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A Short Course in International Folk Dance, Harry Khamis, 1994
Table of Contents Preface .......................................... i Recommended Reading/Music ........................iii Terminology and Abbreviations .................... iv Basic Ethnic Dance Steps ......................... v Dances Page At Va'ani ........................................ 1 Ba'pardess Leyad Hoshoket ........................ 1 Biserka .......................................... 2 Black Earth Circle ............................... 2 Christchurch Bells ............................... 3 Cocek ............................................ 3 For a Birthday ................................... 3 Hora (Romanian) .................................. 4 Hora ca la Caval ................................. 4 Hora de la Botosani .............................. 4 Hora de la Munte ................................. 5 Hora Dreapta ..................................... 6 Hora Fetalor ..................................... 6 Horehronsky Czardas .............................. 6 Horovod .......................................... 7 Ivanica .......................................... 8 Konyali .......................................... 8 Lesnoto Medley ................................... 8 Mari Mariiko ..................................... 9 Miserlou ......................................... 9 Pata Pata ........................................ 9 Pinosavka ........................................ 10 Setnja ........................................... 10 Sev Acherov Aghcheek ............................. 10 Sitno Zensko Horo ............................... -
Polka Sax Man More Salute to Steel 3 from the TPN Archives Donnie Wavra July 2006: 40Th National Polka by Gary E
Texas Polka News - March 2016 Volume 28 | Isssue 2 INSIDE Texas Polka News THIS ISSUE 2 Bohemian Princess Diary Theresa Cernoch Parker IPA fundraiser was mega success! Welcome new advertiser Janak's Country Market. Our first Spring/ Summer Fest Guide 3 Editor’s Log Gary E. McKee Polka Sax Man More Salute to Steel 3 From the TPN Archives Donnie Wavra July 2006: 40th National Polka By Gary E. McKee Festival Story on Page 4 4-5 Featured Story Polka Sax Man 6-7 Czech Folk Songs Program; Ode to the Songwriter 8-9 Steel Story Continued 10 Festival & Dance Notes 12-15 Dances, Festivals, Events, Live Music 16-17 News PoLK of A Report, Mike's Texas Polkas Update, Czech Heritage Tours Special Trip, Alex Says #Pep It Up 18-19 IPA Fundraiser Photos 20 In Memoriam 21 More Event Photos! 22-23 More Festival & Dance Notes 24 Polka Smiles Sponsored by Hruska's Spring/SummerLook for the Fest 1st Annual Guide Page 2 Texas Polka News - March 2016 polkabeat.com Polka On Store to order Bohemian Princess yours today!) Texas Polka News Staff Earline Okruhlik and Michael Diary Visoski also helped with set up, Theresa Cernoch Parker, Publisher checked people in, and did whatever Gary E. McKee, Editor/Photo Journalist was asked of them. Valina Polka was Jeff Brosch, Artist/Graphic Designer Contributors: effervescent as always helping decorate the tables and serving as a great hostess Julie Ardery Mark Hiebert Alec Seegers Louise Barcak Julie Matus Will Seegers leading people to their tables. Vernell Bill Bishop Earline Berger Okruhlik Karen Williams Foyt, the Entertainment Chairperson Lauren Haase John Roberts at Lodge 88, helped with ticket sales. -
January / February
CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
Conducting an Animal Dance Party
Conducting an Animal Dance Party 1 Learning Objectives • Understand the research behind the Animal Dance Party • Understand the structure and outline of the activity for in-person and virtual parties • Review tips for running a successful recruitment party 2 Agenda • Why run a dance party? • Supplies, Set Up and Schedules • Running an In-Person Animal Dance Party • Running a Virtual Animal Dance Party • Tips & Tricks For Successful Recruitment Parties 3 Why run a dance party? • The goal of all You’re Invited parties are to spark interest in the girls so they will ask their parents/caregivers to attend. • Girls in Kindergarten – 3rd grade said they were likely to ask their parents to attend a dance party. • The dance party activity is adapted directly from our programming: Brownie Outdoor Art Creator badge. • Girls will earn their first Girl Scout patch for participating in the activity. 4 In-Person Party Supplies • At least 2-3 staff or volunteers • Council or event banner, tablecloth and decorations • Laptop or tablet to play music & register new families • Sign in sheets, pens/markers, name tags, index cards • Coloring books or games for younger siblings • Council Information Cards • What is Girl Scouts/Why Girl Scouts flyer • Calendar of upcoming council activities 5 In-Person Party Set Up Follow local + council guidelines on social distancing • Provide multiple sign-in sheets for parents to provide their contact information. 1. Registration • Display council branded signage and tablecloths; What is Girl Scouts/Why Girl Scouts flyer; council information cards; calendar of upcoming council events • Decorate for a party! Consider the theme but generally focus on bright and fun decorations 2. -
Cover No Spine
2006 VOL 44, NO. 4 Special Issue: The Hans Christian Andersen Awards 2006 The Journal of IBBY,the International Board on Books for Young People Editors: Valerie Coghlan and Siobhán Parkinson Address for submissions and other editorial correspondence: [email protected] and [email protected] Bookbird’s editorial office is supported by the Church of Ireland College of Education, Dublin, Ireland. Editorial Review Board: Sandra Beckett (Canada), Nina Christensen (Denmark), Penni Cotton (UK), Hans-Heino Ewers (Germany), Jeffrey Garrett (USA), Elwyn Jenkins (South Africa),Ariko Kawabata (Japan), Kerry Mallan (Australia), Maria Nikolajeva (Sweden), Jean Perrot (France), Kimberley Reynolds (UK), Mary Shine Thompson (Ireland), Victor Watson (UK), Jochen Weber (Germany) Board of Bookbird, Inc.: Joan Glazer (USA), President; Ellis Vance (USA),Treasurer;Alida Cutts (USA), Secretary;Ann Lazim (UK); Elda Nogueira (Brazil) Cover image:The cover illustration is from Frau Meier, Die Amsel by Wolf Erlbruch, published by Peter Hammer Verlag,Wuppertal 1995 (see page 11) Production: Design and layout by Oldtown Design, Dublin ([email protected]) Proofread by Antoinette Walker Printed in Canada by Transcontinental Bookbird:A Journal of International Children’s Literature (ISSN 0006-7377) is a refereed journal published quarterly by IBBY,the International Board on Books for Young People, Nonnenweg 12 Postfach, CH-4003 Basel, Switzerland tel. +4161 272 29 17 fax: +4161 272 27 57 email: [email protected] <www.ibby.org>. Copyright © 2006 by Bookbird, Inc., an Indiana not-for-profit corporation. Reproduction of articles in Bookbird requires permission in writing from the editor. Items from Focus IBBY may be reprinted freely to disseminate the work of IBBY. -
First Class Mail PAID
FOLK DANCE SCENE First Class Mail 4362 COOLIDGE AVE. U.S. POSTAGE LOS ANGELES, CA 90066 PAID Culver City, CA Permit No. 69 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ ADDRESS _________________________________________ PHONE (_____)_____–________ CITY _________________________________________ STATE __________________ E-MAIL _________________________________________ ZIP __________–________ Please mail subscription orders to the Subscription Office: 2010 Parnell Avenue Los Angeles, CA 90025 (Allow 6-8 weeks for subscription to go into effect if order is mailed after the 10th of the month.) Published by the Folk Dance Federation of California, South Volume 40, No. 1 February 2004 Folk Dance Scene Committee Club Directory Coordinators Jay Michtom [email protected] (818) 368-1957 Jill Michtom [email protected] (818) 368-1957 Calendar Jay Michtom [email protected] (818) 368-1957 Beginner’s Classes (cont.) On the Scene Jill Michtom [email protected] (818) 368-1957 Club Directory Steve Himel [email protected] (949) 646-7082 Club Time Contact Location Contributing Editor Richard Duree [email protected] (714) 641-7450 CONEJO VALLEY FOLK Wed 7:30 (805) 497-1957 THOUSAND OAKS, Hillcrest Center, Contributing Editor Jatila van der Veen [email protected] (805) 964-5591 DANCERS Jill Lungren 403 W Hillcrest Dr Proofreading Editor Laurette Carlson [email protected] (310) 397-2450 ETHNIC EXPRESS INT'L Wed 6:30-7:15 (702) 732-4871 LAS VEGAS, Charleston Heights Art FOLK DANCERS except holidays Richard Killian Center, 800 S. -
Usa Dance Suncoast Chapter 6004
Volume 31, Issue 4 Aug/September 2021 Studios and Gulfport Casino are now holding dances except for Largo Community Ctr, Rhapsody Ballroom. Wed Tea Dance begins August 4th at Dancers Co-op 2-4pm Here we are in Hurricane Season again, hoping that no hurricane The St Petersburg Coliseum will re- will threaten any of our monthly open Wed, October 6th, and our USA Dances at Suncoast Suncoast Chapter will hold a late Ballroom. celebration of National Ballroom Dance Week on Wed, October 20th Our Suncoast Chapter is 30 with $5 admission for USA Dance years old this year! In spite of members with their card. losing ballroom dancers every year to death and disability, I Memorial Dance for Wayne Meier hope we can keep going. will be held at Suncoast Ballroom nd 2-4pm Wed, September 1st. At our November 22 Dance we will elect a Board of Directors for Now that vaccinated dancers are a two-year term. Telephone getting mild symptoms of COVID, Tree Chair Lorraine Ostrowski Marjorie Reynolds, Lois Rotella Bayou Dance Club will require a will run for office so she can Lois Rotella loved ballroom dancing reservation and take your temp at attend Board meetings and help at local studios, the VFW, Gulfport the door. make decisions for the good of Casino for several years, and was our members. good friends with Marge Meigs, Volunteers Mary and Ed Zuranski Marjorie Reynolds, Trish Johnston. who assist me with this Tempo Everyone is welcome to run for designed a new format so that office at this election, so let me She is pictured here with Marjorie Mary can make changes more know as soon as possible if you who told me that Lois had died in easily. -
In Loving Memory of Milan Yaklich Dennis & Janice Strootman UWM Foundation Non-Profit Slovenian Arts Program Organization 1440 East North Avenue U.S
FALL ISSUE: NOVEMBER 2019 EDITOR: HELEN E. FROHNA NEWSLETTER OF THE UWM SLOVENIAN ARTS COUNCIL SLOVENIAN ARTS PROGRAM How would you describe Slovenian music? President: Christina Carroll Would it be Frankie Yankovic playing his accordion and singing about you and me under the silk umbrella (Židana Marela Polka)? Or would it be the Original Oberkrainer (Ansambel Avsenik) performing Trompetenecho? This is the type of music that most Slovenian-Americans recognize and relate to. When people left their homes and families behind in Slovenia/Austrian Empire to come to America to reinvent their lives in the mines and factories in Michigan’s UP, the Iron Range in Minnesota, and the cities of Cleveland, Chicago, and Milwaukee, they wanted to remember a little bit of “home”. Various singing choirs and musicians organized to replicate the melodies and sounds that they knew when they were growing up. Folk melodies were what they remembered. Over the past 30 years, the UWM Slovenian Arts Council presented various music programs that featured Slovenian performers and/or Slovenian compositions. Not all performers were from Slovenia, not all music sounded like familiar Slovenian folk tunes. Our goal was to showcase various types of music for the enjoyment and enrichment of the Slovenian-American commu- nity and the public at large. Singers and musicians from Slovenia consisted of the Deseti Brat Oktet, Navihanke, Vlado Kreslin, Perpetuum Jazzile, Slovenski Oktet, and the Lojze Slak Ansambel, performing folk, classical, and contemporary compositions. But other programs also featured the Singing Slovenes from Minnesota; from Cleveland, the Jeff Pecon Band, Fantje Na Vasi, and the Fantje’s next generation singers, Mi Smo Mi. -
Seattle Center History / Timeline
SEATTLE CENTER HISTORY / TIMELINE 1853 David Denny files a land claim for a tract that more than a century later will become the site of Century 21Exposition. 1881 Saloonkeeper James Osborne bequeaths $20,000 to build a civic hall for social and cultural gatherings. His gift is eventually augmented by public funding. 1886 David and Louse Boren Denny donate land for the civic hall. 1927 A public bond passes and construction begins on Civic Auditorium. Civic Field opens. 1928 Mayor Bertha K. Landis dedicates the Civic Center Complex. 1939 Washington National Guard Armory is dedicated. 1947 High School Memorial Stadium opens. 1948 Un-American Activities hearings on alleged communist acts take place in the Armory. 1951 Memorial Wall honoring Seattle high school students killed in WW II is dedicated. 1954 City Council member Al Rochester proposes the idea that Seattle host a world’s fair to mark the 50th anniversary of the Alaska-Yukon-Pacific Exposition of 1909. 1956 World's Fair Commission votes unanimously to coordinate the World' Fair program with the city effort to develop a civic center at and around the Civic Auditorium. Seattle voters approve a $7.5 million bond issue for building and land acquisition in the vicinity of Civic Auditorium. 1957 World’s Fair Commission receives authorization from Washington Governor Albert Rosellini to hold a fair in Seattle in 1960, and Washington State Legislature approves $7.5 million in funding for the World's Fair. World’s Fair theme changes from a celebration of the 1909 A-Y-P to Century 21 following the USSR’s Sputnik launch. -
Mar 09 ALL Compressed.Pub
EHC CELEBRATING COMMCOMMUNITYUNITY SINCE 1980 Ethnic Heritage Council M A R C H 2 0 0 9 EHC Annual Awards Dinner March 27, 2009 @ NHM Please join us for our 28 th Annual ers, Raman was trained in Carnatic Awards Dinner, Friday, March 27, music which he has performed and 2009, Celebrated at Nordic Heri- taught to 100’s of Indian kids, pro- th tage Museum, 3014 NW 67 St., viding a rare opportunity to those by Photo JalSchrof EHC © Seattle, WA 98117. Tickets: $40. that made this land their home to Pre-Paid Reservations Only. Reser- keep their heritage alive. vation Deadline: Friday, March The Aspasia Phoutrides Pulakis 20, 2009 . Reservation form: Memorial Award is given annually www.ethnicheritagecouncil.org or Join us in honoring Martha Brice , to an individual who has contrib- call: 206-443-1410 to make your Peter Pawluskiewicz & Nat V. Raman , uted significantly to a Northwest reservation. at EHC’s 28th Annual Awards Dinner ethnic community. Photo above: Tlingit member, Gene Evening Schedule: 6pm - Social Tagaban, performing at EHC’s 2007 This year we have two honorees, Hour & Museum Tour; La Mez- Naturalization Ceremony. Martha is an Peter Pawluskiewicz of the Polish zanotte Strolling Musicians ; 7pm - adopted member of the Tlingit People. community, and Martha Brice , International Cuisine Dinner by adopted member of the Tlingit Peo- IKEA. Following Dinner: EHC Board ples. Peter Pawluskiewicz has Ethnic Heritage Council’s Introductions; Awards Ceremony; brought together people from his Cultural Performances & Raffle. birth land of Poland and those 28th Annual In 2009 we honor 3 members of our “Polish at heart” through music, Awards Dinner local ethnic communities—leaders language and laughter. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date: April 28, 2006 I, Kristín Jónína Taylor, hereby submit this work as part of the requirements for the degree of: Doctorate of Musical Arts in: Piano Performance It is entitled: Northern Lights: Indigenous Icelandic Aspects of Jón Nordal´s Piano Concerto This work and its defense approved by: Chair: Dr. Steven J. Cahn Professor Frank Weinstock Professor Eugene Pridonoff Northern Lights: Indigenous Icelandic Aspects of Jón Nordal’s Piano Concerto A DMA Thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College–Conservatory of Music 28 December 2005 by Kristín Jónína Taylor 139 Indian Avenue Forest City, IA 50436 (641) 585-1017 [email protected] B.M., University of Missouri, Kansas City, 1997 M.M., University of Missouri, Kansas City, 1999 Committee Chair: ____________________________ Steven J. Cahn, Ph.D. Abstract This study investigates the influences, both domestic and foreign, on the composition of Jón Nordal´s Piano Concerto of 1956. The research question in this study is, “Are there elements that are identifiable from traditional Icelandic music in Nordal´s work?” By using set theory analysis, and by viewing the work from an extramusical vantage point, the research demonstrated a strong tendency towards an Icelandic voice. In addition, an argument for a symbiotic relationship between the domestic and foreign elements is demonstrable. i ii My appreciation to Dr. Steven J. Cahn at the University of Cincinnati College- Conservatory of Music for his kindness and patience in reading my thesis, and for his helpful comments and criticism. -
Working Tambura Bands and the Construction of the In- Between in Croatia and Its Intimates
From the Center in the Middle: Working Tambura Bands and the Construction of the In Between in Croatia and its Intimates Ian MacMillen Prelude: Miroslav Skoro's Twentieth Anniversary Concert In November 2009, Croatian pop singer Miroslav Skoro performed in front of some twenty thousand fans at Arena Zagreb, the capital city's much lauded new sports hall. This was the second largest audience drawn by a Croatian act since the hall's opening the previous December, I a testament to Skoro's continuing status as one of Croatia's most popular patriotic performers (as well as television star and, in recent years, politician and record mogul). Aside from the notably large attendance, the concert in Zagreb was of particular significance to Skoro for its timing: held on the twentieth day of November, his performance celebrated twenty years' work in the music industry as a professional singer and songwriter. Accompanied by his band (on backup vocals, tenor saxophone, acoustic and electric guitars, keyboard, drums, and electric bass) and a number of guest musicians from past projects and from his family, Skoro performed repertoire from throughout his career and thereby commemorated his twenty years of hit songs and his many musical collaborations with these and other musicians. Skoro spoke to those of us in the audience about the significance of several of these individuals to his life and career, drawing particular atten tion to one who, although unable to attend, loomed large over the event: legendary Pittsburgh-born player oftraditional tambura chordophones, Jerry Grcevich. This longtime musical collaborator of Skoro's had arranged most of the singer's early hits and had singly performed the accompaniment (of overdubbed melody and rhythm tamburas) to each of the songs on Skoro's first and third albums.