Elision in Students' Pronunciation During
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The Serial Interaction of Stress and Syncope John J
University of Massachusetts Amherst ScholarWorks@UMass Amherst Linguistics Department Faculty Publication Series Linguistics January 2008 The serial interaction of stress and syncope John J. McCarthy University of Massachusetts, Amherst, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/linguist_faculty_pubs Part of the Morphology Commons, Near Eastern Languages and Societies Commons, and the Phonetics and Phonology Commons Recommended Citation McCarthy, John J., "The es rial interaction of stress and syncope" (2008). Natural Language and Linguistic Theory. 90. Retrieved from https://scholarworks.umass.edu/linguist_faculty_pubs/90 This Article is brought to you for free and open access by the Linguistics at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Linguistics Department Faculty Publication Series by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Nat Lang Linguist Theory (2008) 26: 499–546 DOI 10.1007/s11049-008-9051-3 ORIGINAL PAPER The serial interaction of stress and syncope John J. McCarthy Received: 7 November 2007 / Accepted: 12 April 2008 / Published online: 26 August 2008 © Springer Science+Business Media B.V. 2008 Abstract Many languages respect the generalization that some or all unstressed vow- els are deleted. This generalization proves elusive in classic Optimality Theory, how- ever. The source of the problem is classic OT’s parallel evaluation, which requires that the effects of stress assignment and syncope be optimized together. This article argues for a version of OT called Harmonic Serialism, in which the effects of stress assignment and syncope can and must be evaluated sequentially. The results are po- tentially applicable to other domains where process interaction is best understood in derivational terms. -
Chapter One Phonetic Change
CHAPTERONE PHONETICCHANGE The investigation of the nature and the types of changes that affect the sounds of a language is the most highly developed area of the study of language change. The term sound change is used to refer, in the broadest sense, to alterations in the phonetic shape of segments and suprasegmental features that result from the operation of phonological process es. The pho- netic makeup of given morphemes or words or sets of morphemes or words also may undergo change as a by-product of alterations in the grammatical patterns of a language. Sound change is used generally to refer only to those phonetic changes that affect all occurrences of a given sound or class of sounds (like the class of voiceless stops) under specifiable phonetic conditions . It is important to distinguish between the use of the term sound change as it refers tophonetic process es in a historical context , on the one hand, and as it refers to phonetic corre- spondences on the other. By phonetic process es we refer to the replacement of a sound or a sequenceof sounds presenting some articulatory difficulty by another sound or sequence lacking that difficulty . A phonetic correspondence can be said to exist between a sound at one point in the history of a language and the sound that is its direct descendent at any subsequent point in the history of that language. A phonetic correspondence often reflects the results of several phonetic process es that have affected a segment serially . Although phonetic process es are synchronic phenomena, they often have diachronic consequences. -
Syllable Structure Into Spanish, Italian & Neapolitan
Open syllable drift and the evolution of Classical Latin open and closed syllable structure into Spanish, Italian & Neapolitan John M. Ryan, University of Northern Colorado ([email protected]) Introduction, Purpose, and Method 1. the distribution of open and closed syllables in terms of word position; 2. what factors, both phonological (e.g,, coda deletion, apocope, syncope, Syllable structure is the proverbial skeleton degemination,) and extra-phonological (e.g., raddoppiamento sintattico or template upon which the sounds of a given and other historical morphosyntactic innovations as the emergence of language may combine to make sequences articles), might explain the distribution of the data. and divisions that are licit in that language. 3. whether the data support or weaken the theory of ‘open syllable drift’ Classical Latin (CL) is known to have exhibited proposed by Lausberg (1976) and others to have occurred in late Latin both open and closed syllable structure in word or early Proto Romance. final position, as well as internally. The daughter Figure 1 shows the breakdown of words, syllables and syllable/word ratio languages of Spanish, Italian and Neapolitan, for all four texts of the study: however, have evolved to manifest this dichotomy to differing due to both phonological and extra-phonological realities. Figure 1 Purpose: to conduct a comparative syllabic analysis of The Lord’s Prayer in Classical Latin (CL), modern Spanish, Italian and Neapolitan in order to determine: Data and Discussion 4) Historical processes producing reversal effects on CL open and closed syllable structure 1) Polysyllabic word-final position in The Lord’s Prayer Figure 5 shows five phonological Figure 5 Figure 2 shows that in word-final position, Latin overwhelmingly favors closed processes affecting the evolution of LATIN syllables at 72%, while Spanish only slightly favors open syllables at 55%. -
Syncope in Crimean Tatar*
Syncope in Crimean Tatar* Darya Kavitskaya Yale University Crimean Tatar has a pervasive syncope of high vowels postlexically. The syncope of unstressed vowels only occurs when it results in a phonotactically acceptable syllable structure. Additionally, stressed high vowels delete between identical consonants with the following degemination which is attributed to a highly ranked OCP constraint. An apparent counterexample, the syncope of high vowels followed by voiceless geminates, is shown to be a matter of phonetic implementation, while the former processes have to be represented in phonology. 1. Introduction Crimean Tatar (henceforth, CT) is a West Kipchak language which belongs to the northwestern branch of Turkic (Johanson 1998:81). CT is spoken mainly in the Crimean peninsula in Ukraine, as well as in Uzbekistan, and also in small communities in Russia, Bulgaria, Romania, and Turkey. According to traditional descriptions, CT is subdivided into three dialects: Southern (or Coastal), Central, and Northern (or Steppe) (Johanson and Csato 1998). All three dialects are endangered (Southern and Northern more so than Central): the language is now extensively used mostly by the speakers older than forty, and very few children learn it as their first language. The sociolinguistic situation of CT is quite unusual. In 1944, the entire Tatar population of Crimea was deported to Central Asia (Uzbekistan, Kazakhstan, and Tajikistan), and to several locations in Russia. As a result, the speakers of CT dialects that used to be linguistically homogenous were separated, mixed, and immersed into radically different language environments. The early 1990s saw the return of Crimean Tatars to their homeland. Currently about 250,000 Crimean Tatars live in Crimea again, and another 250,000 are still in exile. -
Bleaching and Coloring*
386 Bleaching and Coloring* Patricia D. Miller Ohio State University Current studies in natural phonology have dealt with vowels in terms of three cardinal properties: palatality, labiality, and sonority. Palatality and labiality--the chromatic properties--are optimized by a minimally open, maximally constricted vocal tract; and sonority is optimized by a more open vowel tract) Thus the familiar triangle: A or, more exactly a a represents the maximal opposition of the three properties.2 And in many ways, the vowel space does seem to be triangular: ordinarily, the more sonorant a vowel is, the less color it has; and the more chromatic it is--the less sonorant. Thus, while i, e, and m are all palatal, i is more palatal than e, and e is more palatal than m; and, similarly, the degree of rounding varies for u, o, 3. The vowels #, A, and a are colorless or achromatic. They lack both palatality and labiality, and differ only in sonority.3 In this framework, the terms bleaching and coloring are almost self-explanatory: bleaching removes color, and coloring adds color. Bleaching Bleaching may remove palatality or labiality, or both simultaneously: V !lover -Labial !unstressed and/or !lax/short -Palatal] !mixed _(context) Full-scale operation of bleaching will produce linear vowel systems like those of the Caucasian languages reported to have k, A, a. If A lowers, it will produce the system 4, a like that of Kabardian (Kuipers 1960:23 et passim), or that of the child Curt4 (011er forthcoming); or, if all achromatics lower, it will give the single- vowel system, a. -
Assimilation, Reduction and Elision Reflected in the Selected Song Lyrics of Avenged Sevenfold
Dwi Nita Febriyanti Assimilation, Reduction and Elision Reflected in the Selected Song Lyrics of Avenged Sevenfold Dwi Nita Febriyanti [email protected] English Language Studies, Sanata Dharma University Abstract This paper discusses the phenomena of phonological rules, especially assimilation, reduction and elision processes. In this paper, the writer conducted phonological study which attempts to find the phenomena of those processes in song lyrics. In taking the data, the writer transcribed the lyrics of the songs, along with checking them to the internet source, then observed the lyrics to find the phenomena of assimilation, reduction, and elision. After that, she classified the observed phenomena in the lyrics based on the phonological processes. From the data analysis, the results showed that there were three processes found both in the first and second songs: assimilation, reduction and elision. The difference is that in the first song, it has four kinds of assimilation, while from the second song only has three kinds of assimilation. Keywords: assimilation, reduction, elision Introduction brothers and sisters’ discussion or even in songs, for which songs are considered as the As English spoken by the native media for the composer to share his feelings. speakers, it sometimes undergoes simplification to ease the native speakers in Assimilation usually happens in the expressing their feelings. That is why, it is double consonants. This is a phenomenon common for them to speak English in high which shows the influence of one sound to speed along with their emotions. As the another to become more similar. While for result, they make a ‘shortcut’ to get ease of the reduction process, it can happen to the their pronunciation. -
L Vocalisation As a Natural Phenomenon
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Essex Research Repository L Vocalisation as a Natural Phenomenon Wyn Johnson and David Britain Essex University [email protected] [email protected] 1. Introduction The sound /l/ is generally characterised in the literature as a coronal lateral approximant. This standard description holds that the sounds involves contact between the tip of the tongue and the alveolar ridge, but instead of the air being blocked at the sides of the tongue, it is also allowed to pass down the sides. In many (but not all) dialects of English /l/ has two allophones – clear /l/ ([l]), roughly as described, and dark, or velarised, /l/ ([…]) involving a secondary articulation – the retraction of the back of the tongue towards the velum. In dialects which exhibit this allophony, the clear /l/ occurs in syllable onsets and the dark /l/ in syllable rhymes (leaf [li˘f] vs. feel [fi˘…] and table [te˘b…]). The focus of this paper is the phenomenon of l-vocalisation, that is to say the vocalisation of dark /l/ in syllable rhymes 1. feel [fi˘w] table [te˘bu] but leaf [li˘f] 1 This process is widespread in the varieties of English spoken in the South-Eastern part of Britain (Bower 1973; Hardcastle & Barry 1989; Hudson and Holloway 1977; Meuter 2002, Przedlacka 2001; Spero 1996; Tollfree 1999, Trudgill 1986; Wells 1982) (indeed, it appears to be categorical in some varieties there) and which extends to many other dialects including American English (Ash 1982; Hubbell 1950; Pederson 2001); Australian English (Borowsky 2001, Borowsky and Horvath 1997, Horvath and Horvath 1997, 2001, 2002), New Zealand English (Bauer 1986, 1994; Horvath and Horvath 2001, 2002) and Falkland Island English (Sudbury 2001). -
On Syncope in Old English
In: Dieter Kastovsky and Aleksander Szwedek (eds) Linguistics across historical and geographical boundaries. In honour of Jacek Fisiak on the occasion of his fiftieth birthday. Berlin: Mouton-de Gruyter, 1986, 359-66. On syncope in Old English Raymond Hickey University of Bonn Abstract. Syncope in Old English is seen to be a rule which is determined by syllable structure but furthermore to be governed by a set of restricting conditions which refer to the world-class status of the forms which may act as input to the syncope rule, and also to the inflectional or derivational nature of the suffix which are added also to the precise phonological structure of those forms which undergo syncope. A phonological rule in a language which does not operate globally is always of particular interest as the conditions which restrict its application can frequently be recognized and formulized, at the same time throwing light on the nature of conditions which can in principle apply in a language’s phonology. In Old English a syncope rule existed which clearly related to the syllable structure of the forms it did not operate on but which was also subject to a set of restricting conditions which lie outside the domain of the syllable. The examination of this syncope rule and the conditions pertaining to it is the subject of this contribution. It is first of all necessary to distinguish syncope from another phonological process with which it might be confused. This is epenthesis, which appears to have been quite widespread in late West Saxon, as can be seen in the following forms. -
Morphophonology of Magahi
International Journal of Science and Research (IJSR) ISSN: 2319-7064 SJIF (2019): 7.583 Morphophonology of Magahi Saloni Priya Jawaharlal Nehru University, SLL & CS, New Delhi, India Salonipriya17[at]gmail.com Abstract: Every languages has different types of word formation processes and each and every segment of morphology has a sound. The following paper is concerned with the sound changes or phonemic changes that occur during the word formation process in Magahi. Magahi is an Indo- Aryan Language spoken in eastern parts of Bihar and also in some parts of Jharkhand and West Bengal. The term Morphophonology refers to the interaction of word formation with the sound systems of a language. The paper finds out the phonetic rules interacting with the morphology of lexicons of Magahi. The observations shows that he most frequent morphophonological process are Sandhi, assimilation, Metathesis and Epenthesis. Whereas, the process of Dissimilation, Lenition and Fortition are very Uncommon in nature. Keywords: Morphology, Phonology, Sound Changes, Word formation process, Magahi, Words, Vowels, Consonants 1. Introduction 3.1 The Sources of Magahi Glossary Morphophonology refers to the interaction between Magahi has three kind of vocabulary sources; morphological and phonological or its phonetic processes. i) In the first category, it has those lexemes which has The aim of this paper is to give a detailed account on the been processed or influenced by Sanskrit, Prakrit, sound changes that take place in morphemes, when they Apbhransh, ect. Like, combine to form new words in the language. धमम> ध륍म> धरम, स셍म> सꥍ셍> सााँ셍 ii) In the second category, it has those words which are 2. -
Phonetic Factors Contributing to the Inception and Evolution of Sound Change
DOI: 10.17469/O2101AISV000002 DANIEL RECASENS Phonetic factors contributing to the inception and evolution of sound change This paper uses experimental evidence for showing that, depending on the case, sound changes may be triggered primarily by either articulatory variation (as for changes occurring through segmental weakening or strengthening) or by acoustic equivalence (as for vowel nasalization or for segmental substitutions involving syllable-final stops of different places of articulation). It also argues for a multiple evolutionary pathway in the case of specific sound changes such as dark /l/ elision or the palatalization of Latin /kt, ks/ in Romance.The role of word prominence in vowel assimilations and dissimilations and how sound changes originate in the individual are also looked into. In recent times more attention has been paid to how sound changes spread through the lexicon and the linguistic community (Labov, 1994; Phillips, 2006; Wang, 1969) than to the phonetic factors which contribute to the origin of sound change. Fortunately the situation is improving thanks to the pioneering work of Ohala (see section 1.2) and an increasing number of books and articles on this research topic (Solé, Recasens, 2012; Yu, 2013). This scenario is in clear contrast with the one existing during the last decades of the XIX century and the first decades of the XX century, as revealed by outstanding publications on the articulatory causes of sound change which appeared at that time (Grammont, 1933; Millardet, 1910; Rousselot, 1897-1901). One reason for the present lack of interest in the phonetic causes of sound change is to be sought in the special emphasis that structuralist and generative linguists have put into the study of synchronic phonology much to the exclusion of diachronic aspects and phonetic variation. -
Apocope in Heritage Italian
languages Article Apocope in Heritage Italian Anissa Baird 1, Angela Cristiano 2 and Naomi Nagy 1,* 1 Department of Linguistics, University of Toronto, Toronto, ON M5S 3G3, Canada; [email protected] 2 Department of Classical Philology and Italian Studies, Università di Bologna, 40126 Bologna, Italy; [email protected] * Correspondence: [email protected] Abstract: Apocope (deletion of word-final vowels) and word-final vowel reduction are hallmarks of southern Italian varieties. To investigate whether heritage speakers reproduce the complex variable patterns of these processes, we analyze spontaneous speech of three generations of heritage Calabrian Italian speakers and a homeland comparator sample. All occurrences (N = 2477) from a list of frequent polysyllabic words are extracted from 25 speakers’ interviews and analyzed via mixed effects models. Tested predictors include: vowel identity, phonological context, clausal position, lexical frequency, word length, gender, generation, ethnic orientation and age. Homeland and heritage speakers exhibit similar distributions of full, reduced and deleted forms, but there are inter-generational differences in the constraints governing the variation. Primarily linguistic factors condition the variation. Homeland variation in reduction shows sensitivity to part of speech, while heritage speakers show sensitivity to segmental context and part of speech. Slightly different factors influence apocope, with suprasegmental factors and part of speech significant for homeland speakers, but only part of speech for heritage speakers. Surprisingly, for such a socially marked feature, few social factors are relevant. Factors influencing reduction and apocope are similar, suggesting the processes are related. Citation: Baird, Anissa, Angela Cristiano, and Naomi Nagy. 2021. Keywords: heritage language; apocope; vowel centralization; vowel reduction; variationist sociolin- Apocope in Heritage Italian. -
Hurrian Language
Ilse Wegner Introduction to the Hurrian Language Forward: Among the numerous languages of ancient near east, Hurrian is an important one, but in contrast to Akkadian or Hittite there are few investigations of this language, and summary works documenting present knowledge are non-existent. The present “Introduction” shall then be interested in providing access to the grammar as reflected in present research. Many grammatical phenomena that are introduced here may however in the future be modified or even completely reevaluated by others, especially since the study of the Hurrian language is strongly contested. A scientific grammar in the strict sense is not included in this introduction. The previous aids to the learning of Hurrian are however all out-of-date (?) and derive from three grammars and one glossary as well as from numerous scattered published articles. Works that introduce grammar to the student by means of largely coherent text fragments do not exist. These details shall here be taken into account. As reading pieces artificially formed sample sentences are not used. The sample texts originate primarily from the Mittani letters and a few examples of the Bo!azköy texts. Following after a strictly grammatical portion comes a series of transcriptions, with a translation and a commentary provided as lessons. Lessons 1-10 are text passages from the Mittani letters, Lesions 11-13 originate from the Hurrian-Hittite bilinguals of Bo!azköy, and lesson 14 treats the Ti"atal-Inscription. The text passages that are taken from the Mittani letters are not arranged by content criteria, but instead suitable text fragments are chosen so that the grammatical material progresses from introductory to difficult.