SYLLABUS FOR CLASSICS 310 (#20734) GREEK & ROMAN MYTH & LEGEND

Spring 2015 Semester, San Diego State University Brett Robbins, PhD., Department of Classics & Humanities Class Hours: M/W 11-11:50 PM, Classroom: AL-101 Office Hours (AL-672): T 2-3:45 PM (or by appointment) Phone: 805-444-2393, E-Mail: [email protected]

1) COURSE DESCRIPTION

Why should we bother learning the myths of people who lived thousands of years ago, we who pride ourselves on our social progress, fueled by technological inno- vation unimaginable to the ancient Greeks and Romans? Because certain aspects of the ancient world pertain quite directly and essentially to our own world, such as the stories they told and lived by. This course focuses on the ancient world but no less importantly on how it pertains to and influences our own. When we read 's and witness the greatest of the Greek heroes acting decidedly unheroically, we recognize in him certain traits that remind us of modern characters we encounter in movies and on TV. To draw this analogy is to understand the ancient world in its own right but also our own world through the eyes of those who invented the very characters we today take for granted. If this sort of simultaneous inquiry into the past and the present interests you, to understand our own society better by coming to terms with its ancient roots--in this course, primarily through its stories--then you are in the right place. With the advent of the Internet and mobile life and other technology-driven inducements to instant gratification, it's refreshing to realize that the relative disregard for the past so prevalent today is something to overcome rather than to accept unquestioningly. On the contrary, in this class we will learn firsthand that to privilege the times we live in and to respect the lessons available to us from the past are by no means mutually exclusive. We can benefit from what the ancient Greeks and Romans had to teach us while keeping our feet planted firmly in our own times, and the myths we’ll be reading and discussing in this class go a long way toward achieving that broad-based perspective.

2) HYBRID COURSE

This will be a "hybrid" course, that is, part of it takes place in the classroom and part online. We meet in the classroom two days a week (Mondays and Wednesdays) and online one day a week (Fridays). Because this is an on- and off-campus class, online learning is integral to the course: it offers the advantage of learning anyplace and anytime. Despite this flexibility, to succeed in the online learning environment students should keep in mind the following requirements:

• A computer - PC or Macintosh- with a stable Internet connection. Higher speed Internet connections (cable modem, DSL) are strongly recommended. • Basic computer skills - email, surf the Internet, and create basic word processor files. • Microsoft Office 2010, or higher (Must include Word and PowerPoint). • A reliable email address that will not change from the beginning until the end of the semester. • A "technology back-up" plan. Students should plan out an alternative location to do assignments and quizzes in the event their computer or Internet connection is not working! • Time. Distance learning courses require as much time as traditional (classroom) instruction. The primary difference is that online instruction allows flexibility. • Self motivation. Online students must be "self starters" and have the ability to work with a minimum of supervision. Students who procrastinate are rarely successful in distance learning courses. Students are also required to:

• Make use of the online course materials available via Blackboard. Access to these materials is available once you have registered to the course. • Participate in asynchronous online discussions. • Complete readings and assignments by the dates indicated on the syllabus. • Check email on a daily basis.

"Courses that fulfill the 9-unit requirement for Explorations in General Education take the goals and skills of GE Foundations courses to a more advanced level. Your three upper division courses in Explorations will provide greater interdisciplinary, more complex and in-depth theory, deeper investigation of local problems, and wider awareness of global challenges. More extensive reading, written analysis involving complex comparisons, well-developed arguments, considerable bibliography, and use of technology are appropriate in many Explorations courses.”

4: “This is an Explorations course in the Humanities and Fine Arts. Completing this course will help you to do the following in greater depth: 1) analyze written, visual, or performed texts in the humanities and fine arts with sensitivity to their diverse cultural contexts and historical moments; 2) describe various aesthetic and other value systems and the ways they are communicated across time and cultures; 3) identify issues in the humanities that have personal and global relevance; 4) demonstrate the ability to approach complex problems and ask complex questions drawing upon knowledge of the humanities.”

3) OBJECTIVES FOR THIS COURSE

In this course you will 1) learn about the most significant people, characters, events, ideas, monuments, and institutions of ancient Greece and Rome, 2) encounter the greatest works of art, architecture, and literature of antiquity by looking at (in the case of art and architecture) and reading (in the case of literature) the primary sources themselves, and 3) ascertain connections between these people, characters, events,

1 ideas, monuments, institutions, and art works and their counterparts in our own society which, after all, is a direct descendent of Greco-Roman civilization. On the three exams administered throughout the semester, you will be expected to identify with a high rate of accuracy the author, period, context, and cultural importance of the literary passages and material artifacts of ancient Greek and Roman culture you encounter in your take-home readings and classroom lectures and discussions.

4) PREREQUISITES FOR THIS COURSE

While I expect you to prepare the assigned readings before coming to class, they may not make complete sense to you until we hash them out together. Therefore, rest assured that I expect from you no knowledge whatsoever about ancient mythology when you arrive on the first day of class. Granted, we’ll have some fun comparing what preconceived notions you’ve acquired from how the ancient world is depicted in literature, the mass media, etc., but that will only be to gain a sense of satisfaction at the end of the semester that the false clichés and stereotypes you once harbored have been dispelled by experiencing their works for yourselves. The prerequisite for this course, then, is one thing and one thing only: a curiosity about the stories the ancient Greeks and Romans told to come to terms with their world and the uses to which we have put them to use in our own contemporary adaptations of these ancient models. Other than that: the cleaner the slate when the course begins, the better.

5) CLASS FORMAT

We’ll rely on both lectures and classroom discussions to encounter the stories of the ancient Greeks and Romans and how they continue to exert influence on the stories we continue to tell today (vis-à-vis the latter, your input via discussion will be indispensable). I expect you to come to class prepared, which means you’ve already read the assignments listed in the CLASS SCHEDULE for a given day.

6) REQUIRED TEXTS

Although I welcome and encourage as much outside reading as you’d like to do to help you learn the material we cover in class and in our readings (for example, Wikipedia tends to do a pretty good job of providing you with background information about the figures and events we’ll be encountering in our readings), the readings you'll need to complete BEFORE coming to class on a given week will be contained within the following two very affordable and worthwhile texts:

2 Edith Hamilton: Mythology: Timeless Tales of Gods and Heroes; Lucia Impelluso: Myths: Tales of the Greek and Roman Gods

7) GRADING

3 non-cumulative exams (including the Final), each worth one- third of your course grade.

Your grade for this course will be based on your ability to demonstrate a mastery of objective information you’ve acquired from the readings you’ve done and lectures you’ve attended and discussions you’ve participated in throughout the semester. Unfortunately, with 100 people in class a more subjective approach to grading (response papers and the like) isn’t feasible. Thus, while our focus in class will be on learning about the myths of the ancient Greeks and Romans and their links to our own society in a relatively broad-based and expansive manner, your exams will reflect how good you are at recalling information I consider to be essential for the student of western civilization to know and understand. To this end (and because I respect the desire of those who care about their GPAs to earn the best possible grade—I’ve been there), I’ll do my best throughout the semester to make sure that we’re all on the same page regarding what data need to be learned in order to do well on exams. 8) STUDENTS WITH DISABILITIES

If you are a student with a disability and believe you will need accommodations for this class, it is your responsibility to contact Student Disability Services at (619) 594-6473. To avoid any delay in the receipt of your accommodations, you should contact Student Disability Services as soon as possible. Please note that accommodations are not retroactive, and that accommodations based upon disability

3 cannot be provided until you have presented your instructor with an accommodation letter from Student Disability Services. Your cooperation is appreciated.

9) ACADEMIC HONESTY

The University adheres to a strict policy regarding cheating and plagiarism. These activities will not be tolerated in this class. Become familiar with the policy (http://www.sa.sdsu.edu/srr/conduct1.html). Any cheating or plagiarism will result in failing this class and a disciplinary review by Student Affairs. Examples of Plagiarism include but are not limited to:

 Using sources verbatim or paraphrasing without giving proper attribution (this can include phrases, sentences, paragraphs and/or pages of work)  Copying and pasting work from an online or offline source directly and calling it your own  Using information you find from an online or offline source without giving the author credit  Replacing words or phrases from another source and inserting your own words or phrases  Submitting a piece of work you did for one class to another class If you have questions on what is plagiarism, please consult the policy (http://www.sa.sdsu.edu/srr/conduct1.html) and this helpful guide from the Library: (http://infodome.sdsu.edu/infolit/exploratorium/Standard_5/plagiarism.pdf)

10) ONLINE CLASSROOM

Before your first session • Visit the Behind the Blackboard Web Conferencing – First Time Users and complete Step 1: Checking System Requirements and Step 2: Configuring Your System  View a 7-minute Participant Orientation (http://www.brainshark.com/blackboardinc/vu?pi=zGLzYw5XBz35Sgz0)

In-Session  Be sure to join the session 5-10 minutes prior to the start.  Set your Connection Speed to the Internet.  Use the Audio Setup Wizard to test your microphone and speakers.  Participate in the session by responding to polls and providing feedback.  Raise your hand when you have a question or a comment.  Use Chat to send text messages during the session.  Remember that running other applications on your computer can slow your connection to the session.

4 Participant User Interface

Contact Blackboard Collaborate Technical Support  Available 24 hours/day - 7 days/week  North America, Toll Free: 1 (877) 382-2293

Participate from a Mobile Device (iPhone / iPad)  A free mobile app for iOS devices (https://itunes.apple.com/us/app/blackboard-collaborate-mobile/id546742528?mt=8) is available that allows you to participate in a session directly from your iPhone, iPod touch, or iPad! Students are able to fully interact during the session:  Join live classes or meetings from iPhone or iPad  Interact via text chat and two-way audio  View whiteboard content and shared applications  Use emoticons, hand raising, polls, breakout rooms  Connect directly from Blackboard on your mobile device

5 11) CLASS SCHEDULE1

1/21 INTRODUCTION Mythology pp. 3-18; Myths pp. 6-7 1/23 Online: TBA 1/26 EGYPT 1/28 MESOPOTAMIA 1/30 Online: TBA 2/2 ANCIENT GREECE & ROME 2/4 GREEK & ROMAN ART & ARCHITECTURE 2/6 Online: TBA 2/9 RISE OF Myths, pp. 10-27 (Saturn & the Clash of the Titans), 96-7 (Birth of Athena/Minerva), 214-15 (Helios/Sol), 216-21 (Phaeton), 226-27 (Selene/Luna), 228-29 (Endymion), 230-31 (Eos/Aurora), 232-33 (Tithonus), 236-53 (Muses), 254-57 (Charites [Graces]), 258-61 (Nike [Victoria]), 314-15 (Moerae [Parcae] = The Fates) 2/11 ZEUS (JUPITER)/HERA (JUNO) 45 pages Mythology pp. 21-27 (Olympians, Zeus, Hera), p.39 (Hebe), 150-153 (Baucus & Philemon); Myths, pp. 30-31 (Olympus), 32-37 (Zeus/Jupiter), 74-7 (Philemon and Baucis), 78-83 (Juno), 236-241 (Muses), 254-257 (Graces), 262-63 (Hebe), 264-267 (Ganymede) 2/13 Online: TBA 2/16 Review 2/18 EXAM 1 2/20 Online: TBA 2/23 POSEIDON (NEPTUNE)/HEPHAESTUS (VULCAN)/ HERMES (MERCURY)/ATHENA (MINERVA)/ARTEMIS (DIANA) Mythology pp. 27-28 (Poseidon), 29 (Athena), 31-2 (Artemis), 34-5 (Hermes), 36-37 (Hephaestus), 44-7 (Jupiter and Latona), 157-58

1 I reserve the right to change anything in this schedule—or, for that matter, in this syllabus as a whole—during the semester for whatever reason. I will only do so if it’s in the best interest of the course. If I do so, I’ll be sure to inform you of it via e-mail, Blackboard announcement, and in class at least twice, so you can make the appropriate changes to your copy of this syllabus.

6 (Arethusa), 426 (Arachne); 429 (Callisto), 437-38 (Orion); Myths 88-95 (Minerva), 98-9 (Poseidon/Neptune), 100-01 (Arachne), 128-34 (Diana), 135-39 (Actaeon), 140-43 (Callisto), 150-55 (Vulcan), 156-59 (Mercury), 160-61 (Apollo), 322-27 (Poseidon/Neptune), 328-31 (Tritons and Nereids) 2/25 APHRODITE (VENUS)/ARES (MARS) Mythology pp. 33-4 (Aphrodite), 35-36 (Ares), 38 (Eros [Cupid]), 116- 18 (Adonis), 135-38 (Pyramus and Thisbe), 145-50 (Pygmalion and Galatea), 432 (Hero and Leander); Myths 144-45 (Mars), 146-49 (Mars, Venus, Vulcan), 166-83 (Venus), 184-93 (Adonis), 268-85 (Eros [Cupid]), 292-311 (Cupid and Psyche) 2/27 Online: TBA 3/2 APOLLO (APOLLO) Mythology pp. 29-31 (Apollo), 115-117 (Hyacinthus), 155-156 (Daphne), 426-427 (Arion), 412-13 (Midas), 413-15 (Aesculapius [Asclepius]), 433-34 (Leto [Latona]) 435 (Marsyas); Myths 102-109 (Apollo), 110-11 (Python), 112-13 (Marsyas), 114-19 (Daphne), 120-21 (Coronis/Asclepius), 124-25 (Hyacinth), 206-11 (Sibyls), 406-09 (Midas) 3/4 DEMETER (CERES)/HADES (PLUTO) Mythology pp. 53-64 (Demeter), 28 (Hades), 42-3 (Underworld), 111-15 (Narcissus), 138-42 (Orpheus and Eurydice), 418-22 (Erysichthon), 439- 40 (Sisyphus); Myths, pp. 334-337 (Demeter/Ceres), 340-41 (Triptolemus), 386-87 (Echo/Narcissus), 438-39 (Infernals), 440-41 (Tantalus), 442-43 (Sisyphus), 444-45 (Ixion), 446-47 (Tityus), 448-449 (Hades/Pluto) 450-55 (Persephone/Proserpina), 586-93 (Orpheus) 3/6 Online: TBA 3/9 DIONYSUS (BACCHUS)/HESTIA (VESTA) Mythology pp. 64-76 (Dionysus), 37 (Hestia), p. 44-45 (Pan, Silenus), p. 47 (Satyrs), p. 430 (Chiron); Myths, pp. 64-65 (Semele), 196-97 (Vesta), 346-369 (Dionysus/Bacchus), 411-12 (Midas), 412-22 (Centaurs, Chiron), 390-95 (Satyrs), 398-401 (Silenus), 402-03 (Pan), 404-05 (Pan and Syrinx), 410-15 (Centaurs), 416-21 (Lapiths/Centaurs), 422-23 (Chiron)

7 3/11 ORIGIN OF MORTALS Mythology pp. 83-99 (Five Ages, , Pandora, and Pyrrha, Io); Myths, pp. 48-57 (Io), 484-489 (Ages of Mankind), 484-85 (Golden Age), 486-87 (Silver Age), 488-89 (Iron Age), 492-501 (Prometheus), 502-505 (Pandora), 506-509 (Deucalion and Pyrrha) 3/13 Online: TBA 3/16 PERSEUS Mythology pp. 197-208, pp. 184-190 (Pegasus & Bellerophon), pp. 415- 417 (Danaids); Myths, pp. 66-69 (Danae), 512-523 (Perseus), 468-69 (Medusa), 474-75 (Chimera), 512-13 (Perseus), 514-19 (Medusa), 520- 23 (Andromeda), 524-25 (Phineus), 526-27 (Bellerophon) 3/18 HERACLES (HERCULES) 47 pages Mythology pp. 224-243; Myths pp. 540-45 (Hercules), 546-69 (Labors), 570-71 (Alcestis), 572-73 (Antaeus), 578-81 (Nessus, Deianira), 582-83 (Death), 80-82 (Deianeira), 84-5 (Milky Way), 470-71 (Cerberus), 472- 73 (Hydra) 3/20 Online: TBA 3/23 Review 3/25 EXAM 2 3/27 Online: TBA 4/6 THESEUS 33 pages Mythology pp. 209-223, pp. 392-394 (Cecrops), 394-397 (Procne & Philomela), 397-99 (Procris and Cephalus), 432 (Ericthonius [Erechtheus]); Myths, pp. 534-535 (Theseus), 370-73 (Bacchus, Ariadne) 4/8 26 pages Mythology pp. 100-105 (Europa), 192-94 (Daedalus), 437 (Nisus and Scylla); Myths pp. 58-63 (Europa), 476-477 (Minotaur), 478-81, 536- 539 (Theseus, Minotaur) 4/10 Online: TBA 4/13 JASON Mythology pp. 159-179 (Jason), 46 (Castor and Pollux), 244-51 (Atalanta); Myths, pp. 38-9, 40-41 (Castor and Pollux), 194-95 (Atalanta), 596-603 (Meleager, Calidonian Boar Hunt), 604-617 (Jason, , Medea), 466-67 (Harpies)

8 4/15 OEDIPUS Mythology pp. 372-391 (House of Thebes); Myths, pp. 528-529 (Cadmus), 530-533 (Oedipus). 4/17 Online: TBA 4/20 HOMER 4/22 TROJAN WAR Mythology pp. 255-276 (Trojan War), 424-25 (Amazons), 436 (Myrmidons); Myths, pp. 620-25 (Thetis), 626-29 (Paris), 630-31 (Judgment of Paris), 632-35 (Helen), 636-41 (Agamemnon), 642-63 (), 664-69, 684-89 (), 670-75, 690-93 (Hector), 676-77 (Priam), 678-79 4/24 Online: TBA 4/27 FALL OF TROY AND AFTERMATH Myths, pp. 708-735 (Odysseus/Ulysses), 636-641 (Agamemnon), 382-83 (Polyphemus, Galatea), 384-85, 464-65 (Sirens), (Penthesilea), 680-81 (Death of Achilles), 682-83 (Battle over arms of Achilles), 694-95 (Philoctetes), 696-701 (Wooden Horse), 702-703 (Laocoon), 708-35 (Ulysses) 4/29 No class 5/1 Online: TBA 5/4 Review 5/11 FINAL (10:30 AM-12:30 PM)

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