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Marie Göranzon
Marie Göranzon ABOUT Birth 1942 Language Swedish, English Eyes Blue Hair Blonde FILM AND TV PRODUCTIONS 2020 Se upp för Jönssonligan (Feature) Dir: Tomas Alfredson. FLX 2020 Bröllop, begravning & dop (TV series) Dir: Colin Nutley. Sweetwater 2020 Orca (Feature) Dir: Josephine Bornebusch. Warner Bros. 2017 2060 (TV Movie) Dir: Henrik Hellström. SVT 2013 Allt faller (TV Series) Dir: Henrik Schyffert. TV4 2012 Blondie (Feature) Dir: Jesper Ganslandt. Fasad 2007 Beck - I Guds namn (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Det tysta skriket (TV Series) Dir: Harald Hamrell. Filmlance 2007 Beck - Den japanska shungamålningen (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Den svaga länken (TV Series) Dir: Harald Hamrell. Filmlance 2007 Hoppet (Feature) Dir: Petter Næss. Sonet Film 2006 Beck - Advokaten (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Gamen (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Flickan i jordkällaren (TV Series) Dir: Harald Hamrell. Filmlance 2005 Mun mot mun (Feature) Dir: Björn Runge. Sonet Film 2005 Den bästa av mödrar (Feature) Dir: Klaus Härö. Matila Röhr Productions 2004 Stenjäveln (Short) Dir: Jens Jonsson 2004 Dag och natt (Feature) Dir: Simon Staho. Zentropa 2003 Spaden (Short) Dir: Jens Jonsson 2003 Skenbart: En film om tåg (Feature) Dir: Peter Dalle. S/S Fladen 2002 Alla älskar Alice (Feature) Dir: Richard Hobert. Sonet Film 2002 Beck - Skarpt läge (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Pojken i glaskulan (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Annonsmannen (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Okänd avsändare (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Enslingen (TV Series) Dir: Kjell Sundvall. -
The Other in Contemporary Swedish Cinema
Division of Art History and Visual Studies Department of Arts and Cultural Sciences Lund University Sweden The Other in Contemporary Swedish Cinema Portrayals of Non-White Swedes in Swedish Cinema 2000-2010 A Master’s Thesis for the Degree Master of Arts (Two Years) in Visual Culture Elina Svantesson Spring 2012 Supervisor: Ingrid Stigsdotter 1 LUND UNIVERSITY ABSTRACT DIVISION OF ART HISTORY AND VISUAL STUDIES / FILM STUDIES MASTER OF ARTS IN VISUAL CULTURE The other in contemporary Swedish cinema Portrayals of non-white Swedes in Swedish cinema 2000-2010 Elina Svantesson The evident place that film has in society makes it a powerful medium that journeys across borders of nationalities, sexualities, and ethnicities. Film represents, and since representation is of importance when acquiring knowledge and a continuous changing medium, it must be scrutinised continuously. In this thesis, contemporary Swedish mainstream cinema (2000-2010) has been examined for its representations of immigrants, Arabs and non-white Swedes. Concepts of culture, identity and whiteness are used to make sense of these representations and politics is shown to have a strong impact on the medium. Making use of the notion of “whiteness”, the thesis suggests that non-white Swedes are considered different to white Swedes. The Arab, for example, is given many negative traits previously seen in anti-Semitic, pre-WWII images of the Jew. Furthermore, many films were proven to exclude non-white Swedes from a depicted society, geographical and social. This exclusion of “the other” can be considered a representation in itself, a reflection of a divided Swedish society. Non-white Swedes are a large group of people, and it is argued that instead of portraying a static, shallow image of non-white Swedes, the Swedish film industry and society, could benefit from anticipating a new cinematic society and by including this group. -
Winter, 2009; Fridays at 7 Pm; 177 Lawrence Hall FREE and Open to the Public
Swedish Film Series Winter, 2009; Fridays at 7 pm; 177 Lawrence Hall FREE and open to the public Probably no other nation of comparable population can match the artistic success of Sweden in the film industry. Yet few Americans—aside from a small group of Ingmar Bergman fans—could name even one Swedish film. This series aims to change that. Come sample a rich variety of wonderful films made between 1951 and 2006. All nine films are in Swedish with subtitles in English. Each film is preceded by a short presentation about a particular aspect of Swedish culture (e.g., food, geography, language) as well as a brief intro- duction to the film itself. At the conclusion of the film, audience members who wish to stay for another 10-15 minutes are invited to participate in a short, not-overly-academic discussion of the film. Lawrence Hall is located in the central part of the University of Oregon cam- pus, about 100 yards north of the intersection of 13th and University. Please use the building’s south entrance just below the AAA Library, and proceed straight ahead to 177. 9 January when Elisabeth parks her car in As It Is in Heaven (Så som i Himmelen) 2004 a loading zone and is ticketed by Directed by Kay Pollak Gudrun. Despite this shaky start, A successful international conductor suddenly interrupts his a friendship grows between the career and returns alone to his childhood village in Norrland, two. Elisabeth, a gynecologist, is in Sweden’s far north. It doesn’t take long before he is asked to sexy and confident. -
BRITISH HUMANITARIAN Ngos and the DISASTER RELIEF INDUSTRY, 1942-1985
BRITISH HUMANITARIAN NGOs AND THE DISASTER RELIEF INDUSTRY, 1942-1985 By ANDREW JONES A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History School of History and Cultures College of Arts and Law The University of Birmingham April 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis is a history of humanitarian non-governmental organisations (NGOs) in Britain, between 1942 and 1985. Specifically, it is focused upon the group of leading agencies linked to the Disasters Emergency Committee (DEC), an umbrella body for joint emergency fundraising established in the 1960s. The thesis explores the role of these NGOs in building up an expansive and technocratic disaster relief industry in Britain, in which they were embedded as instruments for the delivery of humanitarian aid. This was problematic, as many principal aid agencies also wished to move away from short-term disaster relief, to focus upon political advocacy connected to international development instead. It is argued that, despite this increasing political focus, humanitarian NGOs were consistently brought back to emergency relief by the power of television, the lack of public support for development, and the interventions of the British government. -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
Lisa Werlinder | Biography
LISA WERLINDER | BIOGRAPHY In a career that spans stage, screen and television, Lisa Werlinder has become renowned for tackling challenging roles and for her powerful and versatile performances. She has been working with Academy Award -winning directors Steven Spielberg, Ingmar Bergman and Bille August. Her performance as Maria in the highly acclaimed and Award-winning Danish film THE INHERITANCE, directed by Per Fly, was hailed by the critics and earned her a nomination for the Danish Academy Award. TIME Magazine described her as “a marvel – shifting from playful to vulnerable to fierce in a matter of seconds”. Lisa Werlinder was directed by director Bille August in A SONG FOR MARTIN, Academy Award nominee Colin Nutley in GOSSIP and Steven Spielberg in MUNICH, which was nominated for 5 Academy Awards. She featured in the internationally acclaimed drama THE BLACK PIMPERNEL by Ulf Hultberg, the Norwegian thriller TORPEDO by Trygve Allister Diesen, DOUBLESHIFT by Maria Essén, ALMOST PERFECT by Bertha Pan and A MIDSUMMER COMEDY by Ian McCrudden among other films. Upon graduating from the Swedish Theatre Academy, Lisa Werlinder was immediately picked by Ingmar Bergman to work with him at the prestigious Royal Dramatic Theatre in Stockholm. On stage she has portraited Cordelia in KING LEAR, Honey in WHO'S AFRAID OF VIRGINIA WULF, Lulu in SHOPPING AND F***ING, Eleonora in EASTER and Ofelia in HAMLET amongst other parts. IMDb Pro and IMDb www.spiel-kind.com | 28.09.2021 Lisa Werlinder | CV FEATURE | TELEVISION 2020-2018 | Unter anderen -
Svenske Film
Svenske film Biografiske film: Hip hip hurra! Instrueret af Kjell Grede Emneord: biografiske film, skagensmalere, malerkunst I lyse farver og med motiver, der ofte ligger tæt på de originale materialer, giver filmen et personligt portræt af Skagensmaleren P.S. Krøyer (1851-1909), hans kunst, indre konflikter og kunstnermiljøet omkring ham. Svensk og dansk Medvirkende: Stellan Skarsgård, Lene Brøndum, Pia Vieth m.fl. Monica Z instrueret af Per Fly Emneord: biografiske film, sangere, jazz 19-årige Monica Zetterlund arbejder som telefondame om dagen og kæmper for at slå igennem som jazzsanger om natten. Gennembruddet kommer, da hun møder digteren Beppe Volgers og begynder at sætte musik til hans svenske digte. Svensk og engelsk tale Medvirkende: Edda Magnason, Sverrir Gudnason, Kjell Bergqvist m.fl. Drama: Den alvorsfulde leg instrueret af Pernilla August Emneord: drama, kærlighed, utroskab Arvid og Lydia mødes og forelsker sig en smuk sommeraften i den svenske skærgård. Det bliver dog ikke til mere, da de begge er uden midler og er nødt til at gifte sig til penge og status. Flere år senere mødes de igen. Medvirkende: Sverrir Gudnason, Karin Franz Körlöf, Liv Mjönes, Michael Nyqvist m.fl. Bryllupsfotografen instrueret af Ulf Malmros Emneord: drama, bryllup, fotografer Den langhårede og tatoverede Robin forsøger sig som bryllupsfotograf i Stockholm, da han mister jobbet på den lokale papirfabrik. Her møder han overklassespigen Astrid, der også vil være fotograf. Medvirkende: Björn Starrin, Tuva Novotny, Kjell Bergqvist m.fl. Fire nuancer af brunt instrueret af Tomas Alfredson Emneord: drama, komedier, episodefilm Ulykker, incest, utroskab og død blander sig med en ubærligt brun og kedelig hverdag. -
The Girl Who Played with Fire
PRESENTS THE GIRL WHO PLAYED WITH FIRE NZ Marketing & Publicity enquiries: Adria Buckton, Trigger Marketing & Publicity [email protected] 09 834 33 48 / 021 498 086 Runtime : 129mins Censors Rating : R16 violence, sexual violence, offensive language and content that may disturb New Zealand Release Date : 5th August 2010 Zodiak Entertainment presents a Yellow Bird production a co-production with ZDF Enterprises, Sveriges Television, Nordisk Film ZDF and Filmpool Stockholm Mälardalen, Film i väst, Spiltan underhållning with the support of the Swedish Film Institute a film by Daniel Alfredson THE GIRL WHO PLAYED WITH FIRE Zodiak Entertainment and Yellow Bird are proud to present the second part of the film version of Stieg Larsson’s world-famous Millennium Trilogy: The Girl Who Played With Fire . In this follow-up to Men Who Hate Women (a.k.a. The Girl With the Dragon Tattoo in the UK and the US) , the focus falls on the character of Lisbeth Salander. Accused of a triple murder, she is drawn into tangled web of intrigue that leads back to her murky past, while Mikael Blomkvist does everything in his power to prove that she is innocent. Michael Nyqvist and Noomi Rapace continue to play the leading roles, accompanied by a very notable ensemble, including Lena Endre, Peter Andersson and Per Oscarsson. The experienced Daniel Alfredson directs. The first film in the series, Men Who Hate Women , premiered in Scandinavia in early 2009 and has since enjoyed massive success in cinemas in Europe. It has been seen by a total of more than seven million viewers, of which 2.8 million in the Nordic region, 1.2 million in France and 1.5 million in Spain. -
Swedish Film Flyer.Rev.Indd
Swedish Film Series Winter, 2006; Fridays at 7 pm; 221 McKenzie Hall FREE and open to the public Probably no other nation of comparative population has matched the artistic success of Sweden in the film industry. Come sample a rich variety of wonderful films, from Ingmar Bergman classics to the contemporary Wild Strawberries films of Colin Nutley. All the films have subtitles in English. Each film will be preceded by a short presenta- tion about a particular aspect of Swedish culture (e.g., food, language, geography), as well as a brief introduction to the film itself. At the conclusion of the film, the audience will be invited to participate in a short discussion of the film. McKenzie Hall—the former Law School—is located near 12th and Kincaid, on the west edge of the university campus. 13 January they have a marvelous affair. Then, as the money Wild Strawberries (Smultronstället) 1956 runs out, the atmosphere Directed by Ingmar Bergman changes. This film’s pho- Professor Isak Borg, age 78, is called from his home in Stockholm tography is both sumptu- Elvira Madigan Elvira to the university town of Lund to receive an honorary doctorate ous and impressionistic for his services to science. Events during the automobile trip to and it is beautifully Lund—and several dreams in which he relives his past and is made accompanied by Mozart’s aware once again of his faults—force Isak to review his life and Piano Concerto No. 21 in resolve his terrible bitterness. After the ceremony later that day, he C major. -
Swedish Film Magazine #2 2008
Swedish Film Don’t relax Ruben Östlund’s Involuntary hits Cannes FEATURED FILMS EVERLASTING MOMENTS AM I BLACK ENOUGH FOR YOU? PATRIK, AGE 1.5 INSTEAD OF ABRACADABRA THE TALE OF LITTLE PUPPETBOY #2 2008 A magazine from the Swedish Film Institute MEMFIS FILM COMING ATTRACTIONS THE MEMFIS FILM KORNHAMNSTORG 6 111 27 STOCKHOLM SWEDEN PHONE 46-8-335576 FAX 46-8-309934 [email protected] FILM ‘‘ INDUSTRY HAS ASSUMED A FILM BY MARIA BLOM THE SHAPE AND FORM OF A BUTCHERY AND FORNICATION BUSINESS. Ingmar Bergman ’’ GET IT RIGHT FROM THE START. THE INGMAR BERGMAN INTERNATIONAL DEBUT AWARD 2009 CEO’S LETTER Director, International Department NONSTOP SALES PRESENTS Pia Lundberg Phone +46 70 692 79 80 MARKET PREMIERE pia.lundberg@sfi .se Films with a confi dence “A film that speaks to both heart and mind” IT IS WITH joy, pride and a strong sense of cute little baby they envisaged, into their Dagsavisen self confi dence that we Swedes arrive at lives walks a sullen 15-year-old with Festivals, features Gunnar Almér Cannes this year. Since last year’s festival, criminal and homophobic tendencies. Phone +46 70 640 46 56 we’ve noticed a growing interest in the In Fishy we encounter a strong young gunnar.almer@sfi .se latest developments in Swedish fi lm. It’s woman as far removed from the hack- been a long time since we’ve had such a neyed victim role as one can get – an wide variation on off er. From blockbust- empowering fi lm by Maria Blom, the MARKET SCREENINGS: ers such as Arn – The Knight Templar (Arn director of one of the biggest box-offi ce Features, special projects Petter Mattsson MAY 15TH AT 14:00, PALAIS C – Tempelriddaren), which broke box-offi ce hits in Sweden of recent years, Dalecar- Phone +46 70 607 11 34 MAY 21ST AT 16:00, PALAIS C www.nonstopsales.com/themanwholovedyngve records in Sweden, to intimate and lians (Masjävlar). -
177 Lawrence Hall FREE and Open to the Public
Swedish Film Series Winter, 2010; Fridays at 7 pm; 177 Lawrence Hall FREE and open to the public Probably no other nation of comparable population can match the artistic success of Sweden in the film industry. Yet few Americans—aside from a small group of Ingmar Bergman fans—could name even one Swedish film. This series aims to change that. Come sample a rich variety of wonderful films Saraband (2003) made between 1996 and 2008. The films are in Swedish with subtitles in English. Each film is preceded by a short presentation about a particular aspect of Swedish culture (e.g., holidays, geography, language) as well as a brief introduction to the film itself. At the conclu- sion of the film, audience members are invited to stay another 10-15 minutes to participate in a short, not-overly-academic discussion of the film. Lawrence Hall is located in the central part of the University of Oregon campus, about 100 yards north of the intersection of 13th and University. 8 January her time smoking, drinking, and having fun with her fellow Mother of Mine (Äideistä Parhain) 2005 outcast, Volodya. Then she meets handsome Andrei, a fellow Directed by Klaus Härö Estonian who speaks of the good life in Sweden, just a short During World War II, more than 70,000 Finnish children were trip across the Baltic, and he arranges a job for her so she can evacuated to neutral Sweden to avoid the conflict. This film start a new life there. Little does Lilya realize what she’s getting tackles that painful patch of history by recounting the story of into... -
Film Festival Films
SCANDINAVIAN FILM FESTIVAL L.A. FILM CATALOGUE 2000 - 2008 OSCAR NOMINEES AND WINNERS A listing of Academy Award nominated and winning films which have screened at Scandinavian Film Festival L.A. Films are listed by year shown at the festival. 2000 Best Foreign Film Nominee Under the Sun (Under Solen), Colin Nutley Best Live Action Short Winner Election Night (Valgaften), Anders Thomas Jensen, Kim Magnusson 2001 Best Live Action Short Nominee Major and Minor Miracles Marcus Olsson 2002 Best Foreign Film Nominee Elling (Elling/Også Kjent Som) Petter Næss 2003 Best Foreign Film Nominee The Man without a Past (Mies Vailla Menneissyytta) Aki Kaurismäki Best Live Action Short Winner This Charming Man (Der Er En Yndig Mand) Martin Strange-Hansen Mie Andreasen, Kim Magnusson 2004 Best Foreign Film Nominee Evil (Ondskan) Mikael Håfström 2005 Best Foreign Film Nominee As it is in Heaven (Så Som I Himmelen) Kay Pollak Best Live Action Short Nominee The Last Farm (Sidasti Baerinn) Rúnar Rúnarsson, Thor S. Sigurjónsson 2007 Best Foreign Film Nominee After the Wedding (Efter Brylluppet) Susanne Bier, 2007 FESTIVAL FILMS 2000 – 2008 The following 101 films (66 feature films, 12 documentaries, and 23 short films) have screened at Scandinavian Film Festival L.A. 2000 – 2008. Films are listed by country and year of screening. Films submitted for Academy Award consideration are marked with an asterisk (*). FEATURE FILMS Denmark Mifune* (Mifunes Sidste Sang), Soren Kragh-Jacobsen, 2000 A Place Nearby* Kaspar Rostrup, 2001 Flickering Lights Anders Thomas