698861z Roberto Dani, batteria giro per il mondo.
[Show full text]
Jazz Collection: Myriam Alter – Ein Eigenwilliger Parcours Dienstag, 8
Jazz Collection: Myriam Alter – ein eigenwilliger Parcours Dienstag, 8. September 2020, 21.00 – 22.00 Uhr, SRF 2 Kultur Samstag, 12. September 2020, 17.06 – 18.30 Uhr, SRF 2 Kultur (mit Bonustracks) Myriam Alter ist eine Spätzünderin. In frühen Jahren genoss die Belgierin eine klassische Klavierausbildung, liess die Musik beseite, um in der Werbung zu arbeiten und ein Tanzstudio zu eröffnen. Sie war weit über 30, als sie zur Musik zurückfand und mit ersten Veröffentlichungen für Aufmerksamkeit. Weniger als Musikerin denn als Komponistin, denn bald schon zog sie sich zurück und liess ihre eigenen Stücke bei eigenen Plattenaufnahmen von andern Pianisten einspielen. Myriam Alter wird am 26. September dieses Jahres 75 Jahre alt. Eric Facon hat Markus Ganz von der Musikpresseagentur WohrT zum Gespräch über die Belgierin und ihren eigenwilligen Weg geladen. Gast: Markus Ganz Redaktion und Moderation: Eric Facon Interpret*in Titel Komponist*in Album / Label Myriam Alter, Klavier Missing You Myriam Alter Myriam Alter: It Takes Two / Enja Nicolas Thys, Kontrabass Records (2020) Myriam Alter Quintet: Bossa Myriam Alter Myriam Alter Quintet: Reminiscence Myriam Alter, Klavier / Atelier Sawano (2004) Gino Lattuca, Trompete, Flügelhorn Ben Sluijs, Tenor- & Altsaxophon Michel Benita, Kontrabass Jan De Haas, Schlagzeug Myriam Alter, Klavier Dancing Myriam Alter Myriam Alter: It Takes Two / Enja Nicolas Thys, Kontrabass Records (2020) Luciano Biondini, Akkordeon Back to Dance Myriam Alter Myriam Alter: Cross/Ways / Enja Michel Bisceglia, Klavier Records
[Show full text]
MIDWAY REVIEW a Journal of Politics and Culture
Spring 2011—Volume 6, Issue 3 THE MIDWAY REVIEW A Journal of Politics and Culture Joey Brown initiates A Dialogue with ecm Records Mahmoud Bahrani involves Basketball in Citizenship Jake Ransohoff investigates Macedonia’s Past Joseph Stieb innerves Our Relationship with History midwayreview.uchicago.edu THE MIDWAY REVIEW = Editor IN CHIEF Erin Dahlgren MANAGING Editor Ardevan Yaghoubi DesiGN Editor Drew Synan BUSINess MANAGER Justin Garbacz Read! THE MIDWAY REVIEW Uplifting & EditoriaL Board JOVIAL! Leland Bybee Justin Garbacz Free cup of coffee from Harper Café Isaac Dalke Hamsini Sridharan THE MIDWAY REVIEW Anita Dutta Gabriel Valley with the release of this magazine! Validation Johannah King- Ji Xia midwayreview.uchicago.edu INSTANTER! Slutzky THE MIDWAY REVIEW VisitiNG IMAGE CONSULTANT Light on the Evan Harold SATCHEL! PhotoGRAPHY THE MIDWAY REVIEW Katarzyna Nowak FOUNDING Editor Rita Koganzon FIN. FACULTY ADVISOR Herman Sinaiko The Midway Review is a forum for civil debate Letters to the editor may be addressed to across the political spectrum and among the hu- [email protected]. We ask that letters for manities and social science disciplines, and for publication be limited to 350 words. reflection on current events, culture, politics, religion, and philosophy. We are accepting sub- The Midway Review is printed by In-Print missions to be considered for our Autumn 2011 Graphics on thrice-recycled paper. Publication of issue. Please consult midwayreview.uchicago.edu for the Midway Review is made possible by the Stu- submission guidelines. dent Government Finance Committee, the College of the University of Chicago, and the Collegiate Network. Contents A Critique of An ÆsthetiC ideAl: A review of the eCM reCord lAbel 3 I hate cautionary tales; there isn’t always a lesson to be learned, and there especially isn’t one here.
[Show full text]
Sommaire Catalogue Jazz / Blues Octobre 2011
SOMMAIRE CATALOGUE JAZZ / BLUES OCTOBRE 2011 Page COMPACT DISCS Blues .................................................................................. 01 Multi Interprètes Blues ....................................................... 08 Jazz ................................................................................... 10 Multi Interprètes Jazz ......................................................... 105 SUPPORTS VINYLES Jazz .................................................................................... 112 DVD Jazz .................................................................................... 114 L'astérisque * indique les Disques, DVD, CD audio, à paraître à partir de la parution de ce bon de commande, sous réserve des autorisations légales et contractuelles. Certains produits existant dans ce listing peuvent être supprimés en cours d'année, quel qu'en soit le motif. Ces articles apparaîtront de ce fait comme "supprimés" sur nos documents de livraison. BLUES 1 B B KING B B KING (Suite) Live Sweet Little Angel – 1954-1957 Selected Singles 18/02/2008 CLASSICS JAZZ FRANCE / GEFFEN (SAGAJAZZ) (900)CD 18/08/2008 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GACFBH=YYZZ\Y: #:GAAHFD=VUU]U[: Live At The BBC 19/05/2008 CLASSICS JAZZ FRANCE / EMARCY The birth of a king 10.CLASS.REP(SAGAJAZZ) (899)CD 23/08/2004 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GAAHFD=U[XVY^: #:GACEJI=WU\]V^: One Kind Favor 25/08/2008 CLASSICS JAZZ FRANCE / GEFFEN Live At The Apollo(ORIGINALS (JAZZ)) (268)CD 28/04/2008 CLASSICS JAZZ FRANCE / GRP (899)CD #:GACFBH=]VWYVX:
[Show full text]