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Let's Rock This Party
AAHPERD 2012 Let’s Rock This Party Susan Flynn, Gregg Montgomery and Katie Redmond [email protected] You Tube: SuzRockThisParty Funky, Fun dance activities for all ages. “Dance like nobody’s watching” Dance: Rock This Party Music: Gonna Make You Sweat-C+C Music Factory or Rock This Party by Bob Sinclair Formation: Scatter or line start when they say Everyone Dance Now 8 counts: Right hand on forehead and left arm straight behind while walking to the right 4 steps (right, left, right, together) on the 4th count clap. Then go left, left hand on forehead and right arm straight behind while walking to the left 4 steps (left, right, left together) on the 4th count clap. 4 counts: Bring arms in towards chest make a broken T (fists facing each other chest level, elbows out to side) for and pump arms forward for 4 cts 8 counts: Mash Potato: 4 cts to right 4 cts to left 4 counts: Spin on left leg while pumping arms and right leg together for 4 counts (pump 360 degrees around) 4 counts: Rock in place 4 counts: March in place Repeat dance Dance: Thriller Music: Thriller (J.D. Hughes) Formation: Scatter or line 8 cts.- Monster Claws…with hands in monster claws step forward R and hold, step forward and hold, step forward R, L, R, L 8 cts.- Slide, Shimmy, Clap…Long slide step R and while the L comes together “shimmy” shoulders (3 cts.) then clap overhead on ct. 4. Repeat to the L 8 cts.- Breast Stroke…angle step forward (to the R) R, L, R, L while doing breaststroke motions with the hands, repeat with angle steps forward (to the L) beginning with L foot, -
Polka Sax Man More Salute to Steel 3 from the TPN Archives Donnie Wavra July 2006: 40Th National Polka by Gary E
Texas Polka News - March 2016 Volume 28 | Isssue 2 INSIDE Texas Polka News THIS ISSUE 2 Bohemian Princess Diary Theresa Cernoch Parker IPA fundraiser was mega success! Welcome new advertiser Janak's Country Market. Our first Spring/ Summer Fest Guide 3 Editor’s Log Gary E. McKee Polka Sax Man More Salute to Steel 3 From the TPN Archives Donnie Wavra July 2006: 40th National Polka By Gary E. McKee Festival Story on Page 4 4-5 Featured Story Polka Sax Man 6-7 Czech Folk Songs Program; Ode to the Songwriter 8-9 Steel Story Continued 10 Festival & Dance Notes 12-15 Dances, Festivals, Events, Live Music 16-17 News PoLK of A Report, Mike's Texas Polkas Update, Czech Heritage Tours Special Trip, Alex Says #Pep It Up 18-19 IPA Fundraiser Photos 20 In Memoriam 21 More Event Photos! 22-23 More Festival & Dance Notes 24 Polka Smiles Sponsored by Hruska's Spring/SummerLook for the Fest 1st Annual Guide Page 2 Texas Polka News - March 2016 polkabeat.com Polka On Store to order Bohemian Princess yours today!) Texas Polka News Staff Earline Okruhlik and Michael Diary Visoski also helped with set up, Theresa Cernoch Parker, Publisher checked people in, and did whatever Gary E. McKee, Editor/Photo Journalist was asked of them. Valina Polka was Jeff Brosch, Artist/Graphic Designer Contributors: effervescent as always helping decorate the tables and serving as a great hostess Julie Ardery Mark Hiebert Alec Seegers Louise Barcak Julie Matus Will Seegers leading people to their tables. Vernell Bill Bishop Earline Berger Okruhlik Karen Williams Foyt, the Entertainment Chairperson Lauren Haase John Roberts at Lodge 88, helped with ticket sales. -
UMG V Veoh 9Th Opening Brief.Pdf
Case: 09-56777 04/20/2010 Page: 1 of 100 ID: 7308924 DktEntry: 11-1 No. 09-56777 ____________ IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT ___________________ UMG RECORDINGS, INC.; UNIVERSAL MUSIC CORP.; SONGS OF UNIVERSAL, INC.; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC.; RONDOR MUSIC INTERNATIONAL, INC.; UNIVERSAL MUSIC—MGB NA LLC; UNIVERSAL MUSIC—Z TUNES LLC; UNIVERSAL MUSIC—MBG MUSIC PUBLISHING LTD., Plaintiffs-Appellants v. VEOH NETWORKS, INC., Defendant-Appellee. _______________________________ On Appeal from the United States District Court for the Central District of California, Western Division—Los Angeles Honorable A. Howard Matz, District Judge __________________________________ APPELLANTS’ BRIEF _____________________________________ Steven Marenberg, Esq. State Bar No. 101033 Brian Ledahl, Esq. State Bar No. 186579 Carter Batsell State Bar No. 254396 IRELL & MANELLA, LLP 1800 Avenue of the Stars Suite 900 Los Angeles, California 90067 Telephone: (310) 277-1010 Facsimile: (310) 203-7199 ATTORNEYS FOR APPELLANTS 2221905 Case: 09-56777 04/20/2010 Page: 2 of 100 ID: 7308924 DktEntry: 11-1 TABLE OF CONTENTS Page CORPORATE DISCLOSURE STATEMENT................................................ 2 JURISDICTIONAL STATEMENT ................................................................. 3 ISSUES PRESENTED ..................................................................................... 4 STATEMENT OF THE CASE ........................................................................ 6 FACTS ........................................................................................................... -
Isabella Clarke Selected to Represent Australia at the Junior Eurovision Song Contest 2017 on Monday 27 November
RELEASED: SUNDAY 10 SEPTEMBER 2017 Isabella Clarke selected to represent Australia at the Junior Eurovision Song Contest 2017 on Monday 27 November ABC is excited to announce that talented young singer Isabella Clarke will represent Australia at the Junior Eurovision Song Contest 2017 (JESC) held on Sunday 26 November at the Tbilisi Sports Palace, Georgia. From Victoria, Isabella is a 13-year-old singing sensation who made her debut on the Melbourne singing scene four years ago. Since then she’s received many accolades performing at various singing competitions and, at present, holds a coveted principal vocalist role in the Victorian State Schools Spectacular. Isabella is self-confessed foodie who enjoys spending time with her family and friends and credits megastars Beyoncé and Mary J. Blige as her inspiration for singing. She loves Australian comedy television shows, knows how to laugh at herself, and is focused and determined both at school and in performing. Tipped for a bright future, Isabella hopes to join her idols and become an international recording artist. ABC and production partner Blink TV selected Isabella in consultation with leading Australian record companies. Isabella Clarke said: “I’m so honoured to be given the opportunity to represent Australia at such an amazing event. I can’t wait to start rehearsals and film the music video! I’m also looking forward to visiting Georgia for the first time and meeting all the other performers. It’s a dream come true and I hope I do my family and Australia proud.” “Isabella displayed all the qualities we were looking for in this year’s Australian representative,” says Michael Carrington, Head of ABC Children’s Television. -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
Hip Hop America Pdf, Epub, Ebook
HIP HOP AMERICA PDF, EPUB, EBOOK Nelson George | 256 pages | 31 May 2005 | Penguin Putnam Inc | 9780143035152 | English | New York, NY, United States Hip HOP America PDF Book Kool Herc -- lay the foundation of the hip-hop movement. Stylistically, southern rap relies on exuberant production and direct lyrics typically about the southern lifestyle, trends, attitudes. Hill's brilliant songwriting flourished from song to song, whether she was grappling with spirituality "Final Hour," "Forgive Them, Father" or stroking sexuality without exploiting it "Nothing Even Matters". According to a TIME magazine article, Wrangler was set to launch a collection called "Wrapid Transit," and Van Doren Rubber was putting out a special version of its Vans wrestling shoe designed especially for breaking [source: Koepp ]. Another key element that's helping spread the hip-hop word is the Internet. Late Edition East Coast. Most hip-hop historians speak of four elements of hip-hop: tagging graffiti , b-boying break dancing , emceeing MCing and rapping. Taking Hip-Hop Seriously. Related Content " ". Regardless, the Bay Area has enjoyed a measurable amount of success with their brainchild. And then, in the mid to late s, there was a resurgence in the popularity of breaking in the United States, and it has stayed within sight ever since. Depending on how old you are, when someone says "hip-hop dance," you could picture the boogaloo, locking, popping, freestyle, uprocking, floor- or downrocking, grinding, the running man, gangsta walking, krumping, the Harlem shake or chicken noodle soup. Another thing to clear up is this: If you think hip-hop and rap are synonymous, you're a little off the mark. -
Conducting an Animal Dance Party
Conducting an Animal Dance Party 1 Learning Objectives • Understand the research behind the Animal Dance Party • Understand the structure and outline of the activity for in-person and virtual parties • Review tips for running a successful recruitment party 2 Agenda • Why run a dance party? • Supplies, Set Up and Schedules • Running an In-Person Animal Dance Party • Running a Virtual Animal Dance Party • Tips & Tricks For Successful Recruitment Parties 3 Why run a dance party? • The goal of all You’re Invited parties are to spark interest in the girls so they will ask their parents/caregivers to attend. • Girls in Kindergarten – 3rd grade said they were likely to ask their parents to attend a dance party. • The dance party activity is adapted directly from our programming: Brownie Outdoor Art Creator badge. • Girls will earn their first Girl Scout patch for participating in the activity. 4 In-Person Party Supplies • At least 2-3 staff or volunteers • Council or event banner, tablecloth and decorations • Laptop or tablet to play music & register new families • Sign in sheets, pens/markers, name tags, index cards • Coloring books or games for younger siblings • Council Information Cards • What is Girl Scouts/Why Girl Scouts flyer • Calendar of upcoming council activities 5 In-Person Party Set Up Follow local + council guidelines on social distancing • Provide multiple sign-in sheets for parents to provide their contact information. 1. Registration • Display council branded signage and tablecloths; What is Girl Scouts/Why Girl Scouts flyer; council information cards; calendar of upcoming council events • Decorate for a party! Consider the theme but generally focus on bright and fun decorations 2. -
Dance Charades Imitando Pasos De Baile
DANCE CHARADES IMITANDO PASOS DE BAILE Play your favorite music and let’s get Reproduce tu música favorita y comien- moving with this interactive dance za a moverte con este juego de baile game. Invite a family member, friend, or interactivo. Invita a un familiar, amigo o neighbor to join you for a night of fun. vecino a compartir contigo una noche de diversión. Materials/Materiales: Dance move cards Music of your Feel-good vibes Tarjetas de pasos choice Buena onda de baile Música de tu preferencia Instructions/Instrucciones: 1. Cut or tear-o! the included dance move cards. 1. Recorta o arranca las tarjetas de pasos de 2. Place the cards in a cup, jar, or small container. baile que se incluyen. 3. Take turns choosing a card and dancing the 2. Coloca las tarjetas en una taza, un frasco o un move for others to guess. recipiente pequeño. Visit www.anamasacote.com/dancecharades 3. Por turnos, cada participante elige una tarjeta to learn about the dance moves. e imita el paso de baile para que los demás adivinen cuál es. 4. Bonus: Create a solo dance choreography by dancing the moves in the order that you pick Visita www.anamasacote.com/dancecharades them from the jar. Take a video of your moves para aprender acerca de los pasos de baile. and upload it to Tik Tok! 4. Extra: Crea una coreografía de un baile solista en el que sigas los pasos según el orden en que los saques del frasco. ¡Haz un vídeo de tus pasos y súbelo a Tik Tok! Electric Slide Running Man Macarena Nae Nae Moonwalk Gangnam Style Twist Chicken Dance Single Ladies To ot sie Roll Vogue Salsa Cha Cha Carlton Grapevine Robot Merengue Bachata Ana Masacote is an award-winning Afro-Latin Ana Masacote es una galardonada especialista dance specialist who passionately believes that en danza afrolatina que cree con pasión que, a through dance, we can facilitate social change través de la danza, podemos facilitar el cambio within communities. -
Mtv and Transatlantic Cold War Music Videos
102 MTV AND TRANSATLANTIC COLD WAR MUSIC VIDEOS WILLIAM M. KNOBLAUCH INTRODUCTION In 1986 Music Television (MTV) premiered “Peace Sells”, the latest video from American metal band Megadeth. In many ways, “Peace Sells” was a standard pro- motional video, full of lip-synching and head-banging. Yet the “Peace Sells” video had political overtones. It featured footage of protestors and police in riot gear; at one point, the camera draws back to reveal a teenager watching “Peace Sells” on MTV. His father enters the room, grabs the remote and exclaims “What is this garbage you’re watching? I want to watch the news.” He changes the channel to footage of U.S. President Ronald Reagan at the 1986 nuclear arms control summit in Reykjavik, Iceland. The son, perturbed, turns to his father, replies “this is the news,” and lips the channel back. Megadeth’s song accelerates, and the video re- turns to riot footage. The song ends by repeatedly asking, “Peace sells, but who’s buying?” It was a prescient question during a 1980s in which Cold War militarism and the nuclear arms race escalated to dangerous new highs.1 In the 1980s, MTV elevated music videos to a new cultural prominence. Of course, most music videos were not political.2 Yet, as “Peace Sells” suggests, dur- ing the 1980s—the decade of Reagan’s “Star Wars” program, the Soviet war in Afghanistan, and a robust nuclear arms race—music videos had the potential to relect political concerns. MTV’s founders, however, were so culturally conserva- tive that many were initially wary of playing African American artists; addition- ally, record labels were hesitant to put their top artists onto this new, risky chan- 1 American President Ronald Reagan had increased peace-time deicit defense spending substantially. -
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice. -
Usa Dance Suncoast Chapter 6004
Volume 31, Issue 4 Aug/September 2021 Studios and Gulfport Casino are now holding dances except for Largo Community Ctr, Rhapsody Ballroom. Wed Tea Dance begins August 4th at Dancers Co-op 2-4pm Here we are in Hurricane Season again, hoping that no hurricane The St Petersburg Coliseum will re- will threaten any of our monthly open Wed, October 6th, and our USA Dances at Suncoast Suncoast Chapter will hold a late Ballroom. celebration of National Ballroom Dance Week on Wed, October 20th Our Suncoast Chapter is 30 with $5 admission for USA Dance years old this year! In spite of members with their card. losing ballroom dancers every year to death and disability, I Memorial Dance for Wayne Meier hope we can keep going. will be held at Suncoast Ballroom nd 2-4pm Wed, September 1st. At our November 22 Dance we will elect a Board of Directors for Now that vaccinated dancers are a two-year term. Telephone getting mild symptoms of COVID, Tree Chair Lorraine Ostrowski Marjorie Reynolds, Lois Rotella Bayou Dance Club will require a will run for office so she can Lois Rotella loved ballroom dancing reservation and take your temp at attend Board meetings and help at local studios, the VFW, Gulfport the door. make decisions for the good of Casino for several years, and was our members. good friends with Marge Meigs, Volunteers Mary and Ed Zuranski Marjorie Reynolds, Trish Johnston. who assist me with this Tempo Everyone is welcome to run for designed a new format so that office at this election, so let me She is pictured here with Marjorie Mary can make changes more know as soon as possible if you who told me that Lois had died in easily. -
The Wedding Singer Programme
BOOK BY MUSIC BY LYRICS BY CHAD BEGUELIN MATTHEW SKYLAR CHAD BEGUELIN & TIM HERLIHY BASED UPON THE NEW LINE CINEMA FILM WRITTEN BY TIM HERLIHY 18TH JUNE 2021 AT PERFORMERS COLLEGE SOUTHEND ROAD, CORRINGHAM, ESSEX SS17 8JS THIS AMETEUR PRODUCTION IS PRESENTED BY ARRANGEMENT WITH MUSIC THEATRE INTERNATIONAL (EUROPE) ALL AUTHORISED PERFORMANCE MATERIALS ARE ALSO SUPPLIED BY MTI EUROPE WWW.MTISHOWS.CO.UK Performers College Musical Theatre Present The stage musical version of The Wedding Singer is based on the 1998 Adam Sandler film of the same name, and had its world premiere with a limited run pre-Broadway engagement at the 5th Avenue (Seattle): officially opening 8 February 2006. Director Choreographer Musical The musical then opened on Broadway at the Al Hirschfeld Theatre on 27 April 2006. It was directed by Director John Rando, with choreography by Rob Ashford, and featured Tony nominee Stephen Lynch as Robbie. David Gerits Emma Rogers Andy Rapps The musical revolves around Robbie, who sings at weddings, his failed relationship with his former fiancée Linda, and his intriguing relationship with Julia. It has a wealth of parts and tells a story that we can all get on board with; it is after all about love and truth. The musical is set in the 80’s, and has the energy and humour in Lighting Design Sound Design the text to create the perfect opportunity for these students to showcase their ability at the highest level. Luke Hammond Steve Billington Directors Note: This musical is a good fit for a group of energetic young graduates. It shows their versatilityso well.