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Christopher Isherwood Papers
http://oac.cdlib.org/findaid/ark:/13030/c8pk0gr7 No online items Christopher Isherwood Papers Finding aid prepared by Sara S. Hodson with April Cunningham, Alison Dinicola, Gayle M. Richardson, Natalie Russell, Rebecca Tuttle, and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2, 2000. Updated: January 12, 2007, April 14, 2010 and March 10, 2017 The Huntington Library. All rights reserved. Christopher Isherwood Papers CI 1-4758; FAC 1346-1397 1 Overview of the Collection Title: Christopher Isherwood Papers Dates (inclusive): 1864-2004 Bulk dates: 1925-1986 Collection Number: CI 1-4758; FAC 1346-1397 Creator: Isherwood, Christopher, 1904-1986. Extent: 6,261 pieces, plus ephemera. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the papers of British-American writer Christopher Isherwood (1904-1986), chiefly dating from the 1920s to the 1980s. Consisting of scripts, literary manuscripts, correspondence, diaries, photographs, ephemera, audiovisual material, and Isherwood’s library, the archive is an exceptionally rich resource for research on Isherwood, as well as W.H. Auden, Stephen Spender and others. Subjects documented in the collection include homosexuality and gay rights, pacifism, and Vedanta. Language: English. Access The collection is open to qualified researchers by prior application through the Reader Services Department, with two exceptions: • The series of Isherwood’s daily diaries, which are closed until January 1, 2030. -
Discipleship in the Works of Christopher Isherwood
Prague Journal of English Studies Volume 8, No. 1, 2019 ISSN: 1804-8722 (print) '2,10.2478/pjes-2019-0005 ISSN: 2336-2685 (online) A Bond Stronger Than Marriage: Discipleship in the Works of Christopher Isherwood Kinga Latała Jagiellonian University in Kraków, Poland is paper is concerned with Christopher Isherwood’s portrayal of his guru-disciple relationship with Swami Prabhavananda, situating it in the tradition of discipleship, which dates back to antiquity. It discusses Isherwood’s (auto)biographical works as records of his spiritual journey, infl uenced by his guru. e main focus of the study is My Guru and His Disciple, a memoir of the author and his spiritual master, which is one of Isherwood’s lesser-known books. e paper attempts to examine the way in which a commemorative portrait of the guru, suggested by the title, is incorporated into an account of Isherwood’s own spiritual development. It discusses the sources of Isherwood’s initial prejudice against religion, as well as his journey towards embracing it. It also analyses the facets of Isherwood and Prabhavananda’s guru-disciple relationship, which went beyond a purely religious arrangement. Moreover, the paper examines the relationship between homosexuality and religion and intellectualism and religion, the role of E. M. Forster as Isherwood’s secular guru, the question of colonial prejudice, as well as the reception of Isherwood’s conversion to Vedanta and his religious works. Keywords Christopher Isherwood; Swami Prabhavananda; My Guru and His Disciple; discipleship; guru; memoir e present paper sets out to explore Christopher Isherwood’s depiction of discipleship in My Guru and His Disciple (1980), as well as relevant diary entries and letters. -
GENERAL PHOTOGRAPHS File Subject Index
GENERAL PHOTOGRAPHS File Subject Index A (General) Abeokuta: the Alake of Abram, Morris B.: see A (General) Abruzzi: Duke of Absher, Franklin Roosevelt: see A (General) Adams, C.E.: see A (General) Adams, Charles, Dr. D.F., C.E., Laura Franklin Delano, Gladys, Dorothy Adams, Fred: see A (General) Adams, Frederick B. and Mrs. (Eilen W. Delano) Adams, Frederick B., Jr. Adams, William Adult Education Program Advertisements, Sears: see A (General) Advertising: Exhibits re: bill (1944) against false advertising Advertising: Seagram Distilleries Corporation Agresta, Fred Jr.: see A (General) Agriculture Agriculture: Cotton Production: Mexican Cotton Pickers Agriculture: Department of (photos by) Agriculture: Department of: Weather Bureau Agriculture: Dutchess County Agriculture: Farm Training Program Agriculture: Guayule Cultivation Agriculture: Holmes Foundry Company- Farm Plan, 1933 Agriculture: Land Sale Agriculture: Pig Slaughter Agriculture: Soil Conservation Agriculture: Surplus Commodities (Consumers' Guide) Aircraft (2) Aircraft, 1907- 1914 (2) Aircraft: Presidential Aircraft: World War II: see World War II: Aircraft Airmail Akihito, Crown Prince of Japan: Visit to Hyde Park, NY Akin, David Akiyama, Kunia: see A (General) Alabama Alaska Alaska, Matanuska Valley Albemarle Island Albert, Medora: see A (General) Albright, Catherine Isabelle: see A (General) Albright, Edward (Minister to Finland) Albright, Ethel Marie: see A (General) Albright, Joe Emma: see A (General) Alcantara, Heitormelo: see A (General) Alderson, Wrae: see A (General) Aldine, Charles: see A (General) Aldrich, Richard and Mrs. Margaret Chanler Alexander (son of Charles and Belva Alexander): see A (General) Alexander, John H. Alexitch, Vladimir Joseph Alford, Bradford: see A (General) Allen, Mrs. Idella: see A (General) 2 Allen, Mrs. Mary E.: see A (General) Allen, R.C. -
44-Christopher Isherwood's a Single
548 / RumeliDE Journal of Language and Literature Studies 2020.S8 (November) Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life / G. Güçlü (pp. 548-562) 44-Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life Gökben GÜÇLÜ1 APA: Güçlü, G. (2020). Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, (Ö8), 548-562. DOI: 10.29000/rumelide.816962. Abstract Beginning his early literary career as an author who nurtured his fiction with personal facts and experiences, many of Christopher Isherwood’s novels focus on constructing an identity and discovering himself not only as an adult but also as an author. He is one of those unique authors whose gradual transformation from late adolescence to young and middle adulthood can be clearly observed since he portrays different stages of his life in fiction. His critically acclaimed novel A Single Man, which reflects “the afternoon of his life;” is a poetic portrayal of Isherwood’s confrontation with ageing and death anxiety. Written during the early 1960s, stormy relationship with his partner Don Bachardy, the fight against cancer of two of his close friends’ (Charles Laughton and Aldous Huxley) and his own health problems surely contributed the formation of A Single Man. The purpose of this study is to unveil how Isherwood’s midlife crisis nurtured his creativity in producing this work of fiction. From a theoretical point of view, this paper, draws from literary gerontology and ‘the Lifecourse Perspective’ which is a theoretical framework in social gerontology. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
EVENT ANNOUNCEMENT Artists Paint Artists
EVENT ANNOUNCEMENT FOR IMMEDIATE RELEASE DATE: REVISED May 22, 2018 CONTACT: Molly Barnes, WLAC Artist in Residence (310) 553-7626 I [email protected] 9000 Overland Ave. - Culver City, CA 90230 Artists Paint Artists GALLERY RECEPTION: THURSDAY, JUNE 7 CURRATED BY MOLLY BARNES West Los Angeles College invites the community to view the works of world-renowned artists at the Artists Paint Artists exhibition, curated by Molly Barnes, running throughout June. A free public reception will be held THURSDAY, JUNE 7 in the college’s Fine Arts Gallery adjacent to the parking structure from 5:00 – 8:00 p.m. The exhibit will feature the works of more than a dozen artists with works displayed in prestigious museums such as the Met, MoMA and LACMA. The artists include Sam Francis, Don Bachardy, Guy Dill, D.J. Hall, Kent Twitchell and Bradford Salamon. Admission is free. Parking is available directly adjacent to the gallery in the Parking Structure for $2 - exact change will be needed. ABOUT THE ARTISTS: D.J. HALL is a local painter whose work can be found across the country from the Met to Bank of America in Los Angeles. Light is the primary subject of her paintings, and her art often portrays women sitting poolside. Her portrait of Swedish artist Astrid Preston will be displayed. Preston’s art has been exhibited in galleries and museums across the U.S. and Asia. SAM FRANCIS is known for his colorful and large-scale abstract paintings. His art was commonly rooted in elements like Abstract Expressionism, Impressionism and Eastern philosophy. -
Dulles Calls Red Plan for Germany Stupid
MONDAY, JANUARY 12. 1959* The Weather PA<Ste >OTratEEN Average Daily Net Press Run iim trljf0tpr lEwpning For the Week Ending Forecaurt of II.. a. Weather BoroM January 10th,' 1959 Fnlr and a bit colder tonight and St Judo Thaddeus Mothers The Queen of Peace Mothers Cir- have particlMted with Johnwn In The Officers' Wives Club of the I . Clrcle will meet Wednesday at | cle wilt meet tomorrow night all Court Slates the Towers breaks. * PRESCRIPTIONS 12,864 Wednesday. I*»w tonight 20 to 28. 93rd A A A Group will hold It* Kingalgy ha* been charged with High Wednesday In middle SO*. About Town monthly luncheon at the Head- 815 pm. at the home of Mrs. ,8:15 at the home of Mrs. Frank' DAT OR NIGHT Member of the Audit Herbert Carvev, .1 Scarborough 1 Pearaon. 110 Bretlon Rd. Tlie co-1 breakUig and entering the Pine BY EXPERTS qtiarter.s of Ihe 63rd Artillery Pharfnagy, on Center St., and the Bureau of drrulatlon I Rd. Co-hostesses will be Mrs.' hostess will be Mrs. Allyn M ar-; Manchenter— A City o f Village Charm TJi* VF\V Auxiliary will meet to- Group. New Britain, tomorrow lit Safe Break Manchester Motor Salqs, in March Thomas Sweeney and Mr*. Robert, _ ! TOontw night at T;SO at tha post 12:30 p.m. I 1954. *. ARTHUR DRUB In all. Stale Police said the four, (UlaMlIied Advertising on Page 12) PRICE FIVE CEN’1’8 home. Officer* having tmiforms are i ____ I The Nathan Hale PTA will hold Cases Jan. -
Hos Ho in Heatre Orty
WHO’S WHO IN THEATRE FORTY BOARD OF DIRECTORS Jim Jahant, Chairperson Lya Cordova-Latta Dr. Robert Karns Charles Glenn Myra Lurie Frederick G. Silny, Treasurer David Hunt Stafford, Secretary Gloria Stroock Bonnie Webb Marion Zola ARTISTIC COMMITTEE Gail Johnston • Jennifer Laks • Alison Blanchard Diana Angelina • John Wallace Combs • Leda Siskind ADMINISTRATIVE STAFF David Hunt Stafford . .Artistic/Managing Director Jennifer Parsons . .Bookkeeper Richard Hoyt Miller . .Database Manager Philip Sokoloff . .Director of Public Relations Jay Bell . .Reservationist Dean Wood . .Box Office Manager Susan Mermet . .Assistant Box Office Manager Larry Rubinstein . .Technology Guru PRODUCTION STAFF Artistic/Managing Director David Hunt Stafford Set Design Jeff G. Rack Costume Design Michèle Young Lighting Design Ric Zimmerman Sound Design Joseph “Sloe” Slawinski Photograp her Ed Kreiger Program Design Richard Hoyt Miller Publicity Philip Sokoloff Reservations & Information Jay Bell / 310-364-0535 This production is dedicated to the memory of DAVID COLEMAN THEATRE FORTY PRESENTS The 6th Production of the 2017-2018 Season BY A.A. MILNE DIRECTED BY JULES AARON PRODUCED BY DAVID HUNT STAFFORD Set Designer..............................................JEFF G. RACK Costume Designer................................MICHÈLE YOUNG Lighting Designer................................RIC ZIMMERMAN Sound Designer .................................GABRIEAL GRIEGO Stage Manager ................................BETSY PAULL-RICK Assistant Stage Manager ..................RICHARD -
Claude Summers Reflects on Chris and Don
Special Features Index Claude Summers Reflects on Chris and Don Newsletter February 1, 2009 Sign up for glbtq's Portrait of a Marriage, Portrait of an Artist: free newsletter to Chris and Don: A Love Story receive a spotlight on GLBT culture by Claude J. Summers every month. e-mail address In Christopher Isherwood's 1976 sexual and political autobiography, Christopher and His Kind, 1929-1939, the novelist reassesses the decade in subscribe which he earned fame as one of the young writers of the 1930s. He begins privacy policy unsubscribe by announcing that "To Christopher, Berlin meant Boys." He ends it, however, with the event in his life that Encyclopedia proved even more decisive than his visit to Berlin: his 1939 emigration to the Discussion go Don Bachardy painting United States with his friend poet W. Christopher Isherwood in H. Auden. the early 1980s. Photograph by Jack Shear, In the book's remarkable final courtesy Zeitgeist Films. paragraph, Isherwood looks back on the two young men as they are about to begin new lives in America and answers one final question: "Yes, my dears, each of you will find the person you came here to look for--the ideal companion to whom you can reveal yourself totally and yet be loved for what you are, not what you pretend to be." Log In Now For Auden, that ideal companion was Chester Kallman, whom he met within three months of his arrival in America and with whom he Forgot Your Password? spent most of the rest of his life. Not a Member Yet? JOIN TODAY. -
230 Adams, Henry, 32 Aeschylus, 191 Albaret, Celeste, 66, 71 Aldiss
Index Adams, Henry, 32 Barnardo, Dr Thomas John, 147 Aeschylus, 191 Barzun, Jacques, 228 Albaret, Celeste, 66, 71 Baudelaire, Charles, 194 Aldiss, Brian, 92–8: The Brightfount Diaries, Bayley, John, 107 93; Shouting Down a Cliff, 93; The Beale, Thomas, Natural History of the Sperm Twinkling of an Eye, 97; When the Feast Is Whale, 206 Finished, 98 Beatles, The, 70 Aldiss, Margaret, 94–8: ‘My Health’, Beaton, Cecil, 154 97–8; The Work of Brian W. Aldiss, 97; Beattie, Ann, 79 see also Manson, Margaret Beaumont, Frances, 144 Alexander the Great, 195 Beebe, William, 30 Alighieri, Dante, 27 Bell, Quentin, x Amis, Kingsley, 95, 108 Bellows, Henry, 220 Archimedes, 89 Benson, E. F., 150 Armstrong, Karen, 194–5 Bentley, Richard, 210, 211, Armstrong, Neil, 30 212, 214 Arnold, Matthew, ‘Dover Beach’, 23 Berg, A. Scott, 142 Auden, W. H., 124; Poets of the English Berg, James L. ed.: Conversations with Language, 27 Christopher Isherwood, 118; The Isherwood Auel, Jean, 110 Century: Essays on the Life and Work of Austen, Jane, Persuasion, 23 Christopher Isherwood (with Chris Freeman), 118 Bach, Johann Sebastian, 70 Bergen, Candice, 28 Bachardy, Don, 114–27: Christopher Berger, John, 196 Isherwood: Last Drawings, 126; Stars in My Bernays, Anne, The Language of Names, Eyes, 125; see also Isherwood, 142, 145 Christopher Berryman, John, 195 Bachardy, Ted, 114, 116 Bierce, Ambrose, 142–3 Bachelder, Frances H., The Bonaparte, Napoleon, 31, 104 Iron Gate, 109 Boothby, Robert, 161 Back, Barbara, 155, 157 Boswell, James, Life of Johnson, 27 Bainbridge, Beryl, -
Alexander J. Ellis and His Place in the History of Ethnomusicology Author(S): Jonathan P
Alexander J. Ellis and His Place in the History of Ethnomusicology Author(s): Jonathan P. J. Stock Source: Ethnomusicology, Vol. 51, No. 2 (Spring/Summer, 2007), pp. 306-325 Published by: University of Illinois Press on behalf of Society for Ethnomusicology Stable URL: http://www.jstor.org/stable/20174527 . Accessed: 31/07/2014 09:18 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press and Society for Ethnomusicology are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology. http://www.jstor.org This content downloaded from 164.41.83.55 on Thu, 31 Jul 2014 09:18:11 AM All use subject to JSTOR Terms and Conditions Vol. 51, No. 2 Ethnomusicology Spring/Summer 2007 Alexander J. Ellis and His Place in the History of Ethnomusicology Jonathan P. J. Stock / University of Sheffield even The musical scale is not one, not "natural," not founded necessarily on the laws of the constitution ofmusical sound so beautifully worked out by Helmholtz, but very diverse, very artificial, and very capricious. Alexander J.Ellis (1885b:526) The Founder of Comparative Musicology? 25 March 1885, a 71-year-old Englishman named Alexander John Ellis On (Figure 1) read a paper "On the Musical Scales ofVarious Nations" at a meeting in London of the Society of Arts.1 At the end, Ellis received the Society's silvermedal, a distinguished award.With the aid of live demonstra tions, Ellis offered detailed statistical data by means of his recently devised cents system, a system which allowed the precise delineation of pitch mea surements expressed as hundredths of an equal-tempered semitone. -
Christopher Isherwood in Transit: a 21St-Century Perspective
Transcription University of Minnesota Press Episode 2: Christopher Isherwood in Transit: A 21st-Century Perspective https://soundcloud.com/user-760891605/isherwood-in-transit Host introduction: Isherwood in Transit is a collection of essays that considers Christopher Isherwood as a transnational writer whose identity politics and beliefs were constantly transformed by global connections arising from journeys to Germany, Japan, China and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s. We're here today to talk about Isherwood's reception and history of publication in the US, as well as what we mean by the title Isherwood in Transit, which is open to interpretation and refers to the writer's movement on a personal and spiritual level as much as geographic. Here we have book editors Jim Berg and Chris Freeman, who have co-edited several volumes on Isherwood, including The Isherwood Century and The American Isherwood. Berg is associate dean of faculty at the Borough of Manhattan Community College in New York City. Freeman is professor of English and gender studies at the University of Southern California. They are joined by University of Minnesota press director Doug Armato. This conversation was recorded in June 2020. Jim Berg: This is Jim Berg. Here's a quick bit of background on Christopher Isherwood. He was born in 1904 in England. His best-known British work is Goodbye to Berlin from 1938, which was published with Mr. Norris Changes Trains in the United States as The Berlin Stories featuring Sally Bowles. And that was turned into the musical Cabaret.