The English Lexicon of Standard Terminology for Hellenismos
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Chaotic Descriptor Table
Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it. -
Expanding the Letter to the Hebrews from Within
Expanding the Letter to the Hebrews from Within Introduction This document came into existence as the result of three shorter essays written not long before it, The First City, Mystery People and On the Idea of Returning. All deal with different topics yet are related even though I had no intent to make them as such. Before moving into Hebrews itself, let’s look at the two points of connection among them all because they tie in with each other in some way or other. In a way, the first is the most important insofar as it represents a time when I began to develop an approach to scripture different from the one to which I had been accustomed. In that article I recounted events starting from when Adam and Eve had been banished from the Garden of Eden through the founding of the first city and then on to the flood. Cain, who had murdered his brother Abel, became a wander and eventually settled down to found the world’s first city which he named Enoch, that is, after his son. From then on, human civilization began a downward spiral which forced the Lord to destroy every living thing on earth in order to renew creation. All these events are mythic in that they point to more profound realities than any historical ones. The second article examines references to healing in the Gospel of St. Matthew with special attention given to the various scenarios of what could have happened to those whom Jesus had cured. For the most part these people remain anonymous which conveys a certain sense of mystery. -
Homer – the Iliad
HOMER – THE ILIAD Homer is the author of both The Iliad and The Odyssey. He lived in Ionia – which is now modern day Turkey – between the years of 900-700 BC. Both of the above epics provided the framework for Greek education and thought. Homer was a blind bard, one who is a professional story teller, an oral historian. Epos or epic means story. An epic is a particular type of story; it involves one with a hero in the midst of a battle. The subject of the poem is the Trojan War which happened approximately in 1200 BC. This was 400 years before the poem was told by Homer. This story would have been read aloud by Homer and other bards that came after him. It was passed down generation to generation by memory. One can only imagine how valuable memory was during that time period – there were no hard drives or memory sticks. On a tangential note, one could see how this poem influenced a culture; to be educated was to memorize a particular set of poems or stories which could be cross-referenced with other people’s memory of those particular stories. The information would be public and not private. The Iliad is one of the greatest stories ever told – a war between two peoples; the Greeks from the West and the Trojans from the East. The purpose of this story is to praise Achilles. The two worlds are brought into focus; the world of the divine order and the human order. The hero of the story is to bring greater order and harmony between these two orders. -
II. Einführung Und Sophokles Inhaltsverzeichnis
1 Magazin Nr. 3 Das Tragische in den Tragödien des Aischylos, Sophokles und Euripides I-III Vorlesung im WS 1997/8 und SoSe 1998 Dr. Karl-Heinz Pridik II. Einführung und Sophokles Inhaltsverzeichnis 1 Zum Titel und Thema der Vorlesung Seite 2 ‚Das Tragische’ 2 – ‚Die griechische Tragödie’ 2 - Die Überlieferung 3 - Methodisches 3 - Christliche Tragödie? 2 Die Rahmenbedingungen der Tragödie 5 Anlass der Tragödienproduktion 5 - Rückwirkungen und Rücksichten 6 - Formale Bedingungen 8 - Personale und formale Vorgaben 9 - Standardmotive der Tragödie 10 - Griechisches Theater: ein ‚komplexes Gebilde’ 12 3 Sophokles’ Leben und Werke 13 Vita 13 – Der Dichter: Zeittafel 13 - Details 15 4 Aias 21 Die Überlieferung 18 - Der Mythos 19 - Aufbau der Tragödie 21 - Ortswechsel auf der Orchestra 22 - Kritik des Aufbaus 24 - Das Tragische im Aias 26 - Aias’ Unvermögen nachzugeben 32 5 Die Frauen aus Trachis/ 29 Die Trachinierinnen zur Datierung 35 - Strukturprobleme 36 - Vergleich mit Persern 37 Deianeiras Schuld 40 6 Antigone 47 Der Mythos 47 - Die Struktur der Tragödie 48 - Interpretation der Handlung 48 - Zusammenfassung im Blick auf das Tragische 74 - Antigone, eine fromme Frevlerin 75 7 Ödipus Tyrannos (ÖT) 80 Titel und Erstaufführung 80 - Literarische Kritik der Tragödie - 80 - Ödipus, eine tragische Gestalt 84 - Ein Enthüllungsdrama 97 - Die Schuldfrage 103 8 Elektra 104 1 2 Kommentar zum Inhalt 104 - Betrachtung des Tragischen 118 9 Philoktet 119 Inhalt und Struktur des Stückes 118 - Das Tragische 128 10 Ödipus auf Kolonos (ÖK) 131 Struktur und Handlung 131 - Das Tragische 140--146 Anhang: Strukturskizzen 147 1 Zum Titel und Thema der Vorlesung Ich habe dieser Vorlesung den Titel gegeben: „Das Tragische in der Tragödie“. -
Homer and Hesiod
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 1-1-1997 Homer and Hesiod Ralph M. Rosen University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classical Literature and Philology Commons Recommended Citation Rosen, R. M. (1997). Homer and Hesiod. Retrieved from https://repository.upenn.edu/classics_papers/7 Postprint version. Published in A New Companion to Homer, edited by Barry Powell and Ian Morris, Mnemosyne: Bibliotheca classica Batava, Supplementum 163 (New York: Brill, 1997), pages 463-488. The author has asserted his right to include this material in ScholarlyCommons@Penn. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/7 For more information, please contact [email protected]. Homer and Hesiod Abstract One of the most frustrating aspects of Homeric studies is that so little literary material outside the Homeric corpus itself survives to enhance our understanding of the cultural landscape of the period. Recent scholarship suggests that a large and diverse poetic tradition lay behind the figure we refer to as "Homer," but little of it survives. Indeed we have little continuous written Greek for another century. The one exception is Hesiod, who composed two extant poems, the Theogony and Works and Days, and possibly several others, including the Shield of Heracles and the Catalogue of Women. As we shall see, while Hesiodic poetry was not occupied specifically with heroic themes, it was part of the same formal tradition of epic, sharing with Homer key metrical, dialectal, and dictional features. -
Fiona Hobden Phd Thesis
REPRESENTING THE SYMPOSION : IDENTITY AND PERFORMANCE IN THE 'SYMPOSIA' OF PLATO AND XENOPHON Fiona Hobden A Thesis Submitted for the Degree of PhD at the University of St Andrews 2003 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/13817 This item is protected by original copyright Representing the Symposion. Identity and Performance in the Symposia of Plato and Xenophon Fiona Hobden PhD Ancient History July 2003 School of Classics Swallowgate St Andrews FIFE KY16 9AL ProQuest Number: 10170695 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10170695 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ^5i& I, Fiona Hobden, hereby certify that this thesis, which is approximately 85,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. -
Fate and Death Through a Daimonic Lens
FATE AND DEATH THROUGH A DAIMONIC LENS FATE AND DEATH THROUGH A DAIMONIC LENS By JASON SOLOMON BINDER, B.A.Sc., B.A. Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Jason Solomon Binder, September 2014 MA Thesis – J. Binder; McMaster University – Classics. McMaster University MASTER OF ARTS (2014) Hamilton, Ontario (Classics) TITLE: Fate and Death through a Daimonic Lens AUTHOR: Jason Solomon Binder, B.A.Sc., B.A. (McMaster University) SUPERVISOR: Dr. Sean Corner NUMBER OF PAGES: vi, 101 ii MA Thesis – J. Binder; McMaster University – Classics. Abstract This thesis is concerned with the ancient Greek conceptualization of fate and death, as explored through the figure of the daimon in literature from Homer and Hesiod to Plato and Euripides. Filling a gap in scholarship, I elucidate the spectrum of meaning inherent in the word daimon, and how it shifts over time. From the Archaic to the Classical period the word daimon is found as a synonym for theos, “god”, as a vocative address, or in reference to “fate” and the generalized “will of heaven.” At the same time, a particular group of divine personifications, including Thanatos, Moira, Ker, and Erinys are counted as daimones. We also find the term used to designate unnamed but individuated lesser divinities, guardian spirits, and demonic possessors, and even as the divine aspect of the self. In the early Archaic poets these latter categories are only nascent. The individuated daimon becomes the focus of the lyric poets and pre-Socratic philosophers; in the later pre-Socratics the daimon begins to be internalized, moving from possessive spirit to psychic force. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Heroic Democracy: Thucydides, Pericles, and the Tragic Science of Athenian Greatness Permalink https://escholarship.org/uc/item/1t1337hx Author Fisher, Mark Douglas Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Heroic Democracy: Thucydides, Pericles, and the Tragic Science of Athenian Greatness By Mark Douglas Fisher A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kinch Hoekstra, chair Professor Shannon C. Stimson Professor Giovanni R. Ferrari Professor Leslie V. Kurke Summer 2017 Heroic Democracy: Thucydides, Pericles, and the Tragic Science of Athenian Greatness Copyright 2017 by Mark Douglas Fisher Abstract Heroic Democracy: Thucydides, Pericles, and the Tragic Science of Athenian Greatness by Mark Douglas Fisher Doctor of Philosophy in Political Science University of California, Berkeley Professor Kinch Hoekstra, Chair Employing the tools of both textual and contextual analysis, this dissertation demonstrates that a central project of Thucydides’ work was to reexamine and radically reinterpret the essential features of Athenian democracy, its relationship to other regime types, and the conditions for its success by considering it as a type of collective hero. It argues that, against the grain of fifth- century democratic ideology, Thucydides developed an account of the imperial democracy that placed it within the tradition of Greek heroism and autocracy, thereby contesting the belief that democracy should be characterized primarily as a form of egalitarian rule antithetically related to kingship and tyranny. -
Music in Plato's Laws 1, by Eleonora Rocconi
Music in Plato’s Laws First seminar: Introduction, and Book 2, 653a-656c Eleonora Rocconi (University of Pavia) Introduction: Music in Plato’s Writings If we think about the numerous allusions to music we may find throughout Plato’s dialogues, the relevance of musical art is certainly outstanding. Most of the references deal with the value of music in education (a well established idea in ancient Greek culture), as in Protagoras 325c-326b, where the leading character prescribes for the children instruction by the kitharistai, who «make harmonies and rhythms quite familiar to the children’s souls, in order that they may learn to be more gentle, and harmonious, and rhythmical (εὐρυθμότεροι καὶ εὐαρμοστότεροι)»1; or see the more famous passage of Republic Book 3, 398c-401a, where the philosopher discusses the proper education – both physical and musical – for the guardians (phylakes) of his ideal city, evaluating various scales and rhythms and identifying those that are best suited to the task of improving the soul and harmonizing its elements. These remarks seem to be deeply involved with the performance culture of mousikē in the first half of the fourth century BC, towards which Plato is often harshly critical (as in the case, for instance, of the increasing usage of the panharmonic aulos, an instrument which may shift from one harmonia to another and which he vigorously denounces, or, more generally, of the tendency of modern composers to constantly pursue musical novelty, regarded by Plato as a danger to the state). Other more technical passages (closely connected with contemporary musical theories) are concerned, instead, with harmonics conceived as a mathematical science, as in the case of Republic Book 7, 530c-531c. -
118734748.Pdf
KARL KERENYI APOLLO The Wind, the Spirit, and the God Four Studies Translated from German by Jon Solomon Spring Publications, Inc. Dallas, Texas Dunqicin Series lb © 1983 by Spring Publications, Inc. All rights reserved Printed in the United States of America by BookCrafters, Inc., Chelsea, Michigan, for Spring Publications, Inc., P.O. Box 222069, Dallas, Texas 75222 International Distributors: Spring/Postfach/8800 Thalwil/Switzerland; Japan Spring Sha, Inc./31, Shichiku- Momonomoto-Cho/Kitaku, Kyoto, 603 Japan; Element Books Ltd/The Old Brewery Tisbury Salisbury/Wiltshire SP3 6NH/England Cover inset: Apollo, from the neck amphora of the Berlin Painter. New York Metropolitan Museum 13.233, with thanks to Professor Hans Peter Isler, Director of the Archeological Institute of the University of Zurich. Cover design by Kate Smith Passy and Sven Doehner. Acknowledgment is made to Princeton University Press for permission to use, for consistency in this volume, Jon Solomon's translation of "Apollo Epiphanies" in stead of the translation by Ralph Manheim in Spirit and Nature: Papers from the Eranos Notebooks, Vol. 1, Bollingen Series XXX. Copyright 1954 by Princeton University Press. Library of Congress Cataloging in Publication Data Kerenyi, Karl. 1897-1973. Apollo : the wind, the spirit, and the God. (Dunquin series) Includes bibliographical references. Contents: Apollos temple servant — The spirit — Apollonian epiphanies — [etc.] 1. Apollo (Greek deity)—Addresses, essays, lectures. I. Title. BL820.A7K472513 1983 292'.211 83-20222 ISBN 0-88214-216-X CONTENTS I. APOLLO'S TEMPLE SERVANT / 1 II. THE SPIRIT / 9 III. APOLLONIAN EPIPHANIES 1. Introduction I 21 2. Callimachus Hymn to Apollo / 23 3. -
Democritus and Protagoras
“Man is the measure of cosmos” Democritus and Protagoras: Values and Beliefs on Naturalism By Anastasia Theologou Submitted to Central European University Department of Philosophy In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Istvan Bodnar CEU eTD Collection Budapest, Hungary 2015 Table of contents ABSTRACT ....................................................................................................................................... iii ACKNOWLEDGEMENTS ................................................................................................................ iv Introduction .......................................................................................................................................... 1 1. Democritus’ philosophy in Diodorus Siculus .......................................................................... 4 1.1. Democritus’ cosmogony ................................................................................................. 6 1.2. The primary state of human beings ................................................................................. 8 1.3. Living the bestial life .................................................................................................... 10 1.4. Fear................................................................................................................................ 10 1.5. Language ....................................................................................................................... 11 -
THE CATHOLIC UNIVERSITY of AMERICA Passions, Virtue, And
THE CATHOLIC UNIVERSITY OF AMERICA Passions, Virtue, and Moral Growth in John of Apamea’s Dialogues on the Soul A DISSERTATION Submitted to the Faculty of the School of Theology and Religious Studies Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy By Rodrigue J. Constantin Washington, D.C. 2020 Abstract Passions, Virtue, and Moral Growth in John of Apamea’s Dialogues on the Soul Rodrigue J. Constantin, Ph.D. Director: Paul J. Scherz, Ph.D. Virtue cultivation is an under-researched topic in theological virtue ethics. Moreover, little attention is given in virtue ethics to vice and its impact on virtue cultivation. In this dissertation, I respond to this lacuna by examining the role of the removal of evil passions in moral growth in the Dialogues on the Soul, whose author, John of Apamea, is a fifth-century ascetic who has introduced the discussion of passions in Syriac Christianity. For John, moral growth occurs in three stages: somaticity, psychicality, and pneumaticity. I argue that, for John, the gradual healing from evil passions facilitates one’s moral progress from one stage to another. After examining John’s theological anthropology, in the first chapter, I explore his views on the relationship of the body and the soul with the passions in chapters two and three. In chapter four, I focus on the morality of the passions, that is, whether the passions in themselves are good or evil, and to what degree one is morally responsible for them. I, then, reconstruct, in chapter five, a list of the passions and their variations in the Dialogues on the Soul, as well as the structure of the passions as stirrings that are intimately connected to thoughts.