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AMERICAN SQUARE DANCE Annual S9 MAY 1983 Single Copy Si \ O [Fsjiti, 111 N 4) Ro Is Filar 4'1
AMERICAN SQUARE DANCE Annual S9 MAY 1983 Single Copy Si \ O [fsJiti, 111 N 4) Ro Is filar 4'1 '1111'1.11(w .4( Pftid stiv k 'a.' 'jilt, ea) It --ps" mai 1101•1111B011••••••••• THE P-400 "BOSS" UNCHALLENGED AUTHORITY Sound any hall with clear distinct voice and music. Whether you are bringing dan- cing enjoyment to one or 100 squares, the P-400 system is all you will ever need. Write or call today! Say you saw it in ASD (Grad.' Burdick) CLINTON INSTRUMENT COMPANY, PO BOX 505, CLINTON CT 06413 Tel: 302-669-7548 •••••••••••••••••••1111 1141001141411101110 1 I 2 AMERICAN co SCILIRRE ORNCE VOLUME 38, No. 5 MAY 1983 THE NATIONAL MAGAZINE WITH THE SWINGING LINES ASD FEATURES FOR ALL LEADERSHIP TIPS 4 Co-editorial S/D and Grapefruit Pie 5 By-Line 7 Meanderings ROUNDS 13 January Jubilee 19 The Quickstep 15 Best Little Cloggers in Texas 67 Facing the L.O.D. 17 Aaa-choo 69 Flip Side/Rounds 25 Rhyme Time 78 R/D Pulse Poll 27 Encore 29 Hemline 31 Best Club Trick SQUARE DANCE SCENE 38 Dancing Tips 21 Coming Up Roses 59 Dandy Idea 35 Callerlab Convention 60 Knoxville Hall Opens 37 32nd National Convention 62 People 50 Challenge Chatter 68 Steal A Peek 64 International News 73 Puzzle Page 66 LEGACY 83 Plumb Line 77 Date-Line 87 Linear Cycle Round The Globe 89 Book Nook FOR CALLERS 90 Finish Line 35 Callerlab Convention 92 Laugh Line 39 Calling Tips 40 Easy Level 52 Creative Choreography OUR READERS SPEAK 56 PS/MS 6 Grand Zip 70 Flip Side/Squares 32 Straight Talk 79 S/D Pulse Poll 33 Feedback 80 Underlining The Note Services Workshop Editors Publishers and Editors Ed Fraidenburg Bob Howell Stan & Cathie Burdick Howie Shirley Feature Writers Member of NASRDS Harold & Lill Bausch Dave Fleck National Association of S&R/D Suppliers Mary Jenkins Russ & Nancy Nichols Gene & Thelma Trimmer Bev Warner AMERICAN SQUAREDANCE Magazine Editorial Assistants (ISSN 0091-3383) is published by Burdick Virginia Bridgman Enterprises. -
It Must Be Karma: the Story of Vicki Joy and Johnnymoon
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-14-2010 It Must be Karma: The Story of Vicki Joy and Johnnymoon Richard Bolner University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Bolner, Richard, "It Must be Karma: The Story of Vicki Joy and Johnnymoon" (2010). University of New Orleans Theses and Dissertations. 1121. https://scholarworks.uno.edu/td/1121 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. It Must be Karma: The Story of Vicki Joy and Johnnymoon A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Rick Bolner B.S. University of New Orleans, 1982 May, 2010 Table of Contents Prologue ...............................................................................................................................1 -
Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol. -
Hydraulophone Design Considerations: Absement, Displacement, and Velocity-Sensitive Music Keyboard in Which Each Key Is a Water Jet
Hydraulophone Design Considerations: Absement, Displacement, and Velocity-Sensitive Music Keyboard in which each key is a Water Jet Steve Mann, Ryan Janzen, Mark Post University of Toronto, Dept. of Electrical and Computer Engineering, Toronto, Ontario, Canada For more information, see http://funtain.ca ABSTRACT General Terms We present a musical keyboard that is not only velocity- Measurement, Performance, Design, Experimentation, Hu- sensitive, but in fact responds to absement (presement), dis- man Factors, Theory placement (placement), velocity, acceleration, jerk, jounce, etc. (i.e. to all the derivatives, as well as the integral, of Keywords displacement). Fluid-user-interface, tangible user interface, direct user in- Moreover, unlike a piano keyboard in which the keys reach terface, water-based immersive multimedia, FUNtain, hy- a point of maximal displacement, our keys are essentially draulophone, pneumatophone, underwater musical instru- infinite in length, and thus never reach an end to their key ment, harmelodica, harmelotron (harmellotron), duringtouch, travel. Our infinite length keys are achieved by using water haptic surface, hydraulic-action, tracker-action jet streams that continue to flow past the fingers of a per- son playing the instrument. The instrument takes the form 1. INTRODUCTION: VELOCITY SENSING of a pipe with a row of holes, in which water flows out of KEYBOARDS each hole, while a user is invited to play the instrument by High quality music keyboards are typically velocity-sensing, interfering with the flow of water coming out of the holes. i.e. the notes sound louder when the keys are hit faster. The instrument resembles a large flute, but, unlike a flute, Velocity-sensing is ideal for instruments like the piano, there is no complicated fingering pattern. -
Amplified Music and Multimodality
Making Things Louder: Amplified Music and Multimodality PhD Thesis Johannes Mulder University of Technology Sydney Faculty of Arts and Social Sciences Supervisor: Professor Theo van Leeuwen Submitted April 2013 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Johannes Mulder ii Acknowledgments I am very grateful to Theo van Leeuwen who both inspired and supervised this thesis. In a relatively short time he has shared a vast amount of his own work and insights, forming the ‘roots’ of this work. Bert Bongers’ for his invaluable and continuing friendship, support and our never-ending critical dialogue. Tony Mitchell has kindly and patiently proofread this dissertation, which has been crucial in eliminating the inherent quirks of bilingualism (which in itself sounds like a Dutchism). Some of my best friends are live sound engineers: Paul, Joke, Bart, Jeroen, Carl, Marc, you are all part of this. Two people, Martje van Riel and Xander Lub were instrumental in making me go back to University. I particularly want to thank my friend Arnoud van Deelen (the self appointed chair of my fan club) for his long lasting support morally, and financially. -
Ty of Twin Lights Publishers Property of Twin Lights Publ Ty of Twin Lights Publishers Property of Twin Lights Publ Ty O
$26.95 A photographic portrait Photographer Bob Morris takes you on a visual journey, Bob Morris visiting the historic landmarks, natural wonders, and PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTSSan Francisco PUBLISHERS is a city founded by Bob Morris is a San Francisco Bay Area a phoTOGRaphic porTRAIT and for adventure seekers rooted based photographer specializing in vibrant creativity of San Francisco, a city of artists, in the ideal of progressive values. people, architecture, interiors, and stock. At once cosmopolitan and relaxed, With over 25 years’ experience, he began iconoclasts, innovators, and adventure seekers. his career as a staff photographer for the professional and playful, the “City Southern Pacific Railroad based in San by the Bay” captures tens of thou- Francisco. With that company’s vast land sands of new residents a year even holdings in the western states, assignments A P though the physical boundaries of were varied and challenging. Included H the peninsula that San Francisco is PROPERTY OF TWINOTOGRAP LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS were aerials, logging operations, coal situated on prevents the advance- mines, industrial parks, executive portraits, and, of course, trains for the company’s ment of urban sprawl. Just outside public relations, annual reports, adver- this seven-by-seven swath, Golden H tising, and brochures. Bob now shoots IC PORT Gate National Parkland stretches assignments for various clients around up and down the coast, providing the U.S. and adds to his stock library as visitors with plenty of outdoor rec- time allows. To learn more about Bob, RAIT reation opportunities in addition please visit www.bobmorrisphoto.com to the myriad of cultural happen- and www.sfstockphoto.com. -
OASYS Ver.1.3 PRODUCER Voice Name List
Voice Name List (PRODUCER.PCG) About the PRODUCER.PCG file PRODUCER.PCG contains a re-ordered version of the standard factory Programs. When shipped from the factory, the sounds are presented in a mixed order, so that incrementing through Programs might call up first a piano, then a pad, then a drum kit, and so on. This factory preset order is stored on the disk as the file PRELOAD.PCG. In the PRODUCER.PCG file, on the other hand, these same sounds are grouped by category. As you increment through the Programs, you'll find that all of the pianos are together, all of the pads are together, and so on. This lets you step through similar sounds by pressing INC and DEC, without using the Category window. The Combinations are still in the standard factory preset order, but have been edited so that they refer to the correct Programs. The arrangement of HD-1 and EXi banks is the same as in the standard factory order: HD-1 Programs are in banks INT-A through INT-E, and EXi programs are in banks INT-F, USER-C, USER-D, USER-E and USER-F. You can load the PRODUCER.PCG file from the CD named “Restore CD 1/4.” For a complete list of the Programs and their ordering, please see the file PRODUCER_VNL.PDF. All of the other sound data, such as Combinations, Drum Kits, and Wave Sequences, are the same as in the standard PRE- LOAD.PCG file. For more information about these sounds, please see the file VoiceNameList.pdf. -
2017 DJ Music by Song
Artist Song 112 Cupid 112 Dance With Me Remix (Featuring Beanie Sigel) 112 Peaches & Cream 311 All Mixed Up 311 Amber 311 Beautiful Disaster 311 Borders 311 Brodels 311 Color 311 The Continuous Life 311 Creature Feature 311 Dont Let Me Down 311 Don't Stay Home 311 Down 311 Electricity 311 Galaxy 311 Guns (Are For Pussies) 311 Hive 311 Inner Light Spectrum 311 Jackolantern's Weather 311 Jupiter 311 Light Years 311 Loco 311 Love Song 311 Misdirected Hostility 311 No Control 311 Prisoner 311 Purpose 311 Random 311 Rub A Dub 311 Running 311 Starshines 311 Stealing Happy Hours 311 Strangers 311 Sweet 311 T&P Combo 311 Transistor 311 Tune In 311 Use Of Time 311 What Was I Thinking 702 Where My Girls At 702 Where My Girls At? 2002 Lady of the Moon 2002 Summer's End !!! AM/FM ? & The Mysterians 96 Tears .38 Special Hold On Loosely .38 Special Second Chance 'N Sync Bringin' Da Noise 'N Sync Bye Bye Bye 'N Sync Bye Bye Bye 'N Sync Crazy For You 'N Sync Digital Get Down 'N Sync Everything I Own 'N Sync For The Girl Who Has Everything 'N Sync Giddy Up 'N Sync Girlfriend 'N Sync God Must Have Spent A Little More Time On You 'N Sync Gone 'N Sync Here We Go 'N Sync Here We Go 'N Sync I Drive Myself Crazy 'N Sync I Just Wanna Be With You 'N Sync I Need Love 'N Sync I Thought She Knew 'N Sync I Want You Back 'N Sync I'll Be Good For You 'N Sync It Makes Me Ill 'N Sync It's Gonna Be Me 'N Sync It's Gonna Be Me 'N Sync Just Got Paid 'N Sync No Strings Attached 'N Sync Pop 'N Sync Sailing 'N Sync Tearin' Up My Heart 'N Sync That's When I'll Stop Loving You 'N Sync This I Promise You 'N Sync This I Promise You 'N Sync You Got It 'N Sync Feat. -
Cash Box Circulation
Tina Turner RCA AND PEPSI-COLA PLAN MULTI-MILLION DOLLAR PROJECT DATES SET FOR SUMMER SPRINGSTEEN SHOWS COLLEGE RADIO CULTIVATES LABELS' COMMERCIAL SUCCESS WELK MUSIC EMBRACES HIGH TECHNOLOGY FUTURE RADIO: DEVELOPING AND REFLECTING CONSUMERS’ TASTES (Ed.) " 4 4 4 -*» In 1981, Red Rider broke out of Canada with a tough rock track, "White Hot," which became an airplay staple. They followed it in 1982 with "Lunatic Fringe the Number One AOR track in the country for six consecutive weeks. Last year they became MTV favorites on the strength of a stunning video clip for "Light In The Tunnel/Human Race." Now Red Rider are shifting into overdrive, with their strongest album yet, BREAKING CURFEW, and its first hit single, "Young Thing, Wild Dreams," already an AOR Breaker and'top airplay track. With a new video clip and a major tour BREAKING CURFEW sdfor this summer, Red Rider are set to explode Yiarlcetplace. produced by David Tickle with Tom Cochrone ctnd Ken Greer -Vi ’V.' # One ride you don't want to miss... LAon BOX THE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLVII — NUMBER 1 — JUNE 9, 1984 — Developing Reflecting Tastes C4SHBCK EDITORIAL Radio And Consumer’s The development and exposure of new product receptiveness on the part of leading radio stations GEORGE ALBERT is the life blood of our industry. With singles by in playing new and developing artists. President and Publisher ~ MARK ALBERT such diverse new artists as Madonna, Slade, Ollie Restricted and “play it safe” playlists cut off our Vice President and General Manager & Jerry and Night Ranger in this week’s Cash Box circulation. -
Istanbul Technical University Institute of Social Sciences
ISTANBUL TECHNICAL UNIVERSITY « INSTITUTE OF SOCIAL SCIENCES INTERACTIVE SOUND DESIGN FFT SOUND SYNTHESIS ENGINE MODEL PROPOSAL Ph.D. THESIS Yahya Burak TAMER Department of Music Music Programme OCTOBER 2012 ISTANBUL TECHNICAL UNIVERSITY « INSTITUTE OF SOCIAL SCIENCES INTERACTIVE SOUND DESIGN FFT SOUND SYNTHESIS ENGINE MODEL PROPOSAL Ph.D. THESIS Yahya Burak TAMER (409052005) Department of Music Music Programme Thesis Advisor: Prof. Dr. Cihat AŞKIN OCTOBER 2012 İSTANBUL TEKNİK ÜNİVERSİTESİ « SOSYAL BİLİMLER ENSTİTÜSÜ ETKİLEŞİMLİ SES TASARIMI FFT SES SENTEZLEME MOTORU MODELİ DOKTORA TEZİ Yahya Burak TAMER (409052005) Müzik Bölümü Müzik Programı Tez Danışmanı: Prof. Dr. Cihat AŞKIN EKİM 2012 Yahya Burak TAMER, a Ph.D. student of ITU Institute of Social Sciences student ID 409052005 successfully defended the dissertation entitled “INTERACTIVE SOUND DESIGN - FFT SOUND SYNTHESIS ENGINE MODEL PROPOSAL”, which he prepared after fulfilling the requirements specified in the associated legislations, before the jury whose signatures are below. Thesis Advisor: Prof. Dr. Cihat AŞKIN ………………….. Istanbul Technical University Jury Members: Doç. Dr. Kıvılcım YILDIZ ŞENÜRKMEZ ………………….. Mimar Sinan Fine Arts University State Conservatory Yrd. Doç. Dr. İlke BORAN ………………….. Mimar Sinan Fine Arts University State Conservatory Yrd. Doç. Dr. Can KARADOĞAN ………………….. Istanbul Technical University Yrd. Doç. Dr. Ozan BAYSAL ………………….. Istanbul Technical University Date of Submission: 28 May 2012 Date of Defense: 17 October 2012 v vi FOREWORD I would like to thank my advisor Cihat Aşkın and the remaining members of my jury committee; Şehvar Beşiroğlu, Kıvılcım Yıldız Şenürkmez, İlke Boran, Can Karadoğan and Ozan Baysal. When I completed my undergraduate study on Electronics and Communication Engineering in 1997, I got into research for a graduate study where I could connect my engineering skills with music and sound design disciplines. -
July 2008 Newsletter
July 2008 Newsletter ------------------ Yesterday & Today Records PO Box 54 Miranda NSW 2228 Phone/fax: (02) 95311710 [email protected] www.yesterdayandtoday.com.au ------------------------------------------ Post 1 cd $2 2cds $3 3/4 cds $6 ----------------------------------------- Thanks to all who took the time to read the June newsletter. This one comes so close on the tail of the June one that both will be able to be referred to concurrently. It was good to receive such a response and I am pleased to say that the best selling albums reflect that people do have great taste. JUNE BESTSELLERS 1) James Intveld – Have Faith $28 2) Peter Cooper – Mission Door $28 3) Fayssoux – Early $28 4) Leland Martin – I’ll Pick the Guitar $28 5) Songs of the Year $32 (with George Jones ‘Murder on Music Row” 6) Steve Young – Tales Around the Horseshoe Bend $28 7) Darrell McCall – Lilydale 8) Tony Booth – Is That All There Is to a Honky Tonk 9) Kathy Mattea – Coal 10)Allen Frizell – A Little Bit of lefty Left in Me Miss Leslie – “Between the Whiskey & the Wine” $28 Okay we all love Miss Leslie’s previous albums. What if were to tell you this was infinitely better than either? What if I were to tell you this is better than Amber Digby’s albums and then some? Well fact is this is as good as you will ever likely get from any female singer anywhere…anytime. Since her last album Leslie has changed partners, with Amber Digby, would you believe. Amber’s partner, steel man Ricky Davis is now with Leslie and Randy Lindley, Lesley’s former husband is now Amber’s beau. -
Yesterday and Today Records Newsletter, August 2009
August 09 Newsletter --------------------------------------- Yesterday & Today Records PO Box 54 Miranda NSW 2228 ph/fax: (02) 95311710 email: [email protected] web site: www.yesterdayandtoday.com.au ------------------------------------------- Unfortunately there has been a slight postage increase, brought about by our friends at Australia Post. 1 cd $2/ 2 cds $3/ 3-4 cds $6.50 We will send registered or express as requested. New and just in. Hillside Records Country Song Roundup $30 This is new recordings on the Hillside label with special guest and musical director in Justin Trevino. Justin is still on the Heart of Texas label and his 4 songs (of a very generous 21). I can’t say I have heard Kenny Seratt before but that is mainly through lack of material available more so than anything else but lo & behold if he doesn’t sound like Lefty, which is particularly weird on “Hank & Lefty Raised My Country Soul”!! He appears on 5 songs and none are less than sensational. What a voice!! Jerry Inman is also fine on three tracks. He was once voted the CMA’s Best Newcomer of the Year. Well he is close to the best on this. The remaining songs feature Curtis Potter, Darrell McCall and Ray Sanders in various trios, duos and solo spots. These are different to the “Texas Dance Hall Music” cd. Curtis Potter, who recorded a duet album on step One with Willie Nelson, is a superb Ray price style vocalist (as if I had to actually tell Y & T regulars) and is grand on “January, April & Me”.