Billy Al Bengston
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Oral History Interview with Billy Al Bengston
Oral history interview with Billy Al Bengston Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Billy Al Bengston AAA.bengst80 Collection Overview Repository: Archives of American Art Title: Oral history interview with Billy Al Bengston Identifier: -
Christopher Isherwood Papers
http://oac.cdlib.org/findaid/ark:/13030/c8pk0gr7 No online items Christopher Isherwood Papers Finding aid prepared by Sara S. Hodson with April Cunningham, Alison Dinicola, Gayle M. Richardson, Natalie Russell, Rebecca Tuttle, and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2, 2000. Updated: January 12, 2007, April 14, 2010 and March 10, 2017 The Huntington Library. All rights reserved. Christopher Isherwood Papers CI 1-4758; FAC 1346-1397 1 Overview of the Collection Title: Christopher Isherwood Papers Dates (inclusive): 1864-2004 Bulk dates: 1925-1986 Collection Number: CI 1-4758; FAC 1346-1397 Creator: Isherwood, Christopher, 1904-1986. Extent: 6,261 pieces, plus ephemera. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the papers of British-American writer Christopher Isherwood (1904-1986), chiefly dating from the 1920s to the 1980s. Consisting of scripts, literary manuscripts, correspondence, diaries, photographs, ephemera, audiovisual material, and Isherwood’s library, the archive is an exceptionally rich resource for research on Isherwood, as well as W.H. Auden, Stephen Spender and others. Subjects documented in the collection include homosexuality and gay rights, pacifism, and Vedanta. Language: English. Access The collection is open to qualified researchers by prior application through the Reader Services Department, with two exceptions: • The series of Isherwood’s daily diaries, which are closed until January 1, 2030. -
Discipleship in the Works of Christopher Isherwood
Prague Journal of English Studies Volume 8, No. 1, 2019 ISSN: 1804-8722 (print) '2,10.2478/pjes-2019-0005 ISSN: 2336-2685 (online) A Bond Stronger Than Marriage: Discipleship in the Works of Christopher Isherwood Kinga Latała Jagiellonian University in Kraków, Poland is paper is concerned with Christopher Isherwood’s portrayal of his guru-disciple relationship with Swami Prabhavananda, situating it in the tradition of discipleship, which dates back to antiquity. It discusses Isherwood’s (auto)biographical works as records of his spiritual journey, infl uenced by his guru. e main focus of the study is My Guru and His Disciple, a memoir of the author and his spiritual master, which is one of Isherwood’s lesser-known books. e paper attempts to examine the way in which a commemorative portrait of the guru, suggested by the title, is incorporated into an account of Isherwood’s own spiritual development. It discusses the sources of Isherwood’s initial prejudice against religion, as well as his journey towards embracing it. It also analyses the facets of Isherwood and Prabhavananda’s guru-disciple relationship, which went beyond a purely religious arrangement. Moreover, the paper examines the relationship between homosexuality and religion and intellectualism and religion, the role of E. M. Forster as Isherwood’s secular guru, the question of colonial prejudice, as well as the reception of Isherwood’s conversion to Vedanta and his religious works. Keywords Christopher Isherwood; Swami Prabhavananda; My Guru and His Disciple; discipleship; guru; memoir e present paper sets out to explore Christopher Isherwood’s depiction of discipleship in My Guru and His Disciple (1980), as well as relevant diary entries and letters. -
Helen Pashgianhelen Helen Pashgian L Acm a Delmonico • Prestel
HELEN HELEN PASHGIAN ELIEL HELEN PASHGIAN LACMA DELMONICO • PRESTEL HELEN CAROL S. ELIEL PASHGIAN 9 This exhibition was organized by the Published in conjunction with the exhibition Helen Pashgian: Light Invisible Los Angeles County Museum of Art. Funding at the Los Angeles County Museum of Art, Los Angeles, California is provided by the Director’s Circle, with additional support from Suzanne Deal Booth (March 30–June 29, 2014). and David G. Booth. EXHIBITION ITINERARY Published by the Los Angeles County All rights reserved. No part of this book may Museum of Art be reproduced or transmitted in any form Los Angeles County Museum of Art 5905 Wilshire Boulevard or by any means, electronic or mechanical, March 30–June 29, 2014 Los Angeles, California 90036 including photocopy, recording, or any other (323) 857-6000 information storage and retrieval system, Frist Center for the Visual Arts, Nashville www.lacma.org or otherwise without written permission from September 26, 2014–January 4, 2015 the publishers. Head of Publications: Lisa Gabrielle Mark Editor: Jennifer MacNair Stitt ISBN 978-3-7913-5385-2 Rights and Reproductions: Dawson Weber Creative Director: Lorraine Wild Designer: Xiaoqing Wang FRONT COVER, BACK COVER, Proofreader: Jane Hyun PAGES 3–6, 10, AND 11 Untitled, 2012–13, details and installation view Formed acrylic 1 Color Separator, Printer, and Binder: 12 parts, each approx. 96 17 ⁄2 20 inches PR1MARY COLOR In Helen Pashgian: Light Invisible, Los Angeles County Museum of Art, 2014 This book is typeset in Locator. PAGE 9 Helen Pashgian at work, Pasadena, 1970 Copyright ¦ 2014 Los Angeles County Museum of Art Printed and bound in Los Angeles, California Published in 2014 by the Los Angeles County Museum of Art In association with DelMonico Books • Prestel Prestel, a member of Verlagsgruppe Random House GmbH Prestel Verlag Neumarkter Strasse 28 81673 Munich Germany Tel.: +49 (0)89 41 36 0 Fax: +49 (0)89 41 36 23 35 Prestel Publishing Ltd. -
Peter Alexander B
parrasch heijnen gallery 1326 s. boyle avenue los angeles, ca, 90023 www.parraschheijnen.com 3 2 3 . 9 4 3 . 9 3 7 3 Peter Alexander b. 1939 in Los Angeles, California Lives in Santa Monica, California Education 1965-66 University of California, Los Angeles, CA, M.F.A. 1964-65 University of California, Los Angeles, CA, B.A. 1963-64 University of Southern California, Los Angeles, CA 1962-63 University of California, Berkeley, CA 1960-62 Architectural Association, London, England 1957-60 University of Pennsylvania, Philadelphia, PA Artist in Residence 2007 Pasadena City College, Pasadena, CA 1996 California State University Long Beach, Summer Arts Festival, Long Beach, CA 1983 Sarabhai Foundation, Ahmedabad, India 1982 Centrum Foundation, Port Townsend, WA 1981 University of Colorado, Boulder, CO 1976 California State University, Long Beach, CA 1970-71 California Institute of Technology, Pasadena, CA Select Solo Exhibitions 2020 Peter Alexander, Parrasch Heijnen Gallery, Los Angeles, CA 2018 Peter Alexander: Recent Work, Franklin Parrasch Gallery, New York, NY Thomas Zander Gallery, Cologne, Germany 2017 Peter Alexander: Pre-Dawn L.A., Franklin Parrasch Gallery, New York, NY 2016 Peter Alexander Sculpture 1966 – 2016: A Career Survey, Parrasch Heijnen Gallery, Los Angeles, CA 2015 Los Angeles Riots, Franklin Parrasch Gallery, New York, NY 2014 Peter Blake Gallery, Laguna Beach, CA The Color of Light, Brian Gross Fine Art, San Francisco, CA Laguna Art Museum, Laguna Beach, CA 2013 Nyehaus, New York, NY Quint Contemporary Art, La Jolla, CA -
44-Christopher Isherwood's a Single
548 / RumeliDE Journal of Language and Literature Studies 2020.S8 (November) Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life / G. Güçlü (pp. 548-562) 44-Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life Gökben GÜÇLÜ1 APA: Güçlü, G. (2020). Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, (Ö8), 548-562. DOI: 10.29000/rumelide.816962. Abstract Beginning his early literary career as an author who nurtured his fiction with personal facts and experiences, many of Christopher Isherwood’s novels focus on constructing an identity and discovering himself not only as an adult but also as an author. He is one of those unique authors whose gradual transformation from late adolescence to young and middle adulthood can be clearly observed since he portrays different stages of his life in fiction. His critically acclaimed novel A Single Man, which reflects “the afternoon of his life;” is a poetic portrayal of Isherwood’s confrontation with ageing and death anxiety. Written during the early 1960s, stormy relationship with his partner Don Bachardy, the fight against cancer of two of his close friends’ (Charles Laughton and Aldous Huxley) and his own health problems surely contributed the formation of A Single Man. The purpose of this study is to unveil how Isherwood’s midlife crisis nurtured his creativity in producing this work of fiction. From a theoretical point of view, this paper, draws from literary gerontology and ‘the Lifecourse Perspective’ which is a theoretical framework in social gerontology. -
Ken Price: a Career Survey, 1961 - 2008 Parrasch Heijnen, Los Angeles January 30 – March 8, 2016
KEN PRICE: A CAREER SURVEY, 1961 - 2008 PARRASCH HEIJNEN, LOS ANGELES JANUARY 30 – MARCH 8, 2016 SO I SAID KENNY, WHAT ARE YOU DOING HERE? HOW DO YOU EXPECT TO BE TAKEN SERIOUSLY? AND KENNY SAID “BILLY, I’M GOING FURTHEY DE OUT BY GOING FURTHEY DE IN.” I LOOKED IN DISMAY AND SAID: YOU KNOW WHAT YOU’RE DOING. KENNY SAID: UH HUH WITH THAT HE SHOWED ME. BILLY OCEAN PARK, CA IN OUR STUDIO, 1959 (Billy Al BeNgstoN, VeNice, CA, 2015) FraNklin Parrasch aNd Christopher HeijNen are pleased to present Ken Price: A Career Survey, 1961 - 2008, the inaugural exhibition at Parrasch Heijnen Gallery, Los Angeles. A legeNd amoNgst Los Angeles-based artists, Ken Price (1935-2012) is best known as a sculptor of abstract and sensual, biomorphic ceramic forms. The surfaces of Price’s objects, which iNvolved chromatic techNiques so complex aNd adroitly achieved that they exist oNly iN his sculptures, are so jarriNgly compelliNg aNd uniquely beautiful they challenge the viewer’s concepts of beauty itself. His surfaces read like skiNs impregNated with color, geNeratiNg chromatic teNdeNcies that hearkeN everythiNg from 1960s commercialism to otherworldly pheNomeNa. As late artist aNd former Artforum Editor JohN CoplaNs eloqueNtly commeNted on Price's eNigmatic use of color iN the March 20, 1964 issue of Art International: "Price introduces color with such an acute choice it seems almost to shape the form. He does Not follow aNy historical lines of logic ... but goes back into the deepest and most buried part of the humaN psyche iN much the same way that BraNcusi did, to iNveNt form. -
EVENT ANNOUNCEMENT Artists Paint Artists
EVENT ANNOUNCEMENT FOR IMMEDIATE RELEASE DATE: REVISED May 22, 2018 CONTACT: Molly Barnes, WLAC Artist in Residence (310) 553-7626 I [email protected] 9000 Overland Ave. - Culver City, CA 90230 Artists Paint Artists GALLERY RECEPTION: THURSDAY, JUNE 7 CURRATED BY MOLLY BARNES West Los Angeles College invites the community to view the works of world-renowned artists at the Artists Paint Artists exhibition, curated by Molly Barnes, running throughout June. A free public reception will be held THURSDAY, JUNE 7 in the college’s Fine Arts Gallery adjacent to the parking structure from 5:00 – 8:00 p.m. The exhibit will feature the works of more than a dozen artists with works displayed in prestigious museums such as the Met, MoMA and LACMA. The artists include Sam Francis, Don Bachardy, Guy Dill, D.J. Hall, Kent Twitchell and Bradford Salamon. Admission is free. Parking is available directly adjacent to the gallery in the Parking Structure for $2 - exact change will be needed. ABOUT THE ARTISTS: D.J. HALL is a local painter whose work can be found across the country from the Met to Bank of America in Los Angeles. Light is the primary subject of her paintings, and her art often portrays women sitting poolside. Her portrait of Swedish artist Astrid Preston will be displayed. Preston’s art has been exhibited in galleries and museums across the U.S. and Asia. SAM FRANCIS is known for his colorful and large-scale abstract paintings. His art was commonly rooted in elements like Abstract Expressionism, Impressionism and Eastern philosophy. -
Claude Summers Reflects on Chris and Don
Special Features Index Claude Summers Reflects on Chris and Don Newsletter February 1, 2009 Sign up for glbtq's Portrait of a Marriage, Portrait of an Artist: free newsletter to Chris and Don: A Love Story receive a spotlight on GLBT culture by Claude J. Summers every month. e-mail address In Christopher Isherwood's 1976 sexual and political autobiography, Christopher and His Kind, 1929-1939, the novelist reassesses the decade in subscribe which he earned fame as one of the young writers of the 1930s. He begins privacy policy unsubscribe by announcing that "To Christopher, Berlin meant Boys." He ends it, however, with the event in his life that Encyclopedia proved even more decisive than his visit to Berlin: his 1939 emigration to the Discussion go Don Bachardy painting United States with his friend poet W. Christopher Isherwood in H. Auden. the early 1980s. Photograph by Jack Shear, In the book's remarkable final courtesy Zeitgeist Films. paragraph, Isherwood looks back on the two young men as they are about to begin new lives in America and answers one final question: "Yes, my dears, each of you will find the person you came here to look for--the ideal companion to whom you can reveal yourself totally and yet be loved for what you are, not what you pretend to be." Log In Now For Auden, that ideal companion was Chester Kallman, whom he met within three months of his arrival in America and with whom he Forgot Your Password? spent most of the rest of his life. Not a Member Yet? JOIN TODAY. -
230 Adams, Henry, 32 Aeschylus, 191 Albaret, Celeste, 66, 71 Aldiss
Index Adams, Henry, 32 Barnardo, Dr Thomas John, 147 Aeschylus, 191 Barzun, Jacques, 228 Albaret, Celeste, 66, 71 Baudelaire, Charles, 194 Aldiss, Brian, 92–8: The Brightfount Diaries, Bayley, John, 107 93; Shouting Down a Cliff, 93; The Beale, Thomas, Natural History of the Sperm Twinkling of an Eye, 97; When the Feast Is Whale, 206 Finished, 98 Beatles, The, 70 Aldiss, Margaret, 94–8: ‘My Health’, Beaton, Cecil, 154 97–8; The Work of Brian W. Aldiss, 97; Beattie, Ann, 79 see also Manson, Margaret Beaumont, Frances, 144 Alexander the Great, 195 Beebe, William, 30 Alighieri, Dante, 27 Bell, Quentin, x Amis, Kingsley, 95, 108 Bellows, Henry, 220 Archimedes, 89 Benson, E. F., 150 Armstrong, Karen, 194–5 Bentley, Richard, 210, 211, Armstrong, Neil, 30 212, 214 Arnold, Matthew, ‘Dover Beach’, 23 Berg, A. Scott, 142 Auden, W. H., 124; Poets of the English Berg, James L. ed.: Conversations with Language, 27 Christopher Isherwood, 118; The Isherwood Auel, Jean, 110 Century: Essays on the Life and Work of Austen, Jane, Persuasion, 23 Christopher Isherwood (with Chris Freeman), 118 Bach, Johann Sebastian, 70 Bergen, Candice, 28 Bachardy, Don, 114–27: Christopher Berger, John, 196 Isherwood: Last Drawings, 126; Stars in My Bernays, Anne, The Language of Names, Eyes, 125; see also Isherwood, 142, 145 Christopher Berryman, John, 195 Bachardy, Ted, 114, 116 Bierce, Ambrose, 142–3 Bachelder, Frances H., The Bonaparte, Napoleon, 31, 104 Iron Gate, 109 Boothby, Robert, 161 Back, Barbara, 155, 157 Boswell, James, Life of Johnson, 27 Bainbridge, Beryl, -
Christopher Isherwood in Transit: a 21St-Century Perspective
Transcription University of Minnesota Press Episode 2: Christopher Isherwood in Transit: A 21st-Century Perspective https://soundcloud.com/user-760891605/isherwood-in-transit Host introduction: Isherwood in Transit is a collection of essays that considers Christopher Isherwood as a transnational writer whose identity politics and beliefs were constantly transformed by global connections arising from journeys to Germany, Japan, China and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s. We're here today to talk about Isherwood's reception and history of publication in the US, as well as what we mean by the title Isherwood in Transit, which is open to interpretation and refers to the writer's movement on a personal and spiritual level as much as geographic. Here we have book editors Jim Berg and Chris Freeman, who have co-edited several volumes on Isherwood, including The Isherwood Century and The American Isherwood. Berg is associate dean of faculty at the Borough of Manhattan Community College in New York City. Freeman is professor of English and gender studies at the University of Southern California. They are joined by University of Minnesota press director Doug Armato. This conversation was recorded in June 2020. Jim Berg: This is Jim Berg. Here's a quick bit of background on Christopher Isherwood. He was born in 1904 in England. His best-known British work is Goodbye to Berlin from 1938, which was published with Mr. Norris Changes Trains in the United States as The Berlin Stories featuring Sally Bowles. And that was turned into the musical Cabaret. -
The Unforgiving Margin in the Fiction of Christopher Isherwood
The Unforgiving Margin in the Fiction of Christopher Isherwood Paul Michael McNeil Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 Copyright 2011 Paul Michael McNeil All rights reserved ABSTRACT The Unforgiving Margin in the Fiction of Christopher Isherwood Paul Michael McNeil Rebellion and repudiation of the mainstream recur as motifs throughout Christopher Isherwood‟s novels and life, dating back to his early experience of the death of his father and continuing through to the end of his own life with his vituperative rant against the heterosexual majority. Threatened by the accepted, by the traditional, by the past, Isherwood and his characters escape to the margin, hoping to find there people who share alternative values and ways of living that might ultimately prove more meaningful and enlightened than those they leave behind in the mainstream. In so doing, they both discover that the margin is a complicated place that is more often menacing than redemptive. Consistently, Isherwood‟s fiction looks at margins and the impulse to flee from the mainstream in search of a marginal alternative. On the one hand, these alternative spaces are thought to be redemptive, thought to liberate and nourish. Isherwood reveals that they do neither. To explore this theme, the dissertation focuses on three novels, The Berlin Stories (The Last of Mr. Norris and Goodbye to Berlin), A Meeting by the River, and A Single Man, because ach of these novels corresponds to marginal journeys of Isherwood— namely, his sexual and creative exile in Berlin from 1929 to 1933, his embrace of Hindu philosophy, and his life as a homosexual.