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TECHNICAL DATA / COLOR REVERSAL FILM January 1998 • E-88

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TECHNICAL DATA / COLOR REVERSAL FILM January 1998 • E-88 TECHNICAL DATA / COLOR REVERSAL FILM January 1998 • E-88 A-00 Month 1996 KODACHROME 25, 64, 200 Films KODACHROME 25 Film / KM DESCRIPTION KODACHROME 25, 64, and 200 Films are color slide films • Exceptional results in close-up and still-life applications in bright light or using electronic flash designed for processing in Process K-14 chemicals. These films are intended for exposure with daylight or electronic • Extremely sharp flash. You can also expose them with tungsten illumination • Extremely fine grain (3200 K) using filters. • Reproduces subtle color naturally KODACHROME 25 and 64 Films feature extremely fine • Archival dark keeping (KODACHROME Films are the grain and extremely high sharpness. They are excellent most archival transparency films) choices for a wide variety of applications. KODACHROME 200 Film features fine grain and extremely high sharpness. With its faster speed, the film is ideal for low-light situations KODACHROME 64 Film / KR and photo shoots requiring increased depth of field. Use these films to produce color transparencies for • Excellent for general use—outdoor, travel, and nature projection or viewing with 5000 K illumination. Duplicate applications transparencies can be made by direct printing. To make color • Extremely sharp prints, you can print transparencies onto color reversal paper. • Extremely fine grain Or make internegatives for printing onto color negative • Reproduces subtle color naturally paper. You can also scan transparencies for digital printing and for graphic arts and Photo CD applications. • Archival dark keeping KODACHROME 25, 64, and 200 Films are members of the “Select Series” of Kodak films. The Select Series offers KODACHROME 200 Film / KL serious snapshooters and photo enthusiasts the widest selection of high-performance films. Choose from • Well suited for fast action and low-light applications KODACHROME or KODAK ELITE Chrome Films for • Natural colors slides, or KODAK ROYAL GOLD Films for prints. • 200 speed for stopping action and for use with telephoto lenses • Extremely high sharpness and fine grain • Archival dark keeping ©Eastman Kodak Company, 1998 SIZES AVAILABLE Daylight Sizes and catalogs numbers may differ from country to Use the exposures in the table below for average frontlit country. See your dealer who supplies Kodak products. subjects from 2 hours after sunrise to 2 hours before sunset. Note: Use the catalog numbers in the tables only for orders KODACHROME 25 Film / KM placed in the United States and Canada. Shutter Speed Lens Lighting Conditions KODACHROME 25 Film / KM (second) Opening Bright/Hazy Sun on Sand or 1/125 ƒ/11 Rolls Base CAT No. Snow 135-24 5.3-mil acetate 145 8454 Bright/Hazy Sun, Distinct 1/125 ƒ/8* 135-36 5.3-mil acetate 156 0309 Shadows Weak, Hazy Sun, Soft 1/125 ƒ/5.6 KODACHROME 64 Film / KR Shadows Rolls Base CAT No. Cloudy Bright, No Shadows 1/125 ƒ/4 Heavy Overcast or Open 135-24 5.3-mil acetate 190 5959 1/60 ƒ/4 Shade† 135-24 (carded) 5.3-mil acetate 114 0896 * Use ƒ/4 for backlit close-up subjects. 135-36 5.3-mil acetate 156 0028 † Subjects shaded from sun but lit by large area of clear sky. 135-36 (carded) 5.3-mil acetate 131 4228 KODACHROME 64 Film / KR KODACHROME 200 Film / KL Shutter Speed Lens Lighting Conditions Rolls Base CAT No. (second) Opening Bright/Hazy Sun on Sand or 135-24 5.3-mil acetate 158 7559 1/125 ƒ/16 Snow 135-24 (carded) 5.3-mil acetate 190 7559 Bright/Hazy Sun, Distinct 1/125 ƒ/11* 135-36 5.3-mil acetate 197 3809 Shadows 135-36 (carded) 5.3-mil acetate 155 0060 Weak, Hazy Sun, Soft 1/125 ƒ/8 Shadows Cloudy Bright, No Shadows 1/125 ƒ/5.6 STORAGE AND HANDLING Heavy Overcast or Open 1/125 ƒ/4 Load and unload film in subdued light. Shade† Store unexposed film at 21˚C (70˚F) or lower in the * Use ƒ/5.6 for backlit close-up subjects. original sealed package. To avoid moisture condensation on † Subjects shaded from sun but lit by large area of clear sky. film that has been refrigerated, allow the film to warm up to KODACHROME 200 Film / KL room temperature before opening the package. Process film Shutter Speed Lens as soon as possible after exposure. Lighting Conditions (second) Opening Protect transparencies from strong light, and store them in Bright/Hazy Sun on Sand or 1/250 ƒ/22 a cool, dry place. For more information, see KODAK Snow Publication No. E-30, Storage and Care of KODAK Bright/Hazy Sun, Distinct 1/250 ƒ/16* Photographic Materials—Before and After Processing. Shadows Weak, Hazy Sun, Soft 1/250 ƒ/11 EXPOSURE Shadows Cloudy Bright, No Shadows 1/250 ƒ/8 Exposure Index Numbers Heavy Overcast or Open 1/250 ƒ/5.6 Use the exposure index numbers below with cameras or light Shade† meters marked for ISO or ASA speeds or exposure indexes. * Use ƒ/8 for backlit close-up subjects. Do not change the film-speed setting when metering through † Subjects shaded from sun but lit by large area of clear sky. a filter. Metering through filters may affect meter accuracy; see your meter or camera manual for specific information. For critical work, make a series of test exposures. KODAK Exposure Index Light Source WRATTEN Gelatin Filter KM KR KL Daylight or None 25 64 200 Electronic Flash Tungsten (3200 K) No. 80A 6 16 50 2 KODACHROME 25, 64, 200 Films • E-88 Electronic Flash Type of Fluorescent KODAK Color Exposure Use the appropriate guide number in the following table as a Lamp Compensating Filters Adjustment starting point for your equipment. First select the unit output KODACHROME 64 Film closest to the number given by your flash manufacturer. 1⁄ Then find the guide number for feet or metres. To determine Daylight 50R + 10M +1 3 stops the lens opening, divide the guide number by the flash-to- White 05C + 40M +1 stop subject distance. If transparencies are consistently too thin Warm White 20B + 20M +1 stop (overexposed), use a higher guide number; if they are too Warm White Deluxe 40B + 05C +11⁄3 stops dense (underexposed), use a lower number. Cool White 40M + 10Y +1 stop 2⁄ Unit Guide Number (Distance in Feet/Metres) Cool White Deluxe 05B + 10M + 3 stop Output Unknown Fluorescent 05C + 30M +1 stop (BCPS*) KM KR KL KODACHROME 200 Film 350 20/6 32/10 60/18 2⁄ 500 24/7 40/12 70/21 Daylight 30R + 3 stop 700 30/9 45/14 85/26 White 10B + 05M +2⁄3 stop 1000 35/11 55/17 100/30 Warm White 40B + 05C +11⁄3 stops 1400 40/12 65/20 120/36 Warm White Deluxe 10B + 50C +11⁄3 stops 2000 50/15 80/24 140/42 Cool White 20M +1⁄3 stop 2800 60/18 95/29 170/50 Cool White Deluxe 05B + 20C 2⁄ 4000 70/21 110/33 200/60 + 3 stop 5600 85/26 130/40 240/70 Unknown Fluorescent 10B + 05C +2⁄3 stop 8000 100/30 160/50 280/85 *BCPS=beam candlepower seconds. KODAK Color High-Intensity Discharge Exposure Compensating Lamp Adjustment Filters Fluorescent and High-Intensity Discharge Lamps Use the color-compensating filters and exposure KODACHROME 25 Film adjustments in the following charts as starting points to General Electric Lucalox* 80B + 20C +21⁄3 stops expose these films under fluorescent or high-intensity General Electric Multi-Vapor 20R + 20M +2⁄3 stop discharge lamps. For critical applications, make a series of 1⁄ test exposures under your actual conditions. Deluxe White Mercury 30R + 30M +1 3 stops To avoid the brightness and color variations that occur Clear Mercury 70R +11⁄3 stops during a single alternating-current cycle, use exposure times KODACHROME 64 Film of 1/60 second or longer with fluorescent lamps; with high- intensity discharge lamps, use 1/125 second or longer. General Electric Lucalox 70B + 30C +22⁄3 stops General Electric Multi-Vapor 30R + 10M +1 stop Type of Fluorescent KODAK Color Exposure Deluxe White Mercury 30R + 30M +11⁄3 stops Lamp Compensating Filters Adjustment Clear Mercury 120R + 20M + 3 stops KODACHROME 25 Film KODACHROME 200 Film Daylight 50R +1 stop General Electric Lucalox 50B + 70C +22⁄3 stops White 40M +2⁄3 stop General Electric Multi-Vapor 20R + 10M +2⁄ stop Warm White 20C + 40M +1 stop 3 Deluxe White Mercury 10R + 30M +1 stop Warm White Deluxe 30B + 30C +11⁄3 stops Clear Mercury 110R + 10M +22⁄ stops Cool White 40M + 10Y +1 stop 3 Cool White Deluxe 20C + 10M +2⁄ stop * A high-pressure sodium-vapor lamp. The information here may not apply to 3 other manufacturers’ sodium-vapor lamps because of differences in spectral characteristics. Unknown Fluorescent 30M +2⁄3 stop Note: Consult the manufacturer of high-intensity lamps for ozone ventilation requirements and safety information on ultraviolet radiation. Some primary color filters were used in the previous tables to reduce the number of filters and keep the exposure adjustment to a minimum. Red filters were substituted for equivalent filtration in magenta and yellow. Blue filters were substituted for equivalent filtration in cyan and magenta. KODACHROME 25, 64, 200 Films • E-88 3 Adjustments for Long Exposures PRINTING TRANSPARENCIES Use the adjustments in the following table when working Duplicate Color Transparencies with long exposure times. For direct printing, use— KODAK EKTACHROME Duplicating Films Calculated Exposure Time (Sec). Exposure increases include adjustment required KODAK EKTACHROME RADIANCE Overhead Material Film for KODAK Color Compensating Filters Or make internegatives on KODAK Commercial Code Internegative Film, and print them on— 1/10,000 to 1/10 1 10 1/100 KODAK VERICOLOR Print Film KODAK VERICOLOR Slide Film +1⁄ stop Not KM None 2 KODAK DURATRANS RA Display Material No filter recommended KODAK DURACLEAR RA Display Material +1⁄ stop KR None 3 Not recommended CC05R Color Prints +1⁄ stop Not For direct printing, use— KL None 2 CC10Y recommended KODAK EKTACHROME RADIANCE Papers Note: This information applies only when exposing the films KODAK EKTACHROME RADIANCE SELECT Material to daylight.
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