Shoegazers Believe in Miracles
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Sta Tesma-N Yjisil*F ^ Omw^^--- Wfc- Monday, February 20, 1 984 I
- MDA Dancers . Net $8,750 -;4 -Sta tesma-n Yjisil*f ^ Omw^^--- wfc- Monday, February 20, 1 984 i . I MW- »* -l- lid \ - iPage 5 [ Volume 27, Number 49 Marburger lStudents Discuss Dorm Cooking By Raymond Fazzi questions from students for about an plan was a violation of students' rights to troyed from it." Students filled the H-Quad Cafeteria hour. They were consistently presented decide on what they want to eat and The first question of the evening was last Thursday night to join in a "Teach- with complaints about the quality of the where they want to live, Gamberg ac- the first of many targeted on the quality in" concerning University President campus meal plan service and food, and cused the university administration of of the Dining and Kitchen Administra- John Marburger's proposed dorm the conditions of existing dorm cooking giving up on dorm cooking without put- tion (DAKA), the campus food service. cooking plan, which would have cooking facilities. ting effort into making it work. "You do A female student asked Marburger how eliminated from up to two quads by next The three administrators responded not work to abolish a popular program he expected to get more students on a year. to such complaints with claims that nu- because it has problems," he said. "You meal plan which serves food "I wouldn't Although he made it clear during the -merous reports have found dorm fix them." 7feed to my dog." Marburger answered teach-in that student input in the imple- cooking to be harmful to dormitories Before the teach-in, Marburger said that campus cafeterias have been al- mentation stage of the plan was wel- and that state funds haven't been the strong student opposition to the plan lowed to "erode into a state of serious -comed, Marburger made it clear that he enough to support the program. -
Development of Musical Ideas in Compositions by Tortoise
DEVELOPMENT OF MUSICAL IDEAS IN COMPOSITIONS BY TORTOISE Reiner Krämer Prologue For more than 25 years, the Chicago-based experimental rock band Tortoise has crossed over multiple popular music genres (ambient music, krautrock, dub, electronica, drums and bass, reggae, etc.) as well as different types of jazz music, and has made use of minimalist Western art music.1 The group is often labeled a pioneer of the »post-rock« genre. Allegedly, Simon Reynolds first used the term in his review of the album Hex by the English east Lon- don band Bark Psychosis (Reynolds 1994a) and shortly afterwards in his arti- cle »Shaking the Rock Narcotic« (Reynolds 1994b: 28-32). In connection to Tortoise he used »post-rock« in his review article of their 1996 album Mil- lions Now Living Will Never Die (Reynolds 1996). Reynolds describes music he labels as ›post-rock‹ where bands use guitars »in [non-rock] ways« to manipulate »timbre and texture rather than riff[s]« and »augment rock's basic guitar-bass-drums lineup with digital technology such as samplers and sequencers« (Reynolds 2017: 509). Most members of Tortoise act as multi- instrumentalists that play different combinations of instruments at different times. As Jeanette Leech (2017: 16) has stated, a typical Tortoise stage set- up can feature vibraphones, marimbas, two drum sets, and a multitude of synthesizers. With regards to the instrumental setup Leech draws up paral- lels with progressive rock of the 1970s but points to one decisive difference within the genres: »for Tortoise, the range of instrumentation [is] about creating mood, not showboating« (ibid.). -
Nine Inch Nails Pretty Hate Machine Free
FREE NINE INCH NAILS PRETTY HATE MACHINE PDF Daphne Carr | 144 pages | 03 May 2011 | Bloomsbury Publishing PLC | 9780826427892 | English | London, United Kingdom Nine Inch Nails - Wikipedia The album consists of reworked tracks from the Purest Feeling demo tape, as well as songs composed after its original recording. The album, which features a heavily synth-driven electronic sound blended with industrial and rock elements, bears little resemblance to the band's subsequent work. Conversely, much like the band's later Nine Inch Nails Pretty Hate Machine, the album's lyrics contain themes of angst, betrayal, and lovesickness. The record was promoted with the singles " Down in It ", " Head Like a Hole ", and " Sin ", as well as the accompanying tour. A remastered edition was released in Although the record was successful, reaching No. Pretty Hate Machine was later certified triple-platinum by RIAAbecoming one of the first independently released albums to do so, and was included on several lists of the best releases of the s. During working nights as a handyman and engineer at the Right Track Studio in ClevelandOhioReznor used studio "down-time" to record and develop his own music. The sequencing was done on a Macintosh Plus. With the help of manager John Malm, Jr. Reznor received contract offers from many of the labels, but eventually signed with TVT Recordswho were known mainly for releasing novelty and television jingle records. Much like his recorded demo, Reznor refused to record the album with a conventional band, recording Pretty Hate Machine mostly by himself. I became completely withdrawn. I couldn't function in society very well. -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions. -
A Performer's Guide to Minoru Miki's Sohmon III for Soprano, Marimba and Piano (1988)
University of Cincinnati Date: 4/22/2011 I, Margaret T Ozaki-Graves , hereby submit this original work as part of the requirements for the degree of Doctor of Musical Arts in Voice. It is entitled: A Performer’s Guide to Minoru Miki’s _Sohmon III for Soprano, Marimba and Piano_ (1988) Student's name: Margaret T Ozaki-Graves This work and its defense approved by: Committee chair: Jeongwon Joe, PhD Committee member: William McGraw, MM Committee member: Barbara Paver, MM 1581 Last Printed:4/29/2011 Document Of Defense Form A Performer’s Guide to Minoru Miki’s Sohmon III for Soprano, Marimba and Piano (1988) A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music by Margaret Ozaki-Graves B.M., Lawrence University, 2003 M.M., University of Cincinnati, 2007 April 22, 2011 Committee Chair: Jeongwon Joe, Ph.D. ABSTRACT Japanese composer Minoru Miki (b. 1930) uses his music as a vehicle to promote cross- cultural awareness and world peace, while displaying a self-proclaimed preoccupation with ethnic mixture, which he calls konketsu. This document intends to be a performance guide to Miki’s Sohmon III: for Soprano, Marimba and Piano (1988). The first chapter provides an introduction to the composer and his work. It also introduces methods of intercultural and artistic borrowing in the Japanese arts, and it defines the four basic principles of Japanese aesthetics. The second chapter focuses on the interpretation and pronunciation of Sohmon III’s song text. -
Moogfest Cover Flat.Indd
In plaIn sIght JustIce m o o g f e s t Your weekend-long dance eVents at Moog FactorY reMIX Masters partY starts here Moog Music makes Moog instruments, including the Little Phatty and Voyager. The factory is French electro-pop duo Justice is the unofficial start to Moogfest: the band’s American tour in downtown Asheville at 160 Broadway St., where the analog parts are manufactured by hand. brings them to the U.S. Cellular Center on Thursday, Oct. 25. And while the show isn’t part of This year's Moogfest (the third for the locally held immersion course in electronic music) Check out these events happening there: the Moogfest lineup, festival attendees did have first dibs on pre-sale tickets. brings some changes — a smaller roster, for one. And no over-the-top headliner. No Flaming Even without a Moogfest ticket, you can go to MinimoogFest. It’s free and open to the public. Gaspard Augé and Xavier de Rosnay gained recognition back in ‘03 when they entered their Lips. No Massive Attack. Think of it as the perfect opportunity to get to know the 2012 per- Check out DJ sets by locals Marley Carroll and In Plain Sight (winners of the Remix Orbital for remix of “Never Be Alone” by Simian in a college radio contest. Even before Justice’s ‘07 debut, formers better. It's also a prime chance to check out some really experimental sounds, from Moogfest contest), along with MSSL CMMND (featuring Chad Hugo from N.E.R.D. and Daniel †, was released, they’d won a best video accolade at the ‘06 MTV Europe Music Awards. -
Eits: Combinatorics, Potential and Genre
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2011 Eits: Combinatorics, Potential and Genre David Wirthlin University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Fiction Commons Recommended Citation Wirthlin, David, "Eits: Combinatorics, Potential and Genre" (2011). Electronic Theses and Dissertations. 953. https://digitalcommons.du.edu/etd/953 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. ! ! ! ! EITS: COMBINATORICS, POTENTIAL AND GENRE __________ A Dissertation Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by David Wirthlin August 2011 Adviser: Selah Saterstrom Author: David Wirthlin Title: Eits: Combinatorics, Potential and Genre Adviser: Selah Saterstrom Degree Date: August 2011 Abstract Eits is a work of fiction, a non-traditional novel whose structure is largely determined by an Oulipian-style constraint. The constraint in Eits is culled from the album names and song titles of the band Explosions in the Sky. Each album corresponds to a chapter in the novel, and the language of each album title must be used in some way as an introduction to each chapter. Within each chapter (album), song titles correspond to numbered sections where each title must appear as is in the first sentence of that section. -
Issue 4 September 22
S E P T E M B E R 2 2 N D , 2 0 1 7 I S S U E 4 AAMC NEWSLETTER Promoting access and fostering ability for all people CHILLIN' AT THE BEACH! W H A T ' S I N T H I S I S S U E ? ADULT CLIENTS UPDATE ADULT CLIENTS By Olga LaCour UPDATE Tommy worked diligently at putting together this summer beach theme puzzle! He completed this puzzle by working on the middle section first and then making his way to the outward TIME TO GET edges of the puzzle. He has many skills, this was a fun piece to work on as we wrap up this CREATIVE! summer season and begin to welcome the ever changing colors of the fall leaves! JOANNE'S SONG REVIEW MEET GABE CUEVAS-IRAHETA S E P T E M B E R 2 2 N D , 2 0 1 7 I S S U E 4 AAMC NEWSLETTER Promoting access and fostering ability for all people TIME TO GET CREATIVE! By Joanne Shin VisArts is an art facility in Rockville Town Center, where our JIT students do volunteer work. Daniel and Lucas went to VisArts on September 15th. They sharpened pencils and sorted pencils with erasers and with no erasers. Daniel and Lucas both sorted the pencils very well. We are all very proud of their hard work!! JOANNE'S SONG REVIEW By Joanne Shin The song that I am going to feature in this issue is, “Your Hand in Mine,” by Explosions In The Sky. -
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Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker. -
List: 44 When Your Heart Stops Beating ...And You Will Know Us By
List: 44 When Your Heart Stops Beating ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead So Divided ...And You Will Know Us By The Trail Of Dead Worlds Apart 10,000 Maniacs In My Tribe 10,000 Maniacs Our Time In Eden 10,000 Maniacs The Earth Pressed Flat 100% Funk 100% Funk 3 Doors Down Away From The Sun 3 Doors Down The Better Life 30 Seconds To Mars 30 Seconds To Mars 30 Seconds To Mars A Beautiful Lie 311 311 311 Evolver 311 Greatest Hits '93-'03 311 Soundsystem 504 Plan Treehouse Talk 7:22 Band 7:22 Live 80's New Wave 80's New Wave (Disc1) 80's New Wave 80's New Wave (Disc2) A Day Away Touch M, Tease Me, Take Me For Granted A Day To Remember And Their Name Was Treason A New Found Glory Catalyst A New Found Glory Coming Home A New Found Glory From The Screen To Your Stereo A New Found Glory Nothing Gold Can Stay A New Found Glory Sticks And Stones Aaron Spiro Sing Abba Gold Aberfeldy Young Forever AC/DC AC/DC Live: Collector's Edition (Disc 1) AC/DC AC/DC Live: Collector's Edition (Disc 2) AC/DC Back In Black AC/DC Ballbreaker AC/DC Blow Up Your Video AC/DC Dirty Deeds Done Dirt Cheap AC/DC Fly On The Wall AC/DC For Those About To Rock We Salute You AC/DC High Voltage AC/DC Highway To Hell AC/DC If You Want Blood You've Got I AC/DC Let There Be Rock AC/DC Powerage AC/DC Stiff Upper Lip AC/DC T.N.T. -
'A Year Later, It Is Still Hard to Describe'
the WEB EXCLUSIVE: Visit tlwbreeze.org to view i tUdathoM of Wednesday's candlellghl vifD for Virginia Tech * BreezeJames Madison University's Student Newspaper Volume 84, Issue 52 4 Thursday, April 17, 2008 'A Year Later, it is Still Hard to Describe' Members ol me Viiginie Ttth community listen to a tommemofolion cmngay koaoring the trktinn ai loll yew's shootings, WtdiMidgy morning M ihi DtiUfield Virginia lick dosed Hie toy o( romemkeiMco olid o tondlelighl viiil ol the Dtillti«ld Mowing sundown One year after the largest mass shooting in the history Madison Reaction of the United States, students reflect on Tech massacre lYASrlTOtl SMITH later, it is still hard to describe or recognize." Ihelr—n Kaine had a hard time talking about what it is like to lose a loved one. Thirty-two tlower arrangements surrounded the memo- I have not lost a spouse. I have not lost a child,' he Mid rial statues outside Virginia Tech's Burruss Hall. The Hull "But I have both and I know how difficult it would be to lose field was filled with thousands of people: students, faculty, them and how devastating it must he tor the (j tainihes." staff, children, parents, alumni and residents of Blacksburg. He complimented the way Virginia Tech has perMveied All eye* were on the semi-circle of memorials and it was si and been able to become stronger and more united lent. "I have pride and admiration in the Virginia Tech com- As people began to pour in, there were tears, hugs and munity and the broader Virginia lech community, those thai comforting.