DOCSLIB.ORG

Windmill Lane Studios

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Windmill Lane Studios Dublin’s legendary recording studios, creating music since 1978. Orchestral Studio | Binaural Ghost | Virtual Rock Band | Group Recordings Sessions | Insight & Stories _________________________________________________________________________ With a rich musical heritage reaching back to the 70’s, Windmill Lane Recording Studios have been at the heart of the Irish music industry for over four decades becoming one of the world’s most famous recording studios. Rooted in the centre of Dublin’s ‘digital docklands,’ this beautiful Art Deco building is a home for some of Ireland’s most passionate and creative people. For the first time in the studio’s history, you can now connect with some of your favourite artists’ most iconic work and delve deep into the phenomenal world of recording. This busy working recording studio has had the privilege of working with some of the world’s most visionary artists including U2, David Bowie, Kate Bush, The Rolling Stones, The Cranberries, Lady Gaga, The Jonas Brothers, Van Morrison, Kylie Minogue, The Script, Ed Sheeran and Hozier. Key highlights of experiences with Windmill Lane Recording Studios include: v Absorb the vibe | wander the corridors | feel the music in the walls | the presence of iconic artists. v Guided Tours | who better than a member of the Windmill team to show visitors around the studio? v Record a classic | recording sessions with a skilled production team | never to be forgotten memory! v Virtual Band | operate a studio console with a recorded band in Studio Two. v Spectral Experience | meet ‘Cosmo,’ the resident ghost via a spine-tingling binaural audio recording. v History | music trade insights and stories | from the magic heart of Ireland’s vibrant music scene. v Language | ideal experience for all cultures and languages | music is its own language. v Feel Safe | rest assured | know that Windmill Lane has completed Fáilte Ireland Covid Safety Charter. ___________________________________________________________________________________________ E: [email protected] | T: +353 1 6685567 | www.windmilllanerecording.com 1 Windmill Lane Recording Studios | Schedule of Experiences Experiences Short Description Min/Max Min/Max Durati Public Price Normal Covid-19 on per person Trading Backstage • Guided tour of the studios to learn 15 / 50 15 / 15 1 hour Adult: Pass about its history and rich legacy. €22.00 • See how a recording session works. Private • Explore the studios, see the many bookings Under 15- Grammy certs, and hear the history available. year old: of Windmill Lane Recording Studios. €15.00 ____________________________________ Inclusions: Student: • History of the studio. €18.00 • Virtual Band. • Binaural experience. Family of 4: • Surround Sound experience. €58.00 • Windmill Lane wristband memento. Artist Pass • Group Recording Session in Studio 10 / 100 10/20 2-3 €42.00 per One, the jewel in the crown of hours person. Windmill Lane. (Minimum • Guided by a skilled member of our 10 guests) studio team, perform, and record your favourite song together. ____________________________________ Inclusions: • Brief history of the studio. • Learn about day-to-day life as a producer. • Record a song. • Unlimited tea, coffee, water, fruit, and cookies. VIP Pass Get behind the scenes of an iconic music 1 / 12 1 / 4 1-8 Price on studio by becoming part of a professional hours Request Create your recording team. Work alongside Ireland’s own leading producers and hang out with __________ Beautiful musicians with the opportunity to create your This is a Day! own recorded masterpiece. In the word’s of customised U2’s famous song, create your own Beautiful experience. Day, you way! ___________ Pricing is Inclusions: dependent • Introduction to the studio on the • Live recording session in Studio One. chosen • Unlimited tea, coffee, water and 5 option. canapés per person. • Customisable options available. ___________________________________________________________________________________________ E: [email protected] | T: +353 1 6685567 | www.windmilllanerecording.com 2 Windmill Lane Recording Studios | Experience Descriptions ____________________________________________________________________________________________ Backstage Pass at the iconic Windmill Lane Recording Studios In Dublin’s digital docklands within a fashionable Art Deco building, step inside Ireland’s legendary studios where visionary artists from U2 to David Bowie have recorded. Guided by passionate working musicians and producers, hear how recording technology has evolved from early devices to modern, dynamic computer software. Through an animated delivery, alive with Dublin City banter, get right into the heart of both the Irish and global music scene on a truly unique, behind the scenes experience where you will walk in the footsteps of musical geniuses in a hallowed place where award-winning, cutting-edge musical creations have been produced. _________________________________________________________________________ Artist Pass at the iconic Windmill Lane Recording Studios. In Dublin’s digital docklands within a fashionable Art Deco building, bring out your inner star through this one-of- a-kind, fun-filled experience where talent is no barrier! Once inside, experience Ireland’s legendary studio from an artist’s perspective in a hallowed place where award-winning, cutting-edge musical creations have been produced. Walking in the footsteps of visionary artists from U2 to Davide Bowie, work with a seasoned production team to create a musical masterpiece and recording of your own, one-of-a-kind hit record. From rehearsals and recording to adding professional touches, you will never forget this high adrenaline recording adventure! ___________________________________________________________________________________________ E: [email protected] | T: +353 1 6685567 | www.windmilllanerecording.com 3 Windmill Lane Recording Studios | Experience Descriptions ________________________________________________________________________ VIP Pass at the iconic Windmill Lane Recording Studios In Dublin’s digital docklands within a fashionable Art Deco building, step inside Ireland’s legendary studios where visionary artists from the Rolling Stones to David Bowie have recorded. In the words of U2’s favourite song, create your own Beautiful Day your way with full VIP access including a front-row seat in Studio One. Listen as live artists record, or dive straight in by singing or learning how to play an instrument. Go behind the glass to record with a professional producer, or watch dancers perform in the exact spot where Riverdance was recorded. Grab this chance to find your inner star! Windmill Lane Recording Studios | General Information ___________________________________________________ v Website: www.windmilllanerecording.com v Address: 20, Ringsend Road, Dublin 4. Eircode: DO4 CF66 v Bookings: (please note that as Windmill Lane Studio is a working studio, advance booking is essential) o Contact Niall at +353 1 668 5567 o Email: [email protected] v Opening & Closing dates: the Backstage, Artist and VIP passes are available all year round. v NOTE: Windmill Lane Studio is a historic and protected three storey building. As such, there is currently only limited access and no lift facilities for those with impaired mobility. ___________________________________________________________________________________________ E: [email protected] | T: +353 1 6685567 | www.windmilllanerecording.com 4 .
Load more

Recommended publications
  • U2 to Perform in Mumbai, India for the Very First Time
    U2 TO PERFORM IN MUMBAI, INDIA FOR THE VERY FIRST TIME Mumbai Date Will Be The Final Show As Part Of U2: THE JOSHUA TREE TOUR Concert Event To Take Place December 15, 2019 At DY Patil Stadium WATCH TOUR TRAILER https://www.youtube.com/watch?v=-M3pQb9HhX4&feature=youtu.be “Electrifying” – Daily Telegraph, 5/5 stars “Still masters of stadium rock” – Mail On Sunday “The stuff of encores… Had Twickenham had a roof, it would surely have been blown off…” - London Evening Standard, 5/5 stars Mumbai, India (Wednesday, September 18, 2019) – Live Nation and BookMyShow are excited to announce that U2 will bring their acclaimed U2: The Joshua Tree Tour - the record-breaking smash hit tour celebrating the band’s seminal 1987 album ‘The Joshua Tree’ - to Mumbai on Sunday, December 15 at DY Patil Stadium. The Mumbai show will be a huge celebration as it marks the band’s first ever performance in India as well as the final date on U2: The Joshua Tree Tour. The concert in Mumbai is produced by Live Nation Global Touring and brought to India by BookMyShow. U2: The Joshua Tree Tour 2019 will see the band – Bono, The Edge, Larry Mullen and Adam Clayton – make a much anticipated live return to Australia and New Zealand, as well as return to Tokyo for the first concerts since the Vertigo Tour in 2006. The tour will also bring the band to Singapore, Seoul, Manila and Mumbai - for the first time ever – with what promises to be very special concerts from “the biggest band in the world” (The Guardian).
    [Show full text]
  • An Investigation Into How Degree of Distraction with Mobile
    AN INVESTIGATION INTO HOW DEGREE OF DISTRACTION WITH MOBILE DEVICE USERS INFLUENCES ATTENTION TO DETAIL Jeffery C. Allen Bachelor of Arts in Film and Digital Media School of Communications at Cleveland State University May 2014 Submitted in partial fulfillment of requirements for the degree MASTER OF APPLIED COMMUNICATION THEORY AND METHODOLOGY at the CLEVELAND STATE UNIVERSITY MAY 2017 We hereby approve this thesis for Jeffery C. Allen Candidate for the Master of Arts in Applied Communication Theory & Methodology degree for the School of Communication and the CLEVELAND STATE UNIVERSITY College of Graduate Studies Dr. Anup Kumar Thesis Chairperson School of Communication 04/24/17 Department & Date Dr. Cheryl Bracken Thesis Committee Member School of Communication 04/24/17 Department & Date Dr. Kimberly Neuendorf Thesis Committee Member School of Communication 04/24/17 Department & Date Student’s Date of Defense: April 24, 2017 DEDICATION My greatest appreciation and love to my mother, Marian C. Wright, to whom I wish to thank above anyone else. Each, and every day, I strive to improve myself so as to make myself a better son to her, and a better man of which my family can be proud of. My successes are not, and will not be counted, by me, in terms of the degrees that I attain, or in the amount of money that I may earn, but in terms of the positive influence that I might have on the younger members of my family. I want my nieces and nephews to know that anything that one wishes to achieve can be attained through hard work and being dedicated to being the best person that you can be: when you strive to do the best that you can, you have made us all proud…push on! ACKNOWLEDGEMENTS I wish to thank everyone who has supported my efforts in obtaining this degree.
    [Show full text]
  • U2: the Joshua Tree Tour 2017 Watch Here
    U2: THE JOSHUA TREE TOUR 2017 LIMITED RUN OF STADIUM DATES TO CELEBRATE 30TH ANNIVERSARY OF THE BAND’S CLASSIC FIFTH ALBUM – Tour Kicks Off In North America On May 12 with European Dates Starting July 8 – – U2 Confirmed for Bonnaroo Music & Arts Festival—Band’s First Ever U.S. Festival Headline Appearance – Tickets On Sale Starting January 16 in Europe & January 17 in North America – – U2 Subscriber Exclusive Pre-Sale Access Starts January 11 – WATCH HERE: https://youtu.be/sssykdiAsVM “The title befits a record that concerns itself with resilience in the face of utter social and political desolation…The Joshua Tree is an appropriate response to these times, and a picture bleaker than any U2 has ever painted: a vision of blasted hopes, pointless violence and anguish… Music of great sadness but also of unutterable compassion, acceptance and calm.” – Rolling Stone, 1987 LOS ANGELES (Jan. 9, 2017) – Live Nation today announced that U2 will return to select stadiums this year with U2: The Joshua Tree Tour 2017, in celebration of the 30th anniversary of the band’s classic album. Each show will include a performance of The Joshua Tree in its entirety, with support from one of a number of special guests including Mumford & Sons, OneRePublic and The Lumineers in North America and Noel Gallagher’s High Flying Birds in Europe. Released to universal acclaim on March 9th 1987 and featuring hit singles “With Or Without You”,“I Still Haven’t Found What I’m Looking For” and “Where The Streets Have No Name”, The Joshua Tree was U2’s first #1 album in the U.S., topping the charts globally including the U.K.
    [Show full text]
  • IMRO Annual Report 2011
    Contents Chairman‘s Statement 3 Chief Executive Officer‘s Annual Review 4 Performance at a Glance 5 Licensing Review 6-8 Distribution Review 8-9 International Review 10 Marketing & Membership Review 10-14 Corporate Governance 15-18 Board of Directors 19-24 Accounts Directors and Other Information 2 Directors‘ Report 3-6 Independent Auditors‘ Report 7-8 Income and Expenditure Account 9 Statement of Total Recognised Gains and Losses 10 Balance Sheet 11 Cash Flow Statement 12 Accounting Policies 13-14 Notes to the Financial Statements 15-23 2 Chairman’s Statement While the Irish business environment continues to be difficult, IMRO has nevertheless managed to have good results for 2011, as outlined by Victor Finn overleaf. Many factors contributed to this, including: The committee structure that allows strategy and policies to be discussed at length and recommendations to be made to the Board; Cost containment. Victor and his management team have continued to drive down the cost of running IMRO efficiently; Market penetration. Research has been carried out to determine the size of the market in every area of the company's business; strategies have been agreed to achieve this over time; Prudent investment in IT, and Continued protection of our members' right to be remunerated when their work adds value to business. As well as this work that aims to maximise members‘ royalties, there is continuous work being done to ensure a sustainable future, including: Alliances with other industry stakeholders MCPSI, PPI and RAAP via IMIR, the Irish Music Intellectual Rights group; Continuous engagement with Government; The work of IASCA, the Irish Association of Songwriters, Composers and Authors; Membership of the Creative Ireland Alliance: Development of a strategy to promote the value of copyright at all levels in the education sector, and Active membership of international organisations including CISAC, GESAC, BIEM and CIAM.
    [Show full text]
  • BA in Audio and Music Technology (Feb 2016) Griffith College
    Coláiste Uí Ghríofa in collaboration with Pulse College Award Title: Bachelor of Arts (Honours) Programme Title: Bachelor of Arts (Honours) in Audio and Music Technology July 2017 Contents INTRODUCTION ........................................................................................................................................................................................ 1 1. PROVIDER DETAILS ................................................................................................................................................. 2 1.1 CONTEXTUAL INFORMATION ..................................................................................................................................................... 3 1.2 OUTLINE OF THE PROPOSED PROGRAMME ........................................................................................................................... 10 2 EDUCATIONAL AND TRAINING OBJECTIVES AND MINIMUM INTENDED PROGRAMME AND MODULE LEARNING OUTCOMES ................................................................................................................................. 13 2.1 PROGRAMME AIMS AND OBJECTIVES ..................................................................................................................................... 13 2.2 RATIONALE FOR THE CHOICE OF QQI NAMED AWARD STEM SOUGHT AND FOR THE NAMED AWARD TITLE ........... 13 2.3 QQI AWARDS STANDARDS USED ...........................................................................................................................................
    [Show full text]
  • U2 Achtung Baby Mp3, Flac, Wma
    U2 Achtung Baby mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Achtung Baby Country: US Released: 1991 Style: Pop Rock MP3 version RAR size: 1266 mb FLAC version RAR size: 1998 mb WMA version RAR size: 1347 mb Rating: 4.3 Votes: 831 Other Formats: TTA VOC WAV AAC ASF MMF WMA Tracklist Hide Credits Zoo Station 1 4:36 Engineer [Assistant] – Robbie Adams Even Better Than The Real Thing 2 3:41 Engineer – Paul Barrett, Robbie AdamsMixed By – Steve Lillywhite One 3 4:36 Keyboards [Additional] – Brian Eno Until The End Of The World 4 4:39 Percussion [Additional] – Daniel Lanois Who's Gonna Ride Your Wild Horses 5 5:16 Engineer – Robbie AdamsMixed By – Robbie AdamsProducer – Steve Lillywhite So Cruel 6 Arranged By [Strings] – Brian Eno, The EdgeMixed By – Brian EnoViolin, Viola – The 5:49 Duchess Nell Catchpole* The Fly 7 4:29 Mixed By [Assistant] – Robbie Adams Mysterious Ways 8 4:04 Mixed By – The EdgePercussion [Additional] – Daniel Lanois Tryin' To Throw Your Arms Around The World 9 3:53 Keyboards [Additional] – Brian EnoMixed By – Robbie Adams 10 Ultra Violet (Light My Way) 5:31 11 Acrobat 4:30 Love Is Blindness 12 4:23 Engineer [Assistant] – Robbie Adams Companies, etc. Recorded At – Hansa Tonstudios Recorded At – Dog Town Recorded At – STS Dublin Recorded At – Windmill Lane Studios Mastered At – A&M Mastering Studios Edited At – A&M Mastering Studios Published By – Blue Mountain Music Ltd. Phonographic Copyright (p) – Island Records Ltd. Copyright (c) – Island Records Ltd. Credits Artwork [Label Illustrations] – Charlie Whisker
    [Show full text]
  • Globalising Irish Music.Pdf
    Bill Whelan, Globalising Irish Music UCDscholarcast Series 1: (Spring 2008) ________________________________ The Art of Popular Culture: From ‘The Meeting of the Waters’ to Riverdance Series Editor: P.J. Mathews © UCDscholarcast UCDscholarcast 1 Bill Whelan, Globalising Irish Music Bill Whelan Globalising Irish Music One of the duties an author, performer or composer undertakes when travelling around the world in advance or in the wake of a production is to face the media. Such has been my experience with Riverdance. Sitting in stuffed rooms in Sydney or Seattle or stretched on soft settees in say, Stockholm, I have been asked an amazing array of questions. Over the thirteen years of the life of this show I have been rendered mute by questions such as (in London): ‘how many pairs of tights does Riverdance go through in an evening?’. That one gave me some pause for thought, but not as much as the question I was asked in Tokyo when we first went there. Through an interpreter a Japanese journalist probingly inquired if I felt that the album Ó Ríada sa Gaiety was an important influence in changing the course of Irish traditional music. These kinds of questions have demonstrated to me over the years the variety of responses that people have to what was actually the same musical or theatrical experience. To progress a bit further on the theme of artistic intent versus audience response—in France I recall a press conference where a few journalists were pushing me to interpret Riverdance as an Irish Nationalistic cultural response to years of British domination.
    [Show full text]
  • Comhaltas- Interview with Gearóid Ó Hallmhuráin
    Treoir Comhaltas Magazine (Spring 1997) Out of the West By Raymond Hughes My father purchased an old Hohner accordion from a neighbour in Ballygriffey and decided that Frank Custy in Toonagh had a fitting alternative to my lack of talent on the hurling field. So begins the magnificent tale of one man’s musical journey continuing four generations of Clare concertina players. With several All-Ireland championships to his credit, Gearóid O hAllmhurain has finally released a solo album, entitled Traditional Music from Clare and Beyond. Acclaimed as one of the finest concertina recordings of all time by some critics, it is so much more than simply concertina. Joined by three of County Clares legendary fiddlers, Paddy Canny, Peter O’Loughlin and Martin Hayes, as well as Belfast harper Janet Harbison, sean-nós dancer Patrick O’Dea from Seafield, Inis Oírr flute player Mícheál O hAlmhain, and several other special guests, there is the makings of an entire céilií band on this recording. This delightful recording was released in Ireland and North America this summer. In the 1980s, Gearóid made his first forays into Amerikay as manager and piper of Dísirt Tola. This extraordinary band of young talent created their own cooperative recording produced in Windmill Lane Studios in Dublin. Touring England and New England, the band consisted of Sharon, Mary, and Garry Shannon, and a rake of young Clare and Dublin musicians. To this day, that album remains a most sought after collection but is as rare as hen’s teeth. Then for many years, Gearóid disappeared from the professional music arena in exchange for his academic pursuits.
    [Show full text]
  • Neil Young Journeys
    Mongrel Media Presents NEIL YOUNG JOURNEYS A Film by Jonathan Demme (87 min., USA, 2011) Language: English Official Selection Toronto International Film Festival 2011 Slamdance Film Festival 2012 Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS In May of 2011, Neil Young drove a 1956 Crown Victoria from his idyllic hometown of Omemee, Ontario to downtown Toronto’s iconic Massey Hall where he intimately performed the last two nights of his solo world tour. Along the drive, Young recounted insightful and introspective stories from his youth to filmmaker Jonathan Demme. Demme, a long-time fan and collaborator, captured these tales of Young’s childhood and masterfully weaved them together with his mesmerizing music including songs from the 2010 album Le Noise and powerful renditions of classics including “Ohio”, Hey Hey, My My”, “I Believe in You” and previously unreleased songs “Leia” and “You Never Call.” Through the tunes and the tales, Demme portrays a personal, retrospective look into the heart and soul of the artist. In NEIL YOUNG JOURNEYS, Young’s intense performances are presented in full, along with passages from the funny and sometimes wistful ride into town. Demme and Young previously collaborated on two other documentaries, Neil Young: Heart of Gold, which chronicled Young performing in Nashville, the year after he survived a brain aneurysm and Neil Young Trunk Show, which memorialized a Pennsylvania concert during Young’s “Chrome Dreams II” tour.
    [Show full text]
  • The Rolling Stones Complete Recording Sessions 1962 - 2020 Martin Elliott Session Tracks Appendix
    THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962 - 2020 MARTIN ELLIOTT SESSION TRACKS APPENDIX * Not Officially Released Tracks Tracks in brackets are rumoured track names. The end number in brackets is where to find the entry in the 2012 book where it has changed. 1962 January - March 1962 Bexleyheath, Kent, England. S0001. Around And Around (Little Boy Blue & The Blue Boys) (1.21) * S0002. Little Queenie (Little Boy Blue & The Blue Boys) (4.32) * (a) Alternative Take (4.11) S0003. Beautiful Delilah (Little Boy Blue & The Blue Boys) (2.58) * (a) Alternative Take (2.18) S0004. La Bamba (Little Boy Blue & The Blue Boys) (0.18) * S0005. Go On To School (Little Boy Blue & The Blue Boys) (2.02) * S0006. I'm Left, You're Right, She's Gone (Little Boy Blue & The Blue Boys) (2.31) * S0007. Down The Road Apiece (Little Boy Blue & The Blue Boys) (2.12) * S0008. Don't Stay Out All Night (Little Boy Blue & The Blue Boys) (2.30) * S0009. I Ain't Got You (Little Boy Blue & The Blue Boys) (2.00) * S0010. Johnny B. Goode (Little Boy Blue & The Blue Boys) (2.24) * S0011. Reelin' And A Rockin' (Little Boy Blue & The Blue Boys) * S0012. Bright Lights, Big City (Little Boy Blue & The Blue Boys) * 27 October 1962 Curly Clayton Sound Studios, Highbury, London, England. S0013. You Can't Judge A Book By The Cover (0.36) * S0014. Soon Forgotten * S0015. Close Together * 1963 11 March 1963 IBC Studios, London, England. S0016. Diddley Daddy (2.38) S0017. Road Runner (3.04) S0018. I Want To Be Loved I (2.02) S0019.
    [Show full text]
  • U2tour.De Travel Guide Dublin & Ireland
    The U2Tour.de – Travel Guide Dublin & Ireland U2Tour.de Travel Guide Dublin & Ireland Version 6.0 / September 2020 © U2Tour.de Version 6.0 / 09-2020 Page 1 The U2Tour.de – Travel Guide Dublin & Ireland Contents 1 Windmill Lane - Windmill Lane Studios (demolished) ...................................................................... 6 2 Dockers Pub (closed) .......................................................................................................................... 6 3 Principle Management Offices (moved) ............................................................................................. 7 4 Hanover Quay Studios ........................................................................................................................ 7 5 Windmill Lane Recording Studios (Ringsend Road) ......................................................................... 8 6 Factory Studios (demolished) ............................................................................................................ 9 7 East Link Bridge & Grand Canal Docks & U2 Tower ......................................................................... 9 8 3Arena (The Point Depot Theatre / The O2) ..................................................................................... 10 9 The Clarence Hotel ............................................................................................................................ 11 10 The Project Arts Centre ....................................................................................................................
    [Show full text]
  • Irish Scene and Sound
    IRISH SCENE AND SOUND IRISH SCENE AND SOUND Identity, Authenticity and Transnationality among Young Musicians Virva Basegmez Stockholm Studies in Social Anthropology, 57 2005 IRISH SCENE AND SOUND Identity, Authenticity and Transnationality among Young Musicians Doctoral dissertation © Virva Basegmez 2005 Stockholm Studies in Social Anthropology, 57 Cover design by Helen Åsman and Virva Basegmez Cover photo by Virva Basegmez Department of Social Anthropology Stockholm University S-106 91 Stockholm Sweden All rights reserved. This book, or parts thereof, may not be reproduced in any form without the written permission of the author. ISBN 91-7155-084-4 Printed by Elanders Gotab, Stockholm 2005 This book is distributed by Almqvist & Wiksell International P.O. Box 76 34 S-103 94 Stockholm Sweden E-mail: [email protected] To Tilda and Murat CONTENTS Acknowledgements x 1 INTRODUCTION: SCENES IN THE SCENE 1 Irish national identity: past and present dislocation 5 Anthropology of Ireland, rural and urban 14 Fields in the field 16 Media contexts, return visits and extended ethnography 20 The Celtic Tiger and the Irish international music industry 22 Outline of the chapters 28 2 GENRE, SOUND AND PATHWAYS 31 Studies of popular music and some theoretical orientations 31 The concept of genre: flux, usage, context 34 Genre, style and canonisation 37 Music genres in Ireland 39 Irish traditional music and its revival 39 Irish rock music and indies 44 Showbands, cover bands and tribute bands 45 Folk rock and Celtic music 47 Fusions, world music,
    [Show full text]