Oliver Stone Sur Le Net : Un Cinéaste Américain
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
World Premiere
World Premiere FILMOGRAPHY A Message from Oliver Stone has directed: “W.” (‘08), “World Trade Center” (‘06), “Alexander” (‘04), “Any Given Sunday” (‘99), “U–Turn” (‘97), “Nixon” (‘95), “Natural Born Killers” (‘94), Oliver Stone “Heaven and Earth” (‘93), “JFK” (‘91), “The Doors” (‘91), “Born On The Fourth Of July” (‘89), I’ve been fortunate to be able “Talk Radio” (‘88), “Wall Street” (‘87), “Platoon” (‘86), “Salvador” (‘86), “The Hand” (‘81) to make several films about North and “Seizure” (‘73). He’s written or co–written all of the above, with the exception of America’s neglected “backyard” “U–Turn”, “World Trade Center” and “W.”. –– Central and South America. He’s also written or co–written: “Midnight Express” (‘78), “Scarface” (‘83), The low budget, independently “Conan The Barbarian” (‘82), “Year Of The Dragon” (‘85), “Evita” (‘96), and shot SALVADOR, about the U.S. “8 Million Ways To Die” (’86). involvement with the death squads of El Salvador, and starring James He’s directed 3 documentaries –– “Looking for Fidel” (‘04), “Comandante” (‘03), Woods in an Oscar–nominated “Persona Non Grata” (‘03). performance, was released in 1986; this was followed by COMANDANTE He’s produced or co–produced: “The People vs. Larry Flynt” (‘96), in 2003, and LOOKING FOR FIDEL in “The Joy Luck Club” (‘93), “Reversal of Fortune” (‘90), “Savior” (‘98), 2004, both of these documentaries “Freeway” (‘96),“South Central” (‘98), “Zebrahead” (‘92), “Blue Steel” (‘90), exploring Fidel Castro in one–on–one and the ABC mini–series “Wild Palms” (‘93). An Emmy was given to him and his interviews. Each of these films has struggled to be distributed in North America. -
Top 30 Films
March 2013 Top 30 Films By Eddie Ivermee Top 30 films as chosen by me, they may not be perfect or to everyone’s taste. Like all good art however they inspire debate. Why Do I Love Movies? Eddie Ivermee For that feeling you get when the lights get dim in the cinema Because of getting to see Heath Ledger on the big screen for the final time in The Dark Knight Because of Quentin Tarentino’s knack for rip roaring dialogue Because of the invention of the steadicam For saving me from the drudgery of nightly weekly TV sessions Because of Malik’s ability to make life seem more beautiful than it really is Because of Brando and Pacino together in The Godfather Because of the amazing combination of music and image, e.g. music in Jaws Because of the invention of other worlds, see Avatar, Star Wars, Alien etc. For making us laugh, cry, sad, happy, scared all in equal measure. For the ending of the Shawshank Redemption For allowing Jim Carey lose during the 1990’s For arranging a coffee date on screen of De Niro an Pacino For allowing Righteous Kill to go straight to DVD so I could turn it off For taking me back in time with classics like Psycho, Wizard of Oz ect For making dreams become reality see E.T, The Goonies, Spiderman, Superman For allowing Brad Pitt, Michael Fassbender, Tom Hardy and Joesph Gordon Levitt ply their trade on screen for our amusement. Because of making people Die Hard as Rambo strikes with a Lethal Weapon because he is a Predator who is also Rocky. -
HH Available Entries.Pages
Greetings! If Hollywood Heroines: The Most Influential Women in Film History sounds like a project you would like be involved with, whether on a small or large-scale level, I would love to have you on-board! Please look at the list of names below and send your top 3 choices in descending order to [email protected]. If you’re interested in writing more than one entry, please send me your top 5 choices. You’ll notice there are several women who will have a “D," “P," “W,” and/or “A" following their name which signals that they rightfully belong to more than one category. Due to the organization of the book, names have been placed in categories for which they have been most formally recognized, however, all their roles should be addressed in their individual entry. Each entry is brief, 1000 words (approximately 4 double-spaced pages) unless otherwise noted with an asterisk. Contributors receive full credit for any entry they write. Deadlines will be assigned throughout November and early December 2017. Please let me know if you have any questions and I’m excited to begin working with you! Sincerely, Laura Bauer Laura L. S. Bauer l 310.600.3610 Film Studies Editor, Women's Studies: An Interdisciplinary Journal Ph.D. Program l English Department l Claremont Graduate University Cross-reference Key ENTRIES STILL AVAILABLE Screenwriter - W Director - D as of 9/8/17 Producer - P Actor - A DIRECTORS Lois Weber (P, W, A) *1500 Major early Hollywood female director-screenwriter Penny Marshall (P, A) Big, A League of Their Own, Renaissance Man Martha -
Available from TCG Books: I’Ll Eat You Last and Peter and Alice by John Logan
FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan May 21, 2013 [email protected] | 212-609-5955 Available from TCG Books: I’ll Eat You Last and Peter and Alice by John Logan NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the availability of two new plays by John Logan: I’ll Eat You Last: A Chat with Sue Mengers and Peter and Alice, both published by Oberon Books (London). The three-time Oscar-nominated screenwriter of such films as Skyfall and Hugo returns with two new plays on Broadway and in London’s West End, respectively. I’ll Eat You Last is a one-woman show about legendary Hollywood super-agent Sue Mengers, whose clients included Barbra Streisand, Cher, Gene Hackman and Mike Nichols. Currently on Broadway, starring Bette Midler, I’ll Eat You Last is nominated for the 2013 Drama League awards for Outstanding Production of a Broadway or Off-Broadway Play. Based on the real individuals that inspired J.M. Barrie’s Peter Pan and Lewis Carroll’s Alice in Wonderland, Peter and Alice tells the story of when Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932. Currently playing to acclaim in the West End, Judi Dench stars as Alice and Ben Whishaw as Peter in this new play where enchantment and reality collide. “A delectable soufflé of a solo show… It’s a heady sensation, thanks to the buoyant, witty writing of Mr. Logan… Tangy and funny.” — New York Times on I’ll Eat You Last “A haunting play that sounds profound notes of loss and grief.. -
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont -
Any Given Sunday
Wettbewerb/IFB 2000 ANY GIVEN SUNDAY AN JEDEM VERDAMMTEN SONNTAG ANY GIVEN SUNDAY Regie: Oliver Stone USA 1999 Darsteller Tony D’Amato Al Pacino Länge 160 Min. Christina Pagniacci Cameron Diaz Format 35 mm, Jack „Cap“ Rooney Dennis Quaid Cinemascope Dr.Harvey Mandrake James Woods Farbe Willie Beamen Jamie Foxx Julian Washington LL Cool J Stabliste Dr.Ollie Powers Matthew Modine Buch John Logan AFFA-Präsident Charlton Heston Oliver Stone,nach Margaret Pagniacci Ann-Margret einer Idee von Nick Crozier Aaron Eckhart Daniel Pyne und Jack Rose John McGinley John Logan Montezuma Monroe Jim Brown Kamera Salvatore Totino Luther „Shark“ Lavay Lawrence Taylor Kameraführung Keith Smith Jimmy Sanderson Bill Bellamy Kameraassistenz Steve Meizler Patrick „Madman“ Schnitt Tom Nordberg Kelly Andrew Bryniarski Keith Salmon Vanessa Struthers Lela Rochon Stuart Waks Cindy Rooney Lauren Holly Stuart Levy Mandy Murphy Elizabeth Berkley Ton Kevin Cerchiai Jamie Foxx, Al Pacino Christinas Berater James Karen Mischung Peter Devlin Gianni Russo Musik Robbie Robertson Willies Agent Duane Martin Paul Kelly AN JEDEM VERDAMMTEN SONNTAG Bürgermeister Smalls Clifton Davis Richard Horowitz Vier Jahre ist es her,daß die Miami Sharks die Football-Meisterschaft gewon- Fernsehkommentator Oliver Stone Production Design Victor Kempster nen haben, inwischen sieht die Lage des von Tony D’Amato trainierten Ausstattung Stella Vaccaro Teams recht finster aus: Nach einer Niederlagenserie bleiben die Zuschauer Kostüm Mary Zophres aus, der alternde Star-Quarterback „Cap“ Rooney und auch sein Ersatzmann Maske John Blake Regieassistenz George Parra „J Man“ Washington fallen verletzt für Wochen aus. Die Besitzerin des Clubs, Richard Patrick Christina Pagniacci, ist drauf und dran, neue Spieler zu verpflichten, da Produktionsltg. -
Papa Don't Preach
50 THE MIDWAY REBORN Papa Don’t Preach: 51 REDEFINING THE BATTLE BETWEEN YOUNG AND OLD BY CARTER HARRIS ALAN HESS PAPA DON’T PREACH: REDEFINING THE BATTLE BETWEEN YOUNG AND OLD ack in the day when father knew 52 best, kids went to Bible school,B and movies and their stars were made for adults, it would have been hard to imagine young people setting the cultural agenda for the weekend, much less for the country. But somewhere along the line, the young became a category, a demographic, a swelling army of tastemakers that took over the world. In the cultural marketplace, the evidence of youth dominance is greater than ever: established magazines such as Rolling Stone put teen pop sen- sation Britney Spears (half-naked) on their cover to compete with newer titles such as VIBE and Maxim; former New Yorker head Tina Brown cuts a deal with Miramax to launch a multi-media venture called Talk (with mostly 20-something editors) that she promises will “have a younger sensibility” than anything she’s done before; from “Scream” to “The Beach” and beyond, hardly a movie gets made these days unless it passes the “is it cool enough for kids” litmus test; and whole networks from MTV to WB exist to cater to the whims of citizens barely old enough to vote. This is to say nothing of industries such as sports, fashion, video games, and music, which have directed billions into reaching and speaking for 16- to 34-year-old consumers who want it younger, faster, more. -
Boulder International Film Festival
FilmBoulder Festival International movesi celebrating the bold spirit >> welcome Welcome to the 7th Annual Boulder International Film Festival, a non-profit community festival staffed almost entirely by energized volunteers and voted “one of the coolest film festivals in the world” byMovieMaker magazine. That’s because of you, the huge, film-hip, Boulder audiences who show up by the thousands to be a part of the big world of ideas and passions that are light- years beyond the normal muck of American mass corporate media. This year’s BIFF will honor one of the greatest, most thought-provoking film directors of our time—three-time Oscar winner Oliver Stone (Midnight Express, Platoon, Born on the Fourth of July). Mr. Stone will receive BIFF’s Master of Cinema Award and sit down for an in-depth interview and retrospective of his films at the Closing Night ceremonies on Sunday night. Last year, BIFF welcomed Alec Baldwin just weeks before he co-hosted the 2010 Academy Awards. Continuing that tradition, we are excited to present voteWHAT ROCKS YOU AT BIFF? 2011’s Oscar co-host, movie mega-star James Franco (the Spider-Man trilogy, Get a ballot on your way in to Milk, Howl, 127 Hours) for an evening retrospective of his films. - each program. Take 10 sec BIFF is happy to welcome back Oscar-nominated producer Don Hahn (Beauty onds to vote. Hand it back on and the Beast, The Lion King) who will present his touching new film,Hand your way out. Easy! Bribes not Held. Mr. Hahn will also be a moderator of honor for a reprise of one of the accepted. -
Lights! Camera! Action! Lights! Camera! Action! Southern States Efforts to Attract Filmmakers’ Business by Sujit M
The Council of State Governments Sharing capitol ideas Southern Legislative Conference Lights! Camera! Action! Action! Camera! Lights! Southern States Efforts to Attract Filmmakers’ Business By Sujit M. CanagaRetna, Senior Fiscal Analyst Southern Legislative Conference JUNE 2007 Southern States Efforts to Attract Filmmakers’ Business Filmmakers’ Attract to Efforts States Southern Introduction The motion picture industry—symbolized by of permanent movie theaters and the formation of a Hollywood—remains one of the most identified global number of ancillary activities related to the industry. associations with America, a phenomenon that has prevailed for almost a century now.* Ever since the By the late 1910s and early 1920s, most American famed American inventor Thomas Alva Edison and film production had moved to Hollywood, California, his British assistant William Kennedy Laurie Dickson although some movies continued to be produced in New first developed the Kinetophonograph, a device that Jersey and in Queens, New York. The relocation was synchronized film projection with sound from a the result of the Los Angeles Chamber of Commerce phonograph record in 1891, America’s influence in the proffering a range of incentives to lure filmmakers to development and advancement of this industry to its the West Coast— Hollywood specifically—including current level has been preeminent.1 Further, progress lower labor costs, relatively inexpensive and abundant in these endeavors led to the 1894 screening of the land for studio construction, a variety of landscapes first commercially exhibited movie as we know them for every type of film, along with the guarantee of today in New York City and, in 1895, Edison exhibited extended periods of sunshine, a vital commodity before hand-colored movies at the Cotton States Exhibition the dawn of indoor studios and artificial lighting. -
Tickets on Sale October 28
TICKETS ON SALE OCTOBER 28 BETTE MIDLER IN I’LL EAT YOU LAST: A CHAT WITH SUE MENGERS WRITTEN BY JOHN LOGAN AND DIRECTED BY JOE MANTELLO THE SPOTLIGHT ENTERTAINMENT SERIES AT THE GEFFEN PLAYHOUSE BRINGS WEST COAST PREMIERE TO LA LOS ANGELES –Tickets go on sale at noon on Monday, October 28 for the limited three-week engagement of Bette Midler in the West Coast premiere of the Broadway smash I’ll Eat You Last: A Chat with Sue Mengers presented by the Spotlight Entertainment Series at the Geffen Playhouse. The critically acclaimed show by Tony Award winner John Logan (Red) and directed by Tony Award winner Joe Mantello (Take Me Out, Wicked) will appear in the Gil Cates Theater at the Geffen Playhouse December 3-22. Opening night is December 5. Tony and Grammy Award-winning superstar Bette Midler plays the legendary Hollywood agent Sue Mengers (1932-2011) in the new play, her first appearance on Broadway in nearly 40 years. Midler’s performance was hailed by The New York Times as “the most lusciously entertaining performance of the Broadway season.” "Bette Midler is Broadway and Hollywood royalty," says Randall Arney, Artistic Director of the Geffen Playhouse. "John Logan has created a tour de force role and with Joe Mantello's artful direction, audiences will have an experience like no other." Arney adds "The intimacy of the Gil Cates Theater at the Geffen is unmatched by any Broadway house and it will feel like we've all dropped in at Sue's for dinner." I’LL EAT YOU LAST: TICKETS ON SALE – Page 2 of 4 I’ll Eat You Last: A Chat with Sue Mengers was produced on Broadway at the Booth Theatre by Graydon Carter, Arielle Tepper Madover, James L. -
“What a Great Place to Start” Each Trigram Quote Is Taken from a Movie
“What a Great Place to Start” Hall of Heroes Each trigram quote is taken from a movie where the movie’s name is part of Answers to clues are all Special Moves of DC Heroes in the videogame the quote. It has been replaced with TITLE in each quote. Injustice 2. • MYSTERY MEN: Champion City will forever owe a debt of gratitude to these TITLE. AA_: Killing Field; AA_: Good and Evil; AEG: Night Ranger; AN_: Surrender; ANS: • ARMAGEDDON: We are faced with the very gravest of challenges. The Beauty and the Beast; BOS: Hallucinations; CMS: Slaughter; COI: Blood Bath; Bible calls this day “TITLE.” ENE: Disobeying Orders; ESI: Bogged Down; EVH: Mind Tricks; FSA: Breaking • LOVE ACTUALLY: If you look for it, I’ve got a sneaky feeling you’ll find that Point; GWF: Double Trouble; HDL: Bad Seed; HE_: Violent Tendencies; HOA: TITLE is all around. Blowout; IEW: Natural Disaster; IMM: Comeback; ISH: Greased Lightning; ITM: • LAST OF THE MOHICANS: Tell them to be patient and ask death for Game Changer; LRG: Heartless; LRO: Queen’s Gambit; MN_: Sideline; NEY: speed; for they are all there but one - I, Chingachgook - TITLE. Punishment; ODM: Destroy; OHE: Beware; ORN: Crimson Red; PME: Death • ON THE WATERFRONT: If you don’t think Christ is down here TITLE you’ve Wish; REI: Man eater; RLM: Born to Kill; RNE: Hot Pursuit; RNE: Inner Strength; got another guess coming. ROI: Overdose; RT_: Throwing Shade; RWC: Be Afraid; SEO: Checkmate; • FULL METAL JACKET: Seven. Six. Two. Millimeter. TITLE. SNE: Anti-Life; SP_: Roller Coaster; SSE: Hybrid; TE_: Quiver; TIM: Subliminal • THE ARISTOCRATS: and that’s the act! I’m gonna call it TITLE. -
SEMESTER MOVIE TITLE CHARACTER ACTOR Fall
SEMESTER MOVIE TITLE CHARACTER ACTOR Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Spring 2007 A Walk to Remember Landon Carter Shane West ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont Fall 2004 All About Eve Eve Ann Baxter Fall 2006 Almost Famous Penny Lane Kate Hudson Fall 2004 Along Came Polly Reuben Feffer Ben Stiller Fall 2005 Along Came Polly Polly Prince Jennifer Aniston Fall 2004 Amelie Amélie Poulain Audrey Tautou Fall 2000 American Beauty Lester Burham Kevin Spacey Fall 2004 American Beauty Angela Hayes Mena Suvari Fall 2006 American History X Danny Edward Furlong Spring