BBC Scotland Management Review 2011/12
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Official Report
Culture, Tourism, Europe and External Affairs Committee Thursday 29 October 2020 Session 5 © Parliamentary copyright. Scottish Parliamentary Corporate Body Information on the Scottish Parliament’s copyright policy can be found on the website - www.parliament.scot or by contacting Public Information on 0131 348 5000 Thursday 29 October 2020 CONTENTS Col. DECISION ON TAKING BUSINESS IN PRIVATE ....................................................................................................... 1 SUBORDINATE LEGISLATION............................................................................................................................... 2 Census (Scotland) Amendment Order 2020 [Draft] ..................................................................................... 2 BBC ANNUAL REPORT AND ACCOUNTS ........................................................................................................... 11 CULTURE, TOURISM, EUROPE AND EXTERNAL AFFAIRS COMMITTEE 25th Meeting 2020, Session 5 CONVENER *Joan McAlpine (South Scotland) (SNP) DEPUTY CONVENER *Claire Baker (Mid Scotland and Fife) (Lab) COMMITTEE MEMBERS *Annabelle Ewing (Cowdenbeath) (SNP) *Kenneth Gibson (Cunninghame North) (SNP) *Ross Greer (West Scotland) (Green) Dean Lockhart (Mid Scotland and Fife) (Con) *Oliver Mundell (Dumfriesshire) (Con) *Stewart Stevenson (Banffshire and Buchan Coast) (SNP) *Beatrice Wishart (Shetland Islands) (LD) *attended THE FOLLOWING ALSO PARTICIPATED: Steve Carson (BBC Scotland) Fiona Hyslop (Cabinet Secretary for Economy, Fair Work -
Service Review
Delivering Quality First in Scotland DELIVERING QUALITY FIRST IN SCOTLAND EXECUTIVE SUMMARY The BBC is the most trusted broadcaster in Scotland and a core part of the life of the nation. It unites the audience in enjoyment of the most popular TV, radio and online services, while also championing the diversity of the interests, cultures and languages of this nation of islands and regions. It is valued for upholding the highest standards of quality. The BBC’s commitment to Scotland is to offer a range and depth of programming which is both widely relevant and uniquely distinctive. As the only broadcaster which has invested in covering the whole country across all platforms, it is well-placed to do this. The BBC’s ambition in Scotland is to serve as a national forum, connecting the people of Scotland to each other, to the wider UK and to the rest of the world. As a public service broadcaster which has secure funding and global reach, the BBC is well-placed to achieve this. The BBC provides value to audiences in Scotland in two main ways: through programmes and services which are made in and for Scotland specifically; and through programmes and services which are broadcast across the whole UK. In Scotland, the audience rates the BBC as the leading provider of both Scottish news and non-news programming. Reporting Scotland has the highest reach of any news bulletin; TV opt-out programming1 reaches 44% of the audience every week and is highly appreciated; BBC Radio Scotland is second in popularity only to BBC Radio Two; BBC Scotland’s online portfolio has 3.7m weekly UK unique browsers2; and BBC ALBA attracts half a million English-speaking viewers to its Gaelic TV channel every week. -
Impact Case Study (Ref3b) Institution: University of Strathclyde Unit Of
Impact case study (REF3b) Institution: University of Strathclyde Unit of Assessment: 30 Title of case study: Cultural, Creative and Economic Benefits of the Edinburgh World Writers' Conference 1. Summary of the impact (indicative maximum 100 words) Research by Dr Angela Bartie and Dr Eleanor Bell on the 1962 Edinburgh International Writers’ Conference initiated a major global literary conference series in 15 countries, involving 262 writers and engaging thousands of audiences at events and online in a major debate about literature and its role in contemporary life. The 2012-13 Edinburgh World Writers’ Conference was conceived after Bartie and Bell contacted the Director of the Edinburgh International Book Festival (EIBF) early in 2010 to propose collaborative events to mark the 50th anniversary of the 1962 Conference. This has resulted in over £700,000 in extra funding to the EIBF, the re-introduction of a multiple writer format (opening up new channels of communication amongst writers), and further underlined Scotland’s status as a major player in global literary culture through its worldwide events. 2. Underpinning research (indicative maximum 500 words) Context: In August 1962, a major literary conference was held as part of the Edinburgh International Festival. The 1962 International Writers’ Conference brought together around 70 writers – including Norman Mailer, Mary McCarthy, Lawrence Durrell and Khushwant Singh – from all over the world to debate key themes in literature and in broader society over five days in front of a paying audience. The 1962 Conference provided a window into the major debates of the 1960s, challenged tradition both in the arts in Scotland and more broadly, and gave a snapshot of a society seeking to make sense of rapid change. -
Bute Noir 2017 Programme
Print Point, Rothesay Library & Bute Museum BUTEpresent NOIR Crime Writing Festival Friday 4th - Sunday 6th August, 2017 • Denise Mina • • Craig Robertson • • Alex Gray • • Lin Anderson • • AK Benedict • • Steph Broadribb • • Steve Cavanagh • • Mason Cross • • Myra Duffy • • SJI Holliday • • Doug Johnstone • • Denzil Meyrick • • Caro Ramsay • • Alexandra Sokoloff • • Antti Tuomainen • • Luca Veste • Print Point, Rothesay Library & Bute Museum BUTEpresent NOIR Crime Writing Festival Friday 4th - Sunday 6th August, 2017 • Denise Mina • • Craig Robertson • • Alex Gray • • Lin Anderson • • AK Benedict • • Steph Broadribb • • Steve Cavanagh • • Mason Cross • • Myra Duffy • • SJI Holliday • • Doug Johnstone • • Denzil Meyrick • • Caro Ramsay • • Alexandra Sokoloff • • Antti Tuomainen • • Luca Veste • INTRODUCTION Welcome to the second Bute Noir crime writing festival. This year sees the return of some familiar faces plus several new ones from the US, Northern Ireland, Finland, England and of course Scotland. One of the highlights of 2016, the uproarious “A Question of Court” crime fiction quiz is making a welcome return and there will also be the opportunity to discover the island by taking our unique bus tour, visiting various locations from the popular Isle of Bute Mystery series of novels. You may also catch a glimpse of some of the authors competing against each other once again for the Brookmyre Cup on Rothesay’s Putting Green... This, our second festival, would not have been possible, firstly, without Craig Robertson who has worked tirelessly to bring everyone together and, secondly, without all of you who embraced it at such short notice last year. We thank you for all your support and hope that you enjoy this year just as much, if not a little bit more! We hope to see you soon. -
PRR David Cohen Judges Announced FINAL
! New release: for release 00:00 23rd May 2017 David Cohen Prize for Literature: 2017 judges announced The David Cohen Prize for Literature is proud to announce the judges for 2017. Now in its 25th year, the prize is singular in its approach: it is awarded every two years in recognition of a living writer’s lifetime achievement in literature, and has consequently earned its position in the literary canon as the “UK Nobel for literature”. The winner of the prize is nominated and selected by a panel of judges comprising authors, literary critics and academics. Their identity may now be revealed. Under the chair’s eye of Mark Lawson, the judges are: Kate Bassett, Gillian Clarke, Professor Simon J. James, Alan Johnson, Denise Mina and Anita Sethi. They met together for the first time on 18th May. Managed by New Writing North, the award will be announced in London on 8 November 2017. Comments from the judges include: Alan Johnson: “I'm honoured to be asked to judge this prestigious award. Some of the greatest names in British and Irish literature have been recognised through the David Cohen Prize but there are so many writers to honour and so few generic awards to be made. It will be fun to have a role in determining the latest recipient.” Professor Simon James: “Many literary prizes give the opportunity to make a judgement on the quality of a single work; the David Cohen prize, unusually, allows the opportunity to recognise, and applaud a lifetime's work. Most professors of literature evaluate writing from the past - it is very exciting to be able to celebrate the work of a living writer, and I am delighted to be involved in this year's prize.” Anita Sethi: “I'm delighted to be a Judge for the David Cohen Prize for Literature 2017 which has a prestigious history of honouring some fantastic writers including Doris Lessing, Hilary Mantel, VS Naipaul and Harold Pinter. -
The BBC in Scotland
The BBC in Scotland July 2013 1 Introduction The BBC has been providing valued programmes and services in Scotland since its foundation and BBC Scotland is Scotland’s principal public service broadcaster. At the core of its public mission is the delivery of impartial news and information to the people of Scotland and the UK – a responsibility of paramount importance as Scotland votes in the referendum on independence in 2014. The BBC has stated that it will not enter into any public or private discussions about its future or the shape and nature of its services after the referendum until that referendum has taken place. To do so might compromise perceptions of the impartiality and balance of its coverage at this critical time. However, to allow an informed debate to take place outside the BBC, we believe it is valuable to set out some facts and figures about the BBC in Scotland and to provide consistent data and a shared resource of information for interested parties. The information within this document relates to 2011/12. This document sets out: the overall performance of the BBC in Scotland; the BBC’s pan-UK services available in Scotland, together with their audience impact and spend in Scotland; the BBC’s services for Scotland, including their spend, hours of output and audience impact; the BBC’s activities in Scotland that go beyond broadcasting, such as its partnerships; the availability and distribution of BBC services in Scotland, both pan-UK and Scotland-only; operational information about BBC Scotland; where to go for further information. -
Scotland's International Crime Writing Festival 17—19
SCOTLAND’S INTERNATIONAL CRIME WRITING FESTIVAL 17—19 SEPTEMBER 2021 STEPHEN KING — KATHY REICHS — IAN RANKIN — VAL MCDERMID — LEE CHILD KARIN SLAUGHTER — CHRIS BROOKMYRE — JEANINE CUMMINS — LINWOOD BARCLAY GUILLERMO ARRIAGA — LOUISE CANDLISH — ROBERT PESTON — PAULA HAWKINS ALAN JOHNSON — KIA ABDULLAH — STUART MACBRIDE — DENISE MINA MARK BILLINGHAM — ELLY GRIFFITHS — MICK HERRON YOU WRITE THE BOOKS. AND LEAVE US TO KEEP THEM. HW Fisher is a top 25 chartered accountancy firm which has been advising authors and journalists for many years, helping them to manage their finances. For a free consultation, please contact Andrew Subramaniam: [email protected] EXPRESS YOUR TALENT. DEPEND ON OURS. WWW.HWFISHER.CO.UK Bloody Scotland receives vital funding from Creative Scotland, Stirling Council, EventScotland, part of Visit Scotland, and the Culture & Business Fund Scotland. We are also grateful to our sponsors The Glencairn Glass, H W Fisher, Open University Scotland and Go Forth Stirling. SPONSORS & SUPPORTERS FUNDERS TO BE KEPT UP TO DATE WITH ALL THE LATEST NEWS, TICKET INFO AND SPECIAL DEALS SIGN-UP TO OUR MAILING LIST AT: BLOODYSCOTLAND.COM AND FOLLOW US: @BLOODYSCOTLAND The Caledonian Crime Writing Festival, Scottish Company No SC404578, Registered office: Caledonian Exchange, 19A Canning Street, Edinburgh EH3 8HE. The Caledonian Crime Writing Festival is a Scottish Registered Charity, known as Bloody Scotland; Charity No SC042615 Proud to sponsor the McIlvanney Prize for the Scottish Crime Book of the Year and Bloody Scotland Debut Crime Book of the Year. The Glencairn Glass_ My Fav Whisky Glass - Bloody Scotland Ad.indd 1 10/08/2021 12:55:13 Welcome back, we’ve missed you! In 2020, we held a digital version of Bloody Scotland that was a roaring success and took us across the world. -
Introducing Ten Inspiring UK Women Writers Let Elif Shafak Offer You a Guide to Modern British Writing
Introducing ten inspiring UK women writers Let Elif Shafak offer you a guide to modern British writing Ideas for your next festival, reading programme, or inspiration for your students Contents Good writing knows no borders 1nta 3 Extraordinary times call for extraordinary 4cts women Patience Agbabi 5 Lucy Caldwell 6 Gillian Clarke 7 Bernardine Evaristo 8 Jessie Greengrass 9 Charlotte Higgins 10 Kapka Kassabova 11 Sara Maitland 12 Denise Mina 13 Evie Wyld 14 Bidisha on Elif Shafak’s selection 15 Podcast: Elif Shafak and Bidisha in 18 conversation In the press 21 Coming soon 23 The International Literature Showcase is a partnership between the National Centre for Writing and British Council, with support from Arts Council England. Your guide to modern British writing... Looking to book inspiring writers for your next festival? Want to introduce your students to exciting new writing from the UK? The International Literature Showcase is a partnership between the National Centre for Writing and British Council. It aims to showcase amazing writers based in the UK to programmers, publishers and teachers of literature in English around the world. To do so, we have invited six leading writers to each curate a showcase of themed writing, starting with Elif Shafak’s choice of ten of the most exciting women writers working in the UK today. Following the high-profile launch of Elif’s showcase at London Book Fair earlier this month, we will in August reveal Val McDermid’s choice of ten lesbian, gay, bisexual, transgender, queer and intersex (LGBTQI) writers. In October, Jackie Kay will choose the Black, Asian and Minority Ethnic (BAME) writers working in the UK who most excite her. -
View, and the Ethics of Empathy
Polak MacDonald 1 Gutter Love Historio-Metagraphics, Point-of-View, and the Ethics of Empathy A dissertation submitted to the Graduate School at the University of Cincinnati in partial fulfillment of the requirements of the degree of Doctor of Philosophy in the Department of English and Comparative Literatures of the College of Arts & Sciences by Kate Polak MacDonald July 10, 2013 B.A. American Literature—English Department, The Ohio State University (2005) M.A. Creative Writing—English and Comparative Literatures, University of Cincinnati (2007) Committee Chair: Jennifer Glaser, PhD Polak MacDonald 2 Abstract Gutter Love explores the connections between graphic narratives, the violence they depict, and the marginalized experiences of minorities and women. While comics and graphic novels, collectively referred to as “graphic narratives,” are seen as artifacts of “low” culture, they often deal with complicated issues. I introduce the terms “historiographic metafictional graphic narratives”, “historio-metagraphics” for short, which refer to graphic narratives that integrate historical realities in fictional settings. Their portrayals of atrocity, the ways in which they mobilize empathy and reader identification, and how navigate questions about the ethics of the gaze are essential to contemporary debates about the representation of violence. While non- fiction graphic novels that deal with violence such as Art Spiegelman’s Maus have received attention from scholars and are increasingly taught in college courses, historio-metagraphics have received significantly less attention. My project seeks to redress this gap in the literature, arguing that historio-metagraphics’ fictional, and sometimes fantastic, elements are central to the exploration of how experiences of extremity may be rendered in an ethical fashion. -
BLANK EQIA Screening Form Aye Write Book Festival 2019 B) List
BLANK EQIA Screening Form 1. IDENTIFY THE POLICY, PROJECT, SERVICE REFORM OR BUDGET OPTION: a) Name of the Policy, Project, Service Reform or Budget Option to be screened Aye Write Book Festival 2019 b) List main outcome focus and supporting activities of the Policy, Project, Service Reform or Budget Option Background Information The festival comprises author talks from writers who have recently published a book. The books are then on sale at the end of each session. The books can be about any subject – fact or fiction – and the subjects covered range from politics to poetry. Aye Write! aims to celebrate the best in local, national and international literature. The festival combines a series of high profile live literature events with an ongoing programme of engagement with communities, to support and celebrate reading and writing. The community programme includes Adult Literacy and Numeracy (ALN) and English for Speakers of Other Languages (ESOL) student led events. There is both an adult programme and a children’s programme (Wee Write). Programme A draft programme as of the end of December 2018 was reviewed. Some more talks will be scheduled right up until the date of publishing the programme but the majority of the programme was in place at that date. It should be noted that there are parameters in selection of author talks due to the offer of books that are recent publications at the time of the festival which publishers/authors are wishing to promote and the drive to ensure that Glasgow’s reputation as a vibrant city with a thriving high quality art and cultural offer is maintained through the programming of talks/events of high artistic value. -
BBC Management Review 2010/11
Scotland Management review 2010/11 a 01 Introduction 14 Looking ahead 19 Contacts 02 Two minute summary 18 Key priorities for next year 20 Scotland management 04 Service performance “ The year saw a further increase in the BBC’s network spend in Scotland to over 7% of the total, exceeding the target set for us by the BBC Trust and the Director-General.” Ken MacQuarrie, Director, BBC Scotland Cover image Nicola Benedetti and the BBC Scottish Symphony Orchestra thrill the audience at the BBC Proms, broadcast live from the Caird Hall in Dundee. Introduction Delivering thrilling output and enthralling our audiences – two principles which have underpinned another hugely creative year for BBC Scotland, with output ranging from the landmark factual documentary Making Scotland’s Landscape with Ian Stewart to the critically acclaimed drama Single Father with David Tennant. In 1996 BBC Scotland’s Annual Review drew attention to a record-breaking year for investment and it looked forward to the potential that a new broadcast centre at Pacific Quay in Glasgow could bring. It also noted a continuing drive for efficiencies across the BBC. Fifteen years on, digital broadcasting is a reality. Pacific Quay is now established and starting to fulfil that potential. Studio utilisation and network investment are once again at record highs. And the financial backdrop against which we operate remains no less challenging. In 2010/11 the full impact of the BBC’s Network Supply Review began to be felt. Network television productions from Scotland continued to grow, with hours of output increasing by over 150% in only two years. -
Buy the Bloody Book
BLOODY SCOTLAND WOULD LIKE TO THANK… SPONSORS & SUPPORTERS No twists in the tale from us, just expert accounting FUNDERS HW Fisher & Company’s Authors and Journalists Group is dedicated to writers. We have a thorough understanding of the relevant tax regulations and TO BE KEPT UP TO DATE WITH ALL THE LATEST NEWS, TICKET INFO AND SPECIAL DEALS SIGN-UP TO OUR many years’ experience in helping clients minimise their tax liability MAILING LIST AT: BLOODYSCOTLAND.COM AND FOLLOW US AT: @BLOODYSCOTLAND BLOODYSCOTLAND and manage their finances effectively. We also specialise in forensic accounting, including royalty audits for both authors and agents. Managing your finances is time-consuming; we can take care of all PARTNERS IN CRIME your accounting, leaving you free to concentrate on your plot twists. Bloody Scotland is an independent charity, established in 2011 HW Fisher & Company is a top 25 UK chartered accountancy firm to present the very best of Scottish and international crime writing. with offices in London and Watford. We rely on a combination of sponsorship, grants, box office sales and donations to support our activity. Please contact Andrew Subramaniam for a free consultation. Our Partners in Crime patron scheme allows you to support T 020 7380 4947 the work of Scottish crime writers by donating to the festival. E [email protected] www.hwfisher.co.uk BLOODYSCOTLAND.COM/PATRON @HWFWriters Patrons: Alanna Knight, Lin Macmillan, Mysti and Dale Berry, Cathy Adamson WELCOME TO BLOODY SCOTLAND 2018! We are delighted to unveil our magnificent The McIlvanney Prize for Scottish crime book seventh festival of crime fiction taking place of the year will be presented in the ancient in the historic setting of Stirling.