DOCSLIB.ORG

Associazione Nazionale Per Aquileia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Associazione Nazionale Per Aquileia AQVILEIA NOSTRA PUBBLICAZIONE ANNUALE ANNO LXXXVI 2015 ASSOCIAZIONE NAZIONALE PER AQUILEIA 1 «AQUILEIA NOSTRA» © 2015 ASSOCIAZIONE NAZIONALE PER AQUILEIA Autorizzazione del Tribunale di Udine n. 294 del 19-2-1972 Via Patriarca Popone 6 - 33051 Aquileia (UD) ISSN: 0391-7304 tel./fax ++39/431/91113 - e-mail: [email protected] Direttore responsabile: Monika Verzár Comitato scientifico: Jean-Pierre Caillet (Université Paris Ouest), Giovannella Cresci Marrone (Università Ca’ Foscari Venezia), Reinhard Härtel (Karl-Franzens-Universität Graz), Francesca Ghedini (Università degli Studi di Padova), Robert Matijašić (Sveučilište Jurja Dobrile u Puli / Università “Juraj Dobrila”, Pola), Andrea Saccocci (Università degli Studi di Udine), Marjeta Šašel Kos (ZRC SAZU- Research Centre of the Slovenian Academy of Sciences and Arts - Institute of Archaeology), Monika Verzár (Università degli Studi di Trieste), Paul Zanker (Scuola Normale Superiore di Pisa) Comitato editoriale: Maurizio Buora, Paola Càssola Guida, Giuseppe Cuscito, Marta Novello, Monica Salvadori, Paola Ventura, Luca Villa Segreteria: Elena Menon Peer-review: gli articoli e le note inviati per la pubblicazione ad «Aquileia Nostra» vengono sottoposti, nella forma del doppio anonimato, a peer-review di due esperti, di cui uno esterno al Comitato Scientifico e alla Direzione. In copertina: cartolina che mostra la Sala II dell’Imperal-regio Museo dello Stato in Aquileja (con in evidenza le statue di Claudio e di Augusto, trovate nel 1879) e uno scorcio della precedente; non viaggiata e stampata a cura dello stesso Museo, è databile agli ultimi anni del XIX secolo (collezione privata, Trieste). Il presente volume è stato pubblicato in collaborazione con Ministero dei Beni e delle Attività Culturali e del Turismo Soprintendenza Archeologia del Friuli Venezia Giulia Polo Museale del Friuli Venezia Giulia La rivista non assume responsabilità di alcun tipo circa le affermazioni e i giudizi espressi dagli autori. Le riproduzioni dei beni di proprietà statale sono state effettuate su concessione del Ministero dei Beni e delle Attività Culturali e del Turismo. Riproduzione vietata. 2 Editoriale La prima parte del presente volume raccoglie i testi di alcune conferenze tenute in occasione di un incontro internazionale dal titolo “Celebrazione del Bimillenario di Augusto e dei 2000 anni di Emona (Ljubljana)” svoltosi ad Aquileia, presso “Casa Bertoli”, prestigiosa sede dell’Associazione Nazionale per Aquileia, il 23 maggio 2014, anno in cui venne ricordata la morte del primo impera- tore. Il 14 d.C. è anche la data della nascita di Emona/Ljubljana che ha voluto celebrare il suo illustre fondatore con un colloquio ideato dalle università del Caput Adriae. Augusto, infatti, oltre ad essere uno dei protagonisti più importanti della storia d’Europa riuscì, nonostante una disastrosa disfatta dell’esercito nella foresta di Teutoburgo, ad estendere la sfera d’influenza su quasi tutta l’Europa centrale, instaurando un rapporto particolare proprio con il Caput Adriae. Motivo per la grande attenzione del primo imperatore furono soprattutto le guerre dalmato- illiriche degli anni 13-9 a.C. che giustificano anche i suoi interventi personali nelle città di Tergeste, Emona e Iader. L’incontro, organizzato dall’Università di Trieste, ha offerto un’occasione gradita per chiudere l’attività didattica 2014 della Scuola Interateneo di Specializzazione in Beni Archeologici di Trieste, Udine, Venezia Ca’ Foscari con una giornata di studi su un tema di grande attualità e che ha coinvolto le università di Trieste, Udine, Ljubljana, Koper, Rijeka e Pula. L’assenza di due relazioni (Paolo Casari sulla ritrattistica di Augusto e di Robert Matijašić su Pola), pubblicate in altre sedi, è com- pensata dal contributo di Bernarda Zupanek sull’importante mostra “Mesto v Imperiju / Emona - A City of the Empire” allestita nel Mestni muzej / Museo civico di Ljubljana (maggio 2014 - maggio 2015). Segue una parte miscellanea contenente contributi incentrati su Aquileia che vanno dal primo periodo all’età tardo antica, tra cui riflessioni sull’urbanizzazione della colonia, tre saggi su materiali minori (ceramica e oggetti militari) e un contributo epigrafico su un senatore aquileiese del II secolo d.C., un comes dell’Imperatore Adriano che ricevette gli ornamenta triumphalia. Il volume chiude con due note di Annalisa Giovannini su documenti importanti del periodo della I Guerra Mondiale, in aggiunta al consueto Notiziario sulle attività svolte dalla Soprintendenza archeologia, belle arti e paesaggio del Friuli Venezia Giulia. Oltre a ricordare il grande impatto della I Guerra Mondiale su questa parte dell’Italia, i due saggi sono offerti alla memoria di Flavio Cossar, improvvisamente e prematuramente scomparso nel 2013, che si era dedicato per molti anni e con particolare impegno al prezioso materiale degli Archivi di Aquileia. Monika Verzár Direttore della rivista «Aquileia Nostra» 3 4 INDICE GIULIANA CAVALIERI MANASSE , MARISA RI G ONI , Ricordo di Maria Josè Strazzulla ............................. p. 7 CELEBRAZIONE DEL BIMILLENARIO DI Augusto E DEI 2000 ANNI DI EMONA (LJUBLJANA) Bo ž i d a r Sl a p š a k , Emona augustea fra emporio e colonia ................................................................ » 13 Be r n a r d a Žu p a n e k , The 2000-year Anniversary of the City of Emona: Urbanism, Ideology and » 21 Everyday Life ...................................................................................................................... ka t h a r i n a Za n i e r , L’Istria nord-occidentale in epoca augustea ...................................................... » 35 pa l m a ka r k o v i ć ta k a l i ć , Iader e l’imperatore Augusto .................................................................. » 49 mo n i k a ve r Z á r , Augusto ad Aquileia e Tergeste .............................................................................. » 67 MISCELLANEA an d r e a ra f f a e l e Gh i o t t o , Gi u l i a fi o r a t t o , Sul tasso di urbanizzazione della colonia latina di Aquileia ............................................................................................................................... » 81 pa o l a ma gg i , re n a t a me r l a t t i , Piatti da portata verniciati di nero da Aquileia. Una classe cera- mica di origine efesina in uso tra tarda repubblica e inizio impero .................................. » 99 di a n a do B r e v a , an n a ri c c a t o , Aquileia e il Vicino Oriente. Il commercio di prodotti levantini in area adriatica ...................................................................................................................... » 111 cl a u d i o Za c c a r i a , Poblicio Marcello: un senatore aquileiese al servizio dell’impero .................... » 141 de n i S Sa m i , A Passage of Troops? Late Roman Small Finds from Ad Novas-Cesenatico (North-East Italy) .............................................................................................................................. » 153 NOTIZIARIO Se r e n a di to n t o , da r i o Ga d d i , ma r t a no v e l l o , L’attività di tutela nel territorio di Aquileia (biennio 2014-2015) ............................................................................................................ » 169 ANNALISA GIOVANNINI , Un tassello di storia della Grande Guerra ad Aquileia. Museo Archeologico Nazionale: la “riscoperta” dell’incartamento Egger ........................................................ » 175 ANNALISA GIOVANNINI , L’inaugurazione dell’Imperial-regio Museo dello Stato in Aquileja. Il ritro- vamento dell’epigrafe celebrativa ...................................................................................... » 179 NORME REDAZIONALI .................................................................................................................. » 182 5 6 AQUILEIA NOSTRA ANNO LXXXVI 2015 GIULIANA CAVALIERI MANASSE , MARISA RI G ONI RICORDO DI MARIA JOSÈ STRAZZULLA Maria Josè Strazzulla ci ha lasciati il 27 maggio Scholar presso il Department of Archaeology and 2015. Art History dell’Università di Princeton (N. J. USA), Vogliamo cercare di ricordarla come era, una don- occasione in cui terrà seminari nelle Università di na generosa, vivace e brillante, di grande intelligenza Princeton, New York, Austin (Texas), Tulane (New e sensibilità, un’intellettuale raffinata, attenta alle vi- Orleans-Louisiana) e Columbus (Ohio). cende del presente, e una studiosa competente e rigo- Porterà a compimento in questo periodo il suo rosa, animata da uno spiccato senso critico e da una lavoro più noto, Le terrecotte architettoniche della inesauribile curiosità, che la portava ad interessarsi Venetia romana. Contributo allo studio della produ- degli argomenti più diversi. zione fittile nella Cisalpina (II a.C. - II d.C.), pub- La sua formazione si era svolta fra l’Università blicato nel 1987, a tutt’oggi fondamentale per chi si Statale di Milano, dove si era laureata a pieni voti nel occupi di coroplastica architettonica, in particolare 1968 sotto la guida di Arturo Stenico prima e Anto- nio Frova poi, e la Scuola Nazionale di Archeologia dell’Università di Roma. Fin dalla tesi di laurea sulle terrecotte architetto- niche dell’Etruria interna si era manifestato il suo in- teresse per il mondo italico, approfondito in seguito negli anni trascorsi come borsista e poi contrattista a Roma presso l’Istituto di Etruscologia e Antichità Italiche dell’Università La Sapienza. Nel 1976, superato brillantemente il concorso per funzionario
Load more

Recommended publications
  • Eurodig 2020, Virtual Meeting, Report by the Eurodig Secretariat
    EuroDIG 2020, Virtual meeting Report by the EuroDIG Secretariat September 2020 Foreword This report is a summary of our experi - also became evident that virtual meet - • People who would not have been ences from the first virtual EuroDIG, ings can be very tiring for participants, able to travel, and therefore not which took place from 10-12 June 2020. and that reading body language – an im - taken part, felt encouraged to This event was, to our knowledge, the portant aspect of any human interaction participate on equal footing. first ever all-virtual IGF. – is extremely difficult. Numerous stud - In past years EuroDIG, like most other ies and research indicate that our brain Putting all participants in the same (vir - IGFs, offered remote participation op - is constantly searching for these signals tual) boat actually made this EuroDIG portunities, live streaming and live tran - and is unable to receive them via screen possibly the most equal exchange for scription for all plenaries and work - interaction, which also contributes to everyone. shops. In fact, EuroDIG has always been the fatigue we all experience in virtual Our goal was to provide a virtual en - what we now call a “hybrid meeting”. meetings. vironment where people could actively So, the team behind EuroDIG had a fair Online meetings also offer multiple engage, that would not be overly tiring amount of experience in organising high advantages though: for users, and that would create a feeling quality remote participation options. • Some participants told us that they of community across the whole event, However, planning and executing a could better focus on the session not just single sessions.
    [Show full text]
  • Catalogo Xpress
    Descrizione LP Casa discografica Label Codice AA VV: Dixieland Time 1ducale jazzDJZ 35912001 AA VV: Esquire's all american hot jazz 1rca victorLPM 3404012002 AA VV: History of classics jazz 5riversideRB 00512003 AA VV: Jazz and hot dance in Italy 1919-48 1harlequinHQ 207812004 AA VV: Jazz in the movies 1milanA 37012005 AA VV: Swing street 4columbiaJSN 604212006 AA VV: The Changing face of Harlem 2savoySJL 220812007 AA VV: The Ellingtonians 1pausaPR 903312008 AA VV: The golden book of classic swing 3brunswich87 097 9912009 AA VV: The golden book of classic swing (vol. II) 3brunswich87 094 9612010 AA VV: The Royal Jazz Band 1up internationalLPUP 506712011 AA VV: A bag of sleepers (volume 1) - Friday night 1arcadia200312012 AA VV: A bag of sleepers (volume 2) - Hot licks 1arcadia200412013 AA VV: Tommy Dorsey a Tribute 1sounds greatSG 801412014 Abeel Dave, Tailgate King Joe, Wix Tommy, Goodwin Ralph, Calla Ernie, Price Jay: A night with The Knights - The Knights of Dixieland 1 jazzology J 004 12015 Adams Pepper, Byrd Donald, Jones Elvin, Watkins Doug, Timmons Bobby: 10 to 4 at the 5-Spot 1 riverside SMJ 6129 12016 Adderley Cannonball: Cannonball and Eight Giants 2 milestone HB 6077 12017 Adderley Cannonball: Coast to Coast 2 milestone HB 6030 12018 Adderley Cannonball: Discoveries 1 savoy SJL 1195 12019 Adderley Cannonball: Live in Paris April 23, 1966 1 ulysse AROC 50709 12020 Adderley Cannonball: The Cannonball Adderley Quintet Plus 1 riverside OJC 306 12021 Adderley Cannonball: The Sextet 1 milestone NM 3004 12022 Adderley Cannonball, Adderley
    [Show full text]
  • Standards and Originals - a Library Suggestion by Massimo Ciolli "Mc2"
    standards and originals - a library suggestion by massimo ciolli "mc2" musicista album (I LOVE YOU) AND DON'T YOU FORGET IT Kirk, Roland Rahsaan (disc 10) (Just) SQUEEZE ME Armstrong, Louis Louis Armstrong (i Grandi del Jazz) Desmond, Paul Like Someone In Love Desmond, Paul Pure Desmond Peterson, Oscar Great Connection 13 TO GO Martino, Pat Stone Blue 17 WEST Dolphy, Eric Dolphy 20 ANOS BLUES Regina, Elis MPB Especial - 1973 204 Ervin, Booker Tex Bookn Tenor 2300 SKIDOO I.C.P. Orchestra T.Monk/E.Nichols 245 Dolphy, Eric Dolphy Dolphy, Eric Unrealized Tapes 26-2 Coltrane, John The Coltrane Legacy Pagina 1 di 412 musicista album 29 SETTEMBRE Malaguti, L., AA.VV. A Night in Italy 3 EAST Abercrombie, John Night 3/4 IN THE AFTERNOON Wheeler, Kenny Deer Wan 34 SKIDOO Evans, Bill Blue in Green Motian, Paul Bill Evans 37 WILLOUGHBY PLACE Grossman, Steve Terra Firma 3-IN-1 WITHOUT THE OIL Kirk, Roland In Europe 1962-67 Kirk, Roland Rahsaan (disc 3) 415 CENTRAL PARK WEST Grossman, Steve Love Is The Thing 5/4 THING Walton, Cedar Eastern Rebellion 500 MILES HIGH 70s Jazz, Pioneers Live Town Hall Purim, Flora 500 Miles High 52+ I.C.P. Orchestra T.Monk/E.Nichols 64 BARS ON WILSHIRE Pagina 2 di 412 musicista album Kessel, Barney Kessel Plays Standards 9:20 SPECIAL Basie, C. Jumpin'at the Woodside Jackson, Milt Milt Jackson A BEAUTIFUL FRIENDSHIP Terry, Clark Milt Jackson Turrentine, Stanley The Look of Love A BLUE TIME Flanagan, Tommy Elusive A BLUES AIN'T NOTHING BUT A TRIP Foster, Frank A Blues ain't Nothing But A Trip A BLUES FOR MICKEY-O Martino, Pat El Hombre A BREATH IN THE WIND Kirk, Roland Rahsaan (disc 3) A CASA De Moraes, Vinicius A Arca de Noé A CERTAIN SMILE Greene, Ted Solo Guitar A CHILD IS BORN Flanagan, Tommy Elusive Montoliu, Tete Sweet'n Lovely V°2 Montoliu, Tete The Music I Like to Play V°2 A CHILD'S BLUES Pagina 3 di 412 musicista album Woods, Phil P.
    [Show full text]
  • JJ December 2018
    Rec Revs_1218JJ 19/11/18 10:59 Page 20 Record Reviews ence. With a judicious embrace JJ STAR RATINGS of electronic textures and pro- ૽ Family members only cessing, Sonic is a more layered ૽૽ Good playing with moments of inspiration, derivative concept and composerly affair than ૽૽૽ Professionally executed, perhaps with originality in playing or concept Hatch. Illustrating the group’s ૽૽૽૽ extraordinary range, Sonic Com- Exceptional in concept and execution, a once in a decade recording plete transitions from a low-key ૽૽૽૽૽ Epoch-making recording demonstrating hitherto unheard concept sine wave tone through Métaau’s raw psych-rock meltdown before A bracketed star indicates a half-star resolving in anthemic grandeur. Introduction is an all too brief passage of icy minimalist elec- Thormodsaeter (d); Julie Dahle AERIE Aagard (v). Oslo, 9 and 10 tronica which leads into the January 2017. SONIC dreamy soundscapes of Fuchs- Ozella Music 088 Hits 100 001 stiH; Sonic teufelswild. Along with the ૽૽૽ Complete; Introduction; brooding In The Dumps, it leaves a deeper impression than many Fuchsteufelswild; Bad Trash Fish; An engaging enough combina- of the more conventionally In The Dumps; Monochrome; tion of styles here: boppish jazz, animated pieces. It closes with Abeilmmmost (54.00) dreamy beatscapes and the occa- the enigmatic Abeilmmmost, sional foray into atmospheric Sam Comerford (ts); Ingo Hipp (as); Laurent Métaau (elg); David gossamer lyricism juxtaposed electronics. In-demand session Helm (b); Matthew Jacobson (d). against a spiky rhythmic vamp, musician Anders Aarum seems Ludwigsburg, December 2016. and it strikes me that the great comfortable across these different QFTF Records 041 appeal of Aerie’s music lies not styles, and overall the music is ANDERS AARUM ૽૽૽ so much in its many discombob- very heavily influenced by those ulating stylistic collisions, but SHAKIN’ OUR SOULS dreamy, tripped-out sounds of After the unashamedly proggy more in the skilful way that even Another Day In Suck City; If I Was Fender Rhodes and Moog.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are avsdlable for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Z e tb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS This reproduction is the best copy available UMI UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE A PERFORMANCE ANALYSIS OF SELECTED WORKS FOR TRUMPET BY CHET BAKER A Document SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Musical Arts by Michael D.
    [Show full text]
  • Summer 2020 Classics & Jazz
    Recommended Jazz v All Recommended! see pages 54 - 55 Naxos Audiobooks Special Low Prices! see pages 46 - 47 50% - 75% Off 100 Titles see pages 18 - 21 v All Recommended! Editor’s Choice see pages 10 - 11 v Recommended New Releases Bundle Deal 3 for $30 see pages 48 - 49 Late Summer 2020 Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Classics & Summer 2020 Jazz Catalog for Summer 2020, with a broad range of of- fers we’re sure will be of great interest to our customers. Catalog Index Monteverdi: Complete Madrigals / Delitiæ Musicæ [15 CDs] In jazz, we are excited to return Concord to these pages The madrigal, written for courts and patrons, was the ultimate secular 4 Classical - Label Features as a sale label, with the opportunity for you to save even song. The genre reached its zenith with the works of Claudio Monteverdi more by taking advantage of a bundle deal. Other offers 8 Classical - Recommendations in successive books that trace his technical and expressive innovations. in jazz include the Acrobat label, new releases, and jazz 10 Classical - Editor’s Choice In them, Monteverdi explored themes such as the vicissitudes and recommendations. In classical music, another label long pleasures of love, as well as the art of war, and the pain of loss. The 18 Classical - Deep Discounts absent from our promotions is Musical Concepts – on sale editions used in these recordings are the most authentic and uncut, and, here and as a bundle deal, too. You can also save up to 12 Classical - New Releases in keeping with 17th-century practice, employ male voices only.
    [Show full text]
  • Sammy Figueroa Discography
    Sammy Figueroa Discography 1956 Miles Davis: The Columbia Years 1955-1985 Miles Davis Percussion 1962 Moon Child [Original] Johnny Lytle Percussion 1963 Compact Jazz: Cal Tjader Cal Tjader Sequencing 1967 This Is Jazz, Vol. 38: Electric Miles Davis Percussion 1971 Big Apple Bash Jay McShann Percussion 1974 AWB Average White Band Percussion 1975 Back to Back The Brecker Brothers Band Percussion 1975 Brecker Bros. Collection, Vol. 1 Brecker Bros. Percussion 1975 Brecker Bros. Collection, Vol. 2 Brecker Bros. Percussion 1975 Raices Raices Percussion, Conga, Triangle, Vocals 1975 Teaser Tommy Bolin Percussion 1976 Atlantic Family Live at Montreux Various Artists Percussion 1976 Hear and Now Don Cherry Conga 1976 Peter Gunn/Amani Deodato Conga 1976 Surprises Herbie Mann Percussion 1976 Very Together Deodato Conga 1977 Chic Chic Percussion 1977 Don't Stop the Music The Brecker Bros. Conga 1977 Garden of Love Light Narada Michael Walden Percussion, Conga 1977 Herbie Mann and Fire Island Herbie Mann Percussion, Conga 1977 Montreux Concert Don Pullen Percussion 1977 Rosewood Woody Shaw Conga 1977 Serengeti Minstrel Sonny Fortune Bongos, Conga 1977 Up Dick Morrissey & Jim Mullen Percussion 1978 Bamboo Magic Chris Hinze Combination Percussion 1978 Boogie to the Top Idris Muhammad Percussion 1978 C'est Chic Chic Percussion 1978 Everything Must Change Morgana King Percussion, Conga 1978 Heavy Metal Be-Bop The Brecker Brothers Percussion 1978 I Cry, I Smile Narada Michael Walden Percussion 1978 Infinity Is Sonny Fortune Conga 1978 Me, Myself an Eye
    [Show full text]
  • Räto Romanische Bibliographie Biblio Grafia Reto Romanza 1729-2010
    Scripta Ladina Brixinensia dé fora da / Hrsg. / a cura di Scripta Ladina Brixinensia II Paul Videsott Consei scientifich / Wissenschaftliches Komitee / Comitato sc Guntram Plangg (Innsbruck) Hans Goebl (Salzburg) Vol. I L ladin tl sistem formatif Das Ladinische im Bildungssystem Il ladino nel sistema formativo Theodor Rifesser, Paul Videsott (eds.) Räto ro manische 2011, 120 p., 15 Euro ISBN 978-88-6046-044-8 Vol. II Rätoromanische Bibliographie Bibliographie Bibliografia retoromanza 1729-2010 Paul Videsott 2011, 512 p., 25 Euro ISBN 978-88-6046-045-5 Biblio grafia reto romanza 1729-2010 Paul Videsott 25,00 Euro www.unibz.it/universitypress Scripta Ladina Brixinensia II Scripta Ladina Brixinensia dé fora da / Hrsg. / a cura di Paul Videsott Consei scientifich / Wissenschaftliches Komitee / Comitato scientifico Guntram Plangg (Innsbruck) Hans Goebl (Salzburg) Rätoromanische Vol. II Bibliographie Bibliografia retoromanza 1729-2010 Paul Videsott unter Mitarbeit von / con la collaborazione di Chiara Marcocci unter Verwendung von Materialien zusammengetragen von / con l’integrazione di materiali raccolti da Guntram A. Plangg, Maria Iliescu, Heidi Siller-Runggaldier bu,press bozen bolzano university press Scripta Ladina Brixinensia II Räto romanische Bibliographie Biblio grafia reto romanza 1729-2010 Paul Videsott unter Mitarbeit von / con la collaborazione di Chiara Marcocci unter Verwendung von Materialien zusammengetragen von / con l’integrazione di materiali raccolti da Guntram A. Plangg, Maria Iliescu, Heidi Siller-Runggaldier bu,press bozen
    [Show full text]
  • Italian Readers of Ovid: from the Origins to Dante
    Italian Readers of Ovid: From the Origins to Dante Julie Van Peteghem Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Julie Van Peteghem All rights reserved ABSTRACT Italian Readers of Ovid: From the Origins to Dante Julie Van Peteghem “Italian Readers of Ovid: From the Origins to Dante” studies the reception of Ovid’s writings in medieval Italian prose and poetry, from the first vernacular poems composed in Sicily to Dante’s Divina Commedia. Starting from the very beginnings of a new literary culture, I show how the increasing availability of Ovid’s texts is mirrored in the increasing textual presence of Ovid in the vernacular writings of the period. Identifying the general traits common to this Ovid- inspired literature, I discuss how medieval Italian authors used Ovid’s works and his characters to address questions of poetics, openly debating the value of Ovid’s poetry for their own writings. I then illustrate how, in his lyric poetry and the Commedia, Dante inserts himself into this vernacular practice of discussing poetics through the medium of Ovid. Ultimately, I argue that Dante’s reading of Ovid in the Commedia is deeply rooted in his own lyric poetry and that of his predecessors. Chapter 1, “Medieval Italian Readers of Ovid, Modern Readers of Reception,” describes the material and cultural contexts of the reception of Ovid during the thirteenth and early fourteenth centuries in Italy, challenging existing notions about Ovid’s reception in medieval Italian scholarship.
    [Show full text]
  • 0 PHD Thesis ML.Compressed.Pdf
    Fakulteta za arhitekturo UNIVERSITÀ DEGLI STUDI DI TRIESTE Doctoral Programme in Architecture XXIX Cycle of the Doctoral Programme in Engineering and Architecture EVALUATION OF PARAMETERS FOR SUSTAINABLE PRESERVATION OF BUILDINGS AND SITES IN THE CASE STUDY OF URBAN REGION GORIZIA - NOVA GORICA doctoral thesis under joint supervision doctoral student: Marta Lombardi supervisors: Dr. Sonja Ifko (UL – FA) Prof. Sergio Pratali Maffei, PhD (Units) Prof. Paolo Rosato, PhD (Units) Ljubljana, Slovenia 2017 Fakulteta za arhitekturo UNIVERSITÀ DEGLI STUDI DI TRIESTE Doctoral Programme in Architecture XXIX Cycle of the Doctoral Programme in Engineering and Architecture EVALUATION OF PARAMETERS FOR SUSTAINABLE PRESERVATION OF BUILDINGS AND SITES IN THE CASE STUDY OF URBAN REGION GORIZIA - NOVA GORICA doctoral thesis under joint supervision doctoral student: Marta Lombardi supervisors: Dr. Sonja Ifko (UL – FA) Prof. Sergio Pratali Maffei, PhD (Units) Prof. Paolo Rosato, PhD (Units) doctoral study coordinators: Dr. Tadeja Zupančič (UL – FA) Prof. Diego Micheli, PhD (Units) Ljubljana, Slovenia 2017 Declarations The present dissertation is the result of a joint supervision doctoral research project between the University of Ljubljana and the University of Trieste that was officialised with an agreement signed on 19th February 2016. The research was carried out at both institutions under the supervision of Dr. Sonja Ifko (UL FA), Prof. Sergio Pratali Maffei (Units) and Prof. Paolo Rosato (Units). Outlined in the Doctoral Study Programme in Architecture at the University of Ljubljana, the research theme was confirmed by the University of Ljubljana on 18.09.2015. Furthermore, I hereby declare that this thesis was drafted by myself with the supervision of the above cited mentors; that the work contained herein is my own except where explicitly stated otherwise in the text; and that this work has not been submitted for any other degree or processional qualification except as specified.
    [Show full text]
  • The Bebop Guitar Improv Series
    20th Century JAZZ GUITAR “Selected Phrases By Its Most Influential Artists” Richie Zellon This Book Is Strictly For Educational Purposes. Its Sale is Prohibited. About This Book This book is a compilation of short phrases I transcribed during a period of sev- eral years to complement and aid in the education of my jazz guitar students. In doing so, I chose to represent only 16 influential soloists in the history of jazz guitar, from its inception in the early 20th century up until its close. As a result, several artists who did not garner the recognition required to become “house- hold” names in the world of mainstream jazz guitar, have not been featured here. Doing so would defeat the initial purpose of this collection which is to provide brief samples of each stylistic era within the evolution of jazz guitar. Sad to say, among those left out are some of my personal favorites! Others who were not recorded extensively, but are known to have influenced some of the better known players of their era, have also been omitted. To name a few- from the Swing Era: Eddie Lang, Carl Kress, Freddie Green (not a soloist), Oscar Aleman, George Barnes, George VanEps, Bucky Pizzarelli; from the Bebop Era: Oscar Moore, Tiny Grimes, Bill DeArango, Billy Bauer, Billy Bean, Chuck Wayne, Joe Puma, Sal Salvador, Herb Ellis, Johnny Smith, Barry Galbraith, Howard Roberts; from the Post-Bop Era: Attila Zoller, Joe Diorio, Ralph Towner, Lenny Breau, Ed Bickert, & Mick Goodrick. Although the outline of stylistic eras in this book includes the Fusion Era, I have not included transcriptions of several of its leading proponents, due to the fact that my goal has been to concentrate on mainstream jazz guitar.
    [Show full text]
  • Ficción Extrema: Deslizamientos En La Realidad a Través De La Relación Entre Arte Y Literatura (Max Aub, Leonora Carrington Y Enrique Vila-Matas)
    Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-7-2014 Ficción Extrema: Deslizamientos en la Realidad a Través de la Relación Entre Arte y Literatura (Max Aub, Leonora Carrington y Enrique Vila-Matas) Adriana Herrera [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Contemporary Art Commons, Modern Art and Architecture Commons, Spanish Literature Commons, and the Theory and Criticism Commons Recommended Citation Herrera, Adriana, "Ficción Extrema: Deslizamientos en la Realidad a Través de la Relación Entre Arte y Literatura (Max Aub, Leonora Carrington y Enrique Vila-Matas)" (2014). FIU Electronic Theses and Dissertations. 1741. https://digitalcommons.fiu.edu/etd/1741 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida FICCIÓN EXTREMA: DESLIZAMIENTOS EN LA REALIDAD A TRAVÉS DE LA RELACIÓN ENTRE ARTE Y LITERATURA (MAX AUB, LEONORA CARRINGTON Y ENRIQUE VILA-MATAS) A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in SPANISH by Adriana Herrera 2014 To: Interim Dean Michael R. Heithaus College of Arts and Sciences This dissertation, written by Adriana Herrera, and entitled Ficción extrema: Deslizamientos en la realidad a través de la relación entre arte y literatura (Max Aub, Leonora Carrington y Enrique Vila-Matas), having been approved in respect to style and intellectual content, is referred to you for judgment.
    [Show full text]