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Jan Dismas Zelenka's Missae Ultimae
Jan Dismas Zelenka's Missa Dei Patris (1740): The Use of stile misto in Missa Dei Patris (ZWV 19) Item Type text; Electronic Dissertation Authors Cho, Hyunjin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 20:42:28 Link to Item http://hdl.handle.net/10150/195489 JAN DISMAS ZELENKA‟S MISSA DEI PATRIS (1740): THE USE OF STILE MISTO IN MISSA DEI PATRIS (ZWV 19) by HyunJin Cho ______________________ Copyright © HyunJin Cho 2010 A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2010 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by HyunJin Cho entitled Jan Dismas Zelenka‟s Missa Dei Patris (1740): The Use of stile misto in Missa Dei Patris (ZWV 19) and recommend that it be accepted as the fulfilling requirements for the degree of Doctor of Musical Arts ___________________________________________________ Date: 07/16/2010 Bruce Chamberlain ___________________________________________________ Date: 07/16/2010 Elizabeth Schauer ___________________________________________________ Date: 07/16/2010 Robert Bayless Final approval and acceptance of this document is contingent upon the candidate‟s submission of the final copy of the document to the Graduate College. -
20 Greatest Gloria Hits Vol. 1 Bb Trumpet 3 a 38
20 Greatest Gloria Hits Volume 1 Trumpet (B) & Piano / Organ Arr.: Colette Mourey EMR 25110 VOLUME 1 VOLUME 2 1. Gloria Cantata BWV 191 (Bach) 11. Gloria The Heavens Declare… (Macpherson) 2. Gloria Missa Solemnis (Beethoven) 12. Gloria Ehre sei Gott in der Höhe (Mendelssohn) 3. Gloria Mass in Fm (Bruckner) 13. Gloria Coronation Mass (Mozart) 4. Gloria Messe de Minuit (Charpentier) 14. Gloria Mass Papae Marcelli (Palestrina) 5. Gloria Mass in A (Franck) 15. Gloria Missa di Gloria (Puccini) 6. Gloria Sacrae Symphoniae (Gabrieli) 16. Gloria (Purcell) 7. Gloria Mass N° 2 in G (Gounod) 17. Gloria Missa N° 2 in G (Schubert) 8. Gloria (Grigny) 18. Gloria In Excelsis Deo (Traditional) 9. Gloria (Händel) 19. Gloria Gloria in D (Vivaldi) 10. Gloria 1st Mass in B (Haydn) 20. Glory To Thee, My Good (Vogrich) Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch 1. Gloria | Photocopying is illegal! from Cantata BWV 191 (excerpts) Johann Sebastian Bach (1685-1750) Allegro q = 152-160 Arr.: Colette Mourey (original 3/8) Trumpet in B b leggiero Organ / Piano mp 5 f 10 15 f EMR 25110 © COPYRIGHT BY EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND) ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED www.reift.ch 2. Gloria 7 | from Missa Solemnis (excerpts) Photocopying is illegal! Ludwig Van Beethoven (1770-1827) Arr.: Colette Mourey Allegro vivace q = 160 Trumpet in B b ff Organ / Piano f 6 11 ff 16 ff ff ff EMR 25110 www.reift.ch 12 3. -
The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
The Choral Cycle
THE CHORAL CYCLE: A CONDUCTOR‟S GUIDE TO FOUR REPRESENTATIVE WORKS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY RUSSELL THORNGATE DISSERTATION ADVISORS: DR. LINDA POHLY AND DR. ANDREW CROW BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2011 Contents Permissions ……………………………………………………………………… v Introduction What Is a Choral Cycle? .............................................................................1 Statement of Purpose and Need for the Study ............................................4 Definition of Terms and Methodology .......................................................6 Chapter 1: Choral Cycles in Historical Context The Emergence of the Choral Cycle .......................................................... 8 Early Predecessors of the Choral Cycle ....................................................11 Romantic-Era Song Cycles ..................................................................... 15 Choral-like Genres: Vocal Chamber Music ..............................................17 Sacred Cyclical Choral Works of the Romantic Era ................................20 Secular Cyclical Choral Works of the Romantic Era .............................. 22 The Choral Cycle in the Twentieth Century ............................................ 25 Early Twentieth-Century American Cycles ............................................. 25 Twentieth-Century European Cycles ....................................................... 27 Later Twentieth-Century American -
The Nativity of Our Lord Jesus Christ Festival Holy Eucharist Dear Friends, Merry Christmas! We’Re So Glad You’Ve Joined Us Here for a Cathedral Christmas
The Nativity of our Lord Jesus Christ festival holy eucharist Dear friends, Merry Christmas! We’re so glad you’ve joined us here for a Cathedral Christmas. Please know that the doors of this Cathedral are always open to you, and that everyone has a home here in this house of prayer for all people. During this busy time of year, I sometimes wonder what draws people to church, especially for those who rarely or never go to church for the rest of the year. There are so many demands on our time, and the places we go or the people we visit say something about what’s important. So why do churches tug on our heartstrings at this time of year? The Christmas story, at its core, is about that moment in time when God chose to dwell among us. In the church, we call it the Incarnation. Christmas is about that moment when God came closest to us, when the veil between heaven and earth slipped away and we could see and touch the very face of God. I think churches are the same way, or at least we try to be. In this glorious Cathedral, where the majestic space draws our eyes toward Heaven, we get a glimpse of that moment when God comes close. If you pause for a moment, you can feel the same sense of the incarnate God, Emmanuel, God with us. This is a place where God feels close. Maybe that’s why you’re here, in this Cathedral, this Christmas. However you got here or whatever drew you here, thank you for letting us share that experience with you, and for joining us to encounter God anew at Christmas. -
Download CD Booklet
ASS of the M HILDREN Cand other sacred music by JOHN RUTTER 2 3 institution of special significance to me. I will sing with the spirit (1994) is dedicated to MASS of the CHILDREN and other sacred music another institution, the Royal School of Church Music, who requested a simple anthem to serve as a theme song for their anniversary appeal. Mass of the Children was written in late 2002 and early 2003. The occasion of its first The final three pieces on the album form a group insofar as they are all for choir without performance in February 2003 was a concert in New York’s Carnegie Hall involving orchestra and on a more demanding level chorally. Musica Dei donum (1998), which has children’s choir, adult choir, soprano and baritone soloists, and orchestra. I had always wanted an important part for solo flute, is a setting of an anonymous text first set by Lassus in 1594 to write a work combining children’s choir with adult performers, not only because I find the that speaks of the power of music to draw, to soothe, and to uplift. Originally written for the sound of children’s voices irresistible but also because I wanted to repay a debt. As a boy choir of Clare College, this piece was subsequently included in A Garland for Linda, a cycle of soprano in my school choir I had been thrilled whenever our choir took part in adult works nine choral pieces by different composers in memory of Linda McCartney. I my Best- with children’s choir parts, such as the Mahler Third Symphony and the Britten War Requiem, Beloved’s am (2000) was written for the BBC Singers and first performed by them at a con- and years later I remembered this experience and wanted to write something that would give cert in Canterbury Cathedral on the theme of the seven sacraments. -
Download CD Booklet
John Rutter writes . impressed by the ease with which we came together musically, and by coincidence I was shortly afterwards asked by a US-based record company to make an album of my church music with hen I formed the Cambridge Singers in the early 1980s as a professional mixed the Gloria as the centrepiece, so the group was assembled once again to make the recording. chamber choir with recording rather than public performance as its principal focus, The Gloria album, released in 1984, marked the recording début of the Cambridge Singers. Wthe idea was a new one, and I never dreamed that we would still be recording – albeit Its unexpected success encouraged us to continue, and the Fauré Requiem, in its hitherto with changing though still Cambridge-leaning membership – thirty years later. little-known chamber version which I had edited from the composer’s manuscript, soon The seeds of the idea were sown during my days in the late 1970s as Director of Music at followed; it won a Gramophone magazine award. Through no one’s fault, there were constraints Clare College, Cambridge. It was an exciting period of change in the choral life of Cambridge and obstacles with both the labels to which these two recordings were contracted, and it seemed University: in 1972 three of our 25 or so men’s colleges, including Clare, began to admit women like the right moment to start a new record label as a permanent home for me and the students for the first time in the university’s 750-year history. -
Vocal Catalogue.Pdf
Vocal Catalogue Encore m u s i c s e r v i c e s _____________________________ orchestral sets • operas • masses • shows • madrigals • part songs Cover Image ©Microsoft Corporation Vocal catalogue This catalogue contains a complete list of vocal music sets available from Encore Music Services. The catalogue is arranged alphabetically by composer. For items with no named composer or a variety of composers, the name of the arranger or editor common to the entire volume has been used. Titles that have no named or common composer, arranger or editor are listed at the beginning of the catalogue. An Orchestral Catalogue is also available on request. Loan of sets Sets may be borrowed by individuals and groups from anywhere in the UK mainland and may be collected in person or dispatched by courier (for which a charge is made). Sets will be loaned for a period to suit the borrower, normally adjusted to reflect performance dates, up to a maximum of one year. A return date will be fixed prior to commencement of the loan. Advance bookings are welcome. Please contact Encore Music Services for details of current loan charges. Viewing the collection Appointments can be made to view the collection. Please contact Encore Music Services for details of current arrangements. Contact Encore Music Services Hull Central Library Albion Street Hull HU1 3TF Tel: 01482 616852 Fax: 01482 616827 Email: [email protected] Jan 2020 Encore Music Services is a consortium of Kingston upon Hull City Council and North East Lincolnshire Council. Vocal Catalogue PAGE -
MAST03- Festive Cantatas
the artists programme musical direction & violin soloist Antonio Vivaldi Monica Huggett (1678-1741) oboe trumpet Debra Nagy Kris Kwapis Lætatus Sum rv 607 Concerto for Oboe and Trumpet in D major rv 563 CHORUS ORCHESTRA Debra Nagy oboe soloist soprano violin i Kris Kwapis trumpet soloist Linda Melsted Kathleen Allan 1. Allegro Emily Cheung Christi Meyers Angela Malmberg 2. Grave Arwen Myers 3. Allegro Margaret Obenza violin ii alto Chloe Meyers (principal second) Magnificat rv 610 Danielle Sampson Chloe Kim Jane Long 1. Magnificat Elyssa Lefurgey-Smith 2. Et exultavit Catherine Webster Noémy Gagnon-Lafrenais Quia respexit (Jane Long soprano; Debi Wong alto) tenor viola 3. Et misericordia Liz Hamel Mieka Michaux 4. Fecit potentiam Laura Pudwell Joanna Hood 5. Deposuit potentes Vicki St. Pierre 6. cello Esurientes implevit bass 7. Suscepit Israel Beiliang Zhu Christina Stelmacovich 8. Sicut locutus Marina Hasselberg Laura Beckel Thoreson 9. Gloria Debi Wong violone Natalie Mackie interval chorus master bassoon Vicki St. Pierre Katrina Russell ♭ lute Concerto for Oboe and Violin in B major rv 548 Deborah Fox Debra Nagy oboe soloist violin soloist organ & harpsichord Monica Huggett Christina Hutten 1. Allegro 2. Largo supported by 3. Allegro Bryan & Gail Atkins and 589 Anona Thorne & Takao Tanabe Gloria rv 1. Gloria in excelsis Deo 2. Et in terra pax 3. Laudamus te (Arwen Myers soprano i ; Danielle Sampson soprano ii) 4. Gratias agimus tibi In association with 5. Propter magnam gloriam Chan Endowment Fund at the University of 6. Domine Deus (Arwen Myers soprano) British Columbia 7. Domine, Fili unigenite Pre-concert chat at 6:45 with host Matthew White: 8. -
VIVALDI Gloria in D Major, RV 589 (C
2017 2018 SEASON Nicholas McGegan, conductor Friday, December 1, 2017 at 8:00PM Sherezade Panthaki, soprano Saturday, December 2, 2017 at 8:00PM Leann Schuering, soprano Jay Carter, countertenor Thomas Jöstlein and Christopher Dwyer, horns Erin Schreiber and Melody Lee, violins Bjorn Ranheim, cello St. Louis Symphony Chorus Amy Kaiser, director VIVALDI Concerto for Strings in C major, RV 114 (c. 1718) (1678–1741) Allegro – Adagio – Ciaccona VIVALDI “Gelosia, tu già rendi l’alma mia” from Ottone in villa (1713) Sherezade Panthaki, soprano “L’ombre, l’aure, e ancora il rio” from Ottone in villa Sherezade Panthaki, soprano Leann Schuering, soprano Andrea Kaplan and Jennifer Nitchman, flutes Erin Schreiber and Melody Lee, violins VIVALDI “Nel profondo cieco mondo” from Orlando furioso (1727) “Mentre dormi, amor fomenti” from L’Olimpiade (1734) Jay Carter, countertenor VIVALDI “In braccio de’ contenti” from Gloria ed Imeneo (1725) Sherezade Panthaki, soprano Jay Carter, countertenor VIVALDI Concerto for Two Horns and Strings in F major, RV 538 Allegro Largo Allegro non molto Thomas Jöstlein and Christopher Dwyer, horns INTERMISSION 23 VIVALDI Concerto grosso in D minor, RV 565 (c. 1711) Allegro Adagio e spiccato – Allegro Largo e spiccato Allegro Erin Schreiber, violin Melody Lee, violin Bjorn Ranheim, cello VIVALDI Gloria in D major, RV 589 (c. 1715) Gloria in excelsis Deo Et in terra pax hominibus Laudamus te Gratias agimus tibi Propter magnam gloriam Domine Deus, Rex coelestis Domine Fili unigenite Domine Deus, Agnus Dei Qui tollis peccata mundi Qui sedes ad dexteram Patris Quoniam tu solus sanctus Cum Sancto Spiritu Sherezade Panthaki, soprano Leann Schuering, soprano Jay Carter, countertenor St. -
Number Composer Arranger Title Publisher Instrumentation Inventory 504 Don't Sit Under the Apple Tree MS 9 651 Carols for Choirs
number composer arranger title publisher instrumentation inventory 504 Don't sit under the apple tree MS 9 Oxford 651 Carols for choirs 3. The Oxford Book - SATB 13 University Press Oxford 650 Carols for choirs 1,The Oxford Book - SATB 140 University Press Paulus 957 Pilgrims' Hymn (from the Church Opera The Three Hermits) Publications SATB a cappella 56 SP101 Jenson Distinctive 647h Dale Warland Christmas editions, Vol. II Publications 419- accompaniment 57 23054/Vol II s 73 Adamo, Mark Supreme Virtue, No. 10 MS - 1 copy only Double choir 1 906 Aguiar, Ernani Psalm 150 (Salmo 150) earthsongs SATB a cappella 54 983 Albright, William Chichester Mass (Agnus Dei, Gloria, Kyrie, Sanctus) Editions Peters SATB 43 Walton Music Corporation WGK-111; AB 26 Alfven, Hugo Maiden is in a Ring, A (Och jungfrun hon gar I ringen) SATB a cappella 37 Carl Gehrmans Musikforlag. Stockholm 55 Alfven, Hugo Aftonen Walton Music 51 Augsburg 382 Alwes, Chester Let all the people praise thee SATB 8 Publishing 358 Anonymous Verbum caro: dies est laetitiae MS 44 357 Anonymous Nova, nova MS 46 399 Anonymous Ave maria (Gregorian chant) MS SATB 17 Boosey & SATB, 172 Argento, Dominick I Hate and I Love 51 Hawkes percussion SATB, Boosey & 847 Argento, Dominick Toccata of Galuppi's, A harpsichord, 41 Hawkes string quartet Boosey & 239 Argento, Dominick Peter Quince at the clavier SATB, piano 40 Hawkes Boosey & 480 Argento, Dominick Gloria (from The Masque of Angels) SATB 96 Hawkes Boosey & SSA Harp and 63 Argento, Dominick Tria Carmina Paschalia Hawkes B.H. Bk. 21 Guitar -
REPERTOIRE 1984 to 2020
REPERTOIRE Title Composer Arranger/Editor A Birthday Greeting Zoltan Kodaly Robert A. Boyd A Christmas Round John Tavener A Fancy of Folk Songs Traditional Cecilia McDowall 1. Green Bushes 2. The Rambling Sailor 3.The Crystal Spring "4. O No, John! " A Gaelic Blessing John Rutter A Hymn to the Mother of God John Tavener A Hymn of the Nativity Richard Crashaw/Kenneth Leighton A Hymn to the Virgin Benjamin Britten A Little Christmas Music Daryl Runswick A Nightingale Sang in Berkley Square Traditional Gene Puerling A Spotless Rose Ola Gjeilo A Spotless Rose Herbert Howells A Virgin Most Pure Martin Shaw "A Virgin Unspotted, By Prophet Fortold" William Billings Abendlied Josef Rheinberger "Ach elslein, liebes elslein" Ludwig Senfl Adam lay Ybounden Boris Ord "Adieu, Sweet Amaryllis" John Wilbye African Noel African Melody Andre Thomas Afton Water English Folksong David Willcocks Aftonen Hugo Alfven African Carol Andre J. Thomas Agnus Dei Samuel Barber Ah! Dear Heart Orlando Gibbons Robert A. Boyd Ain'-a that Good News Spiritual William Dawson All Creatures Now are Merry Minded John Bennet Robert A. Boyd All My Heart this Night Rejoices Johann Eberling All My Trials Bahamian Spiritual Norman Luboff Alleluia Jakob Obrecht Alleluia Randall Thompson "Allon, Gay Bergeres" Guillaume Costeley Alice Parker/Robert Shaw Alma Dei creatoris K.277 W.A. Mozart Alma Redemptoris Giovanni Palestrina Alma Redemptoris Mater Tomas Luis de Victoria Almighty and Everlasting God Orlando Gibbons "Among the Leaves So Green, O" John Byrt "Angel Gabriel from Heaven