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Kriegsfilm Am Balkan Milcho Manchevski 'Before the Rain' Mit
Das große Thema von Schuld und Sühne und die ewige Suche nach der wahren Identität des Menschen. Die großen Mythen des Wilden Balkan – welches sind ihre Rollen, ihre Metaphern und ihre Propagandawirkung in den Medien. Fragen zur Identität- und Identitätsbildung, die Figur eines homo balcanicus, der ein Stereotyp für einen auferlegten Selbstexotismus in Kultur und Film ist, werden behandelt. Verschiedene Zugänge werden anhand der bedeutendsten filme ihrer Epochen durchleuchtet. Im Zentrum der Analyse steht jedoch der Film Before the Rain des mazedonischen Regisseurs Milcho Manchevski der die zuvor aufgegriffenen Fragen zum Großteil im Film behandelt. Before the Rain ist durchzogen von einer Radikalität und einer kriegerischen Atmosphäre, di ein den letzten Jahren am Balkan geherrscht hat, dennoch ist es kein Film über den Krieg sonder zeigt den Menschen im permanenten Konflikt mit den Leben aber vor allem mit dem Konflikt mit sich selbst. Wörter führen zu Unstimmigkeiten und Konflikten. Die Stille hingegen spricht die Sprache der Liebe. Es ist die unaufhörliche Rückkehr zu den ewigen Themen, Liebe und Tod. Meiner Familie in Liebe und Dankbarkeit - 1 - - 2 - INHALTSVERZEICHNIS Einleitung..............................................................................................................5 1. Politik und Historie am Balkan........................................................................9 1.1. Der Kommunismus und die Jahre unter Tito........................................ .....11 1.1.1.„...die guten alten Tage unter Tito“...........................................................11 -
FILM FESTIVAL 22Nd - 29Th November 2012
UNDER THE AUSPICES OF THE EMBASSY OF THE REPUBLIC OF SERBIA IN PRETORIA SERBIAN ARTS AND CULTURE SOCIETY AFRICA SERBIAN FILM FESTIVAL 22nd - 29th November 2012 NU METRO, MONTECASINO An author’s perspective of the world Film, as a sublimation of all arts, is a true medium, a universal vehicle with which the broader public is presented with a world view, as seen by the eye of the fi lmmaker. Nowadays, due to the global economic crisis, which is ironically producing technological and all sorts of other develop- ments, an increasing number of people are pushed to the margins of average standards of living, and fi lmmakers are given the chance to bring under their ‘protection’ millions of disillusioned people with their fi lmmaking capabilities. Art, throughout its history, has always praised but has also been heavily critical of its subject. Film is not just that. Film is that and so much more. Film is life itself and beyond life. Film is everything many of us dream about but never dare to say out loud. That is why people love fi lms. That is why it is eternal. It tears down boundaries and brings together cul- tures. It awakens curiosity and builds bridges from one far away coast to another. Film is a ‘great lie’ but an even greater truth. Yugoslavian, and today the Serbian fi lm industry has always been ‘in trend’. It might sound harsh but, unfortunately, this region has always provided ample ‘material’ for fi lms. Under our Balkan clouds there has been an ongoing battle about which people are older, which came and settled fi rst, who started it and who will be fi rst to leave and such battles have been and continue to be an inspiration to fi lm producers. -
Pregled Dokumentacijske Građe Instituta Za Etnologiju I Folkloristiku 1994-1998
Nar. umjet. 35/2, 1998, str. 201-254, M. Pavlović, Pregled dokumentacijske građe... MIRENA PAVLOVIĆ Institut za etnologiju i folkloristiku Zagreb, Zvonimirova 17 PREGLED DOKUMENTACIJSKE GRAĐE INSTITUTA ZA ETNOLOGIJU I FOLKLORISTIKU 1994-1998. Dokumentacija Instituta za etnologiju i folkloristiku jedinstvena je u Hrvatskoj i kao cjelina ima značaj spomenika kulture 0. i I. kategorije. Sadr✏i građu prikupljenu 50-godi⌃njim sustavnim terenskim i arhivskim istra✏ivanjima, te je to danas bogati fundus dokumenata o hrvatskoj tradicijskoj kulturi u dvadesetom stoljeću: s područja glazbe i plesa, usmene i pučke knji✏evnosti, folklornog kazali⌃ta, običaja, folklornog likovnog izraza i drugih tradicija, o specifičnoj problematici (smotre folklora, etnografska fotografija i film). Zbirke pripadaju različitim medijima, od rukopisa, fotografija i crte✏a do magnetofonskih, filmskih i digitalnih zapisa. Od 1997. godine građa zabilje✏ena na izvornim terenskim magnetofonskim vrpcama za⌃tićuje se zahvaljujući digitalnoj tehnici i informatici. Presnimavanje audio snimaka na kompakt diskove olak⌃ava čuvanje, obradu i uporabu zvučnih zapisa kao izvora za znanstvena istra✏ivanja, za različite oblike primjene u suvremenom stvarala⌃tvu, te kao mogući izvor za obnovu i revitalizaciju materijalnih i duhovnih tradicija u ratom opusto⌃enim krajevima Hrvatske i u stvaranju uvjeta za povratak prognanika. Ovaj se pregled nastavlja na preglede objavljene u Narodnoj umjetnosti 22:85-125, 1985, Narodnoj umjetnosti 26:183-207, 1989. i Narodnoj umjetnosti 31:381-407, 1994. Pregled folklorne građe prikupljene i obrađene u razdoblju od 1994- 1998. godine obuhvaća rukopisne zbirke tekstova i glazbenih zapisa (IEF rkp 1457-1639), magnetofonske vrpce i kasete (IEF mgtf 2527-2941), fotosnimke (IEF foto 33587-38494) i videokasete (IEF video 268-621). -
UPLINK Co. / DISTRIBUTION TITLES Year Title Country Director 〇 〇 〇
UPLINK Co. / DISTRIBUTION TITLES Year Title Country Director Theatrical Release DVD Release BLIND MASSAGE CHINA FRANCE Lou Ye 〇 〇 SACROMONTE: los sabios de la tribu SPAIN Chus Gutiérrez 〇 〇 ALL GOVERNMENTS LIE USA Fred Peabody 〇 AUTHOR: The JT LeRoy Story USA Jeff Feuerzeig 〇 〇 2017 DANCER UK / USA Steven Cantor 〇 〇 DEGRADE PALESTINE / FRANCE Arab Nasser & Tarzan Nasser 〇 〇 ENDLESS POETRY CHILE / FRANCE / JAPAN Alejandro Jodorowsky 〇 〇 SAMI BLOOD SWEDEN / NORWAY / SAPMI Amanda Kernell 〇 〇 MAPPLETHORPE: Look at the pictures USA / GERMANY Fenton Bailey, Randy Barbato ÉVOLUTION FRANCE / BELGIUM / SPAIN Lucile Hadzihalilovic 〇 〇 SEYMOUR: AN INTRODUCTION USA Ethan Hawke 〇 〇 BREATH OF THE GODS GERMANY / INDIA Jan Schmidt-Garre 〇 〇 MR. DYNAMITE: THE RISE OF JAMES BROWN USA Alex Gibney 〇 〇 OMAR PALESTINE Hany Abu-Assad 〇 〇 2016 LISTEN JAPAN MAKIHARA Eri / DAKEI 〇 BANKSY DOES NEW YORK USA Chris Moukarbel 〇 〇 GERMANY / DENMARK / Karim Aïnouz / Michael Glawogger / Michael CATHEDRALS OF CULTURE NORWAY / AUSTRIA / FRANCE / Madsen / Margreth Olin / Robert Redford / 〇 USA / JAPAN Wim Wenders THE ARK IN THE MIRAGE JAPAN CHIKUMA Yasutomo 〇 SAGRADA, THE MYSTERY OF CREATION SWITZERLAND Stefan Haupt 〇 〇 KORENGAL USA/ITALY/AFGHANISTAN Sebastian Junger 〇 〇 RESTREPO USA Tim Hetherington, Sebastian Junger 〇 JE M'APPELLE HMMM… FRANCE Agnès B. 〇 EL BOTON DE NACAR FRANCE/SPAIN/CHILE/SWITZER Patricio Guzmán 〇 〇 NOSTALGIA DE LA LUZ CHILE/SPAIN/FRANCE/GERMANYPatricio Guzmán 〇 〇 TELL THE PRIME MINISTER JAPAN OGUMA Eiji 〇 BALLET BOYS NORWAY Kenneth Elvebakk 〇 〇 2015 -
Croatian Films 2008/2009
Address Kralja Zvonimira 20, 10000 Zagreb, Croatia Telephone +385 (0)1 465 54 39 Fax +385 (0)1 465 54 42 URL www.havc.hr E-mail [email protected] Acting Director Martina Petrović Collaborators Jadranka Hrga, Ivana Ivišić, Sanja Ravlić i Maja Nikolić In memoriam: Albert Kapović (1957-2008), Director of the Croatian Audiovisual Centre Contents Editor Hrvoje Pukšec Feature Films 8 Collaborators Ivana Ivišić, Ivan Kelava, Zrinka Lazarin Feature Films (Post)Production 30 Translation & Proofreading Feature Films Pre-production 42 Ivana Ivišić, Vera Kordić, Duško Čavić Feature Films Co-production 52 Design Vanja Cuculić, Marko Šesnić i Goran Turković Short Films 60 Printed by Sveučilišna tiskara d.o.o. Zagreb Documentary Films 78 Print run 400 Documentary Films (Pre/Post)Production 98 Publisher Croatian Audiovisual Centre | Zagreb, January, 2009 Animated Films 102 Animated Films (Pre/Post)Production 114 Experimental Films 122 Experimental Films (Pre/Post)Production 130 isbn 978-953-55208-1-8 Contacts 134 Opening towards the World Nikica Gilić In recent years, Croatian cinema has come to be rec- thrillers or French polars (Ostojić’s Nobody’s Son), in increase in international and regional cooperation Having said all this, I should point out that high- Ph. D., film scholar ognized as one of the most vital creative industries in the meditative style of the best Hungarian or Russian continued in 2008, with Buick Riviera, Three Stories quality documentaries and experimental films have the region. Croatian films and filmmakers been feted movies (Goran Rušinović’s Buick Riviera), or using the About Sleeplessness and Will Not Stop There) so one consistently been a great asset to Croatian cinema by reviewers and critics in the international press, as grotesque humour of Mediterranean and Southeastern can argue that Croatian film is opening itself up to the and thankfully, they continue to go from strength to well as by film festival juries at prestigious world festi- Europe (Brešan’s Will Not Stop There and Matanić’s world in yet another way. -
POPIS FILMOVA ZA SATOVE MEDIJSKE-HJ.Pdf
POPIS FILMOVA ZA SATOVE MEDIJSKE KULTURE PO RAZREDIMA (službeni popis) Filmove možete gledati preko navedenih poveznica na CARNet-ovoj MEDUZI putem Carnetove lozinke ili na HRTi portalu uz prethodnu registraciju. Korištenje CARNetove Meduze je potpuno besplatno i dostupno iz cijelog svijeta. No, kako biste pregledali zaštićene video zapise na sustavu (primjerice sadržaje portala Baltazar), potrebno je imati korisnički račun iz AAI@EduHr sustava. Svi zainteresirani korisnici uslugom HRTi mogu se koristiti na platformama poput osobnih računala s operativnim sustavima Windows 7 i novijim te Mac OS X v. 10.7. i noviji sustavima uz korištenje uobičajenih mrežnih preglednika. Usluga je besplatna, a registrirati se možete putem web obrasca ili vašeg Facebook računa. Usluga je dostupna na području cijele Republike Hrvatske. Popis filmova za 1. razred 1. Boris Kolar Vau-vau 2. Marija Jović i Sonja Fabrio Pale sam na svijetu N. Kostelac ; Josip Sudar i Marcel 3. Crvenkapica Čukli 4. Branko Ranitović i Andro Lušičić Srce u snijegu 5. Nick Park Krive hlače Basne i bajke iz naše lektire I. Borivoj Dovniković i Aleksandar 6. Tvrdoglavo mače ; Bijela priča Marks Tko je Videku napravio košuljicu Filmovi iz serije kratkih animiranih i komičnih filmova o Loleku i 7. Boleku, Tomu i Jerryju, Mickeyu Mouseu, Profesoru Baltazaru i Charlie Chaplinu Popis filmova za 2. razred 1. Ivo Vrbanić i Dušan Vukotić Svi crteži grada Dušan Vukotić, Vladimir Tadej 2. Kauboj Jimmy i Vatroslav Mimica 3. Zlatko Grgić i Dušan Vukotić Posjet iz svemira Aleksandar Marks i Dušan 4. Kako je Ana kupila kruh Vukotić 5. Mato Lovrić i Dubravko Težak Putovanje plavog lonca ; Ružno pače 6. -
Hrvatski Film Između Nacionalizirane I Nacionalne Kinematografije Dugi Početak (1896
Tomislav Šakić Hrvatski film između nacionalizirane i nacionalne kinematografije Dugi početak (1896. – 1941.) Kao rođendan filmskoga medija uzima se datum prvih javnih projekcija uz naplatu prikazivanja koje su, svojim patentiranim izumom cinématograp- he, 28. prosinca 1895. u pariškome Grand Caféu održala braća Auguste i Louis Lumière. Film se, kao senzacija koja je prvi put na ekranu prikazala živi pokret i stvarni svijet, širio brzo, pa su prve projekcije u Zagrebu odr- žane već 8. listopada 1896. aparaturom bečkoga kinopoduzetnika Samuela Hoffmana. Idući dan zagrebački Obzor upućeno je izvijestio o „Edisonovu idealu” (kako su izum najavile novine, iako je bila riječ o kinematografu Lumièreovih), tome – kako će ga iste novine nazvati nekoliko dana kasnije – „modernome čudovištu”: Žive fotografije. U dvorani „Kola” izložen je od jučer aparat, prozvan „Ki- nematograf” koji na sučelice namještenu ploču baca razne fotografske slike, na kojima se sve giblje: ljudi, životinje, kola, željeznica, biciklisti itd., pa je sve to tako savršeno, da misliš, da gledaš pravi život na ulicama i željeznicama. Sustav kinematografa jest, da se od prizora, koji se misli reproducirati, ne- čuvenom brzinom snimi na valjak nebrojeno snimaka (u jednoj minuti više hiljada) i tako se taj valjak smjesti u aparat, iz kojega se cielo gibanje, kako je snimljeno u naravi, odrazuje pomoću električnoga svjetla na ploči, smješteno naproti objektivu. Stvar je veoma interesantna i mi ju preporučujemo pažnji našega općinstva. (Škrabalo 1998: 23) Međutim, pitanje je ostavljaju li tada živuće slike dubljega kulturnog traga. Godine 1900. održana je prva javna priredba Umjetno znanstvenoga kazališta Urania, utemeljenoga na inicijativu predstojnika vladina Odjela 300 HRVATSKA NA PRVI POGLED za bogoštovlje i nastavu Izidora Kršnjavoga, a čiji je zadatak bio rad na javnom obrazovanju upravo pomoću modernih optičkih pomagala. -
Call Number DVD-5801 BARNET, Boris Shchedroe Leto
09 January 2020 SSEES DVDs Nos 5801-5900 Page 1 Call number DVD-5801 BARNET, Boris Shchedroe leto [The Generous Summer] [Bountiful Summer] Kievskaia kinostudiia khudozhestvennykh fil´mov, 1950; released 8 March 1951 Screenplay: Evgenii Pomeshchikov, Nikolai Dalekii Photography: Aleksei Mishurin Production design: Oleg Stepanenko, N. Iurov Music: German Zhukovskii Song lyrics: A. Malyshko Nazar Protsenko Nikolai Kriuchkov Vera Goroshko Nina Arkhipova Petr Sereda Mikhail Kuznetsov Oksana Podpruzhenko Marina Bebutova Ruban Viktor Dobrovol´skii Tesliuk Konstantin Sorokin Darka Muza Krepkogorskaia Kolodochka Evgenii Maksimov Prokopchuk Anton Dunaiskii Podpruzhenko Mikhail Vysotskii Zoological technician Alla Kazanskaia Ekaterina Matveevna Vera Kuznetsova Musii Antonovich Georgii Gumilevskii Dar´ia Kirillovna, his wife Tat´iana Barysheva 82 minutes In Russian with optional English subtitles DVD Region code Aspect ratio Languages Optional English subtitles Features Chapter selection Source Rare Films and More 09 January 2020 SSEES DVDs Nos 5801-5900 Page 2 Call number DVD-5802 BASOV, Vladimir Pavlovich Shchit i mech [Shield and Sword] Fil´m 1. Bez prava byt´ soboi [Film 1. Without the Right to be Yourself] Mosfil´m, Tvorcheskoe ob´´edinenie pisatelei i kinorabotnikov, with Defa, East Germany and Start, Poland, 1967; released 19 August 1968 AND Fil´m 2. Prikazano vyzhit´ [Film 2. Ordered to Survive] Mosfil´m, Tvorcheskoe ob´´edinenie pisatelei i kinorabotnikov, with Defa, East Germany and Start, Poland, 1967; released 19 August 1968 AND Shchit i mech [Shield and Sword] Fil´m 3. Obzhalovaniiu ne podlezhit [Film 3. Without the Right of Appeal] Mosfil´m, Tvorcheskoe ob´´edinenie pisatelei i kinorabotnikov, with Defa, East Germany and Start, Poland, 1967; released 2 September 1968 AND Shchit i mech [Shield and Sword] Fil´m 4. -
THE TRAP (Klopka)
THE TRAP (Klopka) “Beautifully executed…deeply moving…a thoroughly involving cinematic experience.” –The Hollywood Reporter Directed by Srdan Golubovic Serbia/Germany/Hungary │ 2007 │ Drama │ In Serbo- Croatian with English subtitles │ 115 min. Film Movement Press Contact: Claire Weingarten │ 109 W. 27th Street, Suite 9B │ New York, NY 10001 │ tel: (212) 941-7744 x 208 │ fax: (212) 491-7812 │ [email protected] Film Movement Theatrical Contact: Rebeca Conget │ 109 W. 27th Street, Suite 9B │ New York, NY 10001 │ tel: (212) 941-7744 x 213 │ [email protected] SYNOPSIS A modern Film Noir reflecting the true face of Serbian “society in transition,” THE TRAP is an archetypal story of a parent’s worst nightmare—a dying child—and how far a man is willing to go to save him. In post-Milosevic's Serbia there is no more war, however normal life remains almost unreachable, and when Mladen is offered an only chance to save his son, he must confront moral and existential demons and decide how to measure the worth of a human life. FESTIVALS AND AWARDS WINNER – Grand Prix, 2007 Sophia Int’l FF WINNER – Best Director; Best Actor, Milano Int’l FF WINNER – Best Director, Cinequest Int’l FF (San Jose) Official Selection – Berlin Int’l FF, Toronto Int’l FF, Palm Springs Int’l FF, Dubai Int’l FF, Portland Int’l FF, Thessaloniki Int’l FF, Copenhagen Int’l FF. Short listed – Oscar for Best Foreign-language film (Serbia's entry for 2007) DIRECTOR’S STATEMENT Says, director Srdan Golubović, “THE TRAP is a film about an ordinary man, who is forced to choose between [the] life and death of his own child. -
Locating the Gothic in Four Australian Novels
‘No storied windows, richly dight’: Locating the Gothic in Four Australian Novels An Exegesis Accompanying ‘Twigs from a Hedge in Winter: an Australian Gothic Novel’ Henry Ashley-Brown Submitted as part of the requirement for the Degree of Doctor of Philosophy Discipline of English School of Humanities The University of Adelaide South Australia August, 2009 Abstract After completing the first draft of ‘Twigs from a Hedge in Winter’, I discovered that my novel contained several elements that placed it within the Gothic genre. Wanting to account for how this happened, I decided to research the genre. In this exegesis I pose the following questions: what defines the Gothic genre and what are the Gothic elements in arguably the world’s first example, Horace Walpole’s The Castle of Otranto. I ask if these can be traced in early Australian literature through to Elizabeth Harrower’s The Watch Tower, Elizabeth Jolley’s The Well and Sonya Hartnett’s Surrender. I examine how my novel is situated within the context of the genre in Australia and account for how my original draft came to display Gothic elements. I also note the adjustments I made to enhance some of these elements in ‘Twigs from a Hedge in Winter’. The words that comprise the title of my novel were uttered in the Old Bailey in eighteenth-century London, when Jack Cooper was sentenced to transportation for life for stealing twigs from a hedge to keep warm in winter. The hedge was on the common land that Jack’s family had owned before Judge Christian Wilson enclosed it, leaving the Coopers to fend for themselves. -
View to More General Losses and the Attempts by the Subjects and the Poet to Navigate Those Events
UNIVERSITY OF CINCINNATI DATE: May 12, 2003 I, Cynthia Nitz Ris , hereby submit this as part of the requirements for the degree of: Doctor of Philosophy (Ph.D.) in: English It is entitled: Imagined Lives Approved by: Don Bogen, Ph.D. John Drury Jim Cummins IMAGINED LIVES A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements of the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of English Composition and Comparative Literature of the College of Arts and Sciences 2003 by Cynthia Nitz Ris B.A., Texas A&M University, 1978 J.D., University of Michigan, 1982 M.A., University of Cincinnati, 1998 Committee Chair: Don Bogen, Ph.D. ABSTRACT This dissertation consists of a collection of original poetry by Cynthia Nitz Ris and a critical essay regarding William Gaddis’s novel A Frolic of His Own. Both sections are united by reflecting the difficulties of utilizing past experiences to produce a fixed understanding of lives or provide predictability for the future; all lives and events are in flux and in need of continual reimagining or recharting to provide meaning. The poetry includes a variety of forms, including free verse, sonnets, blank verse, sapphics, rhymed couplets, stanzaic forms including mad-song stanzas and rhymed tercets, variations on regular forms, and nonce forms. Poems are predominantly lyrical expressions, though many employ narrative strategies to a greater or lesser degree. The first of four units begins with a long-poem sequence which serves as prologue by examining general issues of loss through a Freudian lens. -
Filmkrantindex 0-166
Inhoud/Toelichting 1 INDEX NR 0 T/M 166 T/M 0 INDEX NR Deze index op de nummers 0 tot en met 166 van de Filmkrant is ingedeeld in de hieronder vermelde categorieën. Elke categorie is gealfabetiseerd: op trefwoord, op titel of op naam. De alfabetisering volgt het 'computer-systeem', d.w.z. dat begonnen wordt met leestekens ('Crocodile' Dundee), vervolgens cijfers (06) en daarna letters (A demain). Artikelen .............................................................................. 2 Filmrecensies ................................................................... 20 U vindt hier artikelen en series (b.v. Flashback) die buiten In deze categorie vindt u uitsluitend echte recensies met alle andere categorieën vallen. Géén filmbesprekingen of credits. de inhoud van de rubrieken 'Nieuws' of 'Geruchten- machine'. Films op video ................................................................ 37 Sinds kort de rubriek waar films worden besproken die Boekrecensies ................................................................... 8 wel op video maar niet in de bioscoop worden uitge- Hier vindt u echte boekrecensies, niet de rubrieken van bracht. U vindt hier geen credits, alleen de uitbreng- Jan Hilkemeijer en Anita Snoek. datum en de distributeur. Columns ............................................................................... 10 Interviews .......................................................................... 39 Persoonlijke notities van Jan Beijsterbos, Jan Heijs, Ian U treft hier, naast interviews met filmmakers over hun Kerkhof,