Champagne and Meatballs: Adventures of a Canadian Communist by Bert Whyte, Edited and with an Introduction by Larry Hannant
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1 November 1945 439 Copy No Secret Spfctai, Sectton
1 NOVEMBER 1945 439 COPY NO SECRET SPFCTAI, SECTTON MONTHT.Y Rin.I.RTTN Ottawa, Ontario November 1, 1945. Contents Monthly Comment 1 L.P.P. & Ford Motor Strike. Windsor, Ontario 2 L.P.P. Fear Trades & Labour Congress 10 Convention at Present [^deletion: 2 lines] Labour Progressive Party in B.C. Provincial Election 17 Jewish Section of L.P.P. Holds National Conference 18 [3«deletion: 1 line) Student Labour Club in McGill University 22 Toronto Labour College Prepares for Opening 26 New L.P.P. Student Club Formed at University of Toronto 27 [^deletion: 1 line] Subversive Activity Among B.C. Shipyard Workers 29 [^deletion: 1 line] [unnumbered] MONTHT Y COMMENT This month marks the beginning of a new series of Monthly Bulletins. The format is one lending itself to easy compilation as a ready and comprehensive reference fylc. This first issue is forwarded in an Ac- copress Binder into which each subsequent issue up to and including December 1946, is to be inserted as received. At that time a complete index covering all issues forwarded over that period will be sent out. Commencing in 1947, each January issue will be forwarded in a binder to be used similar to the one forwarded this month and the total issues in any one calendar year will constitute a new volume. Recipients of this "Bulletin" are again cautioned that this material is of a secret nature and intended for the sole use of those to whom it is directed. It must be kept under lock and key at all times when not in use. -
Eight Men Speak a Reflection
Alan Filewod Authorship, Left Modernism, and Communist Power in Eight Men Speak A Reflection Theatrical Women and Party Men In Stage Left, her 1981 memoir of the workers’ theatre troupe that she founded in the 1930s, Toby Gordon Ryan provides a circuitous and careful account that avoids, and at times erases, details of the operational relationship of her theatre troupe and the command organs of the underground Communist Party under the leadership of its imprisoned General Secretary, Tim Buck. One of those elisions concerns the play that subsequent commentators have identified as the most significant production of the Workers’ Theatre, Eight Men Speak.1 In one of the more curious episodes in her memoir, Toby Gordon Ryan refers to the play as “a high point” and “a great accomplishment,” but says almost nothing about it (43). Instead she provides an account of the play by her husband, Oscar Ryan, the instigator and one of the authors of the play, and then includes brief remembrances from two of the other authors, Frank Love and Edward Cecil-Smith (43-46). At first glance there is nothing remarkable about this moment of deferral in the logic of the book, because it is a scrapbook of recollections and testimonies in which many people are quoted at length. But in this surrogated account of Eight Men Speak Toby Gordon Ryan replays one of the critical but unnoticed features of the collision of theatrical modernism and the authority of the Communist Party apparatus, in which the voices of radical women were silenced and their artistic work contained by doctrinal and, invariably, masculinist power. -
The Militia Gunners
Canadian Military History Volume 21 Issue 1 Article 8 2015 The Militia Gunners J.L. Granatstein Follow this and additional works at: https://scholars.wlu.ca/cmh Part of the Military History Commons Recommended Citation J.L. Granatstein "The Militia Gunners." Canadian Military History 21, 1 (2015) This Feature is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Canadian Military History by an authorized editor of Scholars Commons @ Laurier. For more information, please contact [email protected]. : The Militia Gunners The Militia Gunners J.L. Granatstein y general repute, two of the best in 1926 in Edmonton as a boy soldier, Bsenior artillery officers in the Abstract: Two of the best senior got his commission in 193[2], and in Canadian Army in the Second World artillery officers in the Canadian the summer of 1938 was attached Army in the Second World War were War were William Ziegler (1911-1999) products of the militia: William to the Permanent Force [PF] as an and Stanley Todd (1898-1996), both Ziegler (1911-1999) and Stanley instructor and captain. There he products of the militia. Ziegler had Todd (1898-1996). Ziegler served mastered technical gunnery and a dozen years of militia experience as the senior artillery commander in became an expert, well-positioned before the war, was a captain, and was 1st Canadian Infantry Division in Italy to rise when the war started. He from February 1944 until the end of in his third year studying engineering the war. Todd was the senior gunner went overseas in early 1940 with at the University of Alberta when in 3rd Canadian Infantry Division the 8th Field Regiment and was sent his battery was mobilized in the and the architect of the Canadian back to Canada to be brigade major first days of the war. -
2001 Great Plains Prairie
2001 Great Plains Prairie Pronghorns Burrowing Owls Black-tailed Prairie Dog American Buffalo Painted Lady Butterfly 2001 Great Plains Prairie Western Meadowlark Badger Plains Spadefoot Eastern Short-horned Lizard Two-striped Grasshopper 2001 perf. 11¼x11 die cut 11 die cut 8½ vert. American Buffalo American Buffalo American Buffalo die cut 11¼ die cut 10½x11¼ American Buffalo American Buffalo Eagle Eagle United We Stand die cut 11¼ die cut 10½x10¾ die cut 9¾ vert., sq. corner die cut 9¾ vert., rd. corner United We Stand United We Stand United We Stand United We Stand 2001-03 George Washington die cut 11¼x11 die cut 10½x11 die cut 11¼x11¾, “2001” George Washington George Washington George Washington die cut 8½ vert., “2001” perf. 11¼, “2002” die cut 8½ vert., “2002” George Washington George Washington George Washington die cut 11¼x11, “2002” die cut 10½x11, “2002” die cut 11, “2003” George Washington George Washington George Washington Atlas die cut 8½ vert., “2001” die cut 11 vert., “2003” Atlas Atlas 2001 We Give Thanks Diamond in the Square Lone Star Diabetes Roy Wilkins The Nobel Prize Peanuts Honoring Veterans Frida Kahlo Sunshine & Shadow James Madison Double Ninepatch Variation 2001 Venus Flytrap Yellow Trumpet Cobra Lily English Sundew Leonard Bernstein Lucille Ball Pan-American Exposition perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” Fast Lake Navigation Fast Express Automobile 2001 Woody Wagon Enrico Fermi Love Love Love die cut 11½x10¾ Love die cut 11¼ Love Love 2001-09 Eid die cut 11¼, dated “2001” die cut 11, dated “2002” Eid Eid Eid Eid Eid Eid 2001-03 Washington Landmarks U.S. -
1 Dalí Museum, Saint Petersburg, Florida
Dalí Museum, Saint Petersburg, Florida Integrated Curriculum Tour Form Education Department, 2015 TITLE: “Salvador Dalí: Elementary School Dalí Museum Collection, Paintings ” SUBJECT AREA: (VISUAL ART, LANGUAGE ARTS, SCIENCE, MATHEMATICS, SOCIAL STUDIES) Visual Art (Next Generation Sunshine State Standards listed at the end of this document) GRADE LEVEL(S): Grades: K-5 DURATION: (NUMBER OF SESSIONS, LENGTH OF SESSION) One session (30 to 45 minutes) Resources: (Books, Links, Films and Information) Books: • The Dalí Museum Collection: Oil Paintings, Objects and Works on Paper. • The Dalí Museum: Museum Guide. • The Dalí Museum: Building + Gardens Guide. • Ades, dawn, Dalí (World of Art), London, Thames and Hudson, 1995. • Dalí’s Optical Illusions, New Heaven and London, Wadsworth Atheneum Museum of Art in association with Yale University Press, 2000. • Dalí, Philadelphia Museum of Art, Rizzoli, 2005. • Anderson, Robert, Salvador Dalí, (Artists in Their Time), New York, Franklin Watts, Inc. Scholastic, (Ages 9-12). • Cook, Theodore Andrea, The Curves of Life, New York, Dover Publications, 1979. • D’Agnese, Joseph, Blockhead, the Life of Fibonacci, New York, henry Holt and Company, 2010. • Dalí, Salvador, The Secret life of Salvador Dalí, New York, Dover publications, 1993. 1 • Diary of a Genius, New York, Creation Publishing Group, 1998. • Fifty Secrets of Magic Craftsmanship, New York, Dover Publications, 1992. • Dalí, Salvador , and Phillipe Halsman, Dalí’s Moustache, New York, Flammarion, 1994. • Elsohn Ross, Michael, Salvador Dalí and the Surrealists: Their Lives and Ideas, 21 Activities, Chicago review Press, 2003 (Ages 9-12) • Ghyka, Matila, The Geometry of Art and Life, New York, Dover Publications, 1977. • Gibson, Ian, The Shameful Life of Salvador Dalí, New York, W.W. -
Salvador Dalí and Science, Beyond Mere Curiosity
Salvador Dalí and science, beyond mere curiosity Carme Ruiz Centre for Dalinian Studies Fundació Gala-Salvador Dalí, Figueres Pasaje a la Ciencia, no.13 (2010) What do Stephen Hawking, Ramon Llull, Albert Einstein, Sigmund Freud, "Cosmic Glue", Werner Heisenberg, Watson and Crick, Dennis Gabor and Erwin Schrödinger have in common? The answer is simple: Salvador Dalí, a genial artist, who evolved amidst a multitude of facets, a universal Catalan who remained firmly attached to his home region, the Empordà. Salvador Dalí’s relationship with science began during his adolescence, for Dalí began to read scientific articles at a very early age. The artist uses its vocabulary in situations which we might in principle classify as non-scientific. That passion, which lasted throughout his life, was a fruit of the historical times that fell to him to experience — among the most fertile in the history of science, with spectacular technological advances. The painter’s library clearly reflected that passion: it contains a hundred or so books (with notes and comments in the margins) on various scientific aspects: physics, quantum mechanics, the origins of life, evolution and mathematics, as well as the many science journals he subscribed to in order to keep up to date with all the science news. Thanks to this, we can confidently assert that by following the work of Salvador Dalí we traverse an important period in 20th-century science, at least in relation to the scientific advances that particularly affected him. Among the painter’s conceptual preferences his major interests lay in the world of mathematics and optics. -
Women and the Communist Party of Canada, 1932-1941, with Specific Reference to the Activism of Dorothy Livesay and Jim Watts
Mother Russia and the Socialist Fatherland: Women and the Communist Party of Canada, 1932-1941, with specific reference to the activism of Dorothy Livesay and Jim Watts by Nancy Butler A thesis submitted to the Department of History in conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada November 2010 Copyright © Nancy Butler, 2010 ii Abstract This dissertation traces a shift in the Communist Party of Canada, from the 1929 to 1935 period of militant class struggle (generally known as the ‘Third Period’) to the 1935-1939 Popular Front Against Fascism, a period in which Communists argued for unity and cooperation with social democrats. The CPC’s appropriation and redeployment of bourgeois gender norms facilitated this shift by bolstering the CPC’s claims to political authority and legitimacy. ‘Woman’ and the gendered interests associated with women—such as peace and prices—became important in the CPC’s war against capitalism. What women represented symbolically, more than who and what women were themselves, became a key element of CPC politics in the Depression decade. Through a close examination of the cultural work of two prominent middle-class female members, Dorothy Livesay, poet, journalist and sometime organizer, and Eugenia (‘Jean’ or ‘Jim’) Watts, reporter, founder of the Theatre of Action, and patron of the Popular Front magazine New Frontier, this thesis utilizes the insights of queer theory, notably those of Eve Kosofsky Sedgwick and Judith Butler, not only to reconstruct both the background and consequences of the CPC’s construction of ‘woman’ in the 1930s, but also to explore the significance of the CPC’s strategic deployment of heteronormative ideas and ideals for these two prominent members of the Party. -
Canadian Infantry Combat Training During the Second World War
SHARPENING THE SABRE: CANADIAN INFANTRY COMBAT TRAINING DURING THE SECOND WORLD WAR By R. DANIEL PELLERIN BBA (Honours), Wilfrid Laurier University, 2007 BA (Honours), Wilfrid Laurier University, 2008 MA, University of Waterloo, 2009 A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctor of Philosophy degree in History University of Ottawa Ottawa, Ontario, Canada © Raymond Daniel Ryan Pellerin, Ottawa, Canada, 2016 ii ABSTRACT “Sharpening the Sabre: Canadian Infantry Combat Training during the Second World War” Author: R. Daniel Pellerin Supervisor: Serge Marc Durflinger 2016 During the Second World War, training was the Canadian Army’s longest sustained activity. Aside from isolated engagements at Hong Kong and Dieppe, the Canadians did not fight in a protracted campaign until the invasion of Sicily in July 1943. The years that Canadian infantry units spent training in the United Kingdom were formative in the history of the Canadian Army. Despite what much of the historical literature has suggested, training succeeded in making the Canadian infantry capable of succeeding in battle against German forces. Canadian infantry training showed a definite progression towards professionalism and away from a pervasive prewar mentality that the infantry was a largely unskilled arm and that training infantrymen did not require special expertise. From 1939 to 1941, Canadian infantry training suffered from problems ranging from equipment shortages to poor senior leadership. In late 1941, the Canadians were introduced to a new method of training called “battle drill,” which broke tactical manoeuvres into simple movements, encouraged initiative among junior leaders, and greatly boosted the men’s morale. -
The Canadian Militia in the Interwar Years, 1919-39
THE POLICY OF NEGLECT: THE CANADIAN MILITIA IN THE INTERWAR YEARS, 1919-39 ___________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ___________________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY __________________________________________________________ by Britton Wade MacDonald January, 2009 iii © Copyright 2008 by Britton W. MacDonald iv ABSTRACT The Policy of Neglect: The Canadian Militia in the Interwar Years, 1919-1939 Britton W. MacDonald Doctor of Philosophy Temple University, 2008 Dr. Gregory J. W. Urwin The Canadian Militia, since its beginning, has been underfunded and under-supported by the government, no matter which political party was in power. This trend continued throughout the interwar years of 1919 to 1939. During these years, the Militia’s members had to improvise a great deal of the time in their efforts to attain military effectiveness. This included much of their training, which they often funded with their own pay. They created their own training apparatuses, such as mock tanks, so that their preparations had a hint of realism. Officers designed interesting and unique exercises to challenge their personnel. All these actions helped create esprit de corps in the Militia, particularly the half composed of citizen soldiers, the Non- Permanent Active Militia. The regulars, the Permanent Active Militia (or Permanent Force), also relied on their own efforts to improve themselves as soldiers. They found intellectual nourishment in an excellent service journal, the Canadian Defence Quarterly, and British schools. The Militia learned to endure in these years because of all the trials its members faced. The interwar years are important for their impact on how the Canadian Army (as it was known after 1940) would fight the Second World War. -
Capitalism Unchallenged : a Sketch of Canadian Communism, 1939 - 1949
CAPITALISM UNCHALLENGED : A SKETCH OF CANADIAN COMMUNISM, 1939 - 1949 Donald William Muldoon B.A., Simon Fraser University, 1974 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of History @ DONALD WILLIAM MULDOON 1977 SIMON FRASER UNIVERSITY February 1977 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Donald William Muldoon Degree: Master of Arts Title of Thesis: Capitalism Unchallenged : A Sketch of Canadian Communism, 1939 - 1949. Examining Committee8 ., Chair~ergan: .. * ,,. Mike Fellman I Dr. J. Martin Kitchen senid; Supervisor . - Dr.- --in Fisher - &r. Ivan Avakumovic Professor of History University of British Columbia PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for mu1 tiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesi s/Di ssertation : Author : (signature) (name) (date) ABSTRACT The decade following the outbreak of war in September 1939 was a remarkable one for the Communist Party of Canada and its successor the Labor Progressive Party. -
· by Leslie Morris
e ommun1sts .· By Leslie Morris Sc / Puolished by Progress Books, for the Communist Party of Canada, April, 1961. - You can oJ>tain extra copies of this booklet, at • · 5 for 25 cents, postpaid, from :erogress Books, 44 Stafford St., Toronto, Ontario. THE Founding Convention of the New Party will be held in Ottawa at t·he end o,f July, 1961. It will be one of the mo,st important meetin·gs ever to be held in Canada and much will depend on t·he de:cisions taken there. · Already the Tories, Liberals and Social Crediters are preparing to fi:ght and defeat the New. Party in the coming federal election. The Li1b·erals have held a federal convention in which they tro·tted out a whole bagful of tricks designed to hea1d o.ff 'Suppo·rt for the New Party. T·he Tories held their natio;nal rally a few wee,ks later and John Diefen baker de·clared, in an attempt to· falsify the issues and scare a 1way potential supporters 0 1f the New Party, that ''so·cialism versus freel enterprise'' will be the issue in the election. The Social Credit government of B.C. has passed a vicious piece of legislation prohibiting unions · from ,.. making contri1butions to the Nevi Party on penalty of losing the check-off. Lo·ng be·f ore the election is. anno·unced the lines are bein,g sharply drawn. No matter what differences the To·ries, Liberals and So·cial Crediters have 1between themselves, on one thin1g they are united: the' New Party must be defeated. -
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title American Tan: Modernism, Eugenics, and the Transformation of Whiteness Permalink https://escholarship.org/uc/item/48g022bn Author Daigle, Patricia Lee Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara American Tan: Modernism, Eugenics, and the Transformation of Whiteness A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in the History of Art and Architecture by Patricia Lee Daigle Committee in charge: Professor E. Bruce Robertson, Chair Professor Laurie Monahan Professor Jeanette Favrot Peterson September 2015 The dissertation of Patricia Lee Daigle is approved. __________________________________________ Laurie Monahan __________________________________________ Jeanette Favrot Peterson __________________________________________ E. Bruce Robertson, Chair August 2015 American Tan: Modernism, Eugenics, and the Transformation of Whiteness Copyright © 2015 by Patricia Lee Daigle iii ACKNOWLEDGMENTS In many ways, this dissertation is not only a reflection of my research interests, but by extension, the people and experiences that have influenced me along the way. It seems fitting that I would develop a dissertation topic on suntanning in sunny Santa Barbara, where students literally live at the beach. While at the University of California, Santa Barbara (UCSB), I have had the fortunate experience of learning from and working with several remarkable individuals. First and foremost, my advisor Bruce Robertson has been a model for successfully pursuing both academic and curatorial endeavors, and his encyclopedic knowledge has always steered me in the right direction. Laurie Monahan, whose thoughtful persistence attracted me to UCSB and whose passion for art history and teaching students has been inspiring.