Social Scientist Social Dimensions of Art in Early India Author(s): Devangana Desai Source: Social Scientist, Vol. 18, No. 3 (Mar., 1990), pp. 3-32 Published by: Social Scientist Stable URL: http://www.jstor.org/stable/3517423 Accessed: 13-10-2015 11:24 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Social Scientist is collaborating with JSTOR to digitize, preserve and extend access to Social Scientist. http://www.jstor.org This content downloaded from 14.139.45.242 on Tue, 13 Oct 2015 11:24:05 UTC All use subject to JSTOR Terms and Conditions DEVANGANA DESAI* Social Dimensions of Art in Early India** I Art activity is a social process in which the artist, the work of art and the art public are interacting elements1. The social history of art explores the dynamics of the relationship between the patron/public, the artist and the work of art in the context of the social formation of a given period of history. The dynamics of this relationship changes accordingto the changes in the economic base of the society. The change in the artistic activity could be linked, among other factors, with the changes, due to the new mode of production, in the patron class and in socio-religious institutions and ideologies, which in their turn create new requirements and fresh opportunities for the emergence of new forms and contentin art2.