JJ December 2018
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eurodig 2020, Virtual Meeting, Report by the Eurodig Secretariat
EuroDIG 2020, Virtual meeting Report by the EuroDIG Secretariat September 2020 Foreword This report is a summary of our experi - also became evident that virtual meet - • People who would not have been ences from the first virtual EuroDIG, ings can be very tiring for participants, able to travel, and therefore not which took place from 10-12 June 2020. and that reading body language – an im - taken part, felt encouraged to This event was, to our knowledge, the portant aspect of any human interaction participate on equal footing. first ever all-virtual IGF. – is extremely difficult. Numerous stud - In past years EuroDIG, like most other ies and research indicate that our brain Putting all participants in the same (vir - IGFs, offered remote participation op - is constantly searching for these signals tual) boat actually made this EuroDIG portunities, live streaming and live tran - and is unable to receive them via screen possibly the most equal exchange for scription for all plenaries and work - interaction, which also contributes to everyone. shops. In fact, EuroDIG has always been the fatigue we all experience in virtual Our goal was to provide a virtual en - what we now call a “hybrid meeting”. meetings. vironment where people could actively So, the team behind EuroDIG had a fair Online meetings also offer multiple engage, that would not be overly tiring amount of experience in organising high advantages though: for users, and that would create a feeling quality remote participation options. • Some participants told us that they of community across the whole event, However, planning and executing a could better focus on the session not just single sessions. -
The Modality of Miles Davis and John Coltrane14
CURRENT A HEAD ■ 371 MILES DAVIS so what JOHN COLTRANE giant steps JOHN COLTRANE acknowledgement MILES DAVIS e.s.p. THE MODALITY OF MILES DAVIS AND JOHN COLTRANE14 ■ THE SORCERER: MILES DAVIS (1926–1991) We have encountered Miles Davis in earlier chapters, and will again in later ones. No one looms larger in the postwar era, in part because no one had a greater capacity for change. Davis was no chameleon, adapting himself to the latest trends. His innovations, signaling what he called “new directions,” changed the ground rules of jazz at least fi ve times in the years of his greatest impact, 1949–69. ■ In 1949–50, Davis’s “birth of the cool” sessions (see Chapter 12) helped to focus the attentions of a young generation of musicians looking beyond bebop, and launched the cool jazz movement. ■ In 1954, his recording of “Walkin’” acted as an antidote to cool jazz’s increasing deli- cacy and reliance on classical music, and provided an impetus for the development of hard bop. ■ From 1957 to 1960, Davis’s three major collaborations with Gil Evans enlarged the scope of jazz composition, big-band music, and recording projects, projecting a deep, meditative mood that was new in jazz. At twenty-three, Miles Davis had served a rigorous apprenticeship with Charlie Parker and was now (1949) about to launch the cool jazz © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM movement with his nonet. wwnorton.com/studyspace 371 7455_e14_p370-401.indd 371 11/24/08 3:35:58 PM 372 ■ CHAPTER 14 THE MODALITY OF MILES DAVIS AND JOHN COLTRANE ■ In 1959, Kind of Blue, the culmination of Davis’s experiments with modal improvisation, transformed jazz performance, replacing bebop’s harmonic complexity with a style that favored melody and nuance. -
13. Cleveland Jazz Guitarists
13. Cleveland Jazz Guitarists itariSts who grew up in still a teenager. He joined the leveland have been among musicians' union when he was 16. By Gthe most important and most 1940, when he was 17, he was playing acclaimed in jazz history. They all at parties and country clubs around drew their inspiration from the all Cleveland. "I played with band leaders time grand masters of jazz guitar, Clint Noble and Jack Horowitz," he Django Reinhardt and Charlie said, but he had bigger plans. Christian. "In 1941, I went to New York to become famous. My father borrowed Fred Sharp $50 on his life insurance policy and Anyone who was even a casual gave me the money to go. Joe Sharp listener ofjazz in Cleveland from the never had money at all. In New York, 1940s to the '80s probably heard I put in for my union card. You had to guitarist Fred Sharp. He played with stay six months to get your card and I some ofthe biggest names in jazz and went to the union floor every day and was the man Jim Hall credited as his started to get some club dates. The teacher. scale was $7 then for a club date, but In the mid-1930s, when Sharp was most everybody paid $4." growing up in the Glenville area of Courtesy of Fred Sharp When he was still in his teens, Fred Sharp and Babik Reinhardt, Cleveland and listening to music on Sharp remembered he almost starved the 23-year-old son of Sharp's the radio, the guitar, with a few guitar idol Ojango Reinhardt, in trying to become famous in New exceptions, was not a solo jazz voice, Paris in 1967 York. -
COMCORDOBA Ilustre Colegio Oficial De Médicos De Córdoba Especial Cultural 2015
COMCORDOBA Ilustre Colegio Oficial de Médicos de Córdoba Especial Cultural 2015 XIX SEMANA CULTURAL GALENO Córdoba 1-6 Junio 2015 ---oOo--- JAZZ : LA MÚSICA QUE PUEDE CAMBIAR NUESTRAS VIDAS Alfredo Jurado Ramos El 1 de junio de 2015, inaugurando la XIX Semana Cultural Galeno que or- ganiza la Fundación Colegio de Médicos de Córdoba, se celebró un concierto del grupo “The Almost Dixieland Jazz Doctors” que lidera el Dr. Alfredo Jura- do Ramos, precediendo al mismo, hizo la introducción “el Jazz la música que puede cambiar nuestras vidas” que reproducimos. - 2 - ILUSTRE COLEGIO OFICIAL DE MÉDICOS DE CÓRDOBA Jazz, la música que puede cambiar nuestras vidas Dr. Alfredo Jurado Ramos Es difícil para mí responder cubriendo lugares donde se a lo que se me pide en relación hace auténtico jazz y blues, con la semana cultural Gale- en estas ciudades que son la no: escribir un artículo sobre el cuna de este estilo musical. Jazz, estilo musical que, como Seguiré el siguiente or- bien dice Wynton Marsalis en den: Qué es Jazz, sus inicios. su libro “Jazz. Como la música Características (el swing). puede cambiar tu vida”, se fun- Instrumentos más usados. damenta en la creatividad indi- Agrupaciones, las big band vidual tanto como en la de los jazz. La música de todos, demás, que debe ser respetada el blues. Evolución y esti- (máxima expresión de libertad) los. Cronología, los grandes y que por tanto puede enrique- maestros, el jazz actual. Hay cer todos los aspectos de nues- (Fig. 1) igualmente cuando se habla tra vida, desde los más íntimos o escribe de jazz muchos hasta los generales. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
From Birth to Death of Cool
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 4-2009 From Birth to Death of Cool Brandon Theriault Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Music Commons Recommended Citation Theriault, Brandon, "From Birth to Death of Cool" (2009). Honors Theses. 1657. https://scholarworks.wmich.edu/honors_theses/1657 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. FROM BIRTH TO DEATH OF COOL by Brandon Theriault An Honors Thesis Submitted to the Lee Honors College of Western Michigan University April, 2009 INTRODUCTION "Miles Davis was a bad dude. He was one of the baddest men in jazz... baddest jazzman ever." -Alvin Jones. Who is Alvin Jones? Alvin Jones is the man I just met outside of the Bernhard Center on Western Michigan University's campus in Kalamzoo, MI. I have been laboring over my honors thesis for months now; I am approaching its completion and was at a loss for a way to start the piece. As Alvin Jones stumbled up to me panhandling for a cigarette I could not help but notice his physical similarity to Miles. He looked to be approaching 65, white whiskers sparsely covering his face and making appearances throughout his eyebrows. He was slender, taller than average, and had exaggerated facial features; large luminous eyes, long eyelashes and high cheekbones. -
Catalogo Xpress
Descrizione LP Casa discografica Label Codice AA VV: Dixieland Time 1ducale jazzDJZ 35912001 AA VV: Esquire's all american hot jazz 1rca victorLPM 3404012002 AA VV: History of classics jazz 5riversideRB 00512003 AA VV: Jazz and hot dance in Italy 1919-48 1harlequinHQ 207812004 AA VV: Jazz in the movies 1milanA 37012005 AA VV: Swing street 4columbiaJSN 604212006 AA VV: The Changing face of Harlem 2savoySJL 220812007 AA VV: The Ellingtonians 1pausaPR 903312008 AA VV: The golden book of classic swing 3brunswich87 097 9912009 AA VV: The golden book of classic swing (vol. II) 3brunswich87 094 9612010 AA VV: The Royal Jazz Band 1up internationalLPUP 506712011 AA VV: A bag of sleepers (volume 1) - Friday night 1arcadia200312012 AA VV: A bag of sleepers (volume 2) - Hot licks 1arcadia200412013 AA VV: Tommy Dorsey a Tribute 1sounds greatSG 801412014 Abeel Dave, Tailgate King Joe, Wix Tommy, Goodwin Ralph, Calla Ernie, Price Jay: A night with The Knights - The Knights of Dixieland 1 jazzology J 004 12015 Adams Pepper, Byrd Donald, Jones Elvin, Watkins Doug, Timmons Bobby: 10 to 4 at the 5-Spot 1 riverside SMJ 6129 12016 Adderley Cannonball: Cannonball and Eight Giants 2 milestone HB 6077 12017 Adderley Cannonball: Coast to Coast 2 milestone HB 6030 12018 Adderley Cannonball: Discoveries 1 savoy SJL 1195 12019 Adderley Cannonball: Live in Paris April 23, 1966 1 ulysse AROC 50709 12020 Adderley Cannonball: The Cannonball Adderley Quintet Plus 1 riverside OJC 306 12021 Adderley Cannonball: The Sextet 1 milestone NM 3004 12022 Adderley Cannonball, Adderley -
Standards and Originals - a Library Suggestion by Massimo Ciolli "Mc2"
standards and originals - a library suggestion by massimo ciolli "mc2" musicista album (I LOVE YOU) AND DON'T YOU FORGET IT Kirk, Roland Rahsaan (disc 10) (Just) SQUEEZE ME Armstrong, Louis Louis Armstrong (i Grandi del Jazz) Desmond, Paul Like Someone In Love Desmond, Paul Pure Desmond Peterson, Oscar Great Connection 13 TO GO Martino, Pat Stone Blue 17 WEST Dolphy, Eric Dolphy 20 ANOS BLUES Regina, Elis MPB Especial - 1973 204 Ervin, Booker Tex Bookn Tenor 2300 SKIDOO I.C.P. Orchestra T.Monk/E.Nichols 245 Dolphy, Eric Dolphy Dolphy, Eric Unrealized Tapes 26-2 Coltrane, John The Coltrane Legacy Pagina 1 di 412 musicista album 29 SETTEMBRE Malaguti, L., AA.VV. A Night in Italy 3 EAST Abercrombie, John Night 3/4 IN THE AFTERNOON Wheeler, Kenny Deer Wan 34 SKIDOO Evans, Bill Blue in Green Motian, Paul Bill Evans 37 WILLOUGHBY PLACE Grossman, Steve Terra Firma 3-IN-1 WITHOUT THE OIL Kirk, Roland In Europe 1962-67 Kirk, Roland Rahsaan (disc 3) 415 CENTRAL PARK WEST Grossman, Steve Love Is The Thing 5/4 THING Walton, Cedar Eastern Rebellion 500 MILES HIGH 70s Jazz, Pioneers Live Town Hall Purim, Flora 500 Miles High 52+ I.C.P. Orchestra T.Monk/E.Nichols 64 BARS ON WILSHIRE Pagina 2 di 412 musicista album Kessel, Barney Kessel Plays Standards 9:20 SPECIAL Basie, C. Jumpin'at the Woodside Jackson, Milt Milt Jackson A BEAUTIFUL FRIENDSHIP Terry, Clark Milt Jackson Turrentine, Stanley The Look of Love A BLUE TIME Flanagan, Tommy Elusive A BLUES AIN'T NOTHING BUT A TRIP Foster, Frank A Blues ain't Nothing But A Trip A BLUES FOR MICKEY-O Martino, Pat El Hombre A BREATH IN THE WIND Kirk, Roland Rahsaan (disc 3) A CASA De Moraes, Vinicius A Arca de Noé A CERTAIN SMILE Greene, Ted Solo Guitar A CHILD IS BORN Flanagan, Tommy Elusive Montoliu, Tete Sweet'n Lovely V°2 Montoliu, Tete The Music I Like to Play V°2 A CHILD'S BLUES Pagina 3 di 412 musicista album Woods, Phil P. -
Associazione Nazionale Per Aquileia
AQVILEIA NOSTRA PUBBLICAZIONE ANNUALE ANNO LXXXVI 2015 ASSOCIAZIONE NAZIONALE PER AQUILEIA 1 «AQUILEIA NOSTRA» © 2015 ASSOCIAZIONE NAZIONALE PER AQUILEIA Autorizzazione del Tribunale di Udine n. 294 del 19-2-1972 Via Patriarca Popone 6 - 33051 Aquileia (UD) ISSN: 0391-7304 tel./fax ++39/431/91113 - e-mail: [email protected] Direttore responsabile: Monika Verzár Comitato scientifico: Jean-Pierre Caillet (Université Paris Ouest), Giovannella Cresci Marrone (Università Ca’ Foscari Venezia), Reinhard Härtel (Karl-Franzens-Universität Graz), Francesca Ghedini (Università degli Studi di Padova), Robert Matijašić (Sveučilište Jurja Dobrile u Puli / Università “Juraj Dobrila”, Pola), Andrea Saccocci (Università degli Studi di Udine), Marjeta Šašel Kos (ZRC SAZU- Research Centre of the Slovenian Academy of Sciences and Arts - Institute of Archaeology), Monika Verzár (Università degli Studi di Trieste), Paul Zanker (Scuola Normale Superiore di Pisa) Comitato editoriale: Maurizio Buora, Paola Càssola Guida, Giuseppe Cuscito, Marta Novello, Monica Salvadori, Paola Ventura, Luca Villa Segreteria: Elena Menon Peer-review: gli articoli e le note inviati per la pubblicazione ad «Aquileia Nostra» vengono sottoposti, nella forma del doppio anonimato, a peer-review di due esperti, di cui uno esterno al Comitato Scientifico e alla Direzione. In copertina: cartolina che mostra la Sala II dell’Imperal-regio Museo dello Stato in Aquileja (con in evidenza le statue di Claudio e di Augusto, trovate nel 1879) e uno scorcio della precedente; non viaggiata e stampata a cura dello stesso Museo, è databile agli ultimi anni del XIX secolo (collezione privata, Trieste). Il presente volume è stato pubblicato in collaborazione con Ministero dei Beni e delle Attività Culturali e del Turismo Soprintendenza Archeologia del Friuli Venezia Giulia Polo Museale del Friuli Venezia Giulia La rivista non assume responsabilità di alcun tipo circa le affermazioni e i giudizi espressi dagli autori. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are avsdlable for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Z e tb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS This reproduction is the best copy available UMI UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE A PERFORMANCE ANALYSIS OF SELECTED WORKS FOR TRUMPET BY CHET BAKER A Document SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Musical Arts by Michael D. -
January 2006 AAJ-NY.Qxd
NEW YORK January 2006 | No. 45 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com YUSEF LATEEF Roots & Routes Annie Ross • Ken Vandermark • ArtistShare • Enzo’s Jazz • Event Calendar piano by WORLD’S FINEST JAZZ CLUB & RESTAURANT • 131 W 3RD ST NYC • 212 475-8592 • WWW.BLUENOTEJAZZ.COM MONDAY NIGHTS • 8 & 10:30PM LATE NIGHT GROOVE SERIES • 12:30AM SUNDAY JAZZ BRUNCH • 12:30&2:30PM DEBORAH DAVIS Jan 2 REGGIE WASHINGTON 4TET Fri Jan 6 DANA LEONG QUINTET Fri Jan 20 YUKIJURUSHI Jan 1 BENEFIT FOR LEUKEMIA SOCIETY EISHIN NOSE TRIO Jan 8 ALTER EGOS Sat Jan 7 DANIEL SADOWNICK Sat Jan 21 RONDI CHARLESTON Jan 9 'EnJ' - EIJIRO NAKAGAWA & JIM PUGH Jan 15 ROLAND GUERIN Jan 16 QUEEN AAMINAH Fri Jan 13 JONATHAN MARON Fri Jan 27 AYAKO SHIRASAKI TRIO Jan 22 NEW SOUND OF SOUL JAZZ SERIES ANGELA JOHNSON Jan 30 LICORICE Sat Jan 14 THE SQUARE EGG Sat Jan 28 TRIO RICOCHET Jan 29 NEW YORK MILAN TOKYO OSAKA NAGOYA 4]`@SaS`dObW]\a /ZZaV]ea BcSAc\%(!'(!^[ #&'#'# e(!^[aSb4`WAOb BcSAObOTbS`V]c`aaSb eeeXOZQ]`U C>AB/@BA 4`SRS`WQY>@]aS6OZZ ;]\ROga%(!'(!^[ 6][S]T8OhhOb:W\Q]Z\1S\bS` 0`]OReOgOb$bVAb`SSb#bVÀ]]` 8O\cO`g% ;O`Y=¸1]\\]` BO^G]c`7\\S`8Ohh 6]bAeW\U e@]PS`bO5O[PO`W\W6]eO`R/ZRS\ 0`gO\Acbb]\8]\0c`` /4B3@6=C@A(5`SbQVS\>O`ZOb]1] 8O\cO`g!& 8O\cO`g " ' 8]Sg2S4`O\QSaQ]B`W] ;cZU`Se;WZZS` /4B3@6=C@A(>O^O8]V\2S4`O\QSaQ]B`W] O\REW\Ua^O\ 8O\cO`g# eAbSdS<SZa]\2cO\S3cPO\YaAbSdSEWZa]\ 7dO\BOgZ]`@]R\Sg5`SS\ BVS;caWQ]T /4B3@6=C@A(5S]`US1]ZZWUO\B`W] B][[g4ZO\OUO\ 8O\cO`g!4SP`cO`g# O\R;WZb8OQYa]\ e:SeWa<OaV@S\SS@]a\SaAbSdS<SZa]\ AVORSa]T8ORS >SbS`EOaVW\Ub]\ e;O`Y8]V\a]\8]S:]dO\]3ZWO\S3ZWOa8]Sg0O`]\ /4B3@6=C@A(7/83/eO`REW\\S`a /4B3@6=C@A(<ObVOZWSR4O[WZgeWbV;O`Q1O`g NEW YORK So after turkey overload during Thanksgiving and the exhausting festivity of the holiday season (made extra special by our transit strike), most of us can hope to New York@Night take it easy during January. -
Summer 2020 Classics & Jazz
Recommended Jazz v All Recommended! see pages 54 - 55 Naxos Audiobooks Special Low Prices! see pages 46 - 47 50% - 75% Off 100 Titles see pages 18 - 21 v All Recommended! Editor’s Choice see pages 10 - 11 v Recommended New Releases Bundle Deal 3 for $30 see pages 48 - 49 Late Summer 2020 Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Classics & Summer 2020 Jazz Catalog for Summer 2020, with a broad range of of- fers we’re sure will be of great interest to our customers. Catalog Index Monteverdi: Complete Madrigals / Delitiæ Musicæ [15 CDs] In jazz, we are excited to return Concord to these pages The madrigal, written for courts and patrons, was the ultimate secular 4 Classical - Label Features as a sale label, with the opportunity for you to save even song. The genre reached its zenith with the works of Claudio Monteverdi more by taking advantage of a bundle deal. Other offers 8 Classical - Recommendations in successive books that trace his technical and expressive innovations. in jazz include the Acrobat label, new releases, and jazz 10 Classical - Editor’s Choice In them, Monteverdi explored themes such as the vicissitudes and recommendations. In classical music, another label long pleasures of love, as well as the art of war, and the pain of loss. The 18 Classical - Deep Discounts absent from our promotions is Musical Concepts – on sale editions used in these recordings are the most authentic and uncut, and, here and as a bundle deal, too. You can also save up to 12 Classical - New Releases in keeping with 17th-century practice, employ male voices only.