OMA at Moma : Rem Koolhaas and the Place of Public Architecture
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Hans-Peter Feldmann Named Winner
Guggenheim and AMO / Rem Koolhaas Announce Research Project Culminating in February 2020 Exhibition Countryside: Future of the World to Examine Radical Changes Transforming the Nonurban Landscape (NEW YORK, NY—November 29, 2017)—The Solomon R. Guggenheim Museum, architect and urbanist Rem Koolhaas, and AMO, the think tank of the Office for Metropolitan Architecture (OMA), will collaborate on a project exploring radical changes in the countryside, the vast nonurban areas of Earth. The project extends work underway by AMO / Koolhaas and students at the Harvard Graduate School of Design and will culminate in a rotunda exhibition at the Guggenheim Museum in February 2020. Organized by Guggenheim Curator of Architecture and Digital Initiatives Troy Conrad Therrien, Founding Partner of OMA Rem Koolhaas, and AMO Director Samir Bantal, Countryside: Future of the World (working title) will present speculations about tomorrow through insights into the countryside of today. The exhibition will explore artificial intelligence and automation, the effects of genetic experimentation, political radicalization, mass and micro migration, large-scale territorial management, human-animal ecosystems, subsidies and tax incentives, the impact of the digital on the physical world, and other developments that are altering landscapes across the globe. “The Guggenheim has an appetite for experimentation and a founding belief in the transformative potential of art and architecture,” said Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation. -
Inside-Outside on the Work of Petra Blaisse and the Architecture of the Drape
Dirk van den Heuvel I wish to thank Petra Blaisse, without whom this article would not have been Inside-outside possible. I had a number of extensive conversations with her about her work. She was also very helpful with the On the work of Petra Blaisse selection and provision of illustrations. 1 and the architecture The most interesting publications in this connection are: Hans Kollhoff (ed.), Uber Tektonik in der Baukunst, of the drape Braunschweig/Wiesbaden, 1993; Werner Oechslin, Stilhulse und Kern. Otto Wagner, Adolf Laos und der evolu tionare Weg zur modernen Architectur, 1994; Origins Zurich/Berlin, Kenneth Frampton, Studies into tectonic culture. The poetics of construction in nineteenth and For a long time, the drape was unthinkable as a part of architec twentieth century architecture, ture. Modern architectural thinking was dominated by structure Cambridge/London, 1995; Mark Wigley, and construction. Rereadings of Gottfried Semper's theories White walls, designer dresses. The brought about a radical change in the description of contemporary fashioning of modern architecture, Cambridge/London, 1995; Harry Francis architectural production. In retrospect, this rereading has led to Mallgrave, Gottfried Semper, architect of fundamental rewritings of the history of modern architecture. the nineteenth century, New The textile, the woven material that Semper indicated as one of Haven/London, 1996. the original, or primal, sources of architecture, was further 2 elaborated into a possible tectonic theory of architecture. Te xtile, Henk Engel, 'Stijl en expressie', in: Jan de Heer (ed.), Kleuren architectuur, moreover, was linked with an understanding of the outer wall as Rotterdam, 1986, pp. 63-74. -
From Lille-Flandres to Lille-Europe —The Evolution of a Railway Station Corinne Tiry
Feature From Lille-Flandres to Lille-Europe From Lille-Flandres to Lille-Europe —The Evolution of a Railway Station Corinne Tiry Since the mid-19th century, European Council, the Northern Railway Company economic arguments finally prevailed and cities evolved around the railway station established in 1845 by the Rothschild a good compromise was adopted—two as a central pivot where goods and people family, the French government and some stations would be built, a terminal inside converge. This is still true today when of Lille's most prominent citizens. These the city walls for passengers traffic, and a railway stations take on a new role as controversies also stimulated nearby urban through terminal outside for goods traffic. urban hubs in the European high-speed projects. Construction of the passenger terminal train network. Lille in northern France, started in 1845, and lasted 3 years. which has two stations from different The Railway Station Enters However, the builders underestimated the railway periods—Lille-Flandres and Lille- the City scale of both passenger and freight traffic Europe, is a good example illustrating this and the capacity was soon saturated. To quasi-continuous past and present urban In the 19th century, the railway station solve this new problem, an Imperial ambitions. became a new gateway to the city, Decree in 1861 allowed the Northern Lille is a city of 170,000 adjacent to the disrupting both the city walls' protective Railway Company to start construction of French-Belgian border. It is at the economic function, as well as the urban layout. The a marshalling yard—called Saint-Sauveur heart of the Lille-Roubaix-Tourcoing- original controversy in Lille emerged from station—south of the main passenger Villeneuve d'Ascq conurbation of 1.2 this duality and a station inside the city station, at the junction of the old city and million people, ranking (excepting Paris) was strongly opposed by the military. -
Venice & the Common Ground
COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice. -
Rem Koolhaas: an Architecture of Innovation Daniel Fox
Lehigh University Lehigh Preserve Volume 16 - 2008 Lehigh Review 2008 Rem Koolhaas: An Architecture of Innovation Daniel Fox Follow this and additional works at: http://preserve.lehigh.edu/cas-lehighreview-vol-16 Recommended Citation Fox, Daniel, "Rem Koolhaas: An Architecture of Innovation" (2008). Volume 16 - 2008. Paper 8. http://preserve.lehigh.edu/cas-lehighreview-vol-16/8 This Article is brought to you for free and open access by the Lehigh Review at Lehigh Preserve. It has been accepted for inclusion in Volume 16 - 2008 by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. Rem Koolhaas: An Architecture of Innovation by Daniel Fox 22 he three Master Builders (as author Peter Blake refers to them) – Le Corbusier, Mies van der Rohe, and Frank Lloyd Wright – each Drown Hall (1908) had a considerable impact on the architec- In 1918, a severe outbreak ture of the twentieth century. These men of Spanish Influenza caused T Drown Hall to be taken over demonstrated innovation, adherence distinct effect on the human condi- by the army (they had been to principle, and a great respect for tion. It is Koolhaas’ focus on layering using Lehigh’s labs for architecture in their own distinc- programmatic elements that leads research during WWI) and tive ways. Although many other an environment of interaction (with turned into a hospital for Le- architects did indeed make a splash other individuals, the architecture, high students after St. Luke’s during the past one hundred years, and the exterior environment) which became overcrowded. Four the Master Builders not only had a transcends the eclectic creations students died while battling great impact on the architecture of of a man who seems to have been the century but also on the archi- influenced by each of the Master the flu in Drown. -
Theorie De L'architecture
COURS 08 -sem 6 -UE1 17 mai 2006 COURS INAUGURAL SÉRIE 1 : « enquêtes » (Philippe Villien) 1,1 - ARNE JACOBSEN - ACIER - L’ESCALIER DE LA MAIRIE DE RODOVRE 1,2 - CARLO SCARPA - BÉTON - LE CIMETIÈRE BRION-VEGA À SAN VITO D’ALTIVOLE 1,3 - PETER ZUMTHOR - PIERRE - LES THERMES DE VALS 1,4 - SWERE FEHN - BOIS - MAISONS SÉRIE 2 : « paysage et édifice» (Dominique Hernandez) 2,1 - CULTURE DU REGARD (limites, seuils, topographie) 2,2 - LE PAYSAGE ENVELOPPE DE L’EDIFICE (composition dedans - dehors) 2,3 - LES TEMPS DU VIVANT (orientation, lumières, végétal) SÉRIE 3 : « représenter le concept » (Philippe Villien et Delphine Desert) 3,1 - LES OUTILS DE LA CONCEPTION ARCHITECTURALE 3,2 - DIFFUSION D’UNE PENSEE THEORIQUE : REM KOOLHAAS Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre THEORIE DE L’ARCHITECTURE Représenter le concept D elphine D E S E R T 2006 Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre THEORIE DE L’ARCHITECTURE R e p rése nter le concept 2re partie Diffusion d’une pensée théorique Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre R e présenter le co n cept Diffusion d’une pensée théorique Sommaire Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre L e s outils de la représentation sommaire 1. Prése ntation des acteurs • Re m Koolhaas • OMA • OMA/AMO • Réalisations pleïomorphes 2. Image et com m u nication • Communication du projet • Le discours • L'écriture • L’image 3. Approches théoriques Koolhaassienne • « Paranoiac Critical -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
Tobias Armborst – the Dream of a Lifestyle: Marketing Master Planned Communities in America • Kenny Cupers – Cities in Search of the User
program 1 Thursday November 11 2010 De Nieuwe Bibliotheek Almere (Public Library of Almere) Stadhuisplein 101, 1315 XC Almere, the Netherlands 09h00 doors open, registration & coffee 09h30 introduction by Michelle Provoost, director INTI opening by René Peeters, alderman City of Almere 10h15 theme 1: Participation and Community Power moderator Michelle Provoost • Tobias Armborst – The Dream of a Lifestyle: Marketing Master Planned Communities in America • Kenny Cupers – Cities in search of the user 11h45 theme 2: The Architect and the Process • Kieran Long (Evening Standard) interviews Kees Christiaanse (KCAP) and Nathalie de Vries (MVRDV) on the role of the Architect in the development of New Towns in Russia and Asia 13h00 lunch at Centre for Architecture CASLa, Weerwaterplein 3, 1324 EE Almere 14h30 theme 3: New Towns as Political Instrument moderator: Wouter Vanstiphout • Zvi Efrat – About Politics and Architecture of New Towns in Israel • Azadeh Mashayekhi – Revisiting Iranian New Towns • Dan Handel – Grid and Revelation: Cities of Zion in the American West • Vincent Lacovara – Specific Flexibility in Place-making - or - The Law of Unforseen Planning 17h00 drinks and dinner at restaurant Waterfront Esplanade 10, 1315 TA Almere (Schouwburg of Almere) 2 Friday 12 November 2010 Schouwburg of Almere (Theatre of Almere) Esplanade 10, 1315 TA Almere, the Netherlands 09h00 doors open, registration & coffee 09h30 Introduction by Michelle Provoost, director INTI 09h40 theme 4: Left and Right in Urban Planning moderator Felix Rottenberg • Adri -
Uma Arqueologia Do Programa De Rem Koolhaas Adriana Veras Vasconcelos, Doutoranda Pelo MDU-UFPE E Upenn, Professora Assistente Do Depto
Simpósio Temático: Da arte de construir à inteligência arquitetônica Megaestructura e Metrópole: Uma arqueologia do programa de Rem Koolhaas Adriana Veras Vasconcelos, Doutoranda pelo MDU-UFPE e UPenn, Professora Assistente do Depto. de Arquitetura da UFPB Fernando Diniz Moreira, Ph.D., Professor Adjunto do Depto. de Arquitetura e Urbanismo da UFPE 1 Resumo Termos como fragmentação, heterogeneidade, descontinuidade e imaterialidade têm sido constantemente usados para descrever a metrópole contemporânea. A tecnologia da informação e a justaposição de fluxos e realidades parecem enfraquecer uma tradição arquitetônica consolidada, baseada na tríade venustas, commoditas e utilitas. No entanto, estas mesmas características podem também estimular uma nova forma de pensar e fazer arquitetura. Nesse contexto, Rem Koolhaas é um dos arquitetos que mais tem explorado a metrópole como estratégia projetual, expondo a instabilidade da condição urbana atual. Originalmente jornalista e cineasta, Koolhaas publicou Delirious New York, um dos mais importantes manifestos da arquitetura contemporânea. Ele aceita a submissão da arquitetura à aparente falta ordem, fragmentação e heterogeneidade da metrópole contemporânea. Segundo ele, a metrópole é estruturada pela concentração e superposição de vários sistemas urbanos. Sua dinâmica é mantida pela congestão de atividades, espaços e programas que devem ser articulados por bigness: mecanismo arquitetônico capaz de sustentar uma proliferação de eventos em um único edifício. Para Koolhaas, a tarefa da arquitetura não é mais organizar o espaço com elementos permanentes, mas expor o caos da cidade no próprio edifício. O objetivo deste trabalho é oferecer uma arqueologia da obra de Koolhaas, estabelecendo conexões entre o pensamento arquitetônico e urbanístico das décadas de 1960 e 1970 suas idéias e entre estas e seus projetos construídos. -
New Trends En El Mundo
1 NEW TRENDS EN EL MUNDO La cuarta edición del New Trends of Architecture comenzó en Patras, Grecia, Capital europea de la Cultura 2006, en Junio de ese mismo año. La inauguración fue el día 2 de Junio del 2006. New Trends of Architecture fue fundada en el 2001 por un grupo de consejeros japoneses de la cultura y los medios de comunicación, de quince estados miembros de la Unión Europea, Instituciones Culturales europeas y de la Delegación de la Comisión Europea en Japón. El objetivo es crear una plataforma que constituya una oportunidad para compartir ideas y experiencias entre Europa y Asia Pacífico, a través de exposiciones anuales y simposiums para arquitectos emergentes europeos, japoneses y de otros países del Pacífico que tendrán lugar en Japón y otras capitales europeas. El proyecto fue reconocido no solo por el mundo de la arquitectura sino también por el mundo diplomático. El antiguo director de la comisión europea, Romano Prodi y, el primer ministro de Japón, Junichiro Koizumi, mencionaron este proyecto especialmente como un programa de intercambio importante durante la cumbre euro japonesa en Julio 2002. En el año 2004, coincidiendo con la ampliación de la Unión Europea, la tercera edición de New Trends of Architecture fue presentada como una nueva iniciativa: un proyecto para las regiones de Europa y el Pacífico asiático. La exposición, acompañada de un simposium, fue organizada en Lille, Hong-Kong, Tokio, Cork, Melbourne y Anyang. En cada ciudad resultó ser una fuente de encuentros e intercambios enriquecedores. El concepto básico de este proyecto fue inspirado por la idea europea de la Capital Europea de la Cultura. -
Jaarverslag 2012
Jaarverslag 2012 1 Inhoudsopgave Bericht van de ....................................................................................................................................... 4 Raad van Toezicht ................................................................................................................................ 4 Voorwoord ............................................................................................................................................ 5 1 Codarts Rotterdam ...................................................................................................................... 8 1.1 Missie...................................................................................................................................... 8 1.2 Opleidingen ............................................................................................................................ 8 1.3 Kengetallen ........................................................................................................................... 10 2 Studenten .................................................................................................................................... 12 2.1 Kroonjuwelen ....................................................................................................................... 12 2.2 Uitvoeringen door Codarts-studenten ................................................................................... 13 2.3 Kengetallen student en onderwijs ........................................................................................ -
Grace La Is Professor of Architecture at the Harvard University Graduate School of Design and Principal of LA DALLMAN Architects
Grace La is Professor of Architecture at the Harvard University Graduate School of Design and Principal of LA DALLMAN Architects. La’s work is internationally recognized for the integration of architecture, engineering and landscape. Cofounded with James Dallman, LA DALLMAN is engaged in catalytic projects of diverse scale and type. Noted for works that expand the architect's agency in the civic recalibration of infrastructure, public space and challenging sites, LA DALLMAN was named as an Emerging Voice by the Architectural League of New York in 2010 and received the Rudy Bruner Award for Urban Excellence Silver Medal in 2007. In 2011, LA DALLMAN was the first practice in the United States to receive the Rice Design Alliance Prize, an international award recognizing exceptionally gifted architects in the early phase of their career. LA DALLMAN has also been awarded numerous professional honors, including architecture and engineering awards, as well as prizes in international design competitions. LA DALLMAN’s built work includes the Kilbourn Tower, the Miller Brewing Meeting Center (original building by Ulrich Franzen), the University of Wisconsin‐Milwaukee (UWM) Hillel Student Center, the Ravine House, the Gradient House and the Great Lakes Future and City of Freshwater permanent science exhibits at Discovery World. The Crossroads Project transforms infrastructure for public use, including a 700‐foot‐long Marsupial Bridge, a bus shelter and a media garden. LA DALLMAN is currently commissioned to design additions to the Marcus Center for the Performing Arts (original building by Harry Weese and landscape by Dan Kiley), the 2013 Master Plan for the Menomonee Valley and the Harmony Project, a 100,000‐square‐foot hybrid arts building for professional dance, which includes a ballet school, a university dance program and a medical clinic.