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UMG V Veoh 9Th Opening Brief.Pdf
Case: 09-56777 04/20/2010 Page: 1 of 100 ID: 7308924 DktEntry: 11-1 No. 09-56777 ____________ IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT ___________________ UMG RECORDINGS, INC.; UNIVERSAL MUSIC CORP.; SONGS OF UNIVERSAL, INC.; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC.; RONDOR MUSIC INTERNATIONAL, INC.; UNIVERSAL MUSIC—MGB NA LLC; UNIVERSAL MUSIC—Z TUNES LLC; UNIVERSAL MUSIC—MBG MUSIC PUBLISHING LTD., Plaintiffs-Appellants v. VEOH NETWORKS, INC., Defendant-Appellee. _______________________________ On Appeal from the United States District Court for the Central District of California, Western Division—Los Angeles Honorable A. Howard Matz, District Judge __________________________________ APPELLANTS’ BRIEF _____________________________________ Steven Marenberg, Esq. State Bar No. 101033 Brian Ledahl, Esq. State Bar No. 186579 Carter Batsell State Bar No. 254396 IRELL & MANELLA, LLP 1800 Avenue of the Stars Suite 900 Los Angeles, California 90067 Telephone: (310) 277-1010 Facsimile: (310) 203-7199 ATTORNEYS FOR APPELLANTS 2221905 Case: 09-56777 04/20/2010 Page: 2 of 100 ID: 7308924 DktEntry: 11-1 TABLE OF CONTENTS Page CORPORATE DISCLOSURE STATEMENT................................................ 2 JURISDICTIONAL STATEMENT ................................................................. 3 ISSUES PRESENTED ..................................................................................... 4 STATEMENT OF THE CASE ........................................................................ 6 FACTS ........................................................................................................... -
Isabella Clarke Selected to Represent Australia at the Junior Eurovision Song Contest 2017 on Monday 27 November
RELEASED: SUNDAY 10 SEPTEMBER 2017 Isabella Clarke selected to represent Australia at the Junior Eurovision Song Contest 2017 on Monday 27 November ABC is excited to announce that talented young singer Isabella Clarke will represent Australia at the Junior Eurovision Song Contest 2017 (JESC) held on Sunday 26 November at the Tbilisi Sports Palace, Georgia. From Victoria, Isabella is a 13-year-old singing sensation who made her debut on the Melbourne singing scene four years ago. Since then she’s received many accolades performing at various singing competitions and, at present, holds a coveted principal vocalist role in the Victorian State Schools Spectacular. Isabella is self-confessed foodie who enjoys spending time with her family and friends and credits megastars Beyoncé and Mary J. Blige as her inspiration for singing. She loves Australian comedy television shows, knows how to laugh at herself, and is focused and determined both at school and in performing. Tipped for a bright future, Isabella hopes to join her idols and become an international recording artist. ABC and production partner Blink TV selected Isabella in consultation with leading Australian record companies. Isabella Clarke said: “I’m so honoured to be given the opportunity to represent Australia at such an amazing event. I can’t wait to start rehearsals and film the music video! I’m also looking forward to visiting Georgia for the first time and meeting all the other performers. It’s a dream come true and I hope I do my family and Australia proud.” “Isabella displayed all the qualities we were looking for in this year’s Australian representative,” says Michael Carrington, Head of ABC Children’s Television. -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
State Farm Arena Arena
State Farm Arena Arena Project Information Project: State Farm Arena (formerly Philips Arena) Location: Atlanta, GA Architect: HOK GC: Turner Construction | Hunt Construction JV Glass Mftr: Old Castle Completion: October 2018 Scope: Home to the NBA’s Atlanta Hawks, State Farm Arena represents a new era in fan-facing design. Beyond novel additions such as a Killer Mike’s SWAG Shop and a social club created by musician Zach Brown, 20 years of disjointed non-experiential viewing have been replaced by half-dozen different seating options designed to accomodate various price points - from courtside clubs to party suites with sliding doors. To ensure safety and enhance the viewing experience for fans, Trex Commercial Products custom engineered architectural railing systems, using Track Rail, Tensiline Cable Railing and Griprial, are featured throughout the arena. Viewing optimizing Tensiline Cable Railing with aluminum anodized A combination of Tensiline Cable Railing, Griprail and Classic Picket framing guides fans in safety and style to and from their seats. Railing can be found throughout the arena. Fans in the upper seating bowl enjoy clear views of the action below, Griprail provides sturdy support along aisles throughout the arena. thanks to the surrounding Track Rail. 7008 Northland Drive, Suite 150 Minneapolis, Minnesota 55428 p: 1-877-215-7245 w: trexcommercial.com © 2021 Trex Commercial Products, Inc. All rights reserved. Trex® is a federally registered trademark of Trex Company, Inc., Winchester, Virginia We elevate all people’s abilities to safely access and enjoy amazing life experiences.. -
VENUECONNECT 2013 ATTENDEES As of 11/12/2013
VENUECONNECT 2013 ATTENDEES as of 11/12/2013 FULL_NAME COMPANY CITY STATE/ PROVINCE COUNTRY Aaron Hurt Howard L. Schrott Arts Center Indianapolis IN Abbie Jo Vander Bol Show Me Center Cape Girardeau MO Adam Cook Rexall Place & Edmonton Expo Centre Edmonton AB Canada Adam Saunders Robert A. (Bob) Bowers Civic Center Port Arthur TX Adam Sinclair American Airlines Center Dallas TX Adam Straight Georgia Dome Atlanta GA Adina Alford Erwin The Fox Theatre - Atlanta Atlanta GA Adonis Jeralds Charlotte Coliseum Charlotte NC Adrian Collier University Center Mercer University Macon GA Adrian Moreno West Cal Arena Sulphur LA AJ Boleski INTRUST Bank Arena/SMG Wichita KS AJ Holzherr Birmingham CrossPlex Birmingham AL Al Diaz McAllen Auditorium & Convention Center McAllen TX Al Karosas Bryce Jordan Center Penn State University University Park PA Al Rojas Kay Bailey Hutchison Convention Center Dallas TX Alan Freeman Louisiana Superdome & New Orleans Arena New Orleans LA Albert Driscoll Halifax Forum Community Association Halifax NS Albert Milano Strategic Philanthropy, LLC Dallas TX Alberto Galarza Humacao Arena & PAC Humacao PR Alexander Diaz Madison Square Garden New York NY Alexis Berggren Dolby Theatre Hollywood CA Allen Johnson Orlando Venues/Amway Center Orlando FL Andrea Gates-Ehlers UIC Forum Chicago IL Andrew McQueen Leflore County Civic Center/ Argi-Center Greenwood MS Andrew Thompson Harborside Event Center Fort Myers FL Andy Gillentine University of South Carolina Columbia SC Angel Mitchell Ardmore Convention Center Ardmore OK Angie Teel -
Mtv and Transatlantic Cold War Music Videos
102 MTV AND TRANSATLANTIC COLD WAR MUSIC VIDEOS WILLIAM M. KNOBLAUCH INTRODUCTION In 1986 Music Television (MTV) premiered “Peace Sells”, the latest video from American metal band Megadeth. In many ways, “Peace Sells” was a standard pro- motional video, full of lip-synching and head-banging. Yet the “Peace Sells” video had political overtones. It featured footage of protestors and police in riot gear; at one point, the camera draws back to reveal a teenager watching “Peace Sells” on MTV. His father enters the room, grabs the remote and exclaims “What is this garbage you’re watching? I want to watch the news.” He changes the channel to footage of U.S. President Ronald Reagan at the 1986 nuclear arms control summit in Reykjavik, Iceland. The son, perturbed, turns to his father, replies “this is the news,” and lips the channel back. Megadeth’s song accelerates, and the video re- turns to riot footage. The song ends by repeatedly asking, “Peace sells, but who’s buying?” It was a prescient question during a 1980s in which Cold War militarism and the nuclear arms race escalated to dangerous new highs.1 In the 1980s, MTV elevated music videos to a new cultural prominence. Of course, most music videos were not political.2 Yet, as “Peace Sells” suggests, dur- ing the 1980s—the decade of Reagan’s “Star Wars” program, the Soviet war in Afghanistan, and a robust nuclear arms race—music videos had the potential to relect political concerns. MTV’s founders, however, were so culturally conserva- tive that many were initially wary of playing African American artists; addition- ally, record labels were hesitant to put their top artists onto this new, risky chan- 1 American President Ronald Reagan had increased peace-time deicit defense spending substantially. -
Atlanta Hawks to Sport First-Of-Its-Kind Continuous
*** Hi-res assets can be found by clicking State Farm Arena Centerhung Renderings *** FOR IMMEDIATE RELEASE: 10/12/18 ATLANTA HAWKS CONTACT: Garin Narain or Janet Smith, 404-878-3800 SAMSUNG - PRISMVIEW CONTACT: Kayde Anderson, 720-667-8560 ATLANTA HAWKS TO SPORT FIRST-OF-ITS-KIND CONTINUOUS CENTERHUNG VIDEOBOARD AT THE NEW STATE FARM ARENA State Farm Arena Will Showcase Over 10x More LED Video in the Transformed Venue Than Before ATLANTA – Renovating everything from the roofline to the baseline, the $192.5 million transformation of State Farm Arena is announcing plans to greatly enhance sightlines this season. The next-generation arena will unveil the first continuous 360-degree video screen in the NBA and be the first arena bowl outfitted with HD-quality, 6mm LED video display technology, allowing for the best fan-viewing experience in any NBA venue. Upgrades also include four massive corner video boards, plus upper and lower fascia displays, bringing the total square feet of video throughout State Farm Arena to an impressive 12,000 square feet, 10 times more LED video than the prior arena configuration. The new Hawks centerhung main videoboard adds up to a massive 4,477 square feet of active video display, making it one of the three largest in an NBA venue. The 360-degree screen wraps 80.67-feet around and measures 27.75-feet high. The centerhung boasts almost 4,000 square feet more LED video than the previous centerhung, which was comprised of 12 individual displays for a total of just 960 square feet of video. Fans seated near the court will experience replays of the live action with two additional LED video displays mounted inside of the centerhung structure, each measuring 20-feet wide by 9-feet high, for an additional 360 square feet of active video viewing area. -
Being True to Atlanta
ATLANTA Being True to Atlanta An Interview with Thad Sheely, Chief Operating Offi cer, Atlanta Hawks and State Farm Arena and Brett Stefansson, Executive Vice President and General Manager, State Farm Arena EDITORS’ NOTE Thad Sheely oversees all aspects ORGANIZATION BRIEF Home to the NBA’s of team and arena business operations and real Atlanta Hawks Basketball Club, State Farm estate development. He managed the opera- Arena (statefarmarena.com) opened its doors in tions and planning for the re-imagination of October 2018 following the second-largest reno- State Farm Arena which was upgraded with vation in NBA history. Inspired by the fans, State almost $200M of improvements. Sheely was also Farm Arena is a next-generation venue focused the point person for the design and construc- on experience, service and entertainment. With tion of the team’s 90,000 square-foot new prac- the NBA’s third-largest center-hung scoreboard tice facility, the Emory Sports Medicine Complex. and an immersive video experience, fan-friendly The complex combines sports, medicine and sci- food pricing and premium restaurant options, ence with three industry-leading tenants; the Topgolf Swing Suites, Killer Mike’s S.W.A.G. Atlanta Hawks, Emory Orthopedics and the Peak Shop (a four-chair barber shop) and celeb- Performance Project (P3), the leader in ath- Thad Sheely Brett Stefansson rity-inspired spaces accessible to every fan, the lete training and analysis. This partnership is downtown Atlanta arena stakes its claim as the designed to provide world-class medical and Toyota Field, (now known as the home of San city’s best sports and live entertainment venue. -
2013 Pact Limits Use of TSC Rec Center to Brownsville UTRGV
THETHE STUDSTUDENTENT VOICEVOICE OF OF THE THE UNIVERSITY UNIVERSITY OF OF TEXAS TEXAS RIO RIO GRANDE GRAND VALLEYE VALLEY MONDAY,MON NOVEMBERDAY, AUGUST 28, 2016 29, 2016 WWW.UTRGVRIDER.COMWWW.UTRGVRIDER.COM VOL. 2VOL. ISSUE 2, ISSUE1 13 SPORTS DREAMers’ nightmare: Where do we go now? Oscar Castillo and Rebeca Ortiz THE RIDER Access Since Donald Trump was elected president earlier this month, Maria Hernandez and Fresh faces her sister, Maritza, have been left with a feeling of uncertainty. Recruiting class seeks to help The sisters are DREAMers, improve program individuals who meet the general requirements of the ›› Page 9 Development, Relief, and Education for Alien Minors (DREAM) Act. In 2001, the N AMPUS 2013 pact limits use of TSC Rec Center Texas Legislature passed House O C Bill 1403, also known as the Denied Texas DREAM Act, which to Brownsville UTRGV students extends in-state tuition and grants eligibility to non-citizen residents of the state, according to forabettertexas.org. UTRGV freshman Maritza Hernandez, who has lived in the U.S. since she was 2 years old, said she does not know what ‘Toys for Fines’ the president-elect will do when it comes to the DREAM Act Students may donate toys in because he “keeps changing his order to eliminate library fees mind.” “In one occasion, he was all ›› Page 3 like, ‘I’m going to take it away,’” the 21-year-old said. “And, right now, he’s saying only the A & E criminals, you know, people who have done something against the law. So, it’s just MICHELLE ESPINOZA/THE RIDER UTRGV nursing sophomore Lizbeth Trejo hands her student ID to TSC Recreation Center student employee Adalberto Lara before being allowed into the facility Nov. -
Music Video Production Critique
Music Video Production Critique 2 = Totally Awesome! STRENGTHS 1 = Definite Strength ____1. Good concept: Creative choice of material for audience enjoyment and high “entertainment value”. ____2. Creative stage design, art direction, and costuming contributed to high “production value”. ____3. Good casting enhanced the production (you chose the right performers/dancers/actors for the parts). ____4. Well-organized, practical script for student production crew capabilities and class time limitations. ____5. Well-written script makes its point in clear, concise imagery and action that is easily understood by audience. ____6. Well-paced script tells the story efficiently with no “slow” parts. ____7. Good picture quality - lighting, exposure, color balance give footage a professional look, (looks like “real TV”). ____8. Good shot composition and staging - framing/design of shots reflect professional expertise and aesthetic taste. ____9. Variety of shots - use of different camera angles (low, overhead) and shots (XCU, CU, OS, LS) kept it interesting. ____10. Camera movement (zooms, pans, tilts, dollies) were fluid, steady, and appropriate in enhancing the music video. ____11. Well-timed cuts and fluid continuity make the editing virtually unnoticeable to the audience, (seamless edits). ____12. Maintenance of consistent proc amp settings (luminance, pedestal, tint, chroma) kept shots properly matched. ____13. High-quality audio with clean, clear lyrics and music throughout the video. (No hum or hiss). ____14. Consistent and optimum audio levels maintained throughout the music video. (No pegs or dips). ____15. Balanced mix between audio tracks. (One audio channel doesn't overpower or mask the other channel). ____16. Seamless transitions in audio track intros and exits. (No abrupt jolts or voids). -
Neighborhood Improvement Association Manny's Volume Twenty-Eight • Issue Number Four • April 2019 Page 5 Neighbor
Cabbagetown Neighborhood Improvement Association Manny's Volume Twenty-eight • Issue Number Four • April 2019 Page 5 Neighbor "If everyone demanded peace instead of another television set, then there'd be peace.” ~ John Lennon Neighborhood Meeting The next neighborhood meeting will be held on Tuesday, Apr. 9th, 6:45p at Are Y'all Aboard? the Cabbagetown Community Center. By Sean Keenan, Curbed Atlanta AGENDA A collective of neighborhood organizations Lord Aeck Sargent urban designer Matt I. Welcome and announcements is raising tens of thousands of dollars to Cherry said the firm began working on II. Review & approval of March minutes enlist an architecture firm to help draft the project last week and plans to host III. Atlanta Police Department a redevelopment plan for Hulsey Yard, a pop-up studios to help inform the four IV. City of Atlanta – Valencia Hudson colossal chunk of intown railroad property neighborhoods’ vision for the site. V. Financial Report – that isn’t even for sale. He understands this approach to urban Saundra Reuppel, Treasurer Talk about community pro-activism. planning isn’t exactly traditional. VI. Committee Reports “Is it unorthodox? Yes. Is it something Atlanta • NPU – John Dirga, But to some, this initiative, spearheaded by needs? Undoubtedly,” Cherry said, noting that Cabbagetown Representative residents from Cabbagetown, Reynoldstown, starting a community-led conversation now • Historic Preservation and Land Use Old Fourth Ward, and Inman Park – the is better for neighborhoods than waiting for a Committee – Nicole Seekely, Chair neighborhoods lining the roughly 70-acre CSX major developer to conjure its own vision. 1. 195 Pearl Street - Type III CoA - Transportation property stretched along DeKalb Rear addition, side dormer, Avenue – is little more than a pipe dream. -
Music Video Project Assignment
Organic Chemistry Music Video Throw-Down!! The Challenge Make a music video designed to teach a new student about the selected topic in an entertaining and informative way. Music videos must • Clearly and accurately teach the topic. • Be appropriate for an audience of high school students and cannot contain any explicit language or material. • Be at least 2 minutes in length. • Involve no more than 5 students, so work in groups of 1-5 students. • Must be original, including the lyrics. Music videos are due to your course instructor by Fri, May 5. You may turn in your video at any time during the semester before the May 5 deadline. Submit your video on a DVD, a link to YouTube, or via UD Dropbox. For examples of music videos produced on a range of organic chemistry topics, see: http://www.chem.ucla.edu/dept/Faculty/garg/Garg_Group/Teaching.html. Students may loan video equipment from the Student Multimedia Design Center (http://www.lib.udel.edu/multimedia/). Students who turn in music videos that fit the requirements listed above will earn 1% extra credit added to their overall course score. The Topic: The Importance of Organic Chemistry in the “Real World” The Competition: Students with the best music video will win eternal honor in the lore of Chem 332. Videos will be judged for their success in teaching the topic and their overall awesomeness (equal weighting will be given to each). The judges will be a panel of 5 organic chemistry graduate students not involved in Chem 332. The top videos will be showed and the winners announced in the last lecture of the semester.