Alice in Wonderland (Le Gallienne & Friebus)” Is Presented by Special Arrangement with SAMUEL FRENCH, INC

By Eva Le Gallienne and Florida Friebus Adapted from Lewis Carroll Directed by Ian Gallanar April 27 – May 27, 2018 CHESAPEAKE SHAKESPEARE COMPANY Season 2017-2018 is presented by Presented by

“Alice in Wonderland (Le Gallienne & Friebus)” is presented by special arrangement with SAMUEL FRENCH, INC. High sparks of honor in thee have I seen. Thank You - Richard II Season 2017-2018 is presented by

Additional Sponsors and Funders Include

This production has been funded by Mayor Catherine E. Pugh and Mayor Catherine E. Pugh & the City of Baltimore the Baltimore Office of Promotion and The Arts The Citizens of Baltimore County

The William G. Baker, Jr. Memorial Fund creator of the Baker Artist Awards | www.bakerartistawards.org

Community Partners and Media Partners

Education Partners and Acknowledgments

Morgan State University Vet Arts Connect High Point University Institute for Integrative Health

2 ALICE IN WONDERLAND Wonder and Wonderland A Note from the Founding Artistic Director

Alice: Would you tell me, please, which way I ought to go from here? The Cheshire Cat: That depends a good deal on where you want to get to. Alice: I don't much care where. The Cheshire Cat: Then it doesn't much matter which way you go. Ian Gallanar Alice: ...So long as I get somewhere.

There’s so much to love about Lewis Carroll’s Alice in Wonderland (and Alice Through the Looking Glass). The characters are fantastic and funny and odd and unpredictable. These are EXACTLY the kind of folks I like to hang out with in my life.

And these characters and these lines and this world give me A Little Conversation About Art: such a thrill. In this illuminating series of I’ve been looking forward to our producing Alice in Wonderland lively conversations, Founding Artistic Director Ian Gallanar for several years now. I like theater that does as Terry Gilliam exchanges ideas with CSC’s said about his fi lm Time Bandits: “I want something that’s smart leading artists. enough for kids, but action packed enough for adults.” Not only No. 5: Hot Oﬀ the Presses is that how I feel about theater for families, it’s a sentiment (and with CSC’s Resident Costume syntax) for which Lewis Carroll would have approved. But what Designer Kristina Lambdin. does it mean? What are we to learn from Alice in Wonderland? Read the series online at ChesapeakeShakespeare.com. We might learn something about the care and feeding of a Read Q&A on Page 7 Jabberwock. It may be that Mr. Carroll wanted us to have a clearer intellectual understanding of 19th Century politics through satire. Perhaps Alice is in a developmental period portrayed as she is engaged in a romance quest for her own identity and growth, for some understanding of logic, rules, the games people play, authority, time, and death.

Or maybe it’s all about the Walrus.

I just hope you enjoy the play. I do. I think it’s a great old story that deserves to be told over and over again. As with our A Christmas Carol, I fi nd great purpose in the telling of well-known tales. Mmm… kinda like Shakespeare. Goo goo g’joob! Warmly,

Ian Gallanar Founder and Artistic Director

BOARD OF TRUSTEES Laura Boydston President Robin Hough Vice President Earle W. Pratt, III Treasurer CHESAPEAKE SHAKESPEARE Lesley Malin Secretary COMPANY Kevin G. Burke Bill Henry Emily Rockefeller Kimberly Citizen Jack McCann Nan Rohrer Ian Gallanar Linda Pieplow David Stack Scott Helm Sean Rhoderick

ALICE IN WONDERLAND 3 A Bounty of Benefits for Our Beloved Subscribers A Note from the Managing Director

"The Seasons Alter" -- A Midsummer Night’s Dream

Lesley Malin We love our audiences. We love that you are so engaged in our community that you come Downtown to see great theatre. Our actors love talking to you after the shows. We love hearing from you in your notes and calls, too. We treasure the relationship between our patrons and our artists and staff . It’s our pleasure to do our best for you.

So you can understand that we do even more for our subscribers, because they fi nd their experiences with us so meaningful that they plan to spend time with us every few weeks. We show subscribers how much we care in some pretty concrete ways:

• Savings of up to 20% on ticket packages, compared to buying individual tickets. This includes best prices on our Flex 4, Flex 3, and Saturday Matinee choices.

• A 10% discount on Adult and Senior single tickets purchased by subscribers all season long (on all plays except the Movable Macbeth). We hope this helps subscribers bring friends or family with them or make a lovely gift of tickets to someone special.

• Season Extras: Subscribers get fi rst dibs on hot tickets to ourtwo add-on plays. They enjoy the lowest prices we will off er for A Christmas Carol tickets (which are not part of this season’s subscription series). Also, the highly-coveted tickets to our Movable Macbeth are available to subscribers now, before they’re off ered for sale to the public. Our movable plays outdoors in Ellicott City sell out quickly, because we are limited to only about 100 patrons walking with the actors per performance. Order your add-ons before August 6th.

Here are some other nifty notable new things about next season:

• Don’t miss the Henry IV Saturday Marathon: Part I, dinner, Part II. Watch for an off er to join us at this signature event. Enjoy a Falstaffi an Feast of Shakespeare!

• Saturdays are for friends and family: Our value-priced tickets for ages 25 and under are now available on Saturday nights.

• Where do I eat before the show? The No. 1 question asked at the box offi ce has a new answer: We are delighted to let you know that the superb (and show-time conscious) Chez Hugo bistro is now open just next door to the theater at 206 East Redwood.

Join us for our 2018-2019 Season. Enjoy our gorgeous theater and festival stage, our informal and friendly atmosphere, and our excellent, exciting productions. We can’t wait to have you back!

Warmly,

Lesley Malin Managing Director

4 ALICE IN WONDERLAND ALICE IN WONDERLAND 5 6 ALICE IN WONDERLAND Hot Off the Presses: you imagine to be a great Kristina Lambdin is CSC’s res- A Little Conversation ident Costumer Designer and About Art, idea doesn’t turn out so when has been the leader of CSC’s with Ian Gallanar it comes time to put it into Costumer Design since 2003. and Kristina Lambdin reality. She is known as one of the finest designers working in IAN: One of the things that the region’s theatrical profes- I hear over and over again sion. She has designed more from actors is how much they than half of all of CSC’s pro- like wearing the costumes ductions and is the Costume you design and build. This is Designer for this production obviously important to you. of Alice in Wonderland. Artistic Can you talk about why? Director Ian Gallanar counts on Kristina Lambdin – along KRISTINA: I can’t say that I with Resident Technical set out to make costumes Director Daniel O’Brien - to comfortable for the actors. It steer the design aesthetic just seems to happen! I think for CSC. Kristina Lambdin it just comes as a result of try- ing to make “clothing.” I want IAN: For people who only the actors to seem, and feel, have a rough idea of what a my original design but being natural in what they wear. costume designer does: What able to make smaller adjust- The costume is a part of the does a Costume Designer do? ments based upon how all character, and that character the elements are coming needs to be believable. KRISTINA: Short answer… together. Sometimes what Continued on page 19 design costumes. Longer answer… A Costume Designer works with the director and production design team in creating the look for a show. In larger companies, the costume designer then works with the costume shop in making sure the costumes get made/created to the designer's specifications. In many smaller theatres, the costume designer is also responsible for making/creating the costumes.

IAN: Speaking of building, many costume designers don’t participate in the building of costumes, but you do. Why is that?

KRISTINA: I like to design as I build. I like to be able to make changes in my design as I go...not to the point of Costumes for Anne of the Thousand Days by Kristina Lambdin, worn by Lizzi Albert, Matthew Ancarrow, Martin Evans, Keith Snipes. Photo by Teresa completely departing from Castracane.

ALICE IN WONDERLAND 7 Chesapeake Shakespeare Company Ian Gallanar+ Founding Artistic Director Lesley Malin+ Managing Director

Alice In Wonderland By Eva Le Gallienne and Florida Friebus Adapted from Lewis Carroll Director and Sound Designer: Ian Gallanar+ Assistant Director: Lizzi Albert+ Production Manager: Kyle Rudgers+ Production Stage Manager: Alexis E. Davis+ Technical Director and Projections Designer: Daniel O’Brien+ Set Designer: Chester Stacy+ Lighting Designer: Katie McCreary+ Costume Designer: Kristina Lambdin+ Properties and Puppet Designer: Jess Rassp+ Dance Choreographer: Nellie K. Glover+

SETTING: Alice’s Sitting Room Wonderland CAST (in order of appearance)

ALICE ...... Alexandra Palting WHITE RABBIT AND OTHERS...... Michael Toperzer CATERPILLAR, TWEEDLE DUM AND OTHERS ...... JC Payne DUCHESS, TWEEDLE DEE AND OTHERS ...... Donna Ibale MAD HATTER AND OTHERS ...... Vince Eisenson+ MARCH HARE AND OTHERS ...... Robby Rose+ GRYPHON, HUMPTY DUMPTY AND OTHERS ...... Terrance Fleming MOCK TURTLE AND OTHERS ...... Gregory Atkin KING OF HEARTS AND OTHERS ...... Steven Hoochuk QUEEN OF HEARTS AND OTHERS ...... Briana Manente RED QUEEN AND OTHERS ...... Mabelle Fomundam WHITE QUEEN AND OTHERS ...... Hannah McKechnie

Stage fog will be used in this production. There will be one 15-minute intermission. MUSIC CREDITS: Alice in Wonderland lyrics by Eva Le Gallienne and Florida Friebus (adapted from Lewis Carroll).

Music composed by Ian Gallanar Preshow and Intermission Music performed by the Cast: “English Tea” by Paul McCartney; “Mr. Richland’s Favorite Song” by Harry Nilsson; “White Rabbit” by Grace Slick; “Don’t Come Around Here No More” by Tom Petty and David A. Stewart.

THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRO- DUCTION OR DISTRIBUTING RECORDINGS ON ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FOR MORE INFORMATION, PLEASE VISIT: WWW.SAMUELFRENCH.COM/WHITEPAPER

“Alice in Wonderland (Le Gallienne and Friebus)” is presented by special arrangement with SAMUEL FRENCH, INC.

8 ALICE IN WONDERLAND ARTISTIC AND PRODUCTION STAFF Director and Sound Designer ...... Ian Gallanar+ Assistant Director ...... Lizzi Albert+ Production Manager ...... Kyle Rudgers+ Production Stage Manager ...... Alexis E. Davis+ Technical Director and Projections Designer ...... Daniel O’Brien+ Set Designer ...... Chester Stacy+ Lighting Designer ...... Katie McCreary+ Properties and Puppet Designer ...... Jess Rassp+ Costume Designer ...... Kristina Lambdin+ Dance Choreographer ...... Nellie K. Glover+ Music Director ...... Grace Srinivasan Hair, Wig and Makeup Designer ...... Sandra Spence Assistant Stage Manager ...... Taylor Gulotta Properties Master ...... Pauline Lamb Master Electrician and Light and Sound Board Operator ...... Michael Lonegro+ Run Crew ...... Sierra King and Christina Helm Costume Assistant ...... Jennifer Bae Wardrobe Supervisor ...... Hannah Brill Costume Intern ...... Tylar Hinton Costume Stitcher ...... Elizabeth Chapman Dance Captain ...... Donna Ibale House Managers ..... Donna Burke, Pam Forton, Tyler C. Groton, Ruthie Griffi th+, Mary Pohlig+

+CSC Company Member

SPECIAL THANKS: CSC’s volunteers and ushers; Bin 604; Arrow Parking; Mount Royal Printing Co.; Dockside Video; Enoch Pratt Free Library’s Patterson Park Branch; Baltimore STYLE magazine; Troika Costume Shop; Creative Circle; O’ Wonderful Cupcakes; Debra Harrison and Atmosphere, Inc; Todd M. Zimmerman Design; Jan Purnell, tea consultant; Cameron Whitman, Colin Stanley and Joseph Hyde, photographers; Lady Tatum, production intern; Helena Pierce, marketing intern; Alexis E. Davis, marketing associate; Bill Rauch, Oregon Shakespeare Festival, Chez Hugo, Gibby’s Dollhouses and Miniatures.

Cut paper art by Annie Howe Website: http://www.anniehowepapercuts.com Instagram: @anniehowepapercuts

On the cover: Alexandra Palting as Alice, Vince Eisenson as Mad Hatter, Robby Rose as March Hare Photo by Cameron Whitman.

ALICE IN WONDERLAND 9 Who’s Who CAST PHOTOS, in alphabetical order

Gregory Vince Terrance Atkin Eisenson+ Fleming

Mabelle Steven Donna Fomundam Hoochuk Ibale

Briana Hannah Alexandra Manente McKechnie Palting

JC Robby Michael Payne Rose+ Toperzer

+CSC Company Member

10 ALICE IN WONDERLAND Bios CAST (in alphabetical order) Hamlet (swing) and The Imaginary Invalid at Shakespeare Theatre Company; Romeo and Gregory Atkin (Fish Footman/Mock Turtle/ Juliet (u/s, perf) at Folger Theatre; Merchant Gentle Voice/ Jabberwock Puppeteer) is of Venice at Faction of Fools; Whipping, or the making his CSC debut. He was most recently Football Hamlet and Fear at Longacre Lea; seen in How I Became a Pirate at Adventure Kafka's Metamorphosis at Synetic Theater; Theatre MTC; A Dream Within A Dream: A Julius Caesar with Lean & Hungry Theater; Madness at Through the Fourth Wall Produc- and Richard II at PlayMakers Repertory. Tele- tions; Twelfth Night at Prince George’s County vision credits include American Genius and Shakespeare in the Park; and featured in the Turn: Washington's Spies. Source Festival at the Source Theatre. He holds a BFA in Theatre Performance from Terrance Fleming (Lory/Cook/Gryphon/ Ohio University. Beetle Voice/Humpty Dumpty) is making his CSC debut. Since moving to Baltimore he has Vince Eisenson (Mad Hatter/Cheshire Cat appeared in many productions, including Voice/Goat Voice/Jabberwock Puppeteer) The Cradle Will Rock with Iron Crow Theatre, is a member of CSC’s Resident Acting Memphis with ArtsCentric Theatre, Romeo Company and a CSC Teaching Artist. He and Juliet with The Green Globe Theatre, has appeared in CSC's Julius Caesar, Richard Grey Gardens with Stillpointe Theatre, and III, Macbeth, Wild Oats, Romeo and Juliet, Schoolgirl Figure with Cohesion Theatre. and A Midsummer Night’s Dream, among Terrance holds a BFA, with an emphasis in others. Regional credits include King Lear performance, from the University of South- and The Tooth of Crime at WSC Avant Bard; ern Mississippi. He is from Mobile, AL, and moved to Baltimore in January 2016.

Mabelle Fomundam (Dormouse/Knave of Hearts/Red Queen/Oyster Puppeteer) is making her CSC debut. She has been in the plays Boardin' Time, The People’s Corporation of the District of Columbia, Vacation, Yet I Stand, Head Talks, and That Part is True. Mabelle is also a member of the Smithso- nian’s Discovery Theater ensemble. She holds two bachelors’ degrees, in Theatre Studies and Biological Sciences, from the University of Maryland, Baltimore County. www.nungmabelle.com

Steven Hoochuk (Duck/King of Hearts/ Walrus) has appeared with CSC as Antonio in The Tempest (2017), Mortimer in The Fan- tasticks, Baptista/Haberdasher in The Taming of the Shrew (2017), Peter Quince/Egeus in A Midsummer Night’s Dream (2011), Belarius in Cymbeline, Marcus Andronicus in Titus Andronicus (2010), and Leonato in Much Ado About Nothing (2010). He has appeared in numerous roles with Maryland Shakespeare

ALICE IN WONDERLAND 11 Bios Festival, Annapolis Shakespeare Company, ingbird, The Tempest, As You Like It); and New Shakespeare Theatre Company, and Solas Brooklyn Theatre (Las Meninas). Hannah’s film Nua. He attended Rutgers University, and credits include: The Other Side of Happiness the Shakespeare & Company Intensive Actor (Awarded Best Actress by Alternative Film Training Program. Festival) and Ocean's 8. Television credits are: CBS (Blue Bloods), and Investigation Discovery Donna Ibale (Eaglet/Duchess/Tweedle (Pandora's Box). She holds a BFA in Acting Dee/Jabberwock Fighter, Dance Captain) is from Boston University and Classical Semester making her CSC debut. Donna is originally from LAMDA. While attending McDonogh from Los Angeles, CA where she was the School, she performed in Julius Caesar and resident choreographer for Zombie Joe’s Un- Twelfth Night produced with a CSC residency. derground Theatre Group. Her favorite roles/ www.hannahmckechnie.com productions include: Avenue Q (Christmas Eve), A Doll’s House (Nora), Into the Woods Alexandra Palting (Alice) is making her CSC (Jack’s Mother), Romeo and Juliet, Our Town, debut. Recent credits include The Princess Xanadu, Sweet Charity, The Music Man, The and the Pauper with Imagination Stage, Top Raven; Rapid Lemon Productions: The Vari- Girls with Keegan Theatre, Assassins with ations Project, and Love is a Blue Tick Hound. Pallas Theatre Collective, and Coriolanus In Baltimore, Donna is a founding company with Shakespeare in Clark Park. In addition member & resident artist of Rapid Lemon to being an actor, Alexandra is also an active Productions. Donna is a proud graduate of classical, sacred, and jazz vocalist. She is a the Pacific Conservatory of Performing Arts graduate of the University of Delaware (PCPA Theatrefest - Santa Maria, CA). and the Royal Academy of Dramatic Art. www.alexandramariapalting.com. Briana Manente (Frog Footman/Queen of Hearts/Carpenter/Leg of Mutton Puppeteer) JC Payne (Caterpillar/Seven of Spades/ has appeared with CSC as Mar Antonia in Tweedle Dum/ Jabberwock Puppeteer) is Julius Caesar and Emilia in Othello, and with also appearing as Romeo in CSC’s school CSC’s Blood & Courage Company as Count- matinee production of Romeo and Juliet and ess and Mariana in All's Well That Ends Well. was Young Scrooge in CSC’s A Christmas She has appeared in As You Like It and Romeo Carol (2017). Previous credits include Conrad and Juliet with Shakespeare in the Parks: in Much Ado About Nothing, Ferdinand in Prince George’s County, where she is Associ- The Tempest, Grey in Richard III, and George ate Artistic Director; ’Tis Pity She's a Whore in in Our Town with Annapolis Shakespeare; repertory with A King and No King; and Henri Justin in In The Cotton with Farm Theater IV: the Re-Gendered Henry IV Repertory with Project; Konstantin in The Seagull with Gam- Brave Spirits Theatre; Cymbeline and an all-fe- ut Theater Group; Con in Stupid Fxxxxxx Bird male Macbeth with Theater Prometheus, with Silver Spring Stage; Cory in Fences and among many regional credits. She holds an Asagai in A Raisin in the Sun with Open Stage MFA from the Catholic University of America Harrisburg; and Matt in Dog Sees God with and a BA in Theater, Film, and Media Studies Bare Bones Theatre Ensemble. from St. Mary's College of Maryland. Robby Rose (Dodo/March Hare/Gentleman Hannah McKechnie (Swimming Mouse/Five in White Paper Voice/Jabberwock Puppe- of Spades/Harsh Voice/White Queen/Oyster teer) is a CSC Company Member and CSC’s Puppeteer) is making her CSC debut. Her Production and Education Assistant. He theater credits include Olney Theatre Center was Production Manager for CSC’s Blood & (Opus U/S); National Players (To Kill a Mock- Courage company productions of All’s Well

12 ALICE IN WONDERLAND Bios

That Ends Well and Unscene. He has appeared Shakespeare in the Park, and the Repertory in CSC’s The Fantasticks, Much Ado About Theater of America. Ian is a proud member Nothing (2015), The Comedy of Errors, Richard of the distinguished National Theatre Con- II, A Midsummer Night’s Dream (2014 and ference; a Helen Hayes Tribute Award, Telly 2011), Dracula, Romeo and Juliet (2016, 2015, Award and Howie Award (Howard County 2014) Pride and Prejudice, Cymbeline, Hamlet, Arts Council) winner; and the recipient of the A Christmas Carol (2016) and Twelfth Night. Distinguished Alumni Award from Indiana University of Pennsylvania. He is the Vice Michael Toperzer (White Rabbit/Guard President and President-Elect of the interna- Voice/Jabberwock Puppeteer) is also tional Shakespeare Theatre Association. appearing in the roles of Abraham and Friar Lawrence in CSC’s Romeo and Juliet. Recent Lesley Malin (Managing Director) is a credits include Keith in Don with The Secret founder of the Chesapeake Shakespeare Theater, The Attendant in The Last Poet on Company, and has served as its Managing Mars with Brooklyn Actors Troupe; Malvolio Director since 2003. She managed CSC’s in Twelfth Night with Monday Theater Co., building renovation of an 1885 bank into our Tybalt and Paris in Romeo and Juliet with modern Shakespeare playhouse as well as Occupy Verona, Fluello in The Honest Whore the associated $6.7 million capital campaign. with The Flea Theater, Mel in Slam! with Her acting credits at CSC include Paulina Sequoia Theater Co., and Lucius Andronicus in The Winter’s Tale, Lady Macbeth, Amelia in Titus Andronicus with Empty Chair Theater. in Wild Oats, Lady Bracknell, Mrs. Fezziwig, He holds a BFA in Acting from Adelphi Uni- Beatrice (2010), Mrs. Bennet, Mistress Page versity, through which he studied abroad at in The Merry Wives of Windsor, the Queens in London Dramatic Academy. Richard III (2012, 2017) and Cymbeline, and Titania (2005). Previously, she performed in New York. She has, for 15 years, been the ARTISTIC and TECHNICAL CREW and vice president of the board of trustees of The PRODUCTION STAFF Lark, a new play development center in New York City, where she once served as Manag- Ian Gallanar (Director, Sound Designer, ing Director. She served for five years on the Founding Artistic Director) In addition to Executive Committee of the international founding the Chesapeake Shakespeare Shakespeare Theatre Association and orga- Company in 2002, Ian has worked as a nized its annual conference that CSC hosted professional actor, director, and writer for in Baltimore in 2017. She is a graduate of more than 150 professional productions. Washington University in St. Louis, NYU’s He has directed 33 productions for CSC Arts Management program, and Leadership including productions of The Taming of the Howard County, and is a 2018 LEADERship Shrew (2017 and 2013), Othello, Wild Oats, Baltimore member. Titus Andronicus, A Christmas Carol (original adaptation, 2014 and 2017), Romeo and Ju- Lizzi Albert (Assistant Director) is a CSC liet (2015, 2003), Uncle Vanya (2015), Twelfth Associate Artistic Director, teaching artist, Night (2002), A Midsummer Night’s Dream and resident actor. She directed CSC's (2005, 2010, 2014), King Lear (2006), Macbeth 2017 production of The Tempest, as well as (2007), Lysistrata (original adaptation, 2010), Macbeth for CSC's collaboration with Notre Our Town (2011), Richard III (2012), and The Dame of Maryland University and All's Well Merry Wives of Windsor (2014). Previously, That Ends Well for CSC’s Blood & Courage Ian has served as Artistic Director for the Company. CSC acting credits include Richard National Theatre for Children, Minnesota III, Anne of the Thousand Days, Wild Oats,

ALICE IN WONDERLAND 13 Bios

Uncle Vanya, The Importance of Being Earnest, work: Everyman (CCBC Essex), Lear (Single and others. Other regional credits include Carrot Theatre). She holds a BS in Acting assistant directing Pluto with Forum Theater from Towson University. and performing at Constellation Theater Company, the American Century Theater, Taylor Gulotta (Assistant Stage Manager) Barabbas Theatre, and Peter's Alley Theater was recently the Assistant Stage Manager for Company. BFA NYU Tisch/Stella Adler. CSC’s The Winter’s Tale. She has worked with www.lizzialbert.com. The Gateway Playhouse as the Stage Man- agement Apprentice on Swing!, On the Town, Elizabeth Berman (Finance Manager, Little Shop of Horrors, Mamma Mia! and The Development Manager) has a Master of Arts Lion King Jr. She was Assistant Stage Man- degree in Arts Administration from Goucher ager for the Heritage Theatre Festival’s 2016 College and two bachelor’s degrees from season. She graduated from Washington and Johns Hopkins University. Liz is a classically Lee University as a double major in Theater trained musician who teaches at The Music and Strategic Communication, and while Institute at HCC and serves as the Principal there served as the resident stage manager Oboist of the Columbia Orchestra. She has for many mainstage plays and musicals. been at CSC since 2012. Ron Heneghan (Director of Education) over- Hannah Brill (Wardrobe Supervisor) worked sees education programs for CSC. More than with CSC on wardrobe for The Winter’s Tale 15,000 students have attended professional and The Taming of the Shrew (2017). She is a Shakespeare performances in the student Design and Production and Metalsmithing matinee program managed by Ron during major at Towson University. the last three years. He also supervises the in-school residency program where CSC Alexis E. Davis (Production Stage Manager) Teaching Artists embed in English/Language was stage manager for CSC’s Romeo and Arts classrooms as a resource for teachers Juliet (2018, 2017 and 2016), Red Velvet, A and a learning experience for their students. Christmas Carol (2017), Julius Caesar, The Ron has taught theatre at Loyola University, Fantasticks, and Othello; and assistant stage Stevenson University, Carroll Community manager for A Christmas Carol (2016). At College, Muhlenberg College, Northeastern Single Carrot, she was stage manager for A University, Regis College, PCPA Theatrefest/ Beginner’s Guide to Deicide and Drunk Enough Allan Hancock College and the MFA program to Say I Love You. With Everyman Theatre at Trinity Rep Conservatory/Brown Univer- she was assistant stage manager for By the sity consortium. He is a member of CSC’s Way, Meet Vera Stark; stage crew for TopDog/ Resident Acting Company. Underdog; and Stage Management intern for God of Carnage. She was also a Stage Sierra King (Run Crew) is making her CSC Management intern for Wild With Happy! at debut. She is a senior theatre major at Baltimore’s Center Stage. She holds a Bach- University of Maryland. Her UMD credits are elor’s degree in Theater Production from Eurydice (stage manager), Shook (stage man- McDaniel College. ager), Full Circle/Render Edit (assistant stage manager), The Amish Project (assistant stage Nellie K. Glover (Dance Choreographer, CSC manager), UMoves: Undergraduate Dance Resident Choreographer). Recent work for Concert 2017 (run crew). CSC includes The Winter’s Tale, The Tempest, The Fantasticks, Anne of the Thousand Days, Pauline Lamb (Props Master) is a DC-based and The Taming of the Shrew. Additional choreographer and properties designer.

14 ALICE IN WONDERLAND Bios She has relocated to the area from North Laura Malkus (Director of Development) Carolina. Her previous design credits include previously served as Director of Annual Avenue Q (Pauper Players), The Producers/Uri- Giving at Roland Park Country School, and netown (Company Carolina), Assassins (Pallas prior to that served as the coordinator Theater Collective), and Sweeney Todd (The for its record-breaking $25 million capital Arlington Players). campaign. In her personal time, Laura is a performer and writer. Kristina Lambdin (Costume Designer, CSC Resident Costume Designer, CSC Business Katie McCreary (Lighting Designer) has Manager) recently won the Broadway World designed for CSC’s A Winter’s Tale, The Fantas- Best Costume Design award for her designs ticks, Anne of the Thousand Days, Uncle Vanya, for A Christmas Carol (2016). Some of her and The Importance of Being Earnest. Other costuming credits include CSC’s Anne of the recent or favorite designs include: Future- Thousand Days; The Fantasticks; Macbeth; A proof with CUA; A Bid to Save the World and Christmas Carol (2014-2017); A Midsummer Electric Baby with Rorschach Theatre (where Night’s Dream (2014, 2011, and 2005); The she is also a company member); A Midsum- Importance of Being Earnest; The Taming of the mer Night's Dream with WSC/Avant Bard; Shrew (2006 and 2013 productions); Romeo When We Were Young and Unafraid; Mack, and Juliet (2003, 2012, 2015-2018 produc- Beth; and The Best Man with Keegan Theater; tions); A Doll’s House; As You Like It (Broadway The Breakers, Navigator, and The Colour of Her World Best of Baltimore Award); and The Dreams with 7 Stages; and Scarlett's Web with Country Wife. Broadway World named her Dad's Garage. Katie is also Director of Devel- as a top artist of the 2007 Baltimore Theatre opment and Curriculum Development and she won the Greater Baltimore Theater for Educational Theatre Company (ETC). Award for A Midsummer Night’s Dream (2005). www.katiemccreary.com For more than a decade, she served as the Costume Supervisor for the Baltimore Opera Liz Nelson (Audience Services Manager) has Company and then Lyric Opera Baltimore. worked with theatre companies in Charles- ton, SC; Berkeley, CA; and Monmouth, ME. Russell Laury (Porter) Before joining CSC, She studied sound design at Plymouth State Russell worked with Southway Builders on University. the transformation of our landmark building into this beautiful theater. Daniel O’Brien (Technical Director, Projec- tions Designer, CSC Resident Technical Direc- Michael Lonegro (Master Electrician, Light tor, Facilities Manager). A founding member and Sound Board Operator, Information Sys- of CSC, Daniel has performed, designed tems Manager, Development Associate) was scenery, lights, and served as Technical the lighting designer for CSC’s Julius Caesar Director for many productions (among other in 2017, has operated lighting for numerous jobs too numerous to name). He oversaw the CSC productions, and is a member of the construction of CSC’s theatre in Baltimore Resident Technical and Design Company. and designed the sets and lighting for Mac- Before joining CSC in 2014 he studied law at beth and for the inaugural season plays A the University of Maryland and comparative Midsummer Night’s Dream, Richard II, Romeo literature at the University of Chicago and and Juliet (2015-2018), and A Christmas Carol worked for ten years as a university press edi- (2014-2017). tor. He holds a BA from Yale University, where he also designed lighting for undergraduate Jess Rassp (Properties and Puppet and graduate theatre productions. Designer) is a Theatre Artist whose

ALICE IN WONDERLAND 15 Bios background in painting and sculpture Point and is now an adjunct instructor at fuels her work in puppetry, props, and UMBC. She holds a BFA in Theatre from the scenic design. She has worked with CSC University of Utah and an MFA in Costume on The Winter’s Tale, Othello and many Design from Illinois State University. other productions. She is the Technical Director at Cohesion Theatre Company Grace Srinivasan (Music Director) has and a member of CSC’s Resident Techni- worked as music director with CSC on cal and Design Company. Other credits several recent productions, including The include H.T. Darling's Incredible Museum Winter’s Tale, A Christmas Carol (2017), Taming with Submersive Productions; Mr. Burns of the Shrew and Anne of the Thousand Days. and Sally McCoy with Cohesion Theatre A soprano who performs a wide-ranging Company; and Savage/Love, Midlife, and repertoire throughout the region, she Year of the Rooster with Single Carrot recently appeared as a soloist in a program Theatre. Jess holds a BA in English Lit- of works inspired by Shakespeare’s plays, If erature and minor in Theatre Arts from Music Be the Food of Love, with CSC artists, Brandeis University in Boston. the Peabody Baroque Band, and the Pea- jessrasspdesign.com body Renaissance Ensemble. Grace holds a master’s degree in vocal performance Kyle Rudgers (Production Manager) holds from the Peabody Conservatory and sings a BA from William and Mary and an MFA in professionally at St. Stephen Martyr Church Stage Management from UC San Diego. As and the National Cathedral. a production manager, he has worked at the Atlas Performing Arts Center, the Washing- Chester Stacy (Set Designer, Scenic Car- ton Performing Arts Society, and in a similar penter) of Chester Creates LLC has done set capacity at the Clarice Smith Performing Arts design, construction and scene painting Center. As a stage manager, he has worked at for several CSC productions, including The theaters in Boston, Los Angeles, San Diego, Fantasticks, Anne of the Thousand Days, Oth- and Singapore. ello, Macbeth, Much Ado About Nothing, Titus Andronicus, Uncle Vanya and The Importance Nina Sharp (Box Office Associate and Mar- of Being Earnest; and for Red Branch Theatre's keting Assistant) prior to living in Baltimore, Bring It On the Musical; and First Baptist served as a Youth Theatre Educator and Church of Glenarden's The Uncut Coming of Executive Manager of Church Hill Theatre, a Christ. His projects have included set decora- non-profit theatre organization on the East- tion for House of Cards; display graphics and ern Shore of Maryland. She splits her time installation for Howard County Library, Mill between serving our audiences in the box No. 1, Long Reach Village Center, and Pax office and assisting in all things marketing. River Naval Air Station; sculpture fabrication for the AVAM Kinetic Sculpture Race; and Sandra Spence (Hair, Wig and Makeup De- production design for Eduardo Sanchez’s signer) has designed for Annapolis Shake- The Night Watchmen. speare Company, Arkansas Shakespeare Theatre and Illinois Shakespeare Festival Gerrad Alex Taylor (Associate Artistic Direc- among others. Her design experience also tor, and Director, The Studio) is a CSC Resi- includes eight years as a Fashion Designer dent Acting Company Member. He oversees in Seattle and New York City. Sandy taught programming in The Studio at the Chesa- for three and half years as the Assistant peake Shakespeare Company, which offers Professor of Costume & Make-Up Design classes for area youth and adults. He holds a at the University of Wisconsin - Stevens BA in Neuroscience from The Johns Hopkins

16 ALICE IN WONDERLAND Bios Alice in Wonderland: University and an MFA in Performance from the University of Nevada, Las Vegas. He has The Playwrights worked as an actor, director, and teacher for Eva Le Gallienne (1899 – 1991) was a theatres across the country. theatrical actress, producer and director during the first half of the 20th century. Jean Thompson (Communications Director) She made her stage debut in London is CSC’s marketing, public relations, and pub- at the age of 15 in a 1914 production of lications manager. A former news reporter Maurice Maeterlinck's Monna Vanna. She and features editor, she has worked for The moved to America and enjoyed a notable Baltimore Sun, The New York Times, American Broadway career before founding the Style, and Giftware News magazine. Civic Repertory Theatre in Manhattan. Later, she, Margaret Webster, and producer Cheryl Crawford co-founded the American Repertory Theater (1946 to 1948), where Alice in Wonderland: she played Queen Elizabeth in Mary Stuart. In 1964, Le Gallienne was presented with The Author a special Tony Award in recognition of her 50th year as an actress and in honor Lewis Carroll is the pseudonym of of her work with the National Repertory Charles Lutwidge Dodgson (1832 Theatre. The National Endowment for the – 1898), an English mathematician, Arts also recognized her with the National photographer, and logician. He wrote Medal of Arts in 1986. She earned an Oscar many academic nomination for her work in Resurrection, works but is and won an Emmy Award for a televised best remem- version of The Royal Family after having bered for Alice’s starred in a Broadway theatre revival of Adventures in that play in 1976. Wonderland (1865) and its Florida Friebus (1909 – 1988) was a stage, sequel, Through film, and television actress. She portrayed the Looking the mother in the popular TV show “The Glass (1871). Many Loves of Dobie Gillis,” from 1959 to These began 1963, and had a recurring role on “The Bob as amusing Newhart Show” in the 1970s. She origi- tales invented nated several stage roles including Hilda to entertain Lewis Carroll (circa 1863) in The Lady from the Sea (1929), Caroline Alice, Lorina, Bourrat de Vermaud in Mademoiselle and Edith Lidell, the young daughters Bourrat (1929), Sasha in The Living Corpse of the dean of Christ Church College at (1929), Ann Leslie in Alison’s House (1930), Oxford, where Dodgson studied and Louise in Liliom (1932), Nichette in Camille later taught mathematics. Several of the (1935), Angela in A Sunny Morning (1935), characters were based on people they Maggie Wallace in The Primrose Path knew. Dodgson wrote down the stories, (1939), Helen McCarthy in Collector’s Item at Alice’s request, and gave them to (1952) and Lilly Sears in Tea and Sympathy her. The novelist Henry Kingsley, while (1953). She was on the council of the Actors Equity Association for more than 16 visiting the dean’s home, happened to years, and in 1986 received the Phil Loeb read them and encouraged Dodgson to Award for extraordinary service to her publish them. profession.

ALICE IN WONDERLAND 17 18 ALICE IN WONDERLAND HOT OFF THE PRESSES Continued from page 7

IAN: Well you do an amazing job of it. In my experience, actors don't always like putting on their costumes for the first time. They often have a hard time getting used to them and often complain about how difficult they are to work with. I never hear that about the costumes you create. You are definitely an "actors’ costume designer." Do you have costume designers or visual artists that inspire you or that you admire?

KRISTINA: When I was in King and Queen of Hearts costumes high school, I was really for Alice in Wonderland, designs by inspired by the costumes Kristina Lambdin. in Bram Stoker’s Dracula, designed by Eiko Ishioka. She created bold and detailed costumes that were stylized and infused with symbolism, but you could believe that they fit into the time period of the late 19th century ...she created a “world” with her designs.

IAN: Oh yeah. Her work is so original. Well, I love collab- orating with you Kristina. I always feel that we don't get in each other's way and that, well, my work is better because I collaborate with you. Last question: Is there a show you’re dying to design that you haven’t had a chance to design yet?

KRISTINA: Alice in Wonderland was the one!

See the full Q&A series at ChesapeakeShakespeare.com Costumes for Red Velvet by Kristina Lambdin, worn by Christian Gibbs and McLean Jesse as Ira and Margaret Aldridge. Photo by Shealyn Jae.

ALICE IN WONDERLAND 19 Artistic Programming, Education, and Operations Donors A theater is so much more than a building. It is a living, breathing community where audiences and actors meet to create art that enlightens, inspires, transforms, awes, and entertains. We are grateful for your gifts that support this artistry, our outreach and education programs, and our operations. This list recognizes gifts of $100 and greater, received as of April 17, 2018. The FRIENDS of Chesapeake Shakespeare Company

Benefactor ($5,000+) Wally and Brenda Dr. and Mrs. Stephen Dr. Bart Debicki and Dr. C. Sylvia and Eddie C. Stone Malin Tiffany Debicki Brown Paul J. and Chandler M. Vivian and Robert Patricia L. Delk-Mercer and Tagliabue, in honor Manekin Raymond Mercer Dana DiCarlo Jack and Donna McCann Edward and Nanci Feltham Robert and Gladys of Emily Rockefeller Tom and Janet McGlynn Bruce and Lindsay Fleming Helm Friend ($1,000+) Susan and Stephen David and Barbara Gamble Anonymous (5) Oppenheimer Jill and Ira Gansler Scott Helm Nicolas Guezen Pam and Sam Anonymous, in memory Kevin and Joyce Parks of Barry Ochrach Linda and Jeff Pieplow The Heneghan Family Himmelrich, Jr. Laura Boydston and Walter and Mary-Ann Mark A. G. Huffman Lesley Malin Robin Suleiman Pinkard Tim and Jennifer Kingston Jeanne E. Marsh Richard Ley Kevin G. and Susan A. The Pirie Family Bob Lienhardt and Barbara Bob and Deeley Burke Mr. Earle Pratt and Dr. Leons Middleton Virginia Tyler Campbell Kelly Emerson Laura and Larry Malkus, Jr. Mary and James Yara Cheikh and Firmin Robert Prince Suzan and Alex Mecinski Miller DeBrabander Nan Rohrer Ronald and Kathe Kim Citizen Sharon and Michael Messenheimer Sean Rhoderick and Jeffrey and Carolyn Runge Anthony Miller Ana Kornegay Crooks David and Treva Stack Frank B. and Mary Ellen Emily and John D. Jane Daniels Scott and Sharon Stewart, Moorman Rockefeller, V John Clinton Eisner and CE Science Inc. Nancy and Tom O’Neil Jennifer Dorr White Michael P. and Joanna Kyoko and Steve Redd Chip and Rhona The Epp Family Sullivan Keenan and Natasha Rice Wendler The Fishell-Shaffer Family David Warnock and George C. and Holly G. Ted and Mary Jo Ian Gallanar and Maria Michele Speaks Stone Wiese Trujillo William Sweet and Mr. and Mrs. Jesse Geraldine Mullan Patron ($2,500+) Gardner Player ($500-$999) David and Irene Tabish Anonymous Judith Golding and Anonymous (2) The Thompson Family, in The Flieger Family Robert Brager Steven Beall and Carmel memory of Alva “Dolly” Eva Poythress Higgins, Glen R. Goodwin and Dr. Roques Griffith Dr. Murry Bentley and Ms. Marguerite VillaSanta and in memory of David Jennifer Cooper Linda Clark B. Poythress Carole and Scott the Dr. Frank C. Marino Elizabeth and Ira Berman Foundation, Inc. Robin and Don Hough Greenhaus Susan Betso and Carol Clark Ruby and Bob Hearn The Wittenberg-Bonavoglia The Sylvia Meisenberg Mr. and Mrs. A. Stanley Family Endowment for Heneghan Family Fund Brager, Jr. Shakespeare Bill Henry Sherilyn Brinkley and Jeff Nick and Cynthia Islin Brotman Education and the Chris and Mary Ellen Ernie and Linda Czyryca Meisenberg Family Kiehne Dr. Natalie Davis

Corporate, Foundation, and Government Support

AmazonSmile Foundation Baltimore National Heritage The Exelon Foundation Maryland State Arts Council Applied Development LLC Area Gordon Feinblatt, LLC Mead Law, P.A. The Arts Insurance Program, LLC Mayor Catherine Pugh and The Helm Foundation The Morris A. Mechanic The Associated: Jewish the Baltimore Office of Howard County Arts Foundation, Inc. Community Federation of Promotion and the Arts Council, through a grant The Sylvia Meisenberg Baltimore BGE from Howard County Endowment for The William G. Baker, Jr. The Brenda Brown-Lipitz Government Shakespeare Education Memorial Fund, creator of Family Foundation, Inc. The John J. Leidy Foundation PNC Bank the Baker Artist Awards, The Campbell Foundation Living Classrooms The Nora Roberts Foundation www.bakerartistawards.org CareFirst BlueCross Foundation The Sheridan Foundation Baltimore Community BlueShield The M&T Charitable T. Rowe Price Foundation Foundation Community Foundation of Foundation UBS Baltimore County Howard County Macy’s Foundation The Venable Foundation Commission on Arts and Creative Print Group Dr. Frank C. Marino Verizon Foundation Sciences and the Citizens Downtown Partnership of Foundation, Inc. of Baltimore County Baltimore, Inc. Maryland Charity Campaign

20 ALICE IN WONDERLAND Individual Donors

In Memory of Dr. Joseph Mark and Joanne Pollak Carl and Teresa Gilbert Schreiber Philanthropic Milton Gallanar IV Susan H. Pratt Gil and Terry Gleim Fund Dan and Carol Boone Mr. and Mrs. David B. Shapiro Kristen Vanneman-Gooding Judy Sheldon and Chris Shirley Basfield Dunlap Mary Shock and Ira Gooding Gorman Donald and Barbara Eisen Doris Sweet Susan and Richard Sharon Silverman and Marc John Ferreira Andrew Tagliabue, in honor Goodlaxson Hamburger Norina Foster of Emily Rockefeller Michael and Colleen Gottlieb Janet Simons Brian and Linda Heery Topper and Ellen Webb Sarita and Steve Gross Ed Simpson and Family Jenny Wright and Josh Mehul Gulati Patricia E. Smeton Jenny and Jay Leopold Osborne Guy Guzzone Kristine Smets and Michael The Shore/Swann Family Eric Hansmann and Cheryl Booth David and Irene Tabish $100 - $249 Torsney James Smith Laura Thomas Anonymous (5) Bill and Wendy Hauck F. Louise and Wayne F. Smith Anonymous, in honor of Ralph and Beth Heimlich Jared Smulison Mechanicals Shane Solomon-Gross Cathy and Chip Hiebler Shane Solomon-Gross Elizabeth and Ira Berman Dr. N. F. Adkinson Lily R. Hill Carolan and Brian Stansky Jean Waller Brune Dr. Emily Agree and Dr. Kathy Hogue and Nick Joseph Stefanski Susan W. Bryant Robert Moffitt Sommese Dr. Philip Sticha Donna Lee Burke George and Julia Alderman The Iverson Family George C. and Holly G. Stone Yara Cheikh and Firmin Paul and Irene Aldridge Patricia Jonas Anne and Ken Stuzin DeBrabander Clifford Amend Jordan Karp Margaret Sullivan Kim Citizen Kathleen Barber and Barry Eric and Hattie Katkow Michele and Ed Swing Andrew and Lory Cosner Feinstein Shelley Korch, in honor of Curtis Tatum Jillian Drummond Lea Billingslea CSC Staff Michael L. Terrin and Bess Pamela Forton David Bobart Felicia Korengel Keller Kristen Vanneman-Gooding Joan K. Braden Terry and Natalie Leitch Michael Tolaydo and Peggy and Ira Gooding Mindy Braden John and Carrie Leovy O’Brien Mark A. G. Huffman David N. Bradford Barry Linkner Mary Tooey Barbara Keller The Brass Tap Bartenders Mr. and Mrs. William Loeliger H. Mebane and Ivana Turner The Klipp-Lischner Family David Brinker and Elizabeth Tom and Fran Lonegro Mary Jo Tydlacka Michael Lonegro Allen Joseph N. Mariano Lorraine and Leon Ukens Laura and Larry Malkus, Jr. Susan W. Bryant Sara Marie Massee, in The Velapoldi Family Pat and Jackie McNamara Delia Burke and Alex memory of Tina Blevins Charles Emerson Walker, in Susan and Stephen Lehukey Judy and David Mauriello honor of Michael and Max Oppenheimer Jack Burkert Dr. Fran McCabe Sullivan Mr. and Mrs. Scott Rodgville Michael and Elsa Cain Dr. Kathleen McDonald David Walters Katherine Schnorrenberg Joseph and Meredith Joni McIntyre Joy Walton Jared Smulison Callanan Pat and Jackie McNamara S. Weise Shane Solomon-Gross Glenn and Sandy Campbell Daniel and Patricia Medinger John and Marie Wells The Thompson Family, in Sue and Drew Carlson Arianna Miceli Karen Wessel memory of Alva “Dolly” Dave and Pat Chason Alvin and Sue Miller Kem and Susan White Griffith Jeffrey and Elaine Christ Janet Moos Suellen Wideman and Jenny Wright and Josh Karin Colquitt and John Ken Moss and Patryce Toye Virginia Shimak Osborne Biagini Jennifer and Thomas Munch Lisa Wilde and Philip Vilardo Lee Conderacci Dr. Neal Naff Beverly Winter, in memory of David Cooke Janet and Douglas Neilson Jackson B. Winter $250 - $499 Donna and John Cookson David Neubauer Mark and Carolyn Anonymous, in loving Edith M. Cord Mr. and Mrs. William V. P. Zimmerman memory of Sylvia Gassel Andrew and Lory Cosner Newlin Anne Marie Zwycewicz and Martin and Gina Adams The Courtesan Michael Nugent Dennis Pitta The Babij Family Randall Cover Lynne O’Brien and Roger Charlie and Kathy Beach Kathleen and Darrin Cox Mitchell IN-KIND SUPPORT Grace Boeringer, in memory Frank and Grace Charles F. and Margaret M. H. Baker Donelson of Dr. James Boeringer Cunningham Obrecht Baltimore STYLE David Brown The Curtis Family Lee and Marilyn Ogburn Baltimore Sun Media Group Jean Waller Brune Roger and Brenda Cutter Marc Okrand Baltimore’s Child Steve Buettner Jim and Suzanne Davis Bodil Bang Ottesen The Beacon Bob Burke and Helen D. Martin Disney Pamela Pasqualini Bin 604 Blumberg Mary Alane Downs and James Passarelli BRIO Tuscan Grille Donna Lee Burke Christopher P. Downs Rebecca S. Pearlman Dr. Martha J. Connolly Bob and Jan Busch Jillian Drummond Frederick Pearson Cindy Hirschberg Dr. Martha J. Connolly Tim Dugan Kathleen Petersen Maryland Public Television Ira Franckel Howard and Beth Eisenson, Clinton and Kathryn L. Pettus Miles & Stockbridge P.C. Ron Heneghan in honor of Vince Eisenson Thomas B. Piccin Mary Jo Tydlacka Michelle Hollingsworth and and Amal Saade Mickey and Marian Raup Wegmans Diane Maloney-Krichmar David and Marian Entin Timothy and Julia Reda The Wine Bin Anita Holloway Karen and Dave Eske Paula and Charles Rees Barbara Keller Anita and Richard Fenton Christine Ritchie The Klipp-Lischner Family John Ferreira Nicole Ripken and Family Jenny and Jay Leopold Bruce and Lisa Field Sarah S. Robinson Michael Lonegro June and Larry Fletcher-Hill Lori and Renee Rocheleau Sarah Scaptura Miller and Pamela Forton Mr. and Mrs. Scott Rodgville Daniel Miller Kevin and Sherry Frick Rossman-Lichenstein Family Paul and Jenny Oxborough Jim Fritsch Michael and Sara Rouch Mr. Samuel M. Peters and Dr. Dr. and Mrs. B. J. Gailey Suzanne Sanders Suzanne Hurst Jacquelyn Galke Dianne Scheper Jim Pietila Dennis Gallagher and Carol Katherine Schnorrenberg Tuckie Pillar Barthel The Eugene and Alice

ALICE IN WONDERLAND 21 CHESAPEAKE SHAKESPEARE CHESAPEAKE COMPANY SHAKESPEARE COMPANY THE STUDIO THE at the the O STUDIO at the Chesapeake Shakespeare Company a teaching STUDIO school ANY at the for the CHESAPEAKE Summer’s more fun with Shakespeare! o performing arts CHESAPEAKE SHAKESPEARE COMP SHAKESPEARE FEATURED CAMP COMPANY CHESAPEAKE THE SHAKESPEARE The COMPANY THE STUDIO Studio STUDIO a teaching school Spring-Summer 2018 THE STUDIO at the… stacked on top of for the CHESAPEAKE SHAKESPEARE COMPANY. I’m performing ANY stumped as to what kind of font and ourish arts would work, but the overline could be at the CHESAPEAKE SHAKESPEARE COMP The scroll-y or hand-written or curved circle THE around the main logo. The acting studio will Studio STUD O The CSC High Schoolbe Corps for adults and kids, non-actors and actors. I’m thinking no shield and no “art” – ol for th Every summer, high school students conceptualize, design and perform cho e P S er 90-minute versions of Shakespeare’s great playsjust on ourlettering outdoor stage.that Theycould stand alone or ride g fo attend master classes with CSC Teaching Artists in acting, vocal skills, stage in rm h combat and more. They gain valuable experienceas parand maket of a new full friends logo . c in a as they rehearse and perform. From behind the scenes and while greeting e g

A the public, CSC Corps members observe and support the making of our T r The festival-style outdoor professional plays. When it’s time to produce their A t s own shows, they’ll be ready! No auditions are necessary to join the CSC High

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K S A H THE STUDIO at the The In Baltimore, The Studio at the Chesapeake Shakespeare Company offers 10 weeks of full-day camps from June 25 -August 31, as well as our inaugural Summer High School Ensemble, a troupe for Baltimore high schoolers interested in performing fully developed Stud o Shakespeare plays. ol for th OUTDOORS: cho e P The Studio at the S er In addition to the CSC High School Corps, our summer stage at the Patapsco Female Institute g fo Historic Park hosts full-day camps offered through Howard County Recreation and Parks, in rm h led by CSC Teaching Artists. Camp sessions are offered from June 25 through July 20. c in YOUTH CLASSES a e g

A Register today at ChesapeakeShakespeare.com/camps. THE STUDIO The Studio at the T r A t s Gerrad Alex Taylor | Associate Artistic Director and Director | The Studio

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K S A H STAFF OUR CREATIVE MEDIA TEAM Ian Gallanar, Founding Artistic Director Varsity Graphics, Todd M. Zimmerman, Lesley Malin, Managing Director Full Circuit Studio, Graphic Design Kyle Rudgers, Production Manager Molly Moores, Program Advertising Laura Malkus, Director of Development Elizabeth Berman, Finance and Development Manager ASSOCIATE ARTISTIC DIRECTORS Jean Thompson, Communications Director Lizzi Albert Daniel O’Brien, Technical Director and Facilities Manager Scott Alan Small Ron Heneghan, Director of Education Gerrad Alex Taylor Gerrad Alex Taylor, Director, The Studio RESIDENT ARTISTS Kristina Lambdin, Resident Costume Designer Isabelle Anderson, Distinguished Artist in Residence and Business Manager Kevin Costa, Educator in Residence Elizabeth Nelson, Audience Services Manager Nellie K. Glover, Resident Choreographer Nina Sharp, Box Offi ce Associate and Marketing Assistant RESIDENT TEACHING ARTISTS Michael Lonegro, Information Systems Manager Keegan Cassady Jeff Miller and Development Associate Alexandra Hewett Molly Moores Robby Rose, Production and Education Assistant Emily Karol Laura Rocklyn Russell Laury, Porter Bethany Mayo Gerrad Alex Taylor

RESIDENT ACTING COMPANY Lizzi Albert Ron Heneghan Lesley Malin Laura Rocklyn Gregory Burgess James Jager Elana Michelle Scott Alan Small Vince Eisenson Elliott Kashner Séamus Miller Michael P. Sullivan Jose Guzman Jeff Keogh Molly Moores Gerrad Alex Taylor

RESIDENT TECHNICAL AND DESIGN COMPANY ASSOCIATE MEMBERS Mindy Braden Katie McCreary Steve Beall Scott Graham Alexis E. Davis Daniel O’ Brien Michael Boynton Kathryn Elizabeth Kelly Lauren Engler Jess Rassp Keegan Cassady Katie Keddell Ruthie Griffi th Mollie Singer Tamieka Chavis Bethany Mayo Heather C. Jackson Chester Stacy Blythe Coons Frank B. Moorman Kristina Lambdin Haley Raines Young Jenny Crooks Christopher Niebling Michael Lonegro Karen Eske Kelsey Painter Valerie Fenton Robby Rose Kate Forton Erin Bone Steele Dave Gamble David Tabish Kate Michelson Graham Nathan Thomas

The Chesapeake Shakespeare Company creates performances and education programs out of great classic theatre. Classic plays can be awfully good, but only if they speak to their audience and the community in a way that is dynamic, personal, and pleasurable. We do plays that people like and we perform them in innovative and intimate ways that intensify the connection between audiences and artists. We do this because we want to know what makes Shakespeare so great — and we ask our audience and our community to explore that question alongside us. Chesapeake Shakespeare Company is a 501(c)(3) nonprofi t organization.

Chesapeake Shakespeare Company 7 South Calvert Street, Baltimore, MD 21202 Offi ce: 410-244-8571 Box Offi ce: 410-244-8570 www.ChesapeakeShakespeare.com

ALICE IN WONDERLAND 23