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Piran Days of Architecture: Looking Back and Looking Forward Piranski
uvodnik piranski dnevi piran days of včeraj, danes architecture: in jutri looking back and intervju z arhitektko Majo Ivanič, novo predsednico organizacijskega odbora looking forward Piranskih dnevov arhitekture interview with architect Maja Ivanič, the new Kristina Dešman in Miha Dešman head of the Piran Days of Architecture Fotografije: Andraž Kavčič, Peter Krapež organising committee Kristina Dešman and Miha Dešman Photo: Andraž Kavčič, Peter Krapež Piranski dnevi arhitekture so mednarodna arhitekturna konferenca, ki se od Piran Days of Architecture is an international architecture conference that takes leta 1983 vsako leto konec novembra odvije v očarljivem gledališču Tartini place in late November in the charming Tartini Theatre in Piran, and has done v Piranu. Konferenca, ki je z leti prerasla regionalne okvire, je dolgo pred so every year since 1983. Through the years, the conference outgrew its initial stavljala enega redkih strokovnih arhitekturnih dogodkov z mednarodnim regional scope, and was for a long time one of the very few events for architec- predznakom pri nas. Na njej so predavali številni ugledni predavatelji in ar ture professionals in Slovenia that was truly international, featuring numerous hitekti iz Evrope in drugih delov sveta. Najbolj znani so Friedrich Achleitner, renowned lecturers and architects from Europe and other parts of the world. The Boris Podrecca, Heinz Tesar, Luigi Semerani, Gino Valle, Eduardo Souto de most famous among them have been Friedrich Achleitner, Boris Podrecca, Heinz Moura, Alvaro Siza Vieira, Peter Zumthor, Enric Miralles, Sverre Fehn, Kenneth Tesar, Luigi Semerani, Gino Valle, Eduardo Souto de Moura, Alvaro Siza Vieira, Frampton, David Chipperfield in še mnogi drugi. Leta 2008 so Piranski dnevi Peter Zumthor, Enric Miralles, Sverre Fehn, Kenneth Frampton, David Chipper- zaživeli na novo, saj jih je po 25ih letih, ko jih je vodil prof. -
Art Nouveau Ljubljana
LJUBLJANA T O W N T R A I L ART NOUVEAU ART NOUVEAU - ART RENOUVEAU 2014-2017 THERE ARE NO STRAIGHT LINES OR SHARP CORNERS IN NATURE. THEREFORE, BUILDINGS MUST HAVE NO STRAIGHT LINES OR SHARP CORNERS. ANTONIO GAUDI LJUBLJANA ART NOUVEAU The term »Secession Ljubljana« (the term »secession« in Slovenia is used after the example of the Vienna Secession) is a name for the neighbourhood between the old city centre and the main train station. This neighbourhood was mostly (re)built between the years of 1895 and 1910. It includes many important and well preserved architectural art works, but its pride is mostly in the richly decorated facades, which give it a special character. On Easter, the 14th of April 1895 Ljubljana, with 31,000 citizens and 1,400 buildings, was shaken by a very strong earthquake. About 10% of the buildings had to be demolished and all the rest were in need of a restoration. The city turned into a vivacious building site, in the next decade over 400 buildings were made, many were restored, electrical public lighting was introduced in the city and the sewage system was improved. A renaissance of the city began, that left important traces in the city centre all until today. MIKLOŠIČ SQUARE The square infront of the Judge Palace was first symbolically called the Slovenian square and was made by the plans of Maks Fabiani in 1900. The park was almost completely surrounded by buildings, built between the years 1900 and 1907 and represents the most beautiful Secession ambient in Ljubljana. -
National Museums in Bosnia-Herzegovina and Slovenia: a Story of Making ’Us’ Vanja Lozic
Building National Museums in Europe 1750-2010. Conference proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Bologna 28-30 April 2011. Peter Aronsson & Gabriella Elgenius (eds) EuNaMus Report No 1. Published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=064 © The Author. National Museums in Bosnia-Herzegovina and Slovenia: A Story of Making ’Us’ Vanja Lozic Summary This study explores the history of the five most significant national and regional museums in Bosnia and Herzegovina and Slovenia. The aim is to show how these museums contribute to the construction of national and other identities through collections, selections and classifications of objects of interest and through historical narratives. The three museums from Bosnia and Herzegovina that are included in this study are The National Museum of Bosnia and Herzegovina in Sarajevo; which was founded in 1888 and is the oldest institution of this kind in the country; the History Museum of Bosnia and Herzegovina founded in 1945 (Sarajevo) and the Museum of the Republic of Srpska in Banja Luka (the second largest city in BiH), which was founded in 1930 under the name the Museum of Vrbas Banovina. As far as Slovenia is concerned, two analysed museums, namely the National Museum of Slovenia (est. 1821) and the Museum of Contemporary History of Slovenia (est. 1944/1948), are situated in Ljubljana, the capital of Slovenia. The most significant periods for the creation of museums as a part of the consolidation of political power and construction of regional and/or national identities can be labelled: The period under the Austrian empire (-1918) and the establishment of first regional museums. -
For Groups Guided Tours and Trips
Guided tours and trips for groups Index Ljubljana. A small capital for big experiences. 4 Ljubljana Old Town walking tour 6 City walk and funicular ride to Ljubljana Castle 8 Tourist boat cruise 10 City walk and boat cruise along the Ljubljanica Ljubljana, the capital of Slovenia and the European Green Capital 2016, is regularly included on lists of Europe's most Ljubljana from the surface of Ljubljanica to the stars above the interesting destinations. It is a relatively small city with a 12 romantic soul, a fairy-tale appearance, a vibrant life, and a castle hill green heart. It is easy to explore as is offers more than 20 different guided tours. Which face of Ljubljana would you 14 'Taste Ljubljana' culinary tour like to get to know most of all? 16 A beer lover's experience of Ljubljana Ljubljana is a city that has love in its name. The name Ljubljana sounds very similar to the Slovenian word 'ljubljena', 18 Exploring Ljubljana by bicycle meaning 'the loved one' or 'beloved', and for those who know Ljubljana really well the two words mean the same. 20 Segway tour of Ljubljana Ljubljana is Europe in miniature. It is a place where prehistoric 22 Ljubljana, a green city pile dwellers meet Roman citizens, the Baroque holds hands with Art Nouveau, and the Slavic soul goes side by side with 24 Tivoli Park and Rožnik- the green lungs of Ljubljana the genius of the 20th century European architect and urban planner Jože Plečnik. 26 Experiencing Roman Emona Ljubljana has a green soul. -
University of Ljubljana, Slovenia
Student’s guide Slovenia Pages: 30 22 January 2019 2/30 CONTENT Content .............................................................................................................................. 2 Host country and city ......................................................................................................... 4 Slovenia ..................................................................................................................................................... 4 The city of Ljubljana .................................................................................................................................. 6 Travelling in guimarães ...................................................................................................... 7 Travelling outside LJUBLJANA .......................................................................................... 7 University of LJUBLJANA .................................................................................................. 8 How to get to LJUBLJANA ................................................................................................. 8 Advanced Masters in Building Information Modelling ....................................................... 10 Structure and content .............................................................................................................................. 11 ECTS ...................................................................................................................................................... -
Poročilo O Realizaciji Letnega Delovnega Načrta
OSNOVNA ŠOLA SOSTRO S PODRUŽNI ČNIMI ŠOLAMI: BESNICA JAN ČE LIPOGLAV PREŽGANJE POROČILO O REALIZACIJI LETNEGA DELOVNEGA NAČRTA ZA ŠOLSKO LETO 2011/2012 OSNUTEK Ljubljana, avgust 2012 KAZALO: 1. Šolski koledar …………………………………………………………………………….. 3 2. Organizacija dela …………………………………………………………………………. 3 3. Število oddelkov in u čencev ……………………………………………………………… 3 4. Kadrovska zasedba ……………………………………………………………………….. 4 5. Izobraževanje u čiteljev …………………………………………………………………… 4 6. Realizacija pouka v šolskem letu 2011/2012……………………………………………... 9 Realizacija dodatnega in dopolnilnega pouka…………………………………………….. 10 Nacionalno preverjanje znanja …………………………………………………………… 11 Te čaji plavanja, šole v naravi in tabori …………………………………………………… 12 Dosežena priznanja in nagrade …………………………………………………………… 12 7. U čni uspeh ………………………………………………………………………............... 13 Podatki o vpisu u čencev 9. razreda v srednje šole………………………………………... 13 8. Število realiziranih ur interesnih dejavnosti ……………………………………………… 13 9. Prehrana u čencev ………………………………………………………………............... 15 Subvencionirana prehrana………………………………………………………............... 15 10. Prometna varnost ..……………………………………………………………………….. 16 11. Zdravstveno in socialno varstvo ………………………………………………………… 16 12. Vzgojni ukrepi …………………………………………………………………………… 17 13. Sodelovanje s starši in s šolskih okoljem ter vklju čevanje staršev v VIZ proces.............. 17 13.1. Uporaba prostorov…………………………………………………………………...…. 18 14. Projekti, prireditve, razstave, nate čaji in raziskovalne naloge v šol. letu 2011/2012……. 20 Šolska skupnost in šolski -
Umetniki Sezone in Nagrade Za Mladinsko Književnost
Dimičeva 9 SI – 1000 Ljubljana tel.: (01) 4300 557, 4300 558 e-naslov: [email protected] ______________________________________________________________________________________________________________________________________________________ Voščilo BRALNI ZNAČKI za 60 let spodbujanja branja Dragi mladi bralci s svojimi zavzetimi mentorji, stopamo v nadvse pomembno sezono gibanja za dobro knjigo. V maju 2021 bo minilo 60 let, odkar so na Prevaljah prvič podelili 119 bralnih značk. V vseh nas je ponos, ker spodbujanje za branje dobrih knjig še vedno traja, saj nobeno motiviranje ni imelo tako dolge življenjske dobe, kot ga ima BRALNA ZNAČKA. Še posebej pa je pomembno, da plemenito kulturno gibanje ni v zatonu. Koronavirus je bil izziv – tudi za našega predsednika, pesnika Marka Kravosa. Ljubezni do branja ne more uničiti noben virus, je samo izziv za nove oblike dela, da se ohranja spodbujanje in - branje. Tako ne bomo nikoli pozabili besed, ki jih je izrekel Tone Pavček, pesnik za vse čase: Če ne bomo brali, nas bo pobralo! Nekdanjo zamisel Umetniki sezone smo zaradi jubileja razdelili na več delov; že lani smo z imeni (Prežihov Voranc, Leopold Suhodolčan, Tone Partljič) mislili na praznik Bralne značke. Prav je, da osvežimo štiri STEBRE BRALNE ZNAČKE: Prof. Stanko Kotnik je bil prvi, ki je zamisel spravil v življenje in skrbel za spoštovanje temeljev branja za bralno značko. Pisatelj in slavist Leopold Suhodolčan, osrednja osebnost Bralne značke, je zamisel nadgradil in jo s svojim osebnim žarom širil po domovini in zamejstvu. Pisatelj Ivan Bizjak je zasnoval Bevkovo bralno značko in tako spodbudil nastanek številnih bralnih značk, imenovanih po znanih osebnostih – predvsem pesnikih in pisateljih. Prof. Petra Dobrila je zamisel, porojeno v Prežihovem svetu, širila kot pedagoška svetovalka, hkrati pa spodbudila Cicibanovo bralno značko v vsem slovenskem prostoru. -
KATALOG PROSTOVOLJSKIH AKTIVNOSTI ZA MLADE V Šolskem Letu 2020/2021 Letošnje Leto Zaznamuje Pohod Koronavirusa Oz
KATALOG PROSTOVOLJSKIH AKTIVNOSTI ZA MLADE v šolskem letu 2020/2021 Letošnje leto zaznamuje pohod koronavirusa oz. bolezni Covid -19 in tudi šolsko leto se je začelo nekoliko drugače kot prejšnja leta. Soočeni smo z veliko neznankami in omejitvami in marsikdo je še bolj kot sicer odvisen od solidarnosti okolice. »Prijatelja spoznaš v nesreči,« pravi slovenski rek in te okoliščine so lahko samo razlog več za razmislek, kaj lahko naredimo za ljudi, ki so se znašli v stiski. Vašo pomoč bodo v marsikateri organizaciji še kako potrebovali, delo pa bo prilagojeno in izvajano v skladu s priporočili za preprečevanje širjenja virusa. Vabljeni, da pregledate letošnji katalog prostovoljskih priložnosti za mlade ter najdete nekaj zase. Ob tem, ko boste pomagali tistim, ki pomoč potrebujejo, si boste nabirali različne izkušnje, spoznavali sebe in širili svoja obzorja, ustvarjali nova znanstva in prijateljstva. Vse zbrane aktivnosti so namenjene mladim prostovoljcem do 30. leta. Tiste, ki so primerne tudi za mladoletne, so na vrhu označene z zelenim znakom »Mladim prostovoljcem prijazna organizacija«. To pomeni, da za mlade prostovoljce poskrbijo usposobljeni mentorji, ki mlade uvedejo v delo, jih pri tem spremljajo, spodbujajo in jim zagotavljajo varne pogoje za delo. Dodali smo še modri znak – ta označuje medgeneracijske aktivnosti. Veseli bomo, če svoje izkušnje in dogodivščine ob prostovoljskem delu delite z nami in jih pošljete na elektronski naslov: [email protected]. S tem lahko še koga spodbudimo, da se nam pridruži. Objavljali jih bomo -
The Only (Self)Portrait of Quaglio and the Consequences of Its Renovation
Varstvo spomenikov, 44 Mateja Neža Sitar The Only (Self)Portrait of Quaglio and the Consequences of its Renovation Key words: Ljubljana cathedral, Giulio Quaglio, self-portrait, monument preservation service, conser- vation and restoration procedures, Baroque painting technique, removal of impurities, retouching Abstract In the early 18th century, in the heyday of Baroque art in Ljubljana, the dean and patron of the construc- tion of the new Ljubljana cathedral, Janez Anton Dolničar, commissioned the northern Italian painter Giulio Quaglio (1668–1751) to adorn the cathedral of St Nicholas with frescoes. The Lombard Baroque painter, who was born in Laino on Lake Como, was a distinguished mural painter in Friuli and Gorizia, and he created his greatest masterpiece of his virtuoso artistic career in the illusionist murals in the inte- rior and on the exterior of the Ljubljana cathedral (1703–1706). Later, in 1721–1723, he returned with his son and completed the murals in the chapels of the nave. At that time the frescoes in the Ljubljana cathedral represented one of the largest cycles in Slovenia, and moreover, they were the most important commission of the artist. Because of this, he added his self-portrait to the images, which, according to research, is the only such example in his oeuvre in Italy, Austria and Slovenia. In 2002 a team from the Restoration Centre initiated one of its most complex and demanding conserva- tion and restoration projects on approximately 532 square metres of murals on the vault and western wall of the Ljubljana cathedral. The difficulty level of the project is evident from the methodology and organisation of the four-year work process, which in addition to concrete restoration procedures on the murals also entailed ongoing research, analysis, verification, study and documentation from various ex- pert points of view. -
Architecture of the 2Oth Century
Architecture of the 2oth Century The present book is a somewhat different overview of 2oth cen tury architecture in Slovenia. The selection of presented buildings is austere since it was dictated by the purpose of the book and its scope. The selected works are not only the outstanding buildings that came into existence in Slovenia in the last century. The authors of the book, architects and art historians, have selected typical creations of the past, characteristic evidence of progress in land development, theo retical thinking and architecture in our surroundings. The purpose of this selection is to encourage public debate and conservation evalua tion, and to facilitate better and more professional protection of all the outstanding historical buildings of the 2oth century, not only cul tural monuments and the creations of famous authors, the mainstays of the development of fine arts. The artistic value was one of the prin ciples of selection, since individual buildings and entities are to be considered as to their function, social value and historical relevance. We attempted to include as many architects as possible and all re gions of Slovenia. The chronological context of the book is defined as the period af ter the First World War, since the architecture created before 1920 has already been presented in another publication within The Euro pean Heritage Days Series. The final chronologicallimit of the selec tion was dose to the year 2000, although it is usually preferred to conclude the period somewhat earlier and evaluate the artefacts from a more distant point in time. The chronological definition of the be: ginning was further conditioned by a new creative enthusiasm after the First World War and the establishment of the first university in Slovenia in Ljubljana with a department of architecture. -
The Markets of Mediterranean
N A E THE MARKETS OF THE N A R R E T I MEDITERRANEAN D E Management Models and Good Practices M E H T F O S T E K R A M E H T THE MARKETS OF THE MEDITERRANEAN Management Models and Good Practices This study, an initiative of the Institut Municipal de Mercats INSTITUT MUNICIPAL DE MERCATS DE BARCELONA de Barcelona, has been possible thanks to the support of Governing Council the European Union through the Med Programme that has Raimond Blasi, President funded the MedEmporion project, promoted by the cities Sònia Recasens, Vice-President of Barcelona,Turin, Genoa and Marseilles. Gerard Ardanuy Mercè Homs Published by Jordi Martí Institut Municipal de Mercats de Barcelona Sara Jaurrieta Coordination Xavier Mulleras Oscar Martin Isabel Ribas Joan Laporta Texts Jordi Joly Genís Arnàs | Núria Costa | Agustí Herrero | Oscar Martin | Albert González Gerard Navarro | Oscar Ubide Bernat Morales Documentation Salvador Domínguez Joan Ribas | Marco Batignani and Ursula Peres Verthein, from Alejandro Goñi the Observatori de l’Alimentació (ODELA) | Research Centre Faustino Mora at the Universitat de Barcelona Joan Estapé Josep Lluís Gil Design and Layout Eva Maria Gajardo Serveis Editorials Estudi Balmes Lluís Orri Translation Jordi Torrades, Manager Neil Charlton | Pere Bramon Manel Armengol, Secretary Antonio Muñoz, Controller Photographs Jordi Casañas | Núria Costa Managing Board Jordi Torrades, Manager Acknowledgements Francisco Collados, Director of the Economic and Financial Service The Institut de Mercats de Barcelona wishes to thank all the Manel -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.