DOCSLIB.ORG

Harald Szeemann Artist Files

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

http://oac.cdlib.org/findaid/ark:/13030/c86978bx No online items Harald Szeemann artist files Alexis Adkins, Heather Courtney, Judy Chou, Holly Deakyne, Maggie Hughes, B. Karenina Karyadi, Medria Martin, Emmabeth Nanol, Alice Poulalion, Pietro Rigolo, Elena Salza, Laura Schroffel, Lindsey Sommer, Melanie Tran, Sue Tyson, Xiaoda Wang, and Isabella Zuralski. Harald Szeemann artist files 2011.M.30.S2 1 Descriptive Summary Title: Harald Szeemann artist files Date (inclusive): 1836-2010, bulk 1957-2005 Number: 2011.M.30.S2 Creator/Collector: Szeemann, Harald Physical Description: 1400 Linear Feet Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Series II of the Harald Szeemann papers contains artist files on more than 24,000 artists. In addition to fine arts artists, Harald Szeemann created artist files for architects, composers, musicians, film directors, authors and philosphers. The contents of the artist files vary widely from artist to artist, but may include artist statements; artist proposals; biographies; correspondence; exhibition announcements; news clippings; notes; photographs of works of art, exhibitions of the artist; posters; resumes; and original works of art. Due to its size, Series II is described in a separate finding aid. The main finding aid for the Harald Szeemann papers is available here: http://hdl.handle.net/10020/cifa2011m30 Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is primarily in German with some material in Italian, French, English and other languages. Access Open for use by qualified researchers with the following exceptions. Unreformatted audiovisual materials and computer files are unavailable. Contact repository to request reformatting. Due to privacy issues, boxes 81, 214, 224, 2409, 2418, RX and RX2 are sealed. Boxes 230-267 contain nitrate negatives and are restricted. Boxes 82, 215, and 1074B require special handling; contact the repository regarding access. Box 2885A is restricted due to fragility; contact the repository regarding access. Boxes 1074C and 1074D are restricted due to fragility; contact repository to request digital imaging. Boxes B-13**, B-16**, B-43**, B-48**, B-79**, B-81**, B-83**, B-84**, B-86**, 3741**-3743**, 3765*-3767* and TP-drawers are housed off-site and only open for use with the curator's permission. Contact repository regarding access. Boxes 320-321, 924, 2955-3028*, 2966**, 3716-3730, 3727*, 3748-3754, 3755*-3757*, TP59A-TP59B, TP77-TP78, and 3109* are currently only open for use with the curator's permission. Contact the repository regarding access. The digital files are accessible on a laptop in the Special Collections Reading Room. All files except emails are available as a mounted disk image in a Windows environment. The emails are on the laptop as imported PST files accessible through a Microsoft Outlook client. Digital files containing restricted personal information such as third-party bank account numbers or student records are restricted until 2081. Publication Rights Contact Library Reproductions and Permissions . Preferred Citation Harald Szeemann papers, 1800-2011, bulk 1949-2005, The Getty Research Institute, Los Angeles, Accession no. 2011.M.30 http://hdl.handle.net/10020/cifa2011m30 Harald Szeemann artist files 2011.M.30.S2 2 Series II.Artist files 1888-2010, bulk 1969-2005 1969-2005 Series II. Artist files 1888-2010, bulk 1969-2005 1969-2005 Physical Description: 678.8 Linear Feet(1290 boxes, 235 flatfiles) Scope and Content Note Series II contains artist files on more than 24,000 artists. In addition to fine arts artists, Harald Szeemann created artist files for architects, composers, musicians, film directors, authors and philosphers. There is also some overlap with the files in Series III when a person had more than one profession. For example, Dieter Bogner is mainly a curator and museum planner, but is also listed as an author and was found among the artist files. Without knowing if this was misfiling or intentional, these files have been left as found. All correspondence from Szeemann to his wife Ingeborg Lüscher found in the unfiled materials has been put into her artist file regardless of content. Because of Lüscher's profession, a large number of exhibition announcements and some correspondence in this collection were addressed to her instead of to Szeemann, or to both of them. The contents of the artist files vary widely from artist to artist, but may include artist statements; artist proposals; biographies; correspondence; exhibition announcements; news clippings; notes; photographs of works of art, exhibitions of the artist; posters; resumes; and original works of art. Szeemann made a folder for every artist, even if it was just one exhibition announcement. Many of the artist files contain only a few items. When present, artist correspondence, works of art and other significant items are noted, as are any records relating to exhibitions curated by Szeemann. Any photographic material housed with the papers of this series have been retained in this series although the majority of photographic materials from the collection were separated out by Szeemann and are located in Series IV. Photographs. Szeemann also kept complete copies of books and periodicals with his artist files. These have been moved to the General Collections and can be found by searching the Library Catalog for the "Harald Szeemann Collection." The artist files organized by Szeemann were originally housed in large envelopes inside boxes in the Groundwork, Monograph, and Work in Progress rooms of the Fabbrica. One small box was titled "Anonym." These have been kept together at the end under Anonymous to preserve the original order, but the materials are identified when possible. Additional files for artists Szeemann worked with extensively or was interested in were found in the Knights, Monograph, and Work in Progress rooms and identified as Artist files by the curator. These include artists such as Joseph Beuys, Christian Boltanski, Johann Michael Bossard, Marcel Broodthaers, James Lee Byars, Francesco Clemente, François Clavel, Marcel Duchamp, Jörg Immendorf, Alfred Jarry, Sigmar Polke, Mario Merz, Paul Thek and Adolf Wolfli. Artist files found outside of the boxes organized by Szeemann are designated as [loose] or [unfiled.] Loose means the envelope was sitting out on a desk or that materials were found in what looked like intentional stacks of papers about that artist on shelves, desk tops or the floor or near the boxes of artist files. The majority of Byars material was found this way. Some of the materials were found in hanging folders similar to the project files original housing. These materials frequently related to exhibitions by Szeemann that the artist was in and were perhaps moved out of the project files by Szeemann during his rearrangement of the archive. Unfiled contains materials found in boxes titled "New mail," "Single artists," or were in stacks of unrelated papers on desk tops or the floor. These materials have been sorted and designated by the archivist. Mail addressed to Szeemann continued arriving after his death, and some of this mail was received as part of the archive and is found in the [unfiled] folders. Some large envelopes with artists' names were found empty and are indicated as such. Unpublished materials such as exhibition proposals or gallery press packets were removed from the library collection and integrated into the artist files. These items are indicated as such on the folders. Series II. forms part of the larger collection of Harald Szeemann's papers. Click here to view the finding aid for the complete collection. Arrangement note Arranged alphabetically by last name. Harald Szeemann artist files 2011.M.30.S2 3 Series II.Artist files 1888-2010, bulk 1969-2005 1969-2005 box 926, folder 1 2 Yous, 1980 Scope and Content Note Includes Paul Alexander. box 1944, 1975A A-1 53167, 2000, undated Scope and Content Note Includes color photographs. box 1810, folder 1 A. Titolo, 1998 box 926, folder Aaberg Kaern, Simone, 1998-2001, undated 2-4 Scope and Content Note Includes artist correspondence and records from the exhibition La Biennale di Venezia: dAPERTutto / APERTO overALL / APERTO parTOUT / APERTO überALL . box 926, folder 5 Aalders, Franklin, 1980-1981 box 926, folder 6 Aalders, Steven, 1995-2001 box 926, 1900* Aalto, Alvar, 1971, 1998 box 926, folder 8 Aas, Marte, 2004 box 926, folder 9 Aav, 1992 box 926, 1944 Abad, Antoni, 1991-2004 Scope and Content Note Includes records from the exhibitions La Biennale di Venezia: dAPERTutto / APERTO overALL / APERTO parTOUT / APERTO überALL and The Real Royal Trip . Color photographs are in box 1944. box 926, folder 13 Abad, Francesc, undated box 926, 1901*, Abakanowicz, Magdalena, 1973, 1977-2004 1944 Scope and Content Note Includes color photographs in box 1944. Aballéa, Martine, 1977-2002, undated box 927, 1900*, Papers and slides, 1977-2002 1970 Scope and Content Note Slides are in box 1970. box 945 Institut Liquéfiant bathrobe and towel, undated box 927, folder Aballí, Ignasi, 1993-2004 3-4 box 927, folder 5 Abanico, 1997 box 927, folder Abaroa, Eduardo, 1999-2004 6-7 box 927, folder 8 Abate, Alberto, 1986-1990 box 927, folder 9 Abate, Claudio, 2001 box 927, folder 10 Abbate, Adalberto,
Recommended publications
  • Bisazza Collezione Fornasetti

    Bisazza Collezione Fornasetti

    PRESS RELEASE MILANO DESIGN CITY 28 September - 10 October 2020 BISAZZA COLLEZIONE FORNASETTI A mosaic collection born from the collaboration with Fornasetti During MILANO DESIGN CITY, in the via Solferino 22 flagship store, BISAZZA will present COLLEZIONE FORNASETTI, a mosaic collection born from the interpretation of the creative language of Fornasetti, the Milanese Atelier internationally renowned for its unique decorative style. This meeting of the minds between two Italian design masters produced four mosaic patterns that, taken apart and reassembled, explore new surfaces, lavish proportions, and remarkable reflections of light. Thanks to the painstaking, faithful efforts of the Fornasetti and Bisazza ateliers, the unique Fornasetti touch is re- established and enhanced by the brilliance and transparency of the glass mosaic tiles and the exquisite blending of sixty shades of colour. The timeless works acquire powerful cultural significance by virtue of the like- minded identities of the two brands, both known for their artistic and artisan content-rich collections. For the first time in large format, the Ortensia, Bocca, Serratura and Soli a Capri patterns make a spectacular statement in any living space, transforming it into a rarefied, sophisticated setting with bold personality. The Bisazza mosaic decorations reproduce some of the most iconic Fornasetti images: the mouth, the hypnotic gaze seen through a keyhole, the enigmatic face of Piero Fornasetti’s muse, opera singer Lina Cavalieri who, in the Ortensia pattern, seems to peer meekly from an explosion of pink and blue petals. The sun is another star in this collection. In Soli a Capri, a compilation of brilliant suns whimsically portrays the face of Piero Fornasetti, lighting up a background in shades of blue or grey.
  • Sistemi Operativi Real-Time Marco Cesati Lezione R13 Sistemi Operativi Real-Time – II Schema Della Lezione

    Sistemi Operativi Real-Time Marco Cesati Lezione R13 Sistemi Operativi Real-Time – II Schema Della Lezione

    Sistemi operativi real-time Marco Cesati Lezione R13 Sistemi operativi real-time – II Schema della lezione Caratteristiche comuni VxWorks LynxOS Sistemi embedded e real-time QNX eCos Windows Linux come RTOS 15 gennaio 2013 Marco Cesati Dipartimento di Ingegneria Civile e Ingegneria Informatica Università degli Studi di Roma Tor Vergata SERT’13 R13.1 Sistemi operativi Di cosa parliamo in questa lezione? real-time Marco Cesati In questa lezione descriviamo brevemente alcuni dei più diffusi sistemi operativi real-time Schema della lezione Caratteristiche comuni VxWorks LynxOS 1 Caratteristiche comuni degli RTOS QNX 2 VxWorks eCos 3 LynxOS Windows Linux come RTOS 4 QNX Neutrino 5 eCos 6 Windows Embedded CE 7 Linux come RTOS SERT’13 R13.2 Sistemi operativi Caratteristiche comuni dei principali RTOS real-time Marco Cesati Corrispondenza agli standard: generalmente le API sono proprietarie, ma gli RTOS offrono anche compatibilità (compliancy) o conformità (conformancy) allo standard Real-Time POSIX Modularità e Scalabilità: il kernel ha una dimensione Schema della lezione Caratteristiche comuni (footprint) ridotta e le sue funzionalità sono configurabili VxWorks Dimensione del codice: spesso basati su microkernel LynxOS QNX Velocità e Efficienza: basso overhead per cambi di eCos contesto, latenza delle interruzioni e primitive di Windows sincronizzazione Linux come RTOS Porzioni di codice non interrompibile: generalmente molto corte e di durata predicibile Gestione delle interruzioni “separata”: interrupt handler corto e predicibile, ISR lunga
  • POLITECNICO DI MILANO DEPARTMENT of CIVIL and ENVIRONMENTAL ENGINEERING – Environmental Section

    POLITECNICO DI MILANO DEPARTMENT of CIVIL and ENVIRONMENTAL ENGINEERING – Environmental Section

    POLITECNICO DI MILANO DEPARTMENT OF CIVIL AND ENVIRONMENTAL ENGINEERING – Environmental Section AWARE – Assessment on Waste and Resources – Research group LITERATURE REVIEW ON THE ASSESSMENT OF THE CARBONATION POTENTIAL OF LIME IN DIFFERENT MARKETS AND BEYOND Customer: EuLA – the European Lime Association Authors: Prof. Mario Grosso (Principal Investigator) Eng. Laura Biganzoli, Francesco Pietro Campo, Sara Pantini, Camilla Tua July 2020 Report n. 845.0202.70.02 To refer to this report, please use the following reference: Grosso M., Biganzoli L., Campo F. P., Pantini S., Tua C. 2020. Literature review on the assessment of the carbonation potential of lime in different markets and beyond. Report prepared by Assessment on Waste and Resources (AWARE) Research Group at Politecnico di Milano (PoliMI), for the European Lime Association (EuLA). Pp. 333. CHAPTER AUTHORS 1 EXECUTIVE SUMMARY F. P. Campo, C. Tua, M. Grosso 2 METHODOLOGY AND SCOPE OF THE WORK F. P. Campo, M. Grosso 3 INTRODUCTION: LIME USE AND APPLICATIONS F. P. Campo, M. Grosso 3.1 USE OF LIME IN IRON AND STEEL INDUSTRY L. Biganzoli, M. Grosso 3.2.1 USE OF LIME IN SAND LIME BRICK C. Tua, M. Grosso APPLICATION 3.2.2 USE OF LIME IN LIGHT-WEIGHT LIME C. Tua, M. Grosso CONCRETE 3.2.3 USE OF LIME IN MORTARS F. P. Campo, M. Grosso 3.2.4 USE OF LIME IN HEMP LIME F. P. Campo, M. Grosso 3.2.5 USE OF LIME IN OTHER CONSTRUCTION F. P. Campo, M. Grosso MATERIALS 3.3.1 USE OF LIME IN SOIL STABILISATION F. P. Campo, C.
  • Exhibition of Italian Avant-Garde Art on View at Columbia's Wallach

    Exhibition of Italian Avant-Garde Art on View at Columbia's Wallach

    6 C olumbia U niversity RECORD October 5, 2001 Exhibition of Italian Avant-Garde Art on View at Columbia’s Wallach Gallery An exhibition of Italian 63—a peculiar combination of avant-garde art will be on photography, painting and col- view at Columbia’s Wallach lage in which a life-sized Art Gallery from Oct. 3 to image of the artist, traced from Dec. 8. The exhibition, “Arte a photograph onto thin, Povera: Selections from the translucent paper, is glued on Sonnabend Collection,” will an otherwise empty mirrored draw together major works by panel. Giovanni Anselmo, Pier Paolo The exhibition is drawn Calzolari, Jannis Kounellis, from the rich holdings of the Mario Merz, Giulio Paolini, gallerist Illeana Sonnabend. Michelangelo Pistoletto, Sonnabend has long been rec- Mario Schifano and Gilbert ognized as one of the foremost Zorio, most of which have collectors and promoters of rarely been exhibited in the American art from the 1950s, United States '60s, and '70s. Lesser-known In the late 1960s, a number is her devotion to an entirely of artists working in Italy pro- different artistic phenome- duced one of the most authen- non—the Italian neo-avant- tic and independent artistic garde—which is equally interventions in Europe. impressive. Striking in its Grouped together under the comprehensiveness, the col- term "Arte Povera" in 1967 by lection was assembled by the critic Germano Celant in ref- Sonnabend and her husband, erence to the use of materials— Michael. natural and elemental—the Claire Gilman, a Ph.D. can- artists delivered a powerful and didate in Columbia's depart- timely critique of late mod- ment of art history and arche- ernism, specifically minimalism.
  • Soft Tools for Robotics and Controls Implementations

    Soft Tools for Robotics and Controls Implementations

    Soft Tools for Robotics and Controls Implementations A Thesis Submitted to the Faculty of Drexel University by Robert M. Sherbert in partial fulfillment of the requirements for the degree of Master of Science in Electrical Engineering June 2011 c Copyright 2011 Robert M. Sherbert. All rights reserved. ii Dedications To the parents who placed me on my path, to the mentors who guided me along its many turns, and to the friends who made the long journey swift. iii Acknowledgments There are a number of people to whom I owe a great deal of thanks in completing this document. While the labor has been my own, the inspiration for it and the support to finish it have come from the community around me. In creating this work I have taken on the role of toolsmith and, as tools are worthless without their users, it is to these individuals that I am especially indebted. I would like to thank Dr. Oh for lending his vision of robotics testing and prototyping which inspired this work. You have taught me more than I realized there was to know about the modern practice of science. I would also like to thank Dr. Chmielewski for lending his experience, insight, and enthusiasm to the project. Having these ideas weighed against and improved by your practical knowledge has provided a very important validation for me. Above all I would like to thank my friends at DASL, without whom the entirety of this project would have been consigned to the dust bin long ago. You have given me not only critical feedback and suggestions but also the support and encouragement that has helped me carry this to completion.
  • Introduction and Will Be Subject to Additions and Corrections the Early History of El Museo Del Barrio Is Complex

    Introduction and Will Be Subject to Additions and Corrections the Early History of El Museo Del Barrio Is Complex

    This timeline and exhibition chronology is in process INTRODUCTION and will be subject to additions and corrections The early history of El Museo del Barrio is complex. as more information comes to light. All artists’ It is intertwined with popular struggles in New York names have been input directly from brochures, City over access to, and control of, educational and catalogues, or other existing archival documentation. cultural resources. Part and parcel of the national We apologize for any oversights, misspellings, or Civil Rights movement, public demonstrations, inconsistencies. A careful reader will note names strikes, boycotts, and sit-ins were held in New York that shift between the Spanish and the Anglicized City between 1966 and 1969. African American and versions. Names have been kept, for the most part, Puerto Rican parents, teachers and community as they are in the original documents. However, these activists in Central and East Harlem demanded variations, in themselves, reveal much about identity that their children— who, by 1967, composed the and cultural awareness during these decades. majority of the public school population—receive an education that acknowledged and addressed their We are grateful for any documentation that can diverse cultural heritages. In 1969, these community- be brought to our attention by the public at large. based groups attained their goal of decentralizing This timeline focuses on the defining institutional the Board of Education. They began to participate landmarks, as well as the major visual arts in structuring school curricula, and directed financial exhibitions. There are numerous events that still resources towards ethnic-specific didactic programs need to be documented and included, such as public that enriched their children’s education.
  • Download Download

    Download Download

    1 Histories of PostWar Architecture 2 | 2018 | 1 1968: It’s Just a Beginning Ester Coen Università degli Studi dell’Aquila [email protected] An expert on Futurism, Metaphysical art and Italian and International avant-gardes in the first half of the twentieth century, her research also extends to the sixties and seventies and the contemporary scene, with numerous essays and other publications. In collaboration with Giuliano Briganti she curated the exhibition Pittura Metafisica (Palazzo Grassi, Venice 1979) and edited the catalogue, while with Maurizio Calvesi she edited the Catalogue Raisonné of Umberto Boccioni’s works (1983). She curated with Bill Lieberman the Boccioni retrospective at the Metropolitan Museum of New York in 1988 and has since been involved in many international exhibitions. She organised Richard Serra’s show at the Trajan’s Markets (Rome 1999), planned the Gary Hill show at the Coliseum (Rome 2005) and was one of the three committee members of the Futurism centenary exhibition (Pompidou Paris, Scuderie del Quirinale Rome and Tate Modern London) celebrating in the same year (2009) with Futurism 100: Illuminations. Avant-gardes Compared. Italy-Germany-Russia the anniversary at MART in Rovereto. In 2015 she focused on Matisse’s fascination for decorative arts (Arabesque, Scuderie del Quirinale Rome) and at the end of 2017 a show organized at La Galleria Nazionale in Rome anticipated the fifty years of the 1968 “revolution”. Full professor of Modern and Contemporary Art History at the University of Aquila, she lives in Rome. ABSTRACT 1968 marks the beginning of a social, political and cultural revolution, with all of its internal contradictions.
  • The Politics of Arte Povera

    The Politics of Arte Povera

    Living Spaces: the Politics of Arte Povera Against a background of new modernities emerging as alternatives to centres of tradition in the Italy of the so-called “economic miracle”, a group formed around the critic Germano Celant (1940) that encapsulated the poetry of arte povera. The chosen name (“poor art”) makes sense in the Italy of 1967, which in a few decades had gone from a development so slow it approached underdevelopment to becoming one of the economic dri- ving forces of Europe. This period saw a number of approaches, both nostalgic and ideological, towards the po- pular, archaic and timeless world associated with the sub-proletariat in the South by, among others, the writer Carlo Levi (1902-1975) and the poet and filmmaker Pier Paolo Pasolini (1922-1975). the numbers relate to the workers who join a mensa operaia (workers’ table), a place as much to do with alienation as unionist conspiracy. Arte povera has been seen as “a meeting point between returning and progressing, between memory and anti- cipation”, a dynamic that can be clearly understood given the ambiguity of Italy, caught between the weight of a legendary past and the alienation of industrial develo- pment; between history and the future. New acquisitions Alighiero Boetti. Uno, Nove, Sette, Nove, 1979 It was an intellectual setting in which the povera artists embarked on an anti-modern ap- proach to the arts, criticising technology and industrialization, and opposed to minimalism. Michelangelo Pistoletto. It was no coincidence that most of the movement’s members came from cities within the Le trombe del Guidizio, 1968 so-called industrial triangle: Luciano Fabro (1936-2007), Michelangelo Pistoletto (1933) and Alighiero Boetti (1940-1994) from Turin; Mario Merz (1925-2003) from Milan; Giu- lio Paolini (1940) from Genoa.
  • Rare Artists' Books with Etchings Lithographs and Pochoirs, Signed

    Rare Artists' Books with Etchings Lithographs and Pochoirs, Signed

    Rare Artists’ Books with etchings lithographs and pochoirs, signed and limited editions, by: Braque, Chagall, Dali, Gauguin, Leger, Manet, Matisse, Miro’, Picasso, Renoir, and others Masters Etchings and Lithographs by: Chagall, Picasso, and Renoir. THE RED FINCH Reston Auction House is a new branch of the well- established MARNINART Rare Art Books & Modern and Contemporary Art. Since 2000 Marninart has operated on the market of rare books and contemporary art, accomplishing a worldwide clientele that includes Collectors, Museums, and Art Galleries. Marninart is recognized as one of the most specialized libraries for Illustrated Art Books of Picasso, Chagall, Matisse, and the Impressionists, and is a member of two prestigious worldwide bookseller’s associations specializing in rare books: ABAA Antiquarian Booksellers Association of America, and ILAB the International League of Antiquarian Booksellers. The latest trend for online art dealers and booksellers has evolved into online auctions, in order to reach a larger audience and visibility in the surreal internet world. Marninart is ready to begin this new adventure in the online auction market with great excitement and enthusiasm, presenting THE RED FINCH Reston Auction House as result of its expertise, knowledge and reliability. Visit Marninart @ www.marninart.net to learn more about us Our Goal is to provide the same dedicated costumer service, maintaining a real relationship with our clientele, buyers or consignors, in the wish of giving an enjoyable experience through our auction service. 1 Francis Bacon. Derriere le Miroir 162 - Francis Bacon Deluxe Edition. Michel Lereis, David Sylvester Maeght, Paris 1966 – Deluxe edition of Derriere le Miroir # 162 dedicated to Francis Bacon.
  • Piero Fornasetti One Hundred Years

    Piero Fornasetti One Hundred Years

    Piero Fornasetti One Hundred Years on show from 9th May to 15th June 2014 Monday to Sunday 11.00 a.m. to 8.00 p.m. at 10 Corso Como Seoul 3F Piero Fornasetti Piero Fornasetti was a Milanese painter, sculptor, interior decorator, engraver of books and a creator of more than 13,000 products. In terms of variety of decoration, Fornasetti’s production of objects and furniture is one of the largest of the 20th century. Fornasetti is celebrated as being among the most original creative talents of the twentieth century. During his career he created a visual vocabulary that is instantly recognizable and unceasingly engaging. Fornasetti designed a magical world, saturated in image and colour and filled with whimsy and wit. Biography • 1913 Piero Fornasetti is born in Milan, Italy. • 1930 Piero entered Brera Academy to study drawing. • 1932 Expelled from Brera for insubordination. • 1933 First artwork shown as part of a student exhibition at Milano University. Also this year, a series of scarves in printed silk was proposed to the Milan Triennale but was rejected. It was during this occasion that Piero’s work was noted by Gio Ponti. • 1935 At the sixth Triennale in Milan, Piero exhibited, among other things, a decorative bronze and ceramic frieze in an archaic style. • 1940 Piero met Gio Ponti and went on to design ‘The Lunar’ illustrated Calendar book for him. • 1942 Created frescoes for the Palazzo Bo in Padova. • 1943-1946 Went into exile in Switzerland. • 1947 Exhibited a series of motifs for ceramics at the Triennale (commissioned again by Gio Ponti).
  • Download Doppelte Singles

    Download Doppelte Singles

    INTERPRET A - TITEL B - TITEL JAHR LAND FIRMA NUMMER 10 CC DREADLOCK HOLIDAY NOTHING CAN 1978 D MERCURY 6008 035 10 CC GOOD MORNING JUDGE DON'T SQUEEZE 1977 D MERCURY 6008 025 10 CC I'M MANDY FLY ME HOW DARE YOU 1975 D MERCURY 6008 019 10 CC I'M NOT IN LOVE GOOD NEWS 1975 D MERCURY 6008 014 2 PLUS 1 EASY COME, EASY GO CALICO GIRL 1979 D PHONOGRAM 6198 277 3 BESOFFSKIS EIN SCHÖNER WEISSER ARSCH LACHEN IST 0D FLOWER BMB 2057 3 BESOFFSKIS HAST DU WEINBRAND IN DER BLUTBAHN EIN SCHEICH IM 0 D FLOWER 2131 3 BESOFFSKIS PUFF VON BARCELONA SYBILLE 0D FLOWER BMB 2070 3 COLONIAS DIE AUFE DAUER (DAT MALOCHELIED) UND GEH'N DIE 1985 D ODEON 20 0932 3 COLONIAS DIE BIER UND 'NEN APPELKORN WIR FAHREN NACH 0 D COLONGE 13 232 3 COLONIAS DIE ES WAR IN KÖNIGSWINTER IN D'R PHILHAR. 1988 D PAPAGAYO 1 59583 7 3 COLONIAS DIE IN AFRICA IST MUTTERTAG WIR MACHEN 1984 D ODEON 20 0400 3 COLONIAS DIE IN UNS'RER BADEWANN DO SCHWEMB HEY,ESMERALDA 1981 D METRONOME 30 401 3 MECKYS GEH' ALTE SCHAU ME NET SO HAGENBRUNNER 0 D ELITE SPEC F 4073 38 SPECIAL TEACHER TEACHER (FILMM.) TWENTIETH CENT. 1983 D CAPITOL 20 0375 7 49 ERS GIRL TO GIRL MEGAMIX 0 D BCM 7445 5000 VOLTS I'M ON FIRE BYE LOVE 1975 D EPIC EPC S 3359 5000 VOLTS I'M ON FIRE (AIRBUS) (A.H.) BYE LOVE 1975 D EPIC EPC S 3359 5000 VOLTS MOTION MAN LOOK OUT,I'M 1976 D EPIC EPC S 3926 5TH DIMENSION AQUARIUS DON'T CHA HEAR 1969 D LIBERTY 15 193 A FLOCK OF SEAGULLS WISHING COMMITTED 1982 D JIVE 6 13 640 A LA CARTE DOCTOR,DOCTOR IT WAS A NIGHT 1979 D HANSA 101 080 A LA CARTE IN THE SUMMER SUN OF GREECE CUBATAO 1982 D COCONUT
  • Walpole Public Library DVD List A

    Walpole Public Library DVD List A

    Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair,