The Region's Leading Entertainment Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Irish Cultural Center of Cincinnati to Hold Green Tie Affair
Irish Cultural Center November 2013 of Cincinnati to Hold ianohio.com Green Tie Affair Saturday, November 2nd Saw Doctors Leo and Anto Hit the Road … page 2 Irish Cultural Center of Cincinnati Celebrates 4th Anniversary . page 6 Rattle of a Thompson Gun … page 7 Opportunity Ireland . page 9 Home to Mayo. pages 13 - 16 Big Screen to Broadway: Once Comes to Cleveland . page 19 Cover artwork by Cindy Matyi http://matyiart.com 2 IAN Ohio “We’ve Always Been Green!” www.ianohio.com November 2013 Saw Doctors Solo, Leo and Anto Hit the Road a little place back in Ireland where we together quite quickly. So we wanted it tested it out, and got a good response. to be different from anything we’d re- By Pete Roche, Special to the OhIAN of their stepping off the plane, and the And it looks like it worked. But we’ll be corded before. So we used the mandolin, guitarist sounded enthusiastic about tweaking it as we figure it out! which is a very different thing than what The North Coast’s music-loving Irish winding his way through the Midwest OhIAN: Apart from the music, how we’d done before with the Saw Doctors. contingent always turns out in strong in true troubadour fashion. will this tour be different from a Saw And I think that’s important. People are numbers whenever the rock quintet OhIAN: Hello again, Leo! Great to Doctors tour? saying to me it feels like they came to from the little Galway town of Tuam be catching up with you again! So you LEO: It’s going to be a whole new Ireland before we left it, because they’d play our neck of the woods. -
Négociations Fondation Maeght : Entre Célébrations Monaco - Union Européenne Et Polémique R 28240 - F : 2,50 € Michel Roger S’Explique
FOOT : SANS FALCAO ET JAMES, QUELLES AMBITIONS POUR L’ASM ? 2,50 € Numéro 135 - Septembre 2014 - www.lobservateurdemonaco.mc SOCIÉTÉ USINE D’INCINÉRATION : LES SCÉNARIOS POSSIBLES ECOLOGIE CHANGEMENT CLIMATIQUE : POURQUOI IL FAUT RÉAGIR CULTURE NÉGOCIATIONS FONDATION MAEGHT : ENTRE CÉLÉBRATIONS MONACO - UNION EUROPÉENNE ET POLÉMIQUE R 28240 - F : 2,50 € MICHEL ROGER S’EXPLIQUE 3 782824 002503 01350 pour lui Solavie pag Observateur 09/2014.indd 2 08/09/14 15:51 LA PHOTO DU MOIS CRAINTES epuis des mois, dans certains milieux, on ne parle que de ça. En principauté, le lancement des négociations avec l’Union européenne (UE) inquiète pas mal de monde. Notamment les professions libérales qui craignent Dde voir tomber le presque total monopole qu’ont les Monégasques sur ces professions très encadrées réglementairement. « Ceci entraînerait à très court terme la disparition de notre profession telle qu’elle existe depuis des siècles. Ce qui est très préoccupant. D’autant plus que ce sera la même chose pour les médecins, les architectes, les experts-comptables monégasques… », a expliqué à L’Obs’ le bâtonnier de l’ordre des avocats de Monaco, Me Richard Mullot. Une crainte qui a poussé les avocats, les dentistes, les médecins et les architectes à se réunir pour réfléchir à la création d’un collectif. Objectif : défendre auprès du gou- vernement leurs positions et leurs spécificités qui restent propres à chaque profession. En face, le gouvernement cherche à rassurer. Dans l’interview qu’il a accordée à L’Obs’, le ministre d’Etat, Michel Roger, le répète. Il est hors de ques - tion de brader ce qui a fait le succès de la princi- pauté : « Il n’y aura pas d’accord si Monaco devait perdre sa souveraineté ou si ses spécificités devaient être menacées. -
Anthony Thistlethwaite Cartwheels Mp3, Flac, Wma
Anthony Thistlethwaite Cartwheels mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cartwheels Country: UK Released: 1994 Style: Blues Rock MP3 version RAR size: 1956 mb FLAC version RAR size: 1702 mb WMA version RAR size: 1389 mb Rating: 4.7 Votes: 728 Other Formats: AAC FLAC MP4 DMF MP1 AAC AUD Tracklist Hide Credits Cartwheels Backing Vocals – Angie Brown, Melanie WilliamsBass – Simon EdwardsBass [Divebomb ] – YouthCello – Zoe MartlewDrums – Dave Ruffy*Fiddle – Steve WickhamGuitar – Mick 1 7:01 TaylorGuitar, Mandolin – Anthony ThistlethwaiteHarmonica – "Honeyboy" Hickling*Horns – The Kick HornsOrgan [Hammond], Piano – Tony LambertTambourine – Roy DoddsVibraphone [Vibes] – Kate Fennell Red Jeans Accordion [Button] – Sharon ShannonBacking Vocals – Angie Brown, Kirsty MacCollBass – Simon EdwardsBouzouki – Donal LunnyCello – Zoe MartlewDrums – Dave Ruffy*Drums 2 2:34 [Hand] – Roy DoddsFiddle, Whistle – Maire Breatnach*Mandolin [Electric], Guitar – Anthony ThistlethwaiteOrgan [Hammond] – Tony LambertOrgan [Wurlitzer] – Liam O'Maonlai*Saxophone [Baritone ] – Simon Clarke Trumpet – Roddy Lorimer Farming The Right Acres Backing Vocals – Angie BrownBass – YouthDrums – Kevin WilkinsonGuitar – Anthony 3 2:49 Thistlethwaite, Mick TaylorHarmonica – Simon "Honeyboy" Hickling*Organ [Hammond] – Tony Lambert Migrating Bird Bass – Simon EdwardsCello – Zoe MartlewDrums – Jim McCartyElectric Guitar – Mick 4 4:25 TaylorGuitar – Anthony ThistlethwaiteGuitar [Nylon String] – Robbie OversonPercussion – Roy DoddsViolin – Steve Wickham Cherry Dress -
M IT Seeks to Ilower Conusumption
IsPI I ---- IlII IP -- - --- c--------- , -- - Group examines role of I Y1IDlliB new context subjects By David lRothstein An Institute working group formed within the Undergraduate Education Office will spend the next one to two months studying the early results of MIT's experi- mental "context subjects" pro- gram, and will attempt to devel- op informal guidelines for the further implementation of the program. The appointment in September of former Provost Francis E. Low to convene a group to study Context program marked a the Tech File Photo new stage in the ongoing efforts Francis E. Low. of the Committee on the Under- Smith (history of technology) and !- graduate Program to broaden Steinberg (anthropology MIT's educational program. Low and at- , chaeology) join Low in the work- was appointed by Dean for Un- ing group, continuing their inves- dergraduate Education Margaret tigations. L, A. MacVicar '65, who has ex- Assistant Dean for Curriculum pressed strong support for the Support Margaret Richardson, Context program. Kaledin (histo- The group headed by Low, Professors Arthur ry), David H. Marks (head of civ- who teaches in the physics de- r s y T grew out of the efforts il engineering), Lawrence M.Sa partment, Sarath KrishnaswamyiThe Tech interschool Lidsky (nuclear engineering), of two now-dissolved Maurice S. Fox (head of biology), 2.70 students pitted their machines against each other for the first time last night. working groups, one from the and student Lacinda Hummel '91 The final round begins at 7 pm tonight. The contest will be broadcast live on MIT School of Humanities and Social (channel 36) starting at 6:30 prn. -
Viol D'une Fillette À Genlis
PAGE 7 PORTES OUVERTES ENQUÊTE Samedis 24 et 31 mars Viol d’une fillette à Genlis : € -500 € Tous les 5000 la gendarmerie dessaisie d’achat* MTM • Fenêtres PVC • Volets roulants • Vérandas CHENÔVE & 03.80.52.14.15 855224600 Édition Région dijonnaise 21C Vendredi 23 mars 2018 - 1,10 € CHARREY-SUR-SAÔNE SOCIAL Le centre d’action sociale a été dissous Une première PAGE 18 COLLONGES-LÈS-PREMIÈRES charge D’importants travaux bientôt terminés ■ Photo Philippe PINGET PAGE 15 SELONGEY Le Département partenaire de la commune ■ La manifestation a réuni, hier à Dijon, près de 3 000 personnes. Photo Stéphane RAK PAGES 2, 3, 26 ET 27 PAGE 20 3e EDITION Marché couvert rue Thurot Mah Jong. Design Hans Hopfer. 24 25 MARS Habillé de tissus dessinés par Kenzo Takada. 5, rue du Platane - DIJON/QUETIGNY 873220400 880652900 02 VENDREDI 23 MARS 2018 LE BIEN PUBLIC CÔTE-D’OR SOCIAL Près de 3 000 personnes pour défendre la fonction publique Hier après-midi, dans les rues de Dijon, entre 2 800 et 3 400 personnes ont manifesté pour défendre les services publics, l’emploi et le pouvoir d’achat. algré la pluie, ce sont entre M2 800 personnes (selon la poli- ce) et 3 400 (selon la CGT) qui ont manifesté, hier, à partir de 14 h 30, place de la Libération à Dijon, pour la défense de la fonction publique. Ceci à l’appel de l’intersyndicale CFTC-CGC-CGT-FAFP-FO-FSU- Solidaires. Ce mouvement faisait suite à la mobilisation du 10 octo- bre, qui avait réuni entre 2 000 et 2 100 personnes à Dijon. -
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times -
In the Transition from Stage to Arena, Live Music Is Remade
Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer. -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
Sherman Robertson Band Chris Jagger's Atacha!
OCTOBER 2009 NOVEMBER 2009 Fri 2 Sun 1 Sherman Robertson Band Afternoon Tea Party (1pm till 6pm) £10adv £12door £5 feat. Mortiarty, The Hi and Lo, Giles Likes Tea, Sherman Robertson is a master of hard-swinging Texas electric The Gadjos, Matthew & The Echos and Richard Walters. blues. “I use that driving, zydeco groove and put blues on top of Moriarty are not your average indie-rock band or streamlined it,” says Robertson. “When I first saw him he was on fire. He ruled electro-pop unit. With members of French, American, Swiss and the stage and reminded me of Albert Collins. He’s got that Texas Vietnamese parentage, they’re a ramshackle olde worlde acoustic energy, great guitar chops and is a wonderful, soulful singer.”- outfit with a theatrical bent and a tendency to dress like 1930s Bruce Iglauer, Alligator Records. www.movinmusic.co.uk Prohibition outlaws and a sound that takes in folk, country, blues, jazz and cabaret. www.myspace.com/moriartylands Thu 8 Wed 4 Chris Jagger’s Atacha! Johnny Dickinson & Paul Lamb £8adv £10door £8adv/ £10door plus Paul Cowley Founded in 1994, Chris Jagger’s Atcha! are now hotter than ever Johnny Dickinson has been called the most potent slide player in and are one of very few UK bands that can handle cajun, R&B, the UK. Johnny was a founder member of Paul Lamb’s acclaimed zydeco, blues and country in an authentic and original fashion. band The Kingsnakes. Hailed by both aficionados and the music Chris is backed by a band of great musicians. -
Richard Batty Is a Singer/Songwriter from Liverpool, UK. He Writes and Performs His Own Material in a Mixture of Acoustic, Pop and Rock Styles
(SOLO/BAND) Richard Batty is a singer/songwriter from Liverpool, UK. He writes and performs his own material in a mixture of acoustic, pop and rock styles. Richard Batty EPK 1 www.richardbattymusic.com Last Updated: 18/05/2016 BIO In the past 15 years Richard Batty has come along way, from forming his first band Majestyk in 2000, to branching out into a solo artist, and having a residency at The Cavern Club, since 2009. Along the way he supported the likes of The Feeling, Lotus Eaters and Bruce Foxton of The Jam. He’s influenced by a wide range of music, some favourites include, The Beatles, Big Star, Televison, and Buffalo Springfield. In 2014, after focusing on his songwriting craft, Richard went to Whitewood Studios between May and December 2014, to record his debut release, the Loaded Gun EP, which was recorded using some digital equipment, and an analogue tape machine. It was subsequently mastered at Abbey Road Studios, London. In June 2015, the record was released on CD, and digitally on iTunes, Spotify and Amazon. Loaded Gun, has already received national airplay and great praise from his fans. REVIEW “I’d been aware of the name Richard Batty for some time but hadn’t heard any of his music until I managed to catch part of his solo set at the Unity’s Liverpool Acoustic Festival back in February. I was impressed then and having listened to his new EP Loaded Gun (EP? Mini album? What is the difference?) I’m even more impressed. (…) Loaded Gun is a well-crafted collection of seven songs from one of Liverpool’s hidden gems and perfectly showcases singer-songwriter Batty’s polished style of acoustic-driven pop.” Graham Holland, Promoter at Liverpool Acoustic http://liverpoolacoustic.co.uk/2015/06/ep-review-richard-batty-loaded-gun/ Richard Batty EPK 2 www.richardbattymusic.com Last Updated: 18/05/2016 GIG DIARY Resident at solo acoustic performer at Cavern Club since 2009. -
Ianmcnabbmakesitadouble!
THURSDAY, JULY 8, 2021 The Northern Echo 25 At Leisure Ian McNabb makes it a double! By Aja Dodd include Jason Faulkner the same since the beginning [of (Jellyfish), Nick Kilroe (Echo this album] was that I wanted it to CICLE WORKS frontman and the Bunnymen) and session have 20 songs,” he says. Ian McNabb has spent the musician Kate O’Brien among Although many musicians have pandemic working on his others. The whole album was spoken about the challenges they’ve latest album, Utopian, which recorded remotely in 2020, with faced when recording an album I has just been released on CD, Ciaron Bell producing. remotely, Ian disagrees, saying vinyl and download. In early spring 2020 Ian was it’s usually more of a challenge to Utopian is the third in a trilogy offered Paul Weller’s Black Barn get everyone together in person. of albums. Following Star Smile Recording Studio in Surrey and Comparing making music now Strong (2017) and Our Future was all set to work when the to when his career started in the in Space (2019), Ian wanted the pandemic hit. With no chance of early 1980s, he says: “The best 20-song album to be self-indulgent. getting into any studio, Ian bit the thing about the internet is that This may be his 20th studio album bullet and installed a small set up anyone can make music – and the – including the five with The Icicle in his house where he could record. worst thing about the internet is Works – but it’s Ian’s first double “I started recording some vocals, that anyone can make music.” album. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time.