Cladmag 2017 Issue 3
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Piran Days of Architecture: Looking Back and Looking Forward Piranski
uvodnik piranski dnevi piran days of včeraj, danes architecture: in jutri looking back and intervju z arhitektko Majo Ivanič, novo predsednico organizacijskega odbora looking forward Piranskih dnevov arhitekture interview with architect Maja Ivanič, the new Kristina Dešman in Miha Dešman head of the Piran Days of Architecture Fotografije: Andraž Kavčič, Peter Krapež organising committee Kristina Dešman and Miha Dešman Photo: Andraž Kavčič, Peter Krapež Piranski dnevi arhitekture so mednarodna arhitekturna konferenca, ki se od Piran Days of Architecture is an international architecture conference that takes leta 1983 vsako leto konec novembra odvije v očarljivem gledališču Tartini place in late November in the charming Tartini Theatre in Piran, and has done v Piranu. Konferenca, ki je z leti prerasla regionalne okvire, je dolgo pred so every year since 1983. Through the years, the conference outgrew its initial stavljala enega redkih strokovnih arhitekturnih dogodkov z mednarodnim regional scope, and was for a long time one of the very few events for architec- predznakom pri nas. Na njej so predavali številni ugledni predavatelji in ar ture professionals in Slovenia that was truly international, featuring numerous hitekti iz Evrope in drugih delov sveta. Najbolj znani so Friedrich Achleitner, renowned lecturers and architects from Europe and other parts of the world. The Boris Podrecca, Heinz Tesar, Luigi Semerani, Gino Valle, Eduardo Souto de most famous among them have been Friedrich Achleitner, Boris Podrecca, Heinz Moura, Alvaro Siza Vieira, Peter Zumthor, Enric Miralles, Sverre Fehn, Kenneth Tesar, Luigi Semerani, Gino Valle, Eduardo Souto de Moura, Alvaro Siza Vieira, Frampton, David Chipperfield in še mnogi drugi. Leta 2008 so Piranski dnevi Peter Zumthor, Enric Miralles, Sverre Fehn, Kenneth Frampton, David Chipper- zaživeli na novo, saj jih je po 25ih letih, ko jih je vodil prof. -
YALE ARCHITECTURE FALL 2011 Constructs Yale Architecture
1 CONSTRUCTS YALE ARCHITECTURE FALL 2011 Constructs Yale Architecture Fall 2011 Contents “Permanent Change” symposium review by Brennan Buck 2 David Chipperfield in Conversation Anne Tyng: Inhabiting Geometry 4 Grafton Architecture: Shelley McNamara exhibition review by Alicia Imperiale and Yvonne Farrell in Conversation New Users Group at Yale by David 6 Agents of Change: Geoff Shearcroft and Sadighian and Daniel Bozhkov Daisy Froud in Conversation Machu Picchu Artifacts 7 Kevin Roche: Architecture as 18 Book Reviews: Environment exhibition review by No More Play review by Andrew Lyon Nicholas Adams Architecture in Uniform review by 8 “Thinking Big” symposium review by Jennifer Leung Jacob Reidel Neo-avant-garde and Postmodern 10 “Middle Ground/Middle East: Religious review by Enrique Ramirez Sites in Urban Contexts” symposium Pride in Modesty review by Britt Eversole review by Erene Rafik Morcos 20 Spring 2011 Lectures 11 Commentaries by Karla Britton and 22 Spring 2011 Advanced Studios Michael J. Crosbie 23 Yale School of Architecture Books 12 Yale’s MED Symposium and Fab Lab 24 Faculty News 13 Fall 2011 Exhibitions: Yale Urban Ecology and Design Lab Ceci n’est pas une reverie: In Praise of the Obsolete by Olympia Kazi The Architecture of Stanley Tigerman 26 Alumni News Gwathmey Siegel: Inspiration and New York Dozen review by John Hill Transformation See Yourself Sensing by Madeline 16 In The Field: Schwartzman Jugaad Urbanism exhibition review by Tributes to Douglas Garofalo by Stanley Cynthia Barton Tigerman and Ed Mitchell 2 CONSTRUCTS YALE ARCHITECTURE FALL 2011 David Chipperfield David Chipperfield Architects, Neues Museum, façade, Berlin, Germany 1997–2009. -
Rolex and Architecture 2018 Press
rolex & architecture rolex.com press release ROLEX SUPPORTS Wishing to highlight architecture’s about rolex AN UNRIVALLED REPUTATION ARCHITECTURAL PROGRESS “generosity of spirit and sense of humanity” FOR QUALITY AND EXPERTISE AS EXCLUSIVE PARTNER and focus on the quality of space, the direc- Rolex, a Swiss watch manufacture headquar- AND TIMEPIECE OF tors of the Biennale Architettura 2018, Yvonne tered in Geneva, is recognized the world over for its THE 16TH INTERNATIONAL Farrell and Shelley McNamara, of Dublin expertise and the quality of its products. Its Oyster ARCHITECTURE EXHIBITION practice Grafton Architects, have selected and Cellini watches, all certified as Superlative OF LA BIENNALE DI VENEZIA “Freespace” as the exhibition’s theme. Chronometers for their precision, performance A new pavilion in the Giardini also marks and reliability, are symbols of excellence, elegance and prestige. Founded by Hans Wilsdorf in 1905, the company’s participation in the event. the brand pioneered the development of the wrist- Venice, 24 May 2018 – As part of its The Rolex Pavilion’s foundation is offset by a watch and is at the origin of numerous major commitment to fostering the best use of new transparent structure with a faceted watchmaking innovations, such as the Oyster, the first waterproof wristwatch, launched in 1926, space and technical innovation, Rolex is surface that recalls the elegant, fluted bezel and the Perpetual rotor self-winding mechanism exclusive Partner and Timepiece of the of the Oyster Perpetual Day-Date. invented in 1931. Rolex has registered over 16th International Architecture Exhibition of A feature of the Rolex presentation 400 patents in the course of its history. -
Venice & the Common Ground
COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice. -
Tobias Armborst – the Dream of a Lifestyle: Marketing Master Planned Communities in America • Kenny Cupers – Cities in Search of the User
program 1 Thursday November 11 2010 De Nieuwe Bibliotheek Almere (Public Library of Almere) Stadhuisplein 101, 1315 XC Almere, the Netherlands 09h00 doors open, registration & coffee 09h30 introduction by Michelle Provoost, director INTI opening by René Peeters, alderman City of Almere 10h15 theme 1: Participation and Community Power moderator Michelle Provoost • Tobias Armborst – The Dream of a Lifestyle: Marketing Master Planned Communities in America • Kenny Cupers – Cities in search of the user 11h45 theme 2: The Architect and the Process • Kieran Long (Evening Standard) interviews Kees Christiaanse (KCAP) and Nathalie de Vries (MVRDV) on the role of the Architect in the development of New Towns in Russia and Asia 13h00 lunch at Centre for Architecture CASLa, Weerwaterplein 3, 1324 EE Almere 14h30 theme 3: New Towns as Political Instrument moderator: Wouter Vanstiphout • Zvi Efrat – About Politics and Architecture of New Towns in Israel • Azadeh Mashayekhi – Revisiting Iranian New Towns • Dan Handel – Grid and Revelation: Cities of Zion in the American West • Vincent Lacovara – Specific Flexibility in Place-making - or - The Law of Unforseen Planning 17h00 drinks and dinner at restaurant Waterfront Esplanade 10, 1315 TA Almere (Schouwburg of Almere) 2 Friday 12 November 2010 Schouwburg of Almere (Theatre of Almere) Esplanade 10, 1315 TA Almere, the Netherlands 09h00 doors open, registration & coffee 09h30 Introduction by Michelle Provoost, director INTI 09h40 theme 4: Left and Right in Urban Planning moderator Felix Rottenberg • Adri -
New Trends En El Mundo
1 NEW TRENDS EN EL MUNDO La cuarta edición del New Trends of Architecture comenzó en Patras, Grecia, Capital europea de la Cultura 2006, en Junio de ese mismo año. La inauguración fue el día 2 de Junio del 2006. New Trends of Architecture fue fundada en el 2001 por un grupo de consejeros japoneses de la cultura y los medios de comunicación, de quince estados miembros de la Unión Europea, Instituciones Culturales europeas y de la Delegación de la Comisión Europea en Japón. El objetivo es crear una plataforma que constituya una oportunidad para compartir ideas y experiencias entre Europa y Asia Pacífico, a través de exposiciones anuales y simposiums para arquitectos emergentes europeos, japoneses y de otros países del Pacífico que tendrán lugar en Japón y otras capitales europeas. El proyecto fue reconocido no solo por el mundo de la arquitectura sino también por el mundo diplomático. El antiguo director de la comisión europea, Romano Prodi y, el primer ministro de Japón, Junichiro Koizumi, mencionaron este proyecto especialmente como un programa de intercambio importante durante la cumbre euro japonesa en Julio 2002. En el año 2004, coincidiendo con la ampliación de la Unión Europea, la tercera edición de New Trends of Architecture fue presentada como una nueva iniciativa: un proyecto para las regiones de Europa y el Pacífico asiático. La exposición, acompañada de un simposium, fue organizada en Lille, Hong-Kong, Tokio, Cork, Melbourne y Anyang. En cada ciudad resultó ser una fuente de encuentros e intercambios enriquecedores. El concepto básico de este proyecto fue inspirado por la idea europea de la Capital Europea de la Cultura. -
Women in Architecture
WOMEN IN ARCHITECTURE Meet the shortlisted candidates for this year’s awards PLUS Results of the 2014 Women in Architecture survey £4.95 THE ARCHITECTS’ JOURNAL THEAJ.CO.UK AJ Women in Architecture 2014 Shortlist yvonne farrell and shelley mcnamara 52 roÍsÍn heneghan 54 francine houben 56 marÍa langarita 58 Kirsten lees 60 sadie morgan 62 Woman adriana natcheva 64 architect of the on five simple details crucial to the quality of the design and the look and feel of the complex, working with a limited palette of materials. The quality is all-pervasive, but particularly striking when you enter the ground floor reception, where the scale ams I ll steps down and the detail is unusually I fine for a London 2012 project. The washrooms have delicate mirror yearw stanton surrounds and smart, circular rooflights with concrete surrounds, and the sports hall has glass balustrades capped an interesting tectonic affinity with for Paralympic use. with circular stainless steel sections, concrete construction and carefully Externally, the main hall is timber with tidy glulam beam connections integrating services whose routing Above CGI clad, joining a LVRPA trio with designed by Stanton Williams. This was proposed by the architect. Pettitt showing dramatic Hopkins Architects’ Velodrome space takes the evolving language of notes that, as the design of the complex cantilevered canopy (AJ 29.09.11) and Faulkner Brown engineered timber construction to new is Part M-compliant, it needed few proposed for post- Architects’ White Water Canoe Centre levels of refinement, demonstrating enhancements to satisfy requirements Games facilities in Broxbourne. The compositions, 10.01.1402.08.12 shortlist 51 AJ Women in Architecture 2014 Woman Architect of the Year shortlist DENNIS GILBERT Yvonne Farrell and Shelley YVONNE FARRELL & McNamara founded Dublin- SHELLEY McNAMARA based Grafton Architects in directors, grafton 1978. -
Vincent Scully Masterclass Series Returns—Virtually—To the Chicago Architecture Center with “See Like an Architect”
Vincent Scully Masterclass Series returns—virtually—to the Chicago Architecture Center with “See Like an Architect” Registration now open for the second Scully Series, hosted by noted scholar and IIT College of Architecture dean Reed Kroloff and guests For immediate release January 26, 2021 High-resolution images with captions and credits downloadable here Media contact Zachary Whittenburg, Director of Communications, Chicago Architecture Center [email protected], 312-322-1134 CHICAGO – The Chicago Architecture Center (CAC) continues to offer online and remotely accessible programs for audiences of all ages, initiated in April 2020 with participants joining from across Chicago, the United States and overseas. Located at 111 East Wacker Drive in downtown Chicago, the Center remains temporarily closed to visitors. Chicago Architecture Foundation Center River Cruises aboard Chicago’s First Lady, CAC walking tours, admission to the Center itself and other in-person activities will resume in 2021 on dates to be announced. The CAC Design Store remains open 24 hours online at shop.architecture.org. 2021 Vincent Scully Masterclass Series: See Like an Architect Series pass $50, CAC members $40, students and seniors $30 Individual masterclasses $20 each, CAC members $15, students and seniors $10 Following up the inaugural three-part Vincent Scully Masterclass Series, “The Brilliance of American Architecture,” offered by the CAC in spring 2019, “See Like an Architect” examines timeless fundamentals in conceiving and communicating architecture. Three masterful, entertaining explorations of an architecture-informed worldview continue this series inspired by legendary professor, critic and author Vincent Joseph Scully, Jr. (1920−2017), who made his mark through more than 60 years of leading lectures at Yale University, inspiring countless students to pursue a wide variety of career paths. -
Grace La Is Professor of Architecture at the Harvard University Graduate School of Design and Principal of LA DALLMAN Architects
Grace La is Professor of Architecture at the Harvard University Graduate School of Design and Principal of LA DALLMAN Architects. La’s work is internationally recognized for the integration of architecture, engineering and landscape. Cofounded with James Dallman, LA DALLMAN is engaged in catalytic projects of diverse scale and type. Noted for works that expand the architect's agency in the civic recalibration of infrastructure, public space and challenging sites, LA DALLMAN was named as an Emerging Voice by the Architectural League of New York in 2010 and received the Rudy Bruner Award for Urban Excellence Silver Medal in 2007. In 2011, LA DALLMAN was the first practice in the United States to receive the Rice Design Alliance Prize, an international award recognizing exceptionally gifted architects in the early phase of their career. LA DALLMAN has also been awarded numerous professional honors, including architecture and engineering awards, as well as prizes in international design competitions. LA DALLMAN’s built work includes the Kilbourn Tower, the Miller Brewing Meeting Center (original building by Ulrich Franzen), the University of Wisconsin‐Milwaukee (UWM) Hillel Student Center, the Ravine House, the Gradient House and the Great Lakes Future and City of Freshwater permanent science exhibits at Discovery World. The Crossroads Project transforms infrastructure for public use, including a 700‐foot‐long Marsupial Bridge, a bus shelter and a media garden. LA DALLMAN is currently commissioned to design additions to the Marcus Center for the Performing Arts (original building by Harry Weese and landscape by Dan Kiley), the 2013 Master Plan for the Menomonee Valley and the Harmony Project, a 100,000‐square‐foot hybrid arts building for professional dance, which includes a ballet school, a university dance program and a medical clinic. -
OMA at Moma : Rem Koolhaas and the Place of Public Architecture
O.M.A. at MoMA : Rem Koolhaas and the place of public architecture : November 3, 1994-January 31, 1995, the Museum of Modern Art, New York Author Koolhaas, Rem Date 1994 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/440 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art THRESHOLDS IN CONTEMPORARY ARCHITECTURE O.M.A.at MoMA REMKOOLHAAS ANDTHE PLACEOF PUBLICARCHITECTURE NOVEMBER3, 1994- JANUARY31, 1995 THEMUSEUM OF MODERN ART, NEW YORK THIS EXHIBITION IS MADE POSSIBLE BY GRANTS FROM THE NETHERLANDS MINISTRY OF CULTURAL AFFAIRS, LILY AUCHINCLOSS, MRS. ARNOLD L. VAN AMERINGEN, THE GRAHAM FOUNDATION FOR ADVANCED STUDIES IN THE FINE ARTS, EURALILLE, THE CONTEMPORARY ARTS COUNCIL OF THE MUSEUM OF MODERN ART, THE NEW YORK STATE COUNCIL ON THE ARTS, AND KLM ROYAL DUTCH AIRLINES. REM KOOLHAASAND THE PLACEOF PUBLIC ARCHITECTURE ¥ -iofiA I. The Office for Metropolitan Architecture (O.M.A.), presence is a source of exhilaration; the density it founded by Rem Koolhaas with Elia and Zoe engenders, a potential to be exploited. In his Zenghelis and Madelon Vriesendorp, has for two "retroactive manifesto" for Manhattan, Delirious decades pursued a vision energized by the relation New York, Koolhaas writes: "Through the simulta ship between architecture and the contemporary neous explosion of human density and an invasion city. In addition to the ambitious program implicit in of new technologies, Manhattan became, from the studio's formation, there was and is a distinct 1850, a mythical laboratory for the invention and mission in O.M.A./Koolhaas's advocacy of the city testing of a revolutionary lifestyle: the Culture of as a legitimate and positive expression of contem Congestion." porary culture. -
Exhibitions, Street Art, Galleries and Sculptures
October 2019 – January 2020 exhibitions, street art, galleries and sculptures boijmans.nl/transit 1 Transit Boijmans Van Beuningen Museum Boijmans Van Beuningen’s long- term renovation has started. During this Transit period, institutions and museums across Rotterdam will be holding exhibitions with works of art from the museum collection under the title ‘Boijmans Next Door’. The Above: After seven months of collection will also be travelling to some of relocating the permanent the world’s top museums. In the meantime, collection, Museum Boijmans Van Beuningen is empty. construction of the Depot continues apace photo: Aad Hoogendoorn and this landmark is set to open in 2021. Right: Artist impression of the exterior of the Depot Boijmans Van Beuningen. Design: MVRDV Depot Boijmans Van Beuningen It is the first depot in the world that provides access to a complete collection without the intervention of a curator. The 40-metre high, mirrored building is a design from the Rotterdam architect Winy Maas from MVRDV and offers a beautiful, panoramic view of the city and the port from the freely accessible roof garden with restaurant. kunsthal.nl 2 Kunsthal Rotterdam Museumpark The Kunsthal Rotterdam is housed in Westzeedijk 341 a striking building designed by OMA/ Rem Koolhaas (1992). The Kunsthal presents several exhibitions simultaneously, taking visitors on a journey through various cultures and art movements from modern masters and contemporary art to forgotten cultures, photography, fashion and innovative design. Joana Vasconcelos. ‘I’m Your Mirror’ This impressive retrospective features the work of the famous Portuguese artist Joana Vasconcelos (1971). ‘I’m Your Mirror’ shows sculptures and installations such as ‘Lilicoptère, 2012’, a gold-plated helicopter Above: Lilicoptère, 2012 decorated with Swarovski crystals and pink © Joana Vasconcelos, FMGB Guggenheim Bilbao Museoa. -
Common Ground Participants
Common Ground Participants The selection of participants for this year’s Biennale evolved in response to the Common Ground theme. We began with a desire to emphasise shared ideas over individual authorship, and realised that this required us to initiate dialogues rather simply make a selection of individuals. We began by asking a limited group of architects to develop ideas that might lead to further invitations: everyone was asked to propose a project along with a dialogue that reacted to the theme and showed architecture in its context of influence and affinity, history and language, city and culture. The final list of contributors demonstrates a rich culture of difference rather than a selection of edited and promoted positions. We want to emphasise the common ground that the profession shares, notwithstanding the apparent diversity of today’s architectural production. The sharing of differences is critical to the idea of an architectural culture. (David Chipperfield) 1. Group: 4. Adam Caruso 13178 Moran Street Peter St. John CARUSO ST. JOHN ARCHITECTS Ellie Abrons/Adam Fure London, Great Britain Ann Arbor, USA hosting: Meredith Miller BIQ Ann Arbor, USA Rotterdam, The Netherlands Thom Moran MÄRKLI ARCHITEKT Ann Arbor, USA Zurich, Switzerland Catie Newell KNAPKIEWICZ FICKERT Ann Arbor, USA Zurich, Switzerland Rosalyne Shieh and Troy Schaum HILD UND K. SCHAUM/SHIEH Munich, Germany Ann Arbor and Houston, USA Hermann Czech 2. Francisco Aires Mateus Vienna, Austria Manuel Aires Mateus BOVENBOUW AIRES MATEUS Antwerp, Belgium Lisbon, Portugal 5. Alison Crawshaw 3. Shiraz Allibhai London, Great Britain AGA KHAN DEVELOPMENT NETWORK Geneva, Switzerland 6. Wouter Vanstiphout 12.