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Nominations List - 2014
NOMINATIONS LIST - 2014 SPECIAL AWARD STRICTLY COME DANCING BREAKTHROUGH TALENT sponsored by Sara Putt associates NANCY HARRIS Dates - Balloon Entertainment/Channel 4 DAN SMITH David Attenborough’s Natural History Museum Alive 3D - Colossus Productions/Sky 3D SAM LEIFER, TEDDY LEIFER PLEBS - Rise Films/ITV3 DANIEL FAJEMISIN-DUNCAN, MARLON SMITH Run - Acme Films/Channel 4 COSTUME DESIGN SUZANNE CAVE An Adventure in Space and Time - BBC Cymru Wales/BBC America/BBC Two ANNIE SYMONS Da Vinci's Demons - Adjacent/Phantom Four Films/FOX CAROLINE MCCALL Downton Abbey - Carnival Film & Television/ITV LUCINDA WRIGHT The Suspicions of Mr Whicher: The Murder in Angel Lane - Hat Trick Productions/ITV DIGITAL CREATIVITY JON HOWARD, LEANNE DOUGAN, LIZZIE LEADBEATER, RICHARD WILSON CBeebies Playtime - CBeebies In-house/CBeebies PRODUCTION TEAM D-Day: As It Happens - Windfall Films, Digit London/Channel 4 PRODUCTION TEAM This Morning: Take Over the Makeover - ITV Studios/ITV Commercial & Online/Metail/ITV TH_NK Utopia – Kudos/Channel 4 DIRECTOR - FACTUAL DAVID BRINDLEY, GRACE REYNOLDS Educating Yorkshire - TwoFour/Channel 4 LEE PHILLIPS Her Majesty's Prison Aylesbury - Wild Pictures/ITV NICK HOLT The Murder Trial - Windfall Films/Channel 4 SARA HARDY, BLUE RYAN The Unspeakable Crime: Rape - Gold Star Productions/BBC One DIRECTOR: FICTION JAMES STRONG Broadchurch (Ep 1) – Kudos/Imaginary Friends/ITV OTTO BATHURST Peaky Blinders - Caryn Mandabach Productions/Tiger Aspect Productions/BBC Two JANE CAMPION, GARTH DAVIS Top of the Lake - See-Saw Films/BBC Two -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
BRITISH ACADEMY TELEVISION CRAFT AWARDS in 2016: Winners in *BOLD
BRITISH ACADEMY TELEVISION CRAFT AWARDS IN 2016: Winners in *BOLD SPECIAL AWARD *NINA GOLD BREAKTHROUGH TALENT sponsored by Sara Putt Associates DC MOORE (Writer) Not Safe for Work- Clerkenwell Films/Channel 4 GUILLEM MORALES (Director) Inside No. 9 - The 12 Days of Christine - BBC Productions/BBC Two MARCUS PLOWRIGHT (Director) Muslim Drag Queens - Swan films/Channel 4 *MICHAELA COEL (Writer) Chewing Gum - Retort/E4 COSTUME DESIGN sponsored by Mad Dog Casting BARBARA KIDD Jonathan Strange & Mr Norrell - Cuba Pictures/Feel Films/BBC One *FOTINI DIMOU The Dresser - Playground Television UK Limited, Sonia Friedman Productions, Altus Productions, Prescience/BBC Two JOANNA EATWELL Wolf Hall - Playground Entertainment, Company Pictures/BBC Two MARIANNE AGERTOFT Poldark - Mammoth Screen Limited/BBC One DIGITAL CREATIVITY ATHENA WITTER, BARRY HAYTER, TERESA PEGRUM, LIAM DALLEY I'm A Celebrity... Get Me Out of Here! - ITV Consumer Ltd *DEVELOPMENT TEAM Humans - Persona Synthetics - Channel 4, 4creative, OMD, Microsoft, Fuse, Rocket, Supernatural GABRIEL BISSET-SMITH, RACHEL DE-LAHAY, KENNY EMSON, ED SELLEK The Last Hours of Laura K - BBC MIKE SMITH, FELIX RENICKS, KIERON BRYAN, HARRY HORTON Two Billion Miles - ITN DIRECTOR: FACTUAL ADAM JESSEL Professor Green: Suicide and Me - Antidote Productions/Globe Productions/BBC Three *DAVE NATH The Murder Detectives - Films of Record/Channel 4 JAMES NEWTON The Detectives - Minnow Films/BBC Two URSULA MACFARLANE Charlie Hebdo: Three Days That Shook Paris - Films of Record/More4 DIRECTOR: FICTION sponsored -
Irish Firm Runs Europe's Largest Mobile TV Studio
The Sunday Business Post December 21, 2014 8 Small business Money Plus Out on your own David Van Dessel, partner, Deloitte's Restructuring Services division Thumbnail guide to insolvency Helen Arnold, owner, TVM BY DAVID VAN DESSEL companied by a certificate of Q) What happens if the Picture: Clare Keogh legalisation called an apostile. company wants to reverse nsolvency practitioners This confirms the capacity in the members’ voluntary have been busier than which the person signing the liquidation? ever in the last few years. document has acted and that A) A company that is dissolved More corporate appoint- the signature, seal or stamp can be restored to its original ments have occurred in of the person which the doc- status within two years of the Ithe last four years, for exam- ument bears are certified. The dissolution (section 310 CA ple, than in the 12 years pri- apostile can be obtained from 1963). The liquidator, or any or to 2009. the designated authority for interested party, will need to Probably the most striking that jurisdiction. A listing of make an application to the increase in appointments has countries that are party to the High Court to have the reso- been in the area of personal Hague Convention abolish- lution of winding up annulled. Irish firm runs Europe’s asset receiverships. While the ing the Requirement of Le- The liquidator, or the in- exact numbers are not pub- galisation for Foreign Public terested party, in their court licly available, it is likely that Documents can be obtained application must justify their personal asset and personal from the Hague Convention grounds for restoring the com- residential investment prop- website, www.hcch.net. -
Rannual Report 2016
T T ANNUAL REPORT RR2016 SS PATRONS PRINCIPAL PATRONS BBC Channel 4 Sky ITV INTERNATIONAL PATRONS A+E Networks The Walt Disney Company Discovery Networks Turner Broadcasting System Inc Liberty Global Viacom International Media Networks NBCUniversal International YouTube MAJOR PATRONS Accenture IMG Studios Amazon Video ITN Audio Network KPMG Boston Consulting Group McKinsey and Co BT OC&C Channel 5 Pinewood Studios Deloitte S4C EndemolShine Sargent-Disc Enders Analysis Sony FremantleMedia STV Group FTI Consulting TalkTalk Fujitsu UKTV Huawei Virgin Media IBM YouView RTS PATRONS Alvarez & Marsal LLP PricewaterhouseCoopers Autocue Quantel Blackmagic Design Raidió Teilifís Éireann Digital Television Group UTV Television Kantar Media Vinten Broadcast Lumina Search 2 CONTENTS Foreword by RTS Chair and CEO 4 Board of Trustees report to members 6 I Achievements and performance 6 1 Education and skills 8 2 Engaging with the public 16 3 Promoting thought leadership 26 4 Awards and recognition 32 5 The nations and regions 36 6 Membership and volunteers 40 7 Financial support 42 8 Summary of national events 44 9 Centre reports 46 II Governance and finance 54 1 Structure, governance and management 54 2 Objectives and activities 55 3 Financial review 55 4 Plans for future periods 56 5 Administrative details 56 Independent auditors’ report 59 Financial statements 60 Notes to the financial statements 64 Notice of AGM 2017 75 Agenda for AGM 2017 75 Form of proxy 76 Minutes of AGM 2016 77 Who’s who at the RTS 80 Picture credits 82 3 FOREWORD his was a busy and vibrant year of RTS All-Party Parliamentary Group, chaired by Damian expansion for the RTS, with a signif- Collins MP. -
Justine Westwood. 07767 707 693. [email protected]
Justine Westwood. 07767 707 693. [email protected] W.W.W.JUSTINEWESTWOOD.COM Staff Costume and Make up Manager for The London Studios - LWT, Granada, ITV - 17 years Skills: Costume Design/Creation, Styling, Wardrobe Supervising, Make up Professional Training: Make up Diploma Greasepaint. Airbrushing for HD - Hair Cutting Vidal Sassoon short courses. As a Make up, Costume and Styling freelancer I offer: Presenter Styling or Costume Design and Supervising. Strong PR contacts. Extensive knowledge of period costume. The delivery of low cost collections on brief. – The following is a selection of my work for TV—not including many corporate films and events. The Sidemen Antenna Costume Design and Styling Rinderland Pilot So Television Costume and Make up Tenable Initial Wardrobe and Makeup Celebability ITV Studios Costume and Styling Royal Variety ItV Studios Richard Jones Magician The Crystal Maze RDF Costume Designer Alan Carrs Grease Night Monkey Kingdom Costume Designer The Brits 2016 2017 Brits TV Wardrobe Supervisor Meet the Parents ITV Studios Costume Supervisor Surprise Surprise XMAS ITV Studios Make up/Costume for Elves Come Dine with Me Champions ITV Shiver Make up/Stylist, wardrobe Pick Me ITV Studios Make up/Costume Your Nice Life—Davina Pilot ITV Studios Make up and Wardrobe Supervisor Metrropolis—Period Drama recon s Nutopia Period Costume and Make up Surprise Surprise Lionel Richie. ITV Studios VT Wardrobe supervisor Your Back in the Room series 1, 2 Tuesdays Child L E Wardrobe Supervisor and Stylist Text Santa 2014 and -
LWT's Pioneering Technology
LONDON WEEKEND TELEVISION’S PIONEERING TECHNOLOGY by Phil Nott ITV in London is 65 years old in 2020, remaining vital throughout a period of external pressures as well as the changing viewing habits of the population. In this article, I look at the birth and evolution of London Weekend Television, and at the role that technology played in developing its sport and drama output. The biggest change in ITV’s history came with the franchise renewal process of 1968. As a result, the franchisees for London were two new companies - Thames Television on weekdays and London Weekend Television at weekends. LWT was a pioneering and innovative TV company. Many of the changes it introduced still have an impact today, whereas the battle to get there gives us an insight into the politics and business practices of the time. David Frost photo: via wembleyparkstudios.co.uk The story starts in 1967. The main ITV franchise holders had enjoyed prosperity since the late 1950s, with constantly increasing advertising revenues driven by the march towards consumerism. ‘You’ve never had it so good’ Prime Minister Harold Macmillan claimed at the time. Rediffusion London, the London weekday ITV company, was the dominant company. Rival ATV was split between the Midlands in the week and London at the weekends. Granada in the North was a weekday franchise that had an amicable commercial relationship with Rediffusion in London. ABC TV was the weekend TV specialist, with the franchise for both the North and the Midlands at the weekend. Its commercial wrangles were mainly with the other weekend franchise contractor ATV in London. -
Download on the Company’S Website At
12959_ITV Cover.qxp:Layout 1 8/5/09 18:09 Page 1 ITV plc 200 Gray’s Inn Road Airing the issues... London WC1X 8HF www.itv.com Investors: www.itvplc.com ITV plc Corporate responsibility report 2008 ITV plc Corporate responsibility report 2008 Message from the Executive Chairman “ITV remains committed to serious investment in the UK creative industries, delivering high quality, relevant and responsible programming to British audiences.” About this report This report covers the CR performance of ITV plc for 2008. Did you know... The report covers all wholly-owned companies and jointly owned businesses in which ITV has a majority shareholding. that you can find out more about the topics All information relates to the calendar year 2008 except where contained in this report online. Please visit: a different period is stated. The report has been assured by www.itvplc.com/itv/responsibility Enviros Ltd whose statement is on page 43. Further information Further information on ITV’s non-financial KPIs and related data is available in the Business Review section of our 2008 Annual Report, available to download on the Company’s website at www.itvplc.com. Cover image Emmerdale’s Laurel and Ashley Thomas grieving the loss of their baby to Sudden Infant Death Syndrome. For examples of how our soaps raise social issues see page 8 . ITV plc Corporate responsibility report 2008 01 The business environment has changed profoundly The media sector is heavily regulated and we remain in the last 12 months. Not only does ITV operate in committed to meeting the regulations. -
View Annual Report
ITV plc Annual Report and Accounts 2018 December 31 ended year the for ITV plc Annual Report and Accounts for the year ended 31 December 2018 Welcome to the 2018 Annual Report We are an integrated producer broadcaster, creating, owning and distributing high-quality content on multiple platforms. This is so much More than TV as we have known it. 4 ITV at a Glance 18 28 Market Review Key Performance Indicators 6 32 Chairman’s Operating and Statement Performance Review 1 Strengthen Integrated broadcaster 8 24 producer Chief Executive’s Our Strategy 2 3 Grow Create UK and global Direct to Report production consumer 26 46 54 Our Business Model Finance Risks and Review Uncertainties Contents Strategic Report Strategic Key financial highlights Contents Group external revenue1 Non-advertising revenue2 Strategic Report 2018 Highlights 2 ITV at a Glance 4 Governance £3,211m £1,971m Chairman’s Statement 6 Chief Executive’s Report 8 (+3%) (+5%) Investor Proposition 14 (2017: £3,130m) (2017: £1,874m) Non-Financial Information Statement 15 Corporate Responsibility Strategy 16 Adjusted EBITA3 Statutory EBITA Market Review 18 Our Strategy 24 £810m £785m Our Business Model 26 Key Performance Indicators 28 (-4%) (-3%) Operating and Performance Review 32 (2017: £842m) (2017: £810m) Alternative Performance Measures 44 Financial Statements Finance Review 46 Adjusted EPS Statutory EPS Risks and Uncertainties 54 15.4p 11.7p (-4%) (+15%) Governance Chairman’s Governance Statement 64 (2017: 16.0p) (2017: 10.2p) Board of Directors 66 Management Board 68 Dividend per share p (ordinary) Leverage4 Corporate Governance 70 Audit and Risk Committee Report 80 8.0p 1.1x Remuneration Report 92 Additional information (+3%) (2017: 1.0x) Directors’ Report 109 (2017: 7.8p) Financial Financial Statements 117 Statements Independent Auditor’s Report 118 Primary Statements 125 Corporate website ITV plc Company Financial We maintain a corporate website at www.itvplc.com containing Statements 189 our financial results and a wide range of information of interest to institutional and private investors. -
Nigeria Capital Markets and Banking Forum
Nigeria Capital Markets and Banking Forum 27 October 2017 London Stock Exchange Sponsored by Agenda 08:30 Registration, coffee and networking breakfast 11:10 Panel II: African Issuers: The right time to access public markets? – Current state of the Equity Markets and Investors’ appetite 09:00 Conference opening addresses – Accessing equity capital – financing options and strategies (Standard listings; DRs; etc.) Nikhil Rathi CEO, London Stock Exchange Plc – Encouraging cross border listings: Tapping cross border markets and liquidity Rt. Hon Priti Patel Secretary of State for International Development, UK Government Moderator: Allan Taylor Partner, White & Case 09:20 Welcoming address Speakers: Fash Sawyerr Director, Value Creation Group, Actis Oscar N. Onyema CEO, The Nigerian Stock Exchange Mary Gormley Managing Director, Sub Saharan Africa Depositary Receipts, BNY Mellon Harry David Board Member, Leventis 09:25 Keynote address Miguel Azevedo Head of Investment Banking Africa, Citi Godwin Emefiele Governor, Central Bank of Nigeria Haruna Jalo-Waziri Executive Director, Capital Markets, The Nigerian Stock Exchange Tom Attenborough Head of International Business Development, Primary Markets, 09:40 Presentation – Nigeria: Past the eye of the storm? London Stock Exchange Plc – Macro & Policy environment analysis and expectations – Opportunity to position as an investment hub in Africa 12:00 Presentation: State of the Nigerian Banking Sector – Attractiveness to corporates; investment sectors/opportunities Ike Chioke CEO, Afrinvest Dr. Andrew -
Papers of Micheál Mac Liammóir
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 117 PAPERS OF MICHEÁL MAC LIAMMÓIR (MSS 41,246-41,340) Papers of the actor, stage designer, theatre director and author, Micheál Mac Liammóir, of the Gate Theatre, Dublin, which he founded with his partner, Hilton Edwards, in 1928. The collection comprises playscripts, essays, records of business, and personal and professional correspondence. Compiled by Máire Ní Chonalláin, 2005 Contents Introduction 5 Micheál Mac Liammóir 5 Provenance 5 Content and Structure 5 I Literary and autobiographical works by Mac Liammóir 7 I.i Scripts 7 I.i.1 Dancing Shadow 7 I.i.2 Diarmuid and Gráinne 7 I.i.3 Full Moon for the Bride 7 I.i.4 Gertie the Ghost of the Gate 7 I.i.5 Home for Christmas (or the Grand Tour) : a Masquerade 8 I.i.6 I Must be Talking to my Friends 8 I.i.7 Ill Met by Moonlight 8 I.i.8 The Importance of Being Oscar 9 I.i.9 Juliet in the Rain 10 I.i.10 The Mountains Look Different 11 I.i.11 Pageant of St. Patrick 11 I.i.12 Portrait of Miriam 12 I.i.13 Prelude in Kazbek Street 12 I.i.14 A Slipper for the Moon 12 I.i.15 The Speckledy Shawl 13 I.i.16 Talking about Yeats 13 I.i.17 Where Stars Walk 14 I.ii Autobiographical material 15 I.ii.1 All for Hecuba 15 I.ii.2 Actors in Two Lights / Aisteoiri faoi Dhá Sholas 15 I.iii Works in Irish 15 I.iv Miscellaneous writings 15 II Diaries and miscellaneous personal papers 16 III Works by others 17 III.i Adaptations of novels and other genres 17 III.ii Plays by others 18 IV Correspondence 19 IV.i Abbey Theatre and the National Theatre Society 19 IV.ii Ballets by Mac Liammóir 20 IV.iii Ballintubber Abbey 750 years celebrations 20 IV.iv Birthday cards: 70th birthday celebrations 21 2 IV.v “Bookings (and things concerning them)” 21 IV.v.1 Agents 21 IV.v.2 Theatre bookings 21 IV.v.3 Booking of actors 22 IV.vi British Council 22 IV.vii Broadcasting 22 IV.vii.1 A.B.C. -
Is H De Child
BRITISH A C A D E M Y C H I L D R E N ' S A W A R D S 2 1 O 2 I N % 20off +FREE delivery 9696_DPS_vertical_340x240_UK_BaftaAwards_FO.indd 1 6/11/12 10:45 AM WELCOME A warm welcome to this year’s British Academy Children’s Awards, where we celebrate excellence across all areas of children’s entertainment, from An’ good animation, comedy and drama, to short form, luck to all ah da nominees. animation and games. Irie man! Young audiences have been inspired, entertained and My sincere thanks to Harvey Elliott, Chairman of educated by tonight’s nominees. This is an industry of BAFTA’s Children’s Committee, and the many jury pioneering creatives, whose work continues to capture members who gave their time and expertise to debate young hearts and minds; my congratulations to you all the nominees and determine the winners. Thanks on being nominated. also to tonight’s host, the brilliant Barney Harwood, This year’s Special Award goes to an industry and our eloquent array of citation readers. Final luminary, a leading figure in animation whose distinct thanks to the team at BAFTA, particularly Lisa Prime body of work has delighted generations: Brian and Clare Brown, who have helped deliver tonight’s Cosgrove. Series such as Jamie And The Magic Torch, event. As some of you know, this is Lisa’s last awards The Wind In The Willows, Danger Mouse and Count ceremony. Her passion for children’s television and her Duckula have given Cosgrove a bona fide place in commitment to BAFTA has shone through for many British television history, having brought many hours years now, and both the resilience and success of these of sheer joy and entertainment to young audiences.