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Swedish Literature on the British Market 1998-2013: a Systemic
Swedish Literature on the British Market 1998-2013: A Systemic Approach Agnes Broomé A thesis submitted for the degree of Doctor of Philosophy UCL Department of Scandinavian Studies School of European Languages, Culture and Society September 2014 2 I, Agnes Broomé, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. …............................................................................... 3 4 ABSTRACT This thesis examines the role and function of contemporary Swedish fiction in English translation on the British book market in the period 1998-2013. Drawing on Bourdieu’s Field Theory, Even Zohar’s Polysystem Theory and DeLanda’s Assemblage Theory, it constructs a model capable of dynamically describing the life cycle of border-crossing books, from selection and production to marketing, sales and reception. This life cycle is driven and shaped by individual position-takings of book market actants, and by their complex interaction and continual evolution. The thesis thus develops an understanding of the book market and its actants that deliberately resists static or linear perspectives, acknowledging the centrality of complex interaction and dynamic development to the analysis of publishing histories of translated books. The theoretical component is complemented by case studies offering empirical insight into the model’s application. Each case study illuminates the theory from a different angle, creating thereby a composite picture of the complex, essentially unmappable processes that underlie the logic of the book market. The first takes as its subject the British publishing history of crime writer Liza Marklund, as well as its wider context, the Scandinavian crime boom. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
13Th Pune International Film Festival (8Th - 15Th January 2015 )
13th Pune International Film Festival (8th - 15th January 2015 ) SR. NO. TITLE ORIGINAL TITLE RUNTIME YEAR DIRECTOR COUNTRY OPENING FILM 1 Timbuktu Timbuktu 98 2014 Abderrahmane Sissako France WORLD COMPITITION 1 Priklyuchenie Adventure 102 2014 Nariman Turbayeu Kazakhstan 2 Pelo malo Bad Hair 93 2013 Mariana Rondón Venezuela, Peru, Argentina, Germany 4 Silsile Consequences 105 2014 Ozan Aciktan Turkey 5 Court Court 116 2014 Chaitanya Tamhane India 6 Difret Difret 99 2014 Zeresenay Berhane Mehari Ethiopia 7 Hotel Nueva Isla Hotel Nueva Isla 71 2014 Irene Gutierrez Spain, Cuba 8 Jako Nikdy Like Never Before 93 2013 Zdenek Tyc Czech Republic 9 Nabat Nabat 105 2014 Elchin Musaoglu Azerbaijan 10 En el último trago One for the Road 91 2014 Jack Zagha Kababie Mexico 11 Annemin Sarkisi Song of My Mother 90 2014 Erol Mintas Turkey 12 Ispytanie Test 95 2014 Alexander Kott Russia 13 Haganenet The Kindergarten Teacher 119 2014 Nadav Lapid Israel, France 14 The Owners The Owners 93 2014 Adilkhan Yerzhanov Kazakhstan MARATHI COMPITITION 1 Ek Hazarachi Note 1000 Rupee Note 89 2014 Shrihari Sathe India 2 Elizabeth Ekadashi Elizabeth Ekadashi 90 2014 Paresh Mokashi India 3 Killa The Fort 107 2014 Avinash Arun India 4 Khwada Obstacle 115 2014 Bhaurao Karhade India Dr. Prakash Baba Amte - 5 Dr. Prakash Baba Amte 117 2014 Samruddhi Porey India The Real Hero 6 Salaam Salute 120 2014 Kiran Yadnyopavit India 7 Yellow Yellow 130 2014 Mahesh Limaye India STUDENT COMPITITION ANIMATION 1 Ab Ovo Ab Ovo 5:23 PWSFTviT Poland 2 Crochet Noir Crochet Noir 7:58 VCA Australia -
Dreams, Reality & the Various Symbolic Intepretations And
Matthew A. Sheldon Art History 206 Elena Gorfinkel 2/24/13 Persona (1966) Ingmar Bergman's Persona is one of those fascinating films where you keep returning to it, trying to uncover more of its mysteries and hoping it reveals more of its secrets. The beginning of Stanley Kubrick's 2001: Space Odyssey captured the birth of man. Persona and its infamous beginning is said to have captured the death of the motion picture camera. Persona is the quintessential example of the art house film and there will be several times within the film where Bergman is informing you what is real and what is fantasy. For example, in the climax of the film Bergman clearly shows the camera crew and sound operators on a crane filming the last scene, which indicates to me that Bergman, is reminding the audience that what we are witnessing isn't necessarily 'real'. Like the attributes of the art film Persona gives no clear answers, the film is based more on interpretation, its ending is ambiguous, its character’s lack any defined desires and goals, and what every audience member sees in the film can differ based upon each person's perspective. American film theorist David Bordwell stated, “First, the art cinema defines itself explicitly against the classical narrative mode, and especially against the cause-effect linkage of events.” I realized the best approach when watching this film is to try and not dissect every individual scene and instead try to focus on the underlying themes Bergman is trying to project between the power struggles within its two characters. -
Collection Adultes Et Jeunesse
bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal. -
Newsletter Druckreif
41.41. NordischeNordische LübeckLübeck 4.–7.11.1999 Liebe zum Auftakt Der Tanz – The Dance Eine Heirat unter einem unglück- gepeitschten Atlantik-Insel: Der lichen Stern, ein schüchterner Tanz. Leading with Love Tubaspieler, eine unverhoffte Lie- Das Filmforum Schleswig-Holstein A marriage off to a bad start, a The Filmforum has two openings, be und eine Menge “Aida” – das hat gleich einen doppelten Auf- shy tuba player, an unexpected as it were: Bismuna – An Adventure alles erwartet uns zum Auftakt des takt: eine offizielle Eröffnung am love and a whole lot of ”Aida” – Film marks the official start of the Hauptprogramms am 4. Novem- Donnerstag mit dem Dokumen- all this is what we can expect from Filmforum on Thursday, while ber im Filmpalast Stadthalle. Das tarfilm Bismuna – Ein Abenteuerfilm the opening film of the main pro- Schleswig-Holstein Minister of Festival wird mit Hilde Heiers Erst- und eine offizielle Begrüßung gramme, Hilde Heier’s cheerfully Culture Ute Erdsiek-Rave will hold lingsspielfilm Die Souffleuse durch die schleswig-holsteinische wistful The Prompter (Norway- a speech of welcome on Friday at eröffnet. Die schleswig-holsteini- Kultusministerin Ute Erdsiek-Rave Sweden). Schleswig-Holstein’s the 18.30 hrs screening of Where sche Ministerpräsidentin Heide am Freitag. Minister-President Heide Simonis the Sky Meets the Land. Minister of Simonis eröffnet das Festival zu- Die Jugendministerin Angelika and NDR Director and Arte Presi- Youth Angelika Birk will officially sammen mit dem Intendanten des Birk eröffnet das Kinder- und Ju- dent Jobst Plog will open the open the children’s and youth NDR und Arte-Präsidenten Jobst gendfilmprogramm mit dem festival. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
September 16, 1976
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 9-16-1976 Kenyon Collegian - September 16, 1976 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - September 16, 1976" (1976). The Kenyon Collegian. 941. https://digital.kenyon.edu/collegian/941 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. The is: '- Kenyon -ft. Collegian O Established 1856 Volume CIV, Number 2 Kenyon College, Gambier, Ohio 43022 Thursday, September 16, 1976 Hon. Colin Jackson, M.P., Sonatas Set To Give British View For Sunday y Of World Problems Recital The Department of Music will present harpsichordist Julane By PETER KAY government's Foreign Affairs Group. Rodgers on Sunday, Sept. 19 at 4 v. p.m. in Rosse Auditorium. The Colin Jackson, a a The Honorable Jackson's travels have given him i program will contain the major member of British Parliament and vast knowledge of China. He has met national styles of late Baroque established commentator on world with such world leaders as Indian harpsichord music. France is affairs, will give a lecture in Rosse Prime Minister Indira Gandhi, represented by the Pieces de Clavecin Hall entitled "The World in Crisis Jordan's King Hussein, President in D Minor (Louis Couperin) and the 1976 A View, from the House of Suharto of Indonesia, and the late Pieces in A from Nouvelles Suites de Commons," on Monday, September King Faisal of Saudia Arabia. -
Marie Göranzon
Marie Göranzon ABOUT Birth 1942 Language Swedish, English Eyes Blue Hair Blonde FILM AND TV PRODUCTIONS 2020 Se upp för Jönssonligan (Feature) Dir: Tomas Alfredson. FLX 2020 Bröllop, begravning & dop (TV series) Dir: Colin Nutley. Sweetwater 2020 Orca (Feature) Dir: Josephine Bornebusch. Warner Bros. 2017 2060 (TV Movie) Dir: Henrik Hellström. SVT 2013 Allt faller (TV Series) Dir: Henrik Schyffert. TV4 2012 Blondie (Feature) Dir: Jesper Ganslandt. Fasad 2007 Beck - I Guds namn (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Det tysta skriket (TV Series) Dir: Harald Hamrell. Filmlance 2007 Beck - Den japanska shungamålningen (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Den svaga länken (TV Series) Dir: Harald Hamrell. Filmlance 2007 Hoppet (Feature) Dir: Petter Næss. Sonet Film 2006 Beck - Advokaten (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Gamen (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Flickan i jordkällaren (TV Series) Dir: Harald Hamrell. Filmlance 2005 Mun mot mun (Feature) Dir: Björn Runge. Sonet Film 2005 Den bästa av mödrar (Feature) Dir: Klaus Härö. Matila Röhr Productions 2004 Stenjäveln (Short) Dir: Jens Jonsson 2004 Dag och natt (Feature) Dir: Simon Staho. Zentropa 2003 Spaden (Short) Dir: Jens Jonsson 2003 Skenbart: En film om tåg (Feature) Dir: Peter Dalle. S/S Fladen 2002 Alla älskar Alice (Feature) Dir: Richard Hobert. Sonet Film 2002 Beck - Skarpt läge (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Pojken i glaskulan (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Annonsmannen (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Okänd avsändare (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Enslingen (TV Series) Dir: Kjell Sundvall. -
Production Notes
A Film by John Madden Production Notes Synopsis Even the best secret agents carry a debt from a past mission. Rachel Singer must now face up to hers… Filmed on location in Tel Aviv, the U.K., and Budapest, the espionage thriller The Debt is directed by Academy Award nominee John Madden (Shakespeare in Love). The screenplay, by Matthew Vaughn & Jane Goldman and Peter Straughan, is adapted from the 2007 Israeli film Ha-Hov [The Debt]. At the 2011 Beaune International Thriller Film Festival, The Debt was honoured with the Special Police [Jury] Prize. The story begins in 1997, as shocking news reaches retired Mossad secret agents Rachel (played by Academy Award winner Helen Mirren) and Stephan (two-time Academy Award nominee Tom Wilkinson) about their former colleague David (Ciarán Hinds of the upcoming Tinker, Tailor, Soldier, Spy). All three have been venerated for decades by Israel because of the secret mission that they embarked on for their country back in 1965-1966, when the trio (portrayed, respectively, by Jessica Chastain [The Tree of Life, The Help], Marton Csokas [The Lord of the Rings, Dream House], and Sam Worthington [Avatar, Clash of the Titans]) tracked down Nazi war criminal Dieter Vogel (Jesper Christensen of Casino Royale and Quantum of Solace), the feared Surgeon of Birkenau, in East Berlin. While Rachel found herself grappling with romantic feelings during the mission, the net around Vogel was tightened by using her as bait. At great risk, and at considerable personal cost, the team’s mission was accomplished – or was it? The suspense builds in and across two different time periods, with startling action and surprising revelations that compel Rachel to take matters into her own hands. -
Filmfestivalen - Och Dess Inverkan På Filmdistribution Och Marknadsföring
Lunds universitet Anders Hagberth Språk- och litteraturcentrum FIVK01, Filmvetenskap:Kandidatkurs Filmvetenskap Handledare: Tommy Gustafsson 2010-01-15 Filmfestivalen - och dess inverkan på filmdistribution och marknadsföring. Innehållsförteckning Inledning .................................................................................................................................. 3 Bakgrund ................................................................................................................................ 3 Syfte ........................................................................................................................................ 4 Frågeställning ......................................................................................................................... 4 Metod och material ............................................................................................................... 5 Teori .......................................................................................................................................... 6 Filmfestivalens historia ........................................................................................................ 7 De tre stora – Venedig, Cannes och Berlin ............................................................................ 7 Filmfestivalen globaliseras ................................................................................................... 10 Fallstudie 1: Låt den rätte komma in .............................................................................