230 Adams, Henry, 32 Aeschylus, 191 Albaret, Celeste, 66, 71 Aldiss

Total Page:16

File Type:pdf, Size:1020Kb

230 Adams, Henry, 32 Aeschylus, 191 Albaret, Celeste, 66, 71 Aldiss Index Adams, Henry, 32 Barnardo, Dr Thomas John, 147 Aeschylus, 191 Barzun, Jacques, 228 Albaret, Celeste, 66, 71 Baudelaire, Charles, 194 Aldiss, Brian, 92–8: The Brightfount Diaries, Bayley, John, 107 93; Shouting Down a Cliff, 93; The Beale, Thomas, Natural History of the Sperm Twinkling of an Eye, 97; When the Feast Is Whale, 206 Finished, 98 Beatles, The, 70 Aldiss, Margaret, 94–8: ‘My Health’, Beaton, Cecil, 154 97–8; The Work of Brian W. Aldiss, 97; Beattie, Ann, 79 see also Manson, Margaret Beaumont, Frances, 144 Alexander the Great, 195 Beebe, William, 30 Alighieri, Dante, 27 Bell, Quentin, x Amis, Kingsley, 95, 108 Bellows, Henry, 220 Archimedes, 89 Benson, E. F., 150 Armstrong, Karen, 194–5 Bentley, Richard, 210, 211, Armstrong, Neil, 30 212, 214 Arnold, Matthew, ‘Dover Beach’, 23 Berg, A. Scott, 142 Auden, W. H., 124; Poets of the English Berg, James L. ed.: Conversations with Language, 27 Christopher Isherwood, 118; The Isherwood Auel, Jean, 110 Century: Essays on the Life and Work of Austen, Jane, Persuasion, 23 Christopher Isherwood (with Chris Freeman), 118 Bach, Johann Sebastian, 70 Bergen, Candice, 28 Bachardy, Don, 114–27: Christopher Berger, John, 196 Isherwood: Last Drawings, 126; Stars in My Bernays, Anne, The Language of Names, Eyes, 125; see also Isherwood, 142, 145 Christopher Berryman, John, 195 Bachardy, Ted, 114, 116 Bierce, Ambrose, 142–3 Bachelder, Frances H., The Bonaparte, Napoleon, 31, 104 Iron Gate, 109 Boothby, Robert, 161 Back, Barbara, 155, 157 Boswell, James, Life of Johnson, 27 Bainbridge, Beryl, 38 Bottomley, Horatio, 100 Baker, Florence, 30 Bradbury, Malcolm, 3–12 Baker, Sharon, 97 Brazzi, Rossano, 28 Barnard, Robert, A Talent to Deceive: an Brewster, Dr John, 207, 208, 209, 210, Appreciation of Agatha Christie, 181–2 216, 218 230 INDEX 231 Bridges, James: Urban Cowboy, 124; The Clark, Kenneth, 162 China Syndrome, 124 Clark, Mary (Topsy), 102, 103 Brookfield, Ernest William, 46–7, 53 Clift, Montgomery, 122 Brookfield, Norman, 47, 53 Collins, Cecil, 198 Brooks, Ellingham, 149 Colt, Susannah, 71, 72, 75–6 Brotherton, Mary, 21 Connolly, Mrs Cyril, 196 Brown, Jerry, 115 Core, Dr Donald, 179 Browne, J. Ross, 204 Corso, Gregory, 191–2 Browne, Sir Thomas, 204 Cotton, Joseph, 122 Bucknell, Katherine, 116, 121 Coventry, F. H., 14 Burke and Wills, 30 Coward, Noël, 156: Blithe Spirit, 50 Burnett, Frances Hodgson, 16, 17 Cox, Sidney, Those Who Want to Write, 109 Burton, Richard, 31 Craft, Robert, 119 Burton, Sir Richard, 31 Craighead, Robert, 210 Byron, Lord (George Gordon), 131 Craik, George Lillie, The New Zealanders, 206 Byron, Robert, Road to Oxiana, 195 Dana, Richard Henry, Jr, 206 Cade, Jared, Agatha Christie and the Eleven Dannay, Frederick, 144 Missing Days, 179, 181 David, Elizabeth, 166 Callimachus, 191 Davies, Robertson, 227 Camelot, 103 Degeneres, Ellen, 124 Carlyle, Thomas, 71, 86, 100 Deighton, Len, The Ipcress File, 101 Carow, Edith Kermit (Mrs Theodore Dickens, Charles, 61, 66, 100, 181–2: Roosevelt), 32, 33, 35 The Mystery of Edwin Drood, 182 Carter, Jimmy: Everything to Gain, 111; Dickinson, Emily, 103 Living Faith, 111 Donne, John, 86, 87, 88, 139: ‘I am Carter, Rosalynn, Everything to Gain, 111 two fools, I know’, 86–7 Caskey, Bill, 115, 116 Dostoevsky, Fyodor, 131 Cassirer, Reinhold, 136 Dowson, Ernest, 194: ‘Cynara’, 98 Caws, Mary Ann, ‘A Double Allegiance’, Doyle, Sir Arthur Conan, 176 173–4 Drabble, Margaret, 37–9, 141: The Oxford Chaplin, Geraldine, 156 Companion to English Literature, 38; Chatterjee, Niladri, 123, 124 A Summer Bird-Cage, 40 Chatwin, Bruce and Elizabeth, 195 Duran, Gustavo, 196 Chesterton, G. K., 229 Durbin, Deanna, 14 Child, Julia, 186 Durrell, Laurence, The Alexandria Christie, Agatha, 105, 176–83: Death on Quartet, 33 the Nile, 183; ‘The Edge’, 182; Murder in Duyckinck, Evert, 212–13 Mesopotamia, 183; The Murder of Roger Ackroyd, 177, 182; Murder on the Orient Edel, Leon, 28 Express, 183; The Mysterious Affair at Styles, Eliot, George (Mary Ann Evans), 4, 28, 177; The Mystery of the Blue Train, 177, 31: Middlemarch, 22 180, 183; Unfinished Portrait, 182; Who Eliot, T. S., 131, 199: The Waste Land, Killed Ackroyd? (serial), 177; see also 131; Four Quartets, 132 Westmacott, Mary Eliot, Vivienne, 131 Christie, Archie, 177, 178, 179, 180, Eluard, 191 181, 182–3 Christie, Rosalind, 183 Fadiman, Anne, 67–76 Clare, John, 192 Falter, John, 78 232 INDEX Farmiloe, Tim, 56 Golding, Eileen, 49 Fast, Jonathan, 109 Golding, Judy, 50 Faulkner, Estelle, x Golding, William, 44–55; Darkness Visible, Faulkner, William, x 52; ‘Fable’, 51; Free Fall, 48; The Fenwick, Arthur, 158 Inheritors, 52; Lord of the Flies, 50, 51, 52; Fischer, Ernst, 191 The Pyramid, 54 Fitzgerald, Edward, 21 Gosse, Edmund, 17 Fitzgerald, F. Scott, 8, 10, 11, 31, 66, Gosse, Philip Henry, 17 131, 184: Tender Is the Night, 8 Greene, Graham, 137, 161 Fitzgerald, Zelda, 8, 10, 66, 131: Save Me Grigson, Jane, Mushroom Feast, 166 the Waltz, 8 Grimm, The Brothers, 70 Fleming, Ann, 150 Fletcher, John, 144 Hall, Donald, x Foster, Richard J., 110 Halperin, John, Trollope and Politics, 56 Foucault, Michel, 167 Hamilton, Andrew, 200 Fowles, Elizabeth, xi Hardy, G. H., 57 Fowles, John, xi Hardy, Thomas, x–xi, 17, 41, 64, 191: Fraser, Antonia, 42 Jude the Obscure, x, 41; Tess of the Frayn, Michael, 42 D’Urbervilles, x Frere, Alexander, 161 Harper, Fletcher, 209, 210 Freud, Sigmund, 8 Harris, Julie, 116 Frink, Elisabeth, 198 Harrop, A. J., 13, 14, 15, 16, 17: The Frost, Robert, 112, 191, 224–5, 227: Amazing Career of Edward Gibbon Wakefield, ‘Apple-Picking’, 224; ‘Birches’, 224; 16; New Zealand after Five Wars, 14; ‘Nothing Gold Can Stay’, 224; Touring in New Zealand, 13 ‘Stopping by Woods on a Snowy Harrop, Ann Barbara, 14: ’Meet you at Evening’, 224 the station’, 14; see also Thwaite, Ann Fuller, Roy and Kate, 100 Hastings’ Encyclopedia, 166 Fussell, Betty, My Kitchen Wars, 188 Hawthorne, Nathaniel, 11, 202, 207, 215 Gama, Vasco da, 30 Hawthorne, Mrs Nathaniel, 11 Gansevoort, Peter, 215, 220 Haxton, Gerald, 157–9, 161 Garis, Lilian and Howard, 109, 112: see Hayford, Harrison, ‘Unnecessary also Hope, Laure Lee Duplicates’, 203 Garis, Roger, My Father Was Uncle Heard, Gerald, 115 Wiggily, 109 Heche, Anne, 124 Gerald, Michael C., The Poisonous Pen of Hemingway, Ernest, 11, 184: The Garden Agatha Christie, 180 of Eden, 11; A Moveable Feast, 162 Gifford, Emma Lavinia (Mrs Thomas Hemingway, Mary, 11 Hardy), x–xi, 64 Henry the Navigator, Prince, 30 Gill, Gillian, Agatha Christie: the Woman and Hoadley, John C., 216 Her Mysteries, 181, 182 Hoadley, Kate, 216, 218 Gissing, George, 57 Hockney, David, 123, 125 Gladstone, William, 22 Hogarth, Catherine, 66 Godwin, William, 38 Hogarth, William, ‘The Distressed Poet’, Golding, Alec and Mildred, 48, 49 65–6, 73, 75 Golding, Ann, 44–55; ‘Life in a large Holmes, Richard, 42 family’, 50 Holroyd, Michael, 42–3, 141: Lytton Golding, David, 49, 50 Strachey, 37; George Bernard Shaw, 38 INDEX 233 Holt, Henry, 72 The Humbler Creation, 59; An Impossible Holt, Susannah, 71–2, 75–6 Marriage, 59; The Last Resort, 59; The Homer, Iliad, 111; Odyssey, 111 Unspeakable Skipton, 59 Hooker, Edward, 117, 119 Johnson, Samuel, 27, 131, 138 Hooker, Evelyn, 118–19; ‘The Jones, Ethelwyn Sylvia (Sue), 146, 148, Adjustment of the Male Overt 157–8 Homosexual’, 117 Jong, Erica, 109 Hope, Laure Lee (Lilian McNamara Jowett, Benjamin, 20 Garis), The Bobbsey Twins, 110 Hopkins, Gerard Manley, 189, 193, Kafka, Franz, 89–90 194, 199 Kallman, Chester, 119 Horace, 191, 194, 198, 199: Ars Kaplan, Justin, The Language of Names, Poetica, 191 142, 145 Howells, William Dean, 225 Kelly, Gerald, 149 Hoyer, Linda Grace, 77–8, 81–3: Kennedy, Ted, 72 Enchantment, 78, 81; The Predator, 78n, 81 Kenyon, Jane (Mrs Donald Hall), x Hudson, Rock, 122 King, Billie Jean, 165 Hughes, Ted, 66, 141 Kingsmill, Hugh, Made on Earth, 38 Hunt, Violet, 146, 157 Kipling, Mrs Rudyard, 86 Hutchinson, Mary, 66 Kott, Jan, 27 Huxley, Aldous, 115, 124, 228 Kropotkin, Alexandra (Sasha), 146, 157 Isherwood, Christopher, 114–27: Lansing, Catherine Gansevoort, 220 Christopher and His Kind, 115; Conversations Larkin, Philip, 15, 195 with Christopher Isherwood, 118; Diaries, Lawrence, D. H., 31 Volume One, 1939–60, 118; Down There on Lear, Edward, 18, 19, 20–1, 198 a Visit, 115, 117, 121; The English Leavis, F. R., 60–1: The Significance of Woman, 121; Frankenstein: the True Story C. P. Snow, 60 (teleplay with Don Bachardy), 124; Lee, Alice, 32 Goodbye to Berlin, 114, 116 (stage Levi, Peter, 189–201: Art, Faith and Vision adaptation: I Am A Camera, 116, 123; (TV series), 190, 198; A Bottle in The musical adaptation, Cabaret, 123); Shade, 199; Canticum, 196; Death is a A Meeting by the River (stage adaptation Pulpit, 193, 196; Five Ages, 197; The with Don Bachardy), 124; Mr Norris Flutes of Autumn, 190, 197; Foxes Have Changes Trains, 114; October (with Don Holes (TV), 198; Fresh Water Sea Water, Bachardy), 124; A Single Man, 121; The 192; The Gravel Ponds, 189–91; Greece – World in the Evening (with Don the Black Years (TV), 198; Guide to Greece Bachardy), 116, 117, 118, 121; by Pausanias (trans.), 195; The Head in ‘A Writer and His World’, 115 the Soup, 197; The Hill of Kronos, 195; Isherwood, Richard, 118 Horace: a Life, 199; The Light Garden of the Angel King: Journeys in Afghanistan, 195; Life James, Henry, 19, 32: The Ambassadors, is a Platform, 196; A Private Commission: 27, 28 New Verses by Shakespeare, 198–9; Private James, P. D., 103 Ground, 197; Selected Poems by Yevgeny Jaws (Peter Biskind), 102 Yevtushenko (co-trans.), 190; Water Jennings, Elizabeth, 189 Rock and Sand, 192 Jesse, Matilda, 19 Lewis, C.
Recommended publications
  • Christopher Isherwood Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8pk0gr7 No online items Christopher Isherwood Papers Finding aid prepared by Sara S. Hodson with April Cunningham, Alison Dinicola, Gayle M. Richardson, Natalie Russell, Rebecca Tuttle, and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2, 2000. Updated: January 12, 2007, April 14, 2010 and March 10, 2017 The Huntington Library. All rights reserved. Christopher Isherwood Papers CI 1-4758; FAC 1346-1397 1 Overview of the Collection Title: Christopher Isherwood Papers Dates (inclusive): 1864-2004 Bulk dates: 1925-1986 Collection Number: CI 1-4758; FAC 1346-1397 Creator: Isherwood, Christopher, 1904-1986. Extent: 6,261 pieces, plus ephemera. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the papers of British-American writer Christopher Isherwood (1904-1986), chiefly dating from the 1920s to the 1980s. Consisting of scripts, literary manuscripts, correspondence, diaries, photographs, ephemera, audiovisual material, and Isherwood’s library, the archive is an exceptionally rich resource for research on Isherwood, as well as W.H. Auden, Stephen Spender and others. Subjects documented in the collection include homosexuality and gay rights, pacifism, and Vedanta. Language: English. Access The collection is open to qualified researchers by prior application through the Reader Services Department, with two exceptions: • The series of Isherwood’s daily diaries, which are closed until January 1, 2030.
    [Show full text]
  • Discipleship in the Works of Christopher Isherwood
    Prague Journal of English Studies Volume 8, No. 1, 2019 ISSN: 1804-8722 (print) '2,10.2478/pjes-2019-0005 ISSN: 2336-2685 (online) A Bond Stronger Than Marriage: Discipleship in the Works of Christopher Isherwood Kinga Latała Jagiellonian University in Kraków, Poland is paper is concerned with Christopher Isherwood’s portrayal of his guru-disciple relationship with Swami Prabhavananda, situating it in the tradition of discipleship, which dates back to antiquity. It discusses Isherwood’s (auto)biographical works as records of his spiritual journey, infl uenced by his guru. e main focus of the study is My Guru and His Disciple, a memoir of the author and his spiritual master, which is one of Isherwood’s lesser-known books. e paper attempts to examine the way in which a commemorative portrait of the guru, suggested by the title, is incorporated into an account of Isherwood’s own spiritual development. It discusses the sources of Isherwood’s initial prejudice against religion, as well as his journey towards embracing it. It also analyses the facets of Isherwood and Prabhavananda’s guru-disciple relationship, which went beyond a purely religious arrangement. Moreover, the paper examines the relationship between homosexuality and religion and intellectualism and religion, the role of E. M. Forster as Isherwood’s secular guru, the question of colonial prejudice, as well as the reception of Isherwood’s conversion to Vedanta and his religious works. Keywords Christopher Isherwood; Swami Prabhavananda; My Guru and His Disciple; discipleship; guru; memoir e present paper sets out to explore Christopher Isherwood’s depiction of discipleship in My Guru and His Disciple (1980), as well as relevant diary entries and letters.
    [Show full text]
  • Peter Alexander B
    parrasch heijnen gallery 1326 s. boyle avenue los angeles, ca, 90023 www.parraschheijnen.com 3 2 3 . 9 4 3 . 9 3 7 3 Peter Alexander b. 1939 in Los Angeles, California Lives in Santa Monica, California Education 1965-66 University of California, Los Angeles, CA, M.F.A. 1964-65 University of California, Los Angeles, CA, B.A. 1963-64 University of Southern California, Los Angeles, CA 1962-63 University of California, Berkeley, CA 1960-62 Architectural Association, London, England 1957-60 University of Pennsylvania, Philadelphia, PA Artist in Residence 2007 Pasadena City College, Pasadena, CA 1996 California State University Long Beach, Summer Arts Festival, Long Beach, CA 1983 Sarabhai Foundation, Ahmedabad, India 1982 Centrum Foundation, Port Townsend, WA 1981 University of Colorado, Boulder, CO 1976 California State University, Long Beach, CA 1970-71 California Institute of Technology, Pasadena, CA Select Solo Exhibitions 2020 Peter Alexander, Parrasch Heijnen Gallery, Los Angeles, CA 2018 Peter Alexander: Recent Work, Franklin Parrasch Gallery, New York, NY Thomas Zander Gallery, Cologne, Germany 2017 Peter Alexander: Pre-Dawn L.A., Franklin Parrasch Gallery, New York, NY 2016 Peter Alexander Sculpture 1966 – 2016: A Career Survey, Parrasch Heijnen Gallery, Los Angeles, CA 2015 Los Angeles Riots, Franklin Parrasch Gallery, New York, NY 2014 Peter Blake Gallery, Laguna Beach, CA The Color of Light, Brian Gross Fine Art, San Francisco, CA Laguna Art Museum, Laguna Beach, CA 2013 Nyehaus, New York, NY Quint Contemporary Art, La Jolla, CA
    [Show full text]
  • 44-Christopher Isherwood's a Single
    548 / RumeliDE Journal of Language and Literature Studies 2020.S8 (November) Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life / G. Güçlü (pp. 548-562) 44-Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life Gökben GÜÇLÜ1 APA: Güçlü, G. (2020). Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, (Ö8), 548-562. DOI: 10.29000/rumelide.816962. Abstract Beginning his early literary career as an author who nurtured his fiction with personal facts and experiences, many of Christopher Isherwood’s novels focus on constructing an identity and discovering himself not only as an adult but also as an author. He is one of those unique authors whose gradual transformation from late adolescence to young and middle adulthood can be clearly observed since he portrays different stages of his life in fiction. His critically acclaimed novel A Single Man, which reflects “the afternoon of his life;” is a poetic portrayal of Isherwood’s confrontation with ageing and death anxiety. Written during the early 1960s, stormy relationship with his partner Don Bachardy, the fight against cancer of two of his close friends’ (Charles Laughton and Aldous Huxley) and his own health problems surely contributed the formation of A Single Man. The purpose of this study is to unveil how Isherwood’s midlife crisis nurtured his creativity in producing this work of fiction. From a theoretical point of view, this paper, draws from literary gerontology and ‘the Lifecourse Perspective’ which is a theoretical framework in social gerontology.
    [Show full text]
  • EVENT ANNOUNCEMENT Artists Paint Artists
    EVENT ANNOUNCEMENT FOR IMMEDIATE RELEASE DATE: REVISED May 22, 2018 CONTACT: Molly Barnes, WLAC Artist in Residence (310) 553-7626 I [email protected] 9000 Overland Ave. - Culver City, CA 90230 Artists Paint Artists GALLERY RECEPTION: THURSDAY, JUNE 7 CURRATED BY MOLLY BARNES West Los Angeles College invites the community to view the works of world-renowned artists at the Artists Paint Artists exhibition, curated by Molly Barnes, running throughout June. A free public reception will be held THURSDAY, JUNE 7 in the college’s Fine Arts Gallery adjacent to the parking structure from 5:00 – 8:00 p.m. The exhibit will feature the works of more than a dozen artists with works displayed in prestigious museums such as the Met, MoMA and LACMA. The artists include Sam Francis, Don Bachardy, Guy Dill, D.J. Hall, Kent Twitchell and Bradford Salamon. Admission is free. Parking is available directly adjacent to the gallery in the Parking Structure for $2 - exact change will be needed. ABOUT THE ARTISTS: D.J. HALL is a local painter whose work can be found across the country from the Met to Bank of America in Los Angeles. Light is the primary subject of her paintings, and her art often portrays women sitting poolside. Her portrait of Swedish artist Astrid Preston will be displayed. Preston’s art has been exhibited in galleries and museums across the U.S. and Asia. SAM FRANCIS is known for his colorful and large-scale abstract paintings. His art was commonly rooted in elements like Abstract Expressionism, Impressionism and Eastern philosophy.
    [Show full text]
  • Claude Summers Reflects on Chris and Don
    Special Features Index Claude Summers Reflects on Chris and Don Newsletter February 1, 2009 Sign up for glbtq's Portrait of a Marriage, Portrait of an Artist: free newsletter to Chris and Don: A Love Story receive a spotlight on GLBT culture by Claude J. Summers every month. e-mail address In Christopher Isherwood's 1976 sexual and political autobiography, Christopher and His Kind, 1929-1939, the novelist reassesses the decade in subscribe which he earned fame as one of the young writers of the 1930s. He begins privacy policy unsubscribe by announcing that "To Christopher, Berlin meant Boys." He ends it, however, with the event in his life that Encyclopedia proved even more decisive than his visit to Berlin: his 1939 emigration to the Discussion go Don Bachardy painting United States with his friend poet W. Christopher Isherwood in H. Auden. the early 1980s. Photograph by Jack Shear, In the book's remarkable final courtesy Zeitgeist Films. paragraph, Isherwood looks back on the two young men as they are about to begin new lives in America and answers one final question: "Yes, my dears, each of you will find the person you came here to look for--the ideal companion to whom you can reveal yourself totally and yet be loved for what you are, not what you pretend to be." Log In Now For Auden, that ideal companion was Chester Kallman, whom he met within three months of his arrival in America and with whom he Forgot Your Password? spent most of the rest of his life. Not a Member Yet? JOIN TODAY.
    [Show full text]
  • Christopher Isherwood in Transit: a 21St-Century Perspective ​
    Transcription University of Minnesota Press Episode 2: Christopher Isherwood in Transit: A 21st-Century Perspective ​ https://soundcloud.com/user-760891605/isherwood-in-transit Host introduction: Isherwood in Transit is a collection of essays that considers ​ ​ Christopher Isherwood as a transnational writer whose identity politics and beliefs were constantly transformed by global connections arising from journeys to Germany, Japan, China and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s. We're here today to talk about Isherwood's reception and history of publication in the US, as well as what we mean by the title Isherwood in Transit, which is open to interpretation and refers to the ​ ​ writer's movement on a personal and spiritual level as much as geographic. Here we have book editors Jim Berg and Chris Freeman, who have co-edited several volumes on Isherwood, including The Isherwood Century and The American Isherwood. ​ ​ ​ ​ ​ Berg is associate dean of faculty at the Borough of Manhattan Community College in New York City. Freeman is professor of English and gender studies at the ​ ​ University of Southern California. They are joined by University of Minnesota press ​ ​ director Doug Armato. This conversation was recorded in June 2020. ​ Jim Berg: This is Jim Berg. Here's a quick bit of background on Christopher ​ Isherwood. He was born in 1904 in England. His best-known British work is Goodbye to Berlin from 1938, which was published with Mr. Norris Changes ​ ​ Trains in the United States as The Berlin Stories featuring Sally Bowles. And that ​ ​ ​ ​ ​ ​ was turned into the musical Cabaret.
    [Show full text]
  • The Unforgiving Margin in the Fiction of Christopher Isherwood
    The Unforgiving Margin in the Fiction of Christopher Isherwood Paul Michael McNeil Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 Copyright 2011 Paul Michael McNeil All rights reserved ABSTRACT The Unforgiving Margin in the Fiction of Christopher Isherwood Paul Michael McNeil Rebellion and repudiation of the mainstream recur as motifs throughout Christopher Isherwood‟s novels and life, dating back to his early experience of the death of his father and continuing through to the end of his own life with his vituperative rant against the heterosexual majority. Threatened by the accepted, by the traditional, by the past, Isherwood and his characters escape to the margin, hoping to find there people who share alternative values and ways of living that might ultimately prove more meaningful and enlightened than those they leave behind in the mainstream. In so doing, they both discover that the margin is a complicated place that is more often menacing than redemptive. Consistently, Isherwood‟s fiction looks at margins and the impulse to flee from the mainstream in search of a marginal alternative. On the one hand, these alternative spaces are thought to be redemptive, thought to liberate and nourish. Isherwood reveals that they do neither. To explore this theme, the dissertation focuses on three novels, The Berlin Stories (The Last of Mr. Norris and Goodbye to Berlin), A Meeting by the River, and A Single Man, because ach of these novels corresponds to marginal journeys of Isherwood— namely, his sexual and creative exile in Berlin from 1929 to 1933, his embrace of Hindu philosophy, and his life as a homosexual.
    [Show full text]
  • January 2012 Newsletter
    January 2012 Newsletter President’s Message Calendar: January 12, 2012 It is hard to believe that the New Year is Luncheon meeting: 11:30 here. I wish all of you a happy and Guest Speaker: Don Bachardy productive year with many sales. I want to thank Bev Grossman and the February 9, 2012 illustration by Louis Gadal Luncheon meeting: 11:30 VIVA staff who worked tirelessly to Guest Speaker: Paul Pitsker present us with a wonderful and unique gallery in which to exhibit and take workshops. VIVA is missed by all of us artists; Exhibition Encino Terrace Center perhaps never again will we have such a forum to be proud of February 15 to May 11 and to call ours. We look forward to exhibiting at other venues (see prospectus in this newsletter) that come our way, but never will we have anything to compare with VIVA. New members and those members who havenʼt been attending our luncheons and hearing our guest speakers are truly missed. Our Membership Chair, Diane Karpel, and her committee are looking for ways to include those of you who work and cannot attend. We need to get together informally on days that are suitable for everyone. Please e-mail me or Diane Karpel with your ideas and wishes. We need your input and your action to make WPW even better. Work often, reach deep inside yourselves to find new and exciting ideas, and continue to keep those brushes wet. With best wishes, and have a great New Year. Lynn Gadal [email protected] January Speaker: Don Bachardy Our January 2012 guest speaker is acclaimed portrait artist, Don Bachardy, who has been making portraits from life for more than 50 years and to date has done well over 10,000! Please note that he will not be showing slides, nor will he bring any of his art.
    [Show full text]
  • Billy Al Bengston
    Billy Al Bengston Born 1934 in Dodge City, KS Lives and works in Venice, CA Education 1956 Otis Art Institute, Los Angeles, CA 1955 California College of Arts & Crafts, Oakland, CA 1952 Los Angeles City College, Los Angeles, CA Solo Exhibitions 2017 Pau Hana: Billy Al Bengston Works from Hawaii, Texas gallery, Houston, TX 2016 Hello Aloha, Franklin Parrasch Gallery, New York, NY Warm California, Andrew Kreps Gallery, New York, NY Bengston: Paintings from the 1980s, Neuendorf Projects, Berlin, Germany 2014 TRANSCENDENTAL BENGSTON-TATION, Franklin Parrasch Gallery, New York, NY 2013 Craig Turned on the Light and California Art Bloomed: A Tribute to Craig Kauffman, Honolulu Museum of Art, Honolulu, HI 2012 It Hit the Fan, David Richard Gallery, Santa Fe, NM 2011 Billy Al by Wendy Al, Michael’s Restaurant, Santa Monica, CA “Real Lite & Space” and “Your New Home” and “Ed Ruscha”, Subliminal Projects, Los Angeles, CA 100% Draculas, Katherine Cone Gallery, Los Angeles, CA 2010 Billy, Samuel Freeman Gallery, Santa Monica, CA 2007 Billy. Painting, etc., Patricia Faure Gallery, Santa Monica, CA 2005 Billy Al Bengston, the ‘60s, Franklin Parrasch Gallery, New York, NY 2004 Billy Al Bengston (Farewell Show), Cartelle Gallery, Marina del Rey, CA 2001 Dentos & Draculas: 1968-1973, Renato Danese Gallery, New York, NY 2000 The Good, The Bad and Nothing Heartless, Rosamund Felsen Gallery, Santa Monica, CA 1999 Testing the Waters, Ochi Fine Art, Ketchum, ID 1997 Billy Al Bengston: San Felipe to Puerto Escondido, Laguna Art Museum, Laguna Beach, CA 1995
    [Show full text]
  • Glbtq >> Special Features >> <I>A Single Man:</I> Ford's Film
    Special Features Index Claude J. Summers on A Single Man Newsletter February 1, 2010 Sign up for glbtq's A Single Man: Ford's Film / Isherwood's Novel free newsletter to receive a spotlight by Claude J. Summers on GLBT culture every month. Acclaimed fashion designer Tom Ford, e-mail address former creative director at both Gucci and Yves Saint Laurent fashion houses, has made an auspicious debut as filmmaker with his painstakingly subscribe micromanaged, visually stunning, privacy policy emotionally wrenching adaptation of unsubscribe Christopher Isherwood's 1964 novel, A Single Man. Encyclopedia Like the book, the film follows a day, at once ordinary and momentous, in the Discussion go life of its protagonist, a middle-aged expatriate Briton who teaches English Tom Ford, Director of A at San Tomas State College in a Single Man. Image courtesy suburb of Los Angeles. He is paralyzed asingleman-movie.com by grief for his lover of 16 years who died in an automobile accident eight months previously. Set in 1962, against the background of the Cuban missile crisis, the film traces George's awakening from a dream of his lover to the crushing reality of his loss, through his teaching of a text by Aldous Huxley and his visit to a bank to put his affairs in order, on to a Log In Now boozy dinner with a friend, and finally to what may be a Forgot Your Password? transformative experience with a flirtatious student. Not a Member Yet? The film features a brilliant ensemble JOIN TODAY. IT'S FREE! cast that includes Julianne Moore as George's friend, Charlotte; Matthew Goode as Jim, the deceased lover who appears in flashbacks; Nicholas Hoult glbtq Books as Kenny, the student; and Jon Advertising Opportunities Kortajarena as Carlos, an engaging, strikingly handsome hustler.
    [Show full text]
  • The Berlin Stories (1945) the Berlin Stories New Directions, 1954 1
    DISCUSSION QUESTIONS Select Works by Isherwood The Berlin Stories (1945) The Berlin Stories New Directions, 1954 1. What do you like about the structure of The Berlin Stories? Would it have been a Christopher and His Kind (1976) stronger work if the two halves had been re-written as one novel? Univ. of Minnesota Press, 2001 2. What do you think Isherwood is referring to when he writes about the “indestructible Santa Monica something” that he comes back to Berlin to look for in the early 1950’s? (p.xii) Diaries,Vol.1: 1939-60 K. Bucknell (ed.) 3. Does Frl. Schroeder represent more than just a friend in this work? HarperCollins, 1997 4. Which characters did you recognize from both books? Did they take on different characteristics depending on which story you are reading? My Guru and His Disciple (1980) Univ. of Minnesota Press, 2001 CITYWIDE The Last of Mr. Norris Prater Violet (1945) 1. The desperate economic climate influences the political leanings of the young Univ. of Minnesota Press, 2001 population: “And morning after morning, all over the immense, damp, dreary town . A Single Man (1964) young men were waking up to another workless empty day to be spent as they could Univ. of Minnesota Press, 2001 best contrive . .”(p. 87) Within this context, compare the pull of the Communist The World in the Evening (1954) READS Party versus the National Socialists (Nazis) for the characters. Univ. of Minnesota Press, 1999 2.“’You’re young. Your standards are so severe. When you get to my age, you’ll see things differently, perhaps.
    [Show full text]