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Sadržaj Contents Logotip - Hrvatska verzija 62. Pulski filmski festival održava se pod visokim pokroviteljstvom predsjednice Republike Hrvatske Kolinde Grabar-Kitarović 62nd Pula Film Festival is being held under the high patronage of Kolinda Grabar-Kitarović, the President of the Republic of Croatia Logotip - Engleska verzija Sadržaj Contents Tko je tko Who is who 3 Uvodna obraćanja Introductions 4 Ocjenjivački sudovi i nagrade Juries and Awards 10 HRVatSKI PROGRAM CRoatiaN PROGRAMME 26 Dugometražni film – natjecanje Features – Competition 26 Kratkometražni film – natjecanje Shorts – Competition 58 MeđUNARODNI PROGRAM INTERNatioNAL PROGRAMME 68 Dugometražni film – natjecanje Features – Competitions 68 Dugometražni film – izvan konkurencije Features – Out of Competition 84 Samo kratko Short Matters! 90 StudENTSKI PROGRAM StudENT PROGRAMME 98 DIZALica – program za mlade Youth Programme 110 PuLica – program za djecu Children' s Programme 116 SUSJEDI I PRijatELJI NEIGHBOURS AND FRIENDS 130 Retrospektiva – Ivana Primorac Retrospective – Ivana Primorac 134 Pulska kinoteka Pula Cinematheque 142 Festivalski hommage – Tomislav Radić Festival Hommage – Tomislav Radić 150 PoPRatNI PROGRAMI SIDEBAR PROGRAMME 156 PULA PROfessional 158 Izložbe Exhibitions 168 Portarata 173 P. S. Pula 174 Pulica u kaputu Coated Pulica 175 2 Tko je tko Who is who VIJEĆE PULSKOG FILMSKOG FESTIVALA / PULA FILM FESTIVAL COUNCIL Berislav Šipuš, predsjednik / president Valter Flego, Boris Miletić, Hrvoje Hribar, Goran Radman, Danilo Šerbedžija, Ivan Goran Vitez, Hrvoje Osvadić, Jasna Jaklin Majetić, Vladimir Torbica, Valter Boljunčić, Klara Udovičić UPRAVNO VIJEĆE JAVNE USTANOVE PULA FILM FESTIVAL BOARD OF DIRECTORS OF THE PULA FILM FESTIVAL PUBLIC INSTITUTION Jasna Jaklin Majetić, predsjednica / president Vesna Sajić, Amra Pende, Ivan Nekić, Tamara Brščić RAVNATELJICA / DIRECTOR Gordana Restović UMJETNIČKI SAVJET / ARTISTIC BOARD Hrvoje Pukšec, predsjednik / president Mike Downey, Tanja Miličić POSLOVNA TAJNICA / BUSINESS SECRETARY Sanela Omanović PRODUCENTICA / PRODUCER Nataša Šimunov FINANCIJE I JAVNA NABAVA / FINANCE AND PUBLIC PROCURMENT Tamara Brščić MARKETING Sandra Petrović Dishpalli, Bojana Babajić URED ZA GOSTE, PROTOKOL I PRODAJU / HOSPITALITY PROTOCOL AND SALES Suzana Požgaj, Barbara Sintić Uhač KOORDINATORICA FILMSKOG PROGRAMA / FILM PROGRAMME COORDINATOR Sanja Đurić KOORDINATORICE PULA PROFESSIONAL PROGRAMA / PULAPROFESSIONAL PROGRAMME COORDINATORS Kristina Ivček, Mihaela Cenkovčan KOORDINATOR VOLONTERA / VOLOUNTEER COORDINATOR Marko Drandić KOORDINATORICE RADIONICA ZA DJECU I MLADE / CHILDREN'S WORKSHOP COORDINATORS Željka Ferenčić, Nerma Mehadžić KOORDINATORICA KRITIKE MLADIH FILMOFILA / YOUNG CINEPHILES COORDINATOR Sabina Softić GLASNOGOVORNICA / SPOKESPERSON Ana Šimunović MODERATOR PRESS KONFERENCIJA / PRESS CONFERENCE MODERATOR Boško Picula FOTOGRAFI / PHOTOGRAPHS Slaven Radolović, Matija Šćulac INTERNETSKA STRANICA / WEB PAGE Ljiljana Kragulj, urednica / editor IT podršKA / IT SUPPORT Sergej Turčinov TEHNIKA / TECHNICAL PRODUCTION Veljko Ujčić, Dobrosav Simić Yetti VIZUALNI IDENTITET / VISUAL IDENTITY Studio Sonda, Poreč 3 Ministar kulture Republike Hrvatske Minister of Culture of the Republic of Croatia Festival u Puli već je više od šest desetljeća svečanost koja jednako zaokuplja i stvaraoce i građane. Ali ni svečanosti nisu uvijek iste. Ovogodišnji Festival pomalo na raznim razinama mijenja svoju formu, ali i sadržaj. Naravno da su igrani filmovi njegov osnovni sadržaj, no stvaranjem Umjetničkog savjeta polako se puko prikazivanje u Areni širi na značajne i korisne dopune. Izbor filmova za ovogodišnji Pulski filmski festival bio je izazov jer iza nas je najproduktivnija filmska godina – prijavljeno je čak 28 dugometražnih igranih i dokumentarnih filmova, od kojih četrnaest naslova čini glavni program. No, prošle godine oformljena PulaPro ove godine svoj edukacijski ciklus u cijelosti posvećuje filmskoj scenografiji. Odabran je bogat i zanimljiv program namijenjen djeci. U pulskoj Kinoteci prisjetit ćemo se nekih naslova s ranijih festivala. Strani program omoguća- va građanima da vide niz pobjednika na međunarodnim festivalima poput Berlina i Cannesa. Ocjenjivačke sudove čine strani filmski djelatnici udruženi s domaćim snagama. Mali, ali veoma vrijedni pomaci koji zasigurno mogu obnoviti slavu ovog dugovječnog festivala. Važnim iskorakom smatram ulazak dokumentarnog filma u Arenu. Bilježiti stvarnost postala je i potreba gledatelja, a ne samo autorski način izražavanja; svakodnevica se ne bilježi samo film- skom kamerom, nego i mobilnim telefonima. Ona se sve više pretvara u virtualnu svakodnevicu kojom se ipak najviše bori protiv čovjekove prolaznosti. No, autori koji stvaraju dokumentarce bore se za ideju, za kritiku, za baštinu koja će u budućnosti svjedočiti o nama današnjima. Ta opojnost svakodnevice sve više ulazi i u igrani film koji ne poseže za literarnim predlošcima, nego sve odvažnije priča i izgovara društvene pa i političke probleme. Taj zaokret u igranom filmu polako, ali uspješno sve više na međunarodnoj sceni uspostavlja poziciju hrvatskog fil- ma kao novog fenomena. Svakako najbolji dokaz tomu mnogobrojna su priznanja hrvatskim filmovima na festivalima, a osobito priznaje stručnog žirija u Cannesu filmu Zvizdan. Tome je doprinijela i nova organizacija stvaranja i sufinanciranja filmova što ju kreira Hrvatski audi- ovizualni centar, a podupire i Hrvatska televizija. Možemo slobodno reći da ulazimo u zrele godine audiovizualnog stvaralaštva. Pulski filmski festival nije samo smotra dostignuća, nego i mjesto ideja. Naši autori posljednjih godina sve više posreduju europsku ideju – zajednički život s drugima i drugačijima. Otvorenost prema raznim vjeroispovijestima, raznim narodima i civilizacijama, bilo prošlim bilo sadašnjim, jasno uspostavlja hrvatski film kao novi napor kulture da uspostavi nove komunikacije ne samo u nedavno ratom razorenoj regiji, nego i u svjetski pokolebanom zajedništvu. Ta želja da se obnovi povjerenje i radost suradnje vidljiva je u mnogim filmovima koji pred- stavljaju glavni program. Ove godine s ekrana u Areni pruža se ruka dobrodošlice svima koji žele i vjeruju u zajedničku budućnost ne samo raznih civilizacija, vjera i naroda, nego i spas našeg izranjavanog planeta. Berislav šipuš 4 UVODNA OBRAćANja Film in Pula is an event that has been captivating the minds of both authors and citizens for more than six decades. However, the festival has evolved. This year’s edition has changed its form and its content at several levels. Of course, feature films are at the core of the Festival.B ut, with the establishment of the Artistic Board the mere film showcasing in the Arena has been extended to important and valuable sidebar programmes. The selection of films for this year’s Festival presented a challenge because this has been the most productive cinematic year so far – as many as 28 feature-length and documentary films have been submitted, out of which 14 works comprise the main programme. Moreover, last year saw the creation of the Pula Pro sec- tion, this year dedicated entirely to production design. An interesting children’s programme has been selected. The Pula Cinemateque will showcase some of the works from previous festivals. The International Programme enables the citizens of Pula to see a series of films awarded at international festivals such as Berlin and Cannes. Juries are formed of foreign filmmakers joined by national partners. Little but extremely valuable steps forward that can restore the glory of the long-lived Festival. Another important step forward that I would like to point out is the introduction of docu- mentaries into the Arena. It has become the necessity of spectators as well, and not just a manner in which authors express themselves, to record reality. Everyday life is not just recorded on video cameras, but also on mobile phones. It is increasingly being converted into virtual reality used as a way of fight against transience. However, documentary authors fight for an idea, for a critique, for the heritage that will bear witness for the future. The lure of the everyday life has been increasingly penetrating feature-length films that are no longer relying on adaptations of literary works but rather tell and expresses social and political problems in a daring manner. This turn in terms of feature-length films has slowly but successfully been positioning Croatian film as a new phenomenon on the international stage, as evidenced by the awards granted to Croatian films at festivals worldwide, par- ticularly the Jury Prize at Cannes to The High Sun. Another element that has contributed to this trend is the new production and co-financing framework created by the Croatian Audivisual Centre, with the support of the Croatian Public Television. We can safely say we are reaching maturity in terms of audio-visual creation. The Pula Film Festival is not only showcasing achievements, it is a place of ideas. In the recent years, our authors have been promoting the European idea – living with others and respecting differences. Being open to different religious affiliations, nations and civilizations, either past or present, has clearly established Croatian film as a new cultural effort to create new communication channels not only within the war-torn region but also in the globally shaken sense of togetherness. This desire to restore confidence and the joy of cooperation is visible in many of the films in the main programme. This year, the screen in the Arena is sending out a welcome message to everyone
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