The Value of Autonomous

Total Page:16

File Type:pdf, Size:1020Kb

The Value of Autonomous 1 The Value of Autonomous The Value of Autonomous The Value of Autonomous Manchester, Ljubljana; June 2021 3 The Value of Autonomous About the project The report is part of a project titled “Making and managing Ljubljana’s urban squats: inclusive and participatory practices”, which is funded by the BA/Leverhulme Small Research Grants (SRG1819\1904000) and supported by the UK Department for Business, Energy and Industrial Strategy. The project investigates the way the place’s status within the city and Ljubljana’s squatted areas are consider communicative attempts used and managed by both official between the institutional channels institutions and their communities and the squatters’ communities of users, aiming to understand the with respect to the place’s use and power dynamics that emerge in management. their everyday running and plans for their future. It does this through the conceptual lens of place making and place management, which, as emerging areas of academic interest, seek to bridge the gap between various and often opposing voices with respect to the use of place. We examine how regulatory uncertainty can be replaced by inclusive and participatory forms of management that do not jeopardise the place’s autonomous characteristics. We wish to highlight 4 The Value of Autonomous Short Bios Jenny Nikos Aidan Kanellopoulou Ntounis Cerar is a Senior Lecturer in Law is Lecturer in Marketing at is project manager at IPoP – at Manchester Law School, Manchester Metropolitan Institute for Spatial Policies, Manchester Metropolitan University and Senior Research where he has mainly been University and a Fellow at the Associate at the Institute of involved in projects dealing Institute of Place Management Place Management (IPM). His with urban regeneration, civic (IPM). She is interested in the research focuses on advancing participation, and community development of new theoretical the theory and practice of involvement in planning, frameworks on the interplay place management, as well mobility, and placemaking. between law and place, the as examining alternative He is the author of several establishment of creative approaches of place branding, articles dealing with urban interdisciplinary synergies, as placemaking, governance and development and has been well as the research of cultural leadership within the urban involved in the design of policies from a competition environment, with a particular a communal placemaking perspective. emphasis on squatted areas mechanism called Zunaj. and pseudo-public spaces. Supporting Institutions www.placemanagement.org www.ipop.si The Institute of Place IPoP – Institute for Spatial Management is the professional Policies is an advocacy, body for people involved consulting and research in making, maintaining and organisation in the field of marketing places. As part of sustainable spatial and urban Manchester Metropolitan development. Their mission University, IPM is dedicated to is to support communities supporting people who serve towards sustainable urban places, providing them with development. IPoP is registered unbiased research, continuing as an NGO acting in the professional development, public interest in the field of qualifications, conferences, environment as well as spatial events and networking planning. opportunities. 5 The Value of Autonomous Table of Contents Executive Factors affecting 06 Summary 40 the survival of Autonomous Rog Prologue The “Management” of 08 by Lev Kreft 44 Autonomous Rog Introduction The revitalisation 12 48 of the city Rog Factory and Further factors 16 Autonomous Rog 50 contributing to the collapse of Autonomous Rog Ljubljana: The Future of Rog 23 a creative city 54 and lessons for other Autonomous urban centres The value of Bibliography 28 Autonomous Rog 60 6 The Value of Autonomous Executive Summary Often considered as an alternative to established norms within the urban context, autonomous places – and squats in particular - have long “Red Gun “ by Blu been hubs of opposition against Photo: Goran Jankovac the mainstream economic, political, 2021 cultural and social manifestations of urban life. For almost fifteen years, Autonomous earlier in 2021 The aim of this report Rog was an important alternative is to illustrate that Autonomous Rog hub in the city of Ljubljana, an produced alternative types of value urban experiment with a wealth of within the context of the creative city grassroots activity ranging from narrative that: 1) were not on offer by activism to artistic expression, to either institutional or private actors; music and parties, as well as athletic 2) contributed to the recognition of events. Throughout its existence, the city of Ljubljana as an important debates regarding the value and creative and cultural hub; and 3) significance of Autonomous Rog benefited the citizens of Ljubljana and for the city of Ljubljana emerged, marginalised groups unable to find attracting widespread public and comparable activities elsewhere. media attention. However, such discussions mostly emphasise what The report focuses on research was wrong with Autonomous Rog, conducted between 2016 and 2021 or how defective and troublesome and documents the latest stages of its occupation of the former bicycle Rog’s occupation, the governance factory was. and management structures of Autonomous Rog, the internal/ Thus, the purpose of this report is external conflicts and the legal battle to present an objective evaluation of Rog users with the municipality and insight of the content, activities, of Ljubljana, and the development and the communities involved in the of social and spatial value from the occupation of Autonomous Rog from communities of Rog within the context its inception in 2006 until its demise of the creative and cultural boom 7 The Value of Autonomous of Ljubljana. Through our analysis, monetary and intangible value we demonstrate that Autonomous produced in Autonomous Rog has Rog was one of the last providers of resulted in the current dismissal accessible space within the centre of the knowledge and social value that was both open and affordable, produced there by the City of and supported the cultural and Ljubljana. The report concludes with creative revitalisation of Ljubljana. suggestions for immediate actions We posit that Autonomous Rog regarding the future of Rog and for was a pioneer of social, cultural, the continuation of progressive and leisure, and creative activities that inclusive programmes with a bottom- did not fit into the entrepreneurial, up ethos, as well as systemic actions for-profit narrative that resulted for the preservation of remaining “Red Gun “ by Blu from the gentrification of the city. autonomous places in Ljubljana and Photo: Goran Jakovac 2021 The failure to recognise the non- elsewhere. 8 The Value of Autonomous Prologue by Lev Kreft: From Kočevski Rog to self-management bicycle factory Rog, from self- management factory Rog to Autonomous Rog Autonomous Rog was annihilated in Factory (Cukrarna) as the outburst of a public event, which media enjoyed creativity, a jewel of public-private presenting, some of them supporting partnership, and an attraction the Autonomous Rog to persist and for natives and tourists alike. This other, more numerous this time, to uneasiness reflected the problem show what kind of unacceptable of political liberality: one cannot get activities of uninvited members in support from radical and extreme right a central urban space were active without losing the support of socially there. The plot and message of conscious centre-left supporters as a representation oscillated between consequence, and one cannot destroy “another case of neoliberal violence” marginal activities in the city without and “another case of criminal activities sending negative signals to the whole under cultural and human rights cover community of youngsters, students and excuse”. The first image from the and precarious cultural workers at spot told the whole story: the police least. So, something should be added and demolition group were inside the to the successful occupation of Rog. Rog premises, and Autonomous Rog That was done with the help of an activists and their supporters were image showing a spacious room at on the street outside. The eviction Rog, where, in the middle of general and taking over by municipality of decay and waste, substantial number Ljubljana, (ab)using special state of of syringes (one cannot say used or exception for epidemic reasons, was unused) lay scattered on the ground. a success. But authorities felt that This image, many times repeated pure success was not enough to get whenever media touched the topic public support for their luxurious of eviction, was presented as a final project of a renovated riverbank, and undeniable argument against from Three Bridges to Centre Rog Autonomous Rog, as it touched the and from Centre Rog to the Sugar primary fear of city middle class/petit 9 The Value of Autonomous bourgeoisie when confronted with are addicted, giving at their disposal social presence of drugs in their noble a place where they can meet each vicinity. other, get support with safer syringes, sanitary advice, and social support, This image and its context, however, which includes their empowerment tell something more general about the as a marginal group, and conscious misunderstanding between this urban deviation from patronizing, which autonomous zone with its alternative accepts to help only those who approach to social and cultural life accept patronising as a proper
Recommended publications
  • HIKING in SLOVENIA Green
    HIKING IN SLOVENIA Green. Active. Healthy. www.slovenia.info #ifeelsLOVEnia www.hiking-biking-slovenia.com |1 THE LOVE OF WALKING AT YOUR FINGERTIPS The green heart of Europe is home to active peop- le. Slovenia is a story of love, a love of being active in nature, which is almost second nature to Slovenians. In every large town or village, you can enjoy a view of green hills or Alpine peaks, and almost every Slove- nian loves to put on their hiking boots and yell out a hurrah in the embrace of the mountains. Thenew guidebook will show you the most beauti- ful hiking trails around Slovenia and tips on how to prepare for hiking, what to experience and taste, where to spend the night, and how to treat yourself after a long day of hiking. Save the dates of the biggest hiking celebrations in Slovenia – the Slovenia Hiking Festivals. Indeed, Slovenians walk always and everywhere. We are proud to celebrate 120 years of the Alpine Associati- on of Slovenia, the biggest volunteer organisation in Slovenia, responsible for maintaining mountain trails. Themountaineering culture and excitement about the beauty of Slovenia’s nature connects all generations, all Slovenian tourist farms and wine cellars. Experience this joy and connection between people in motion. This is the beginning of themighty Alpine mountain chain, where the mysterious Dinaric Alps reach their heights, and where karst caves dominate the subterranean world. There arerolling, wine-pro- ducing hills wherever you look, the Pannonian Plain spreads out like a carpet, and one can always sense the aroma of the salty Adriatic Sea.
    [Show full text]
  • Ljubljana Tourism
    AKEYTOLJUBLJANA MANUAL FOR TRAVEL TRADE PROFESSIONALS Index Ljubljana 01 LJUBLJANA 02 FACTS 03 THE CITY Why Ljubljana ............................................................. 4 Numbers & figures.............................................. 10 Ljubljana’s history ................................................ 14 Ljubljana Tourism ................................................... 6 Getting to Ljubljana ........................................... 12 Plečnik’s Ljubljana ............................................... 16 Testimonials .................................................................. 8 Top City sights ......................................................... 18 City map ........................................................................... 9 ART & RELAX & 04 CULTURE 05 GREEN 06 ENJOY Art & culture .............................................................. 22 Green Ljubljana ...................................................... 28 Food & drink .............................................................. 36 Recreation & wellness .................................... 32 Shopping ...................................................................... 40 Souvenirs ..................................................................... 44 Entertainment ........................................................ 46 TOURS & 07 EXCURSIONS 08 ACCOMMODATION 09 INFO City tours & excursions ................................ 50 Hotels in Ljubljana .............................................. 58 Useful information ............................................
    [Show full text]
  • A Guide to the Slovene Ethnographic Museum Permanent Exhibition a Guide to the Slovene Ethnographic Museum Permanent Exhibition Contents
    A Guide to the Slovene Ethnographic Museum Permanent Exhibition A Guide to the Slovene Ethnographic Museum Permanent Exhibition Contents Title: Slovene Ethnographic Museum on the Map of World Museums 7 I, We, and Others: Images of My World Tanja Roženbergar A Guide to the Slovene Ethnographic Museum Permanent Exhibition Published by: Between Starting Points, Structure, Message, and Incentive 9 Slovene Ethnographic Museum, represented by Tanja Roženbergar Janja Žagar Authors: Andrej Dular, Marko Frelih, Daša Koprivec, Tanja Roženbergar, Polona Sketelj, Exhibition Chapters 31 Inja Smerdel, Nadja Valentinčič Furlan, Tjaša Zidarič, Janja Žagar, Nena Židov In Lieu of Introduction – A Welcome Area for Our Visitors 32 Janja Žagar Editor: Janja Žagar I – The Individual 35 Editorial Board: Janja Žagar Andrej Dular, Polona Sketelj, Nena Židov Translation: My Family – My Home 51 Nives Sulič Dular Polona Sketelj Design: My Community – My Birthplace 65 Eda Pavletič Nena Židov Printed by: Tiskarna Januš Beyond My Birthplace – My Departures 77 Ljubljana, 2019 Inja Smerdel Print Run: 1.000 My Nation – My Country 89 Andrej Dular The publication of this book was made possible by the Ministry of Culture of the Republic of Slovenia My Otherness and Foreign Otherness – The Wide World 103 Marko Frelih, Daša Koprivec, Tjaša Zidarič Me – My Personal World 121 Janja Žagar Exhibition Narrative Translated into Objects 137 Cohesive Threats of the Exhibition 167 An Individual’s Journey 168 Janja Žagar, Andrej Dular Vesna: A Mosaic Video Portrait 175 Nadja Valentinčič Furlan Reflections of Visitors 181 My Life, My World 182 Janja Žagar CIP - Kataložni zapis o publikaciji Univerzitetna knjižnica Maribor Gallery of Portraits and Gallery of Narrators 185 39(=163.6)(083.824) Nadja Valentinčič Furlan 069(497.4Ljubljana)SEM:39 Authors 189 SLOVENSKI etnografski muzej I, We, and others : images of my World : a guide to the Slovene Ethnographic Museum permanent exhibition / [authors Andrej Dular ..
    [Show full text]
  • Fiction & Documentary
    FICTION & DOCUMENTARY FICTION 2 Nightlife by Damjan Kozole 4 Mother by Vlado Škafar 6 Huston, We Have A Problem by Žiga Virc 8 Perseverance by Miha Knific 10 Nika by Slobodan Maksimović 12 A Comedy of Tears by Marko Sosič 14 Case: Osterberg by Matej Nahtigal 1 FICTION 16 Šiška Deluxe by Jan Cvitkovič IN 18 Idyll by Tomaž Gorkič FICTION PRODUCTION 32 20 Family Film by Olmo Omerzu 43 DOCUMENTARY 22 The High Sun by Dalibor Matanić IN 24 Life is a Trumpet by Antonio Nuić DOCUMENTARY PRODUCTION 58 26 Ministry of Love by Pavo Marinković 28 Lucy in the Sky by Giuseppe Petitto 30 Our Everyday Life by Ines Tanović Production: Slovenian Film Centre Editor: Inge Pangos Translation: Borut Praper Visual & design: Boštjan Lisec Print: Collegium Graphicum Print run: 700 Ljubljana, January 2016 Slovenian Film Guide_Fiction & Documentary 3 Nightlife by Damjan Kozole Nočno življenje, 2016, DCP, 1:2.35, in colour, 93 min Late at night, a renowned lawyer is found on the sidewalk of a busy street in Ljubljana. He is semi-conscious and his body is covered in blood from numerous dog bite wounds. Phy- sicians at the Ljubljana Medical Centre are fighting for his life, while his wife is coping with the shock and her deepest fears. During that night she breaks all of the moral princi- ples she has advocated all her life. Damjan Kozole (1964) is an award-winning filmmaker whose directing credits include the critically acclaimed Spare Parts, nominated for the Golden Bear at the 53th Berlin IFF, Selected Filmography and Slovenian Girl, which premiered in 2009 at Toronto, Pusan and Sarajevo IFF and has (feature) been distributed worldwide.
    [Show full text]
  • Ebrochure (PDF)
    Andreja Kopač, Ida Hiršenfelder EXERCISES IN NEXUS Andreja Kopač Constructions of Internal Spaces According to Neven Korda “When you have nowhere to go, when you no longer care, you will come to us, for we are leaders without adherents.” Neven Korda Defining the language of visual artist Neven Korda is a curious task, for it seems as if his anchorage points were located in some kind of vector space, in which a sought-after relation could be put into different perspectives between the vector plane and the scalar product. Since these are two complementary planes, we can assume that one dimension is represented by low-resolution visual language with it peculiar perceptual effects, while the other dimension is determined by discursive space of special enunciability, whose basic unit is formed as the minimal function of meaning. The discursive plane that is conceived in such a way is established anew every time, according to the individual internal logic of the event, which is part of current social events as well as part of the individual state of the author’s consciousness. Every event (show/performance/installation) by Neven Korda thus acquires the status of a special plane of enunciation, which on the one hand “consolidates” the discourse of one, while on the other hand it establishes a different kind of gaze every time, and through this gaze it addresses the viewer and itself. The smaller this unit, the more immediate communication with the viewer becomes. The latter often includes various technical flaws and performative privatisms, which gradually become part of the visual spectrum of low resolution, which – precisely by means of its conscious errors – resists intended representation, unambiguous interpretation or polished form in every possible way.
    [Show full text]
  • Ljubljana August - September 2014
    Maps Events Restaurants Cafés Nightlife Sightseeing Shopping Hotels Ljubljana August - September 2014 Emona Ljubljana’s 2000th birthday promises to be quite the celebration Ptuj Find out more about the oldest town in all of inyourpocket.com Slovenia Issue Nº37 FREE COPY city of opp ortunities In the last twenty years BtC CIty trademark has found Its plaCe under the slovene marketIng sky. today BtC CIty Is not only the BIggest shoppIng Centre, as It has also BeCome an Important BusIness Centre and a CIty wIth sports and Cultural events as well as a plaCe where CreatIve and BusIness Ideas Come to lIfe. therefore the BtC CIty trademark wIll also In the future foCus on CreatIng opportunItIes for a qualIty way of lIfe, InnovatIve Ideas and new vIsIons. www.btc-city.com BTC 2014 Oglas Corpo 143x210+5 In Your Pocket.indd 1 7/22/14 11:19 AM Argentino / Šmartinska 152 (BTC) / 1000 Ljubljana / Slovenija Typical style of an Argentinian hacienda. Always fresh meat, best quality beef from Argentina. Indulge yourself with our grilled specialities. Old Argentinian recipes, on typical grills imported from Argentina. Wine Cellar with over 130 Argentinian Wines www.argentino.si / mobile: +386 31 600 900 InYourPocket 143x210 0313.indd 1 20.3.13 9:31 Contents ESSENTIAL CIT Y GUIDES Arrival & Transport 8 Planes, trains, buses, taxis and transfers Emona 13 Happy 2000th birthday Ljubljana! Culture & Events 15 Festivals, exhibitions, music and much more Restaurants 25 Everything from A to V(egetarian) Cafés 42 Enjoy one of Ljubljana’s favourite pastimes Nightlife
    [Show full text]
  • Strokovne Podlage Za Plovnost Ljubljanice
    STROKOVNE PODLAGE ZA PLOVNOST LJUBLJANICE Kon čno gradivo Ljubljana, 16. 11. 2012 Naro čnik: Regionalna razvojna agencija Ljubljanske urbane regije Tehnološki park 19 1000 Ljubljana Vsebina: STROKOVNE PODLAGE ZA PLOVNOST LJUBLJANICE Kon čno gradivo Številka pogodbe naro čnika: 6/12 Datum: 16. 11. 2012 Vodilni partner: Aquarius d.o.o. Ljubljana Cesta Andreja Bitenca 68 1000 Ljubljana Številka projekta: 1264-12 SP Direktor: mag. Martin Žerdin, univ. dipl. biol. Odgovorna nosilca naloge: mag. Martin Žerdin, univ. dipl. biol. Leonida Šot Pavlovi č, univ. dipl. biol. Lea Trnovšek, univ. dipl. biol. Soizvajalci: Re čni transport d.o.o. Trnovski pristan 8 1000 Ljubljana Kopa č in otroci d.o.o. Medno 31A 1210 Ljubljana Šentvid Locus d.o.o. Ljubljanska cesta 76 1230 Domžale Medprostor d.o.o. Breg 22/III 1000 Ljubljana SODELAVCI PRI IZDELAVI POSAMEZNIH POGLAVIJ: Referen čno stanje kvalifikacijskih mag. Martin Žerdin živalskih vrst in habitatnih tipov in Leonida Šot Pavlovi č vplivi plovbe na vodni in obvodni Lea Trnovšek ekosistem: dr. Boris Turk Aquarius d.o.o. Ljubljana Varnostni na črt: Tomislav Zupan čič Re čni transport d.o.o. Zakonodaja, lokalni predpisi ter predlog mag. Janez Kopač sprememb: Kopa č in otroci d.o.o. Prostorsko na črtovanje vklju čno Leon Kobeti č s poplavno varnostjo in arheologijo: Nuša Britovšek Locus d.o.o. Nina Lipuš ček Janja Železnikar Arhitektura: Rok Žnidarši č Medprostor d.o.o. Samo Mlakar Zakonodaja: Mirna Švarc Radko Glavina KAZALO VSEBINE 1. UVOD ........................................................................................................................................... 1 2. OPREDELITEV OBRAVNAVANEGA OBMO ČJA ............................................................. 2 2.1. OPREDELITEV OBMO ČJA OBDELAVE .................................................................................................. 2 2.2. RAZDELITEV OBMO ČJA PLOVNE POTI NA KARAKTERISTI ČNE ODSEKE ..............................
    [Show full text]
  • (Instead Of) Summary
    From: Bratko Bibič »Hrup z Metelkove: tranzicije prostorov in kulture v Ljubljani«, Mirovni inštitut, 2003, strani 215-223. (Bratko Bibič: The Noise From Metelkova: Ljubljana Spaces and Culture in Transitions. Published by the Peace Institute, 2003, in Slovenian with English summary, pages 215-223.) (INSTEAD OF) SUMMARY The initiative to relocate the (former Yugoslav) Army from the barracks on Metelkova (i.e. Metelko Street) in Ljubljana and to convert the premises in the center of the city into a cultural, art, social etc. ex-center (“The Cell”, the “Project Metelkova” in 1989-90); the foundation of the Network for Metelkova (1990-96), whose operations united several hundred group and individual actors of various statuses from heterogeneous fields of art, culture and socially engagé movements; the seizure of the barracks complex after an attempt (contrary to the previous political decision and illegal) at its demolition (1993); the unremitting efforts of the numerous actors in the face of dire conditions and an increasingly indifferent or downright hostile environment (1993-95); finally, the breakthrough from the imposed isolation, followed by an upsurge of activities, programs, projects and publics in the recent years – these are the milestones in the turbulent ten years of existence of Metelkova City as a re-concentration of energy, spiritual reconstitution and material realization of views in the artistic and cultural, political and social production in Slovenia and Ljubljana in the 1990’s. 1 Artistic and (sub)cultural practices have been one of the pillars, and the people involved in them the majority actors and driving force of the ongoing project of the Metelkova army barracks conversion in all the stages of the process.
    [Show full text]
  • Ljubljana, Slovenia Spring Semester 2016
    Travel Report Ljubljana, Slovenia Spring Semester 2016 462305 University of Ljubljana Faculty of Economics 1 1. Preparing for the exchange Slovenia is a EU-country, the requirements for EU-citizens are not too extensive. Personal top-tip: Unless you are living in the dorms (where it is a requirement), skip the residence permit. Nobody will ever ask you for it and at least for me it was quite an inconvenience to get it. I went to the agency and filled all the papers with a clerk there, however, all of it was wrong. First, I had to come again, because the form I filled (which was handed to me by the lady there) was the wrong one. Later, I had to hand in a copy of my e-card again; I only copied one side, but both sides would have been necessary. Finally, when my application was processed, they lost my residence permit card. After a week or so, they informed me that they found it in another guy’s application folder. The whole endeavour took from the beginning of February until the beginning of April and I have been to the agency about 5 times – there is always a long waiting line. Nobody ever asked me about the permit and most EU-students just never applied for one. There are multiple ways to travel from Helsinki to Ljubljana. There are no direct flights, but you can change at any bigger German Airport or in Stockholm. The flights to LJU can be quite expensive, consider also going to close Airports like Trieste, Venice, Klagenfurt (e.g.
    [Show full text]
  • Dobra Slovenia! Newsletter: 21 February 2020
    Newsletter 21 February 2020 DOBRA SLOVENIA! All about the art scene Edited by Monique du Plessis Featured in 2019 as part LJUBLJANA’S UNDERGROUND ART of the 33rd Biennale of SCENE the Graphic Arts in This edition will cover all things art in Slovenia. From its 33rd Graphic Arts Biennale which took place last year to its under-the-radar art scene spurred on by independent galleries and the MSUM (Museum of Contemporary Art Metelkova), this issue will give you the inside scoop on this exciting up- and-coming art hub. Newsletter !1 Newsletter 21 February 2020 FRIEZE MAGAZINE: 33rd Ljubljana Biennial of Graphic Arts and The Powerful Language of Satire By Emily Mcdermott For ‘Crack Up – Crack Down’, the 33rd Biennial of Graphic Arts in Ljubljana, the collective Slavs and Tatars took satire as a thematic starting point. ‘How does graphic language, designed for clarity,’ they ask in the show’s curatorial statement, ‘allow for the ambiguity crucial for art’s affective potential as well as its infra-political resistance?’ This question is explored through the presentation of more than 100 works by 30 artists spread across nine venues in the Slovenian capital. Slavs and Tatars’ approach aligns with the original impetus of the biennial, which, from its inception in 1955, sought to use the low cost of production and portability of graphic arts to enable Nicole Wermers, Double Sand dialogue between artists on both sides of Table, 2007-18, installation view, 33rd Ljubljana Biennial, 2019 the Iron Curtain. In 1963, for example, work by Robert Rauschenberg was able to hang alongside that of Russian artist Erik Bulatov because the artists could have, theoretically, put prints in tubes and dropped them in the mail.
    [Show full text]
  • Volišča Dostopna Invalidomslovenski
    VE OVK SEDEŽ OVK SEDEŽ VOLIŠČA glasovalna naprava 1 1 JESENICE KRANJSKA GORA 1, OBČINA KR.GORA, KOLODVORSKA UL.1 B 1 1 JESENICE KRANJSKA GORA 2, OŠ KRANJSKA GORA, KOROŠKA ULICA 12 1 1 JESENICE KRANJSKA GORA 3, OŠ KRANJSKA GORA, KOROŠKA ULICA 12 1 1 JESENICE BELCA, HIŠA HLEBANJA, BELCA 15 1 1 JESENICE MOJSTRANA 1, OŠ 16.DECEMBER, ULICA ALOJZA RABIČA 7 1 1 JESENICE MOJSTRANA 2, OŠ 16.DECEMBER, ULICA ALOJZA RABIČA 7 1 1 JESENICE ZG. RADOVNA, HIŠA TNP, ZG. RADOVNA 21 1 1 JESENICE HRUŠICA, KULTURNI DOM NA HRUŠICI, HRUŠICA 55 A 1 1 JESENICE PLANINA POD GOLICO, STAVBA ŽUPNJIŠČA, PLANINA POD GOLICO 55 1 1 JESENICE PLANINA POD GOLICO, STAVBA ŽUPNJIŠČA, PLANINA POD GOLICO 55 1 1 JESENICE PLAVŽ 1, DOM UPOKOJENCEV DR. F. BERGLJA, PRITLIČJE STAVBE B 1 1 JESENICE PLAVŽ 3, PRITLIČJE OŠ TONE ČUFAR, UČILNICA 1 1 1 JESENICE PLAVŽ 4, KOSOVA GRAŠČINA - GALERIJA, CESTA MARŠALA TITA 64 1 1 JESENICE PLAVŽ 5, JEKO-IN, CESTA MARŠALA TITA 51 1 1 JESENICE PLAVŽ 6, PRITLIČJE OŠ TONE ČUFAR, UČILNICA 3 1 1 JESENICE PLAVŽ 7, PRITLIČJE OŠ TONE ČUFAR, UČILNICA 2 1 1 JESENICE PLAVŽ 8, VRTEC A. OCEPEK, 1. VHOD, CESTA CIRILA TAVČARJA 3A 1 1 JESENICE PLAVŽ 9, ZPIZ, CESTA MARŠALA TITA 73 1 1 JESENICE PLAVŽ 10, VRTEC A. OCEPEK, 1. VHOD, CESTA CIRILA TAVČARJA 3A 1 1 JESENICE PLAVŽ 11, VRTEC A. OCEPEK, 2. VHOD, CESTA CIRILA TAVČARJA 3A 1 1 JESENICE SAVA 2, KRAJEVNA SKUPNOST SAVA, POD GOZDOM 2 1 1 JESENICE SAVA 4, ČAVS BAR, CESTA TONETA TOMŠIČA 70 A 1 1 JESENICE PODMEŽAKLA 1, SEJNA SOBA ŠD, LEDARSKA ULICA 4 1 1 JESENICE PODMEŽAKLA 2, KRAJEVNA SKUPNOST, MENCINGERJEVA UL.
    [Show full text]
  • LIGHTING GUERRILLA the CITY!, May 25Th - June 12Th 2010, Ljubljana, Kranj, Slovenia
    LIGHTING GUERRILLA THE CITY!, May 25th - June 12th 2010, Ljubljana, Kranj, Slovenia www.svetlobnagverila.net City! is the motto with which we aim to add a new dimension to the urban public space, and a tint of interesting and exciting for its residents and visitors, using installations by international authors. Each individual installation and the entire project reminds us that the city is a living, transforming organism that should not be taken for granted; and that not everything is what it seems. The city (can) offer different levels of life quality and various possibilities of spending leisure time. Our temporary interventions wish to encourage you, both residents and visitors, to take a different look, be it on the city itself, with its public spaces, or on the artist's part in co-designing the city and the quality of life in it. City! includes the AKC Metelkova mesto, the central Bus station Ljubljana, the Parki-Raj parking garage on Trdinova Street, the Miklošičev park, Nazorjeva and Čopova streets, the Dragon Bridge, The Three Bridges, the Zlata ladjicapub on Breg embankment, the Cankarjev Dom platform, the Northern park in Župančičeva jama and Hrvatski trg square, in front of St Peter's church. City! will be opened by the interactive installation with the title Human Tiles by the Portuguese group Ocubo; the piece is supplemented by the lighting objects designed by Andrej Štular, Marko A. Kovačič and Brane Ždralo. Their designs are linked to the year of the book events that invite us to bold readings of poetry, comics, etc. Aleksandra Stratimirović, a Serbian artist from Sweden, plans to release the kind spirits right in the center of the city; architect Katja Lavriša will redesign the street lamps; Marjeta Zupančič will be creating an underwater city with the help from participants of her workshop; Natan will fire up imaginations with Proerectors, the atmospherical-recycled projectors.
    [Show full text]