Ajustada Cartelera

Total Page:16

File Type:pdf, Size:1020Kb

Ajustada Cartelera AÑO XXXII ENERO-DICIEMBRE 2011 Ajustada cartelera Ajustar viene de justo y justo ése directores como Miguel del Arco, fue en 2011 el verbo que más se Mario Gas, Blanca Portillo, Ca- conjugó: se jugó con, en efecto, un lixto Bieito, Alfredo Sanzol, Er- ajustado (asustado) presupuesto nesto Caballero, Miguel Ángel para salvar (ajustar) una progra- Solá; producciones del Centro mación que no admite, no debe Dramático Nacional, Teatro Es- admitir, ninguna marcha atrás. De pañol, La Zaranda, y compañías cuyo propósito (gracias, respetable encabezadas por Claudio Tolca- público) quedó testimonio en esos chir, Daniel Veronese, Juan Car- ciclos a veces llamados troncales los Pérez de la Fuente. de nuestra cartelera. Junto a ello, una abundante Ópera de Cámara de Varsovia: El cazador furtivo. Música en escena reunió en participación del teatro asturiano lírica títulos, a partes iguales, del en todas sus facetas: profesional, turianas tienen en la cartelera de la vuelta del Bridge Project y las repertorio de ópera (El cazador aficionado, escolar. (Un reciente Avilés, hasta abarcar un tercio del representaciones (con carácter ex- furtivo, La traviata) y zarzuela (La estudio sobre la programación del total de las actuaciones). clusivo en España) del Richard III, canción del olvido, La rosa del aza- año anterior, realizada con idén- Pero el acontecimiento teatral dirigido por Sam Mendes y prota- frán); neoclásicos y modernos en ticos criterios, destaca la gran más destacado de 2011 vino de la gonizado por Kevin Spacey. danza (Balletto di Milano, Com- presencia que las compañías as- mano del Centro Niemeyer, con No faltaron, por otra parte, los pañías de Iñaki Urlezaga y Rosa- estrenos (10), tradicional aliciente rio Cárdenas); y, junto a la tempo- de la cartelera escénica. rada anual de la OSPA, otras pres- En cuanto a los números con tigiosas agrupaciones orquestales los que este suma y sigue resu- (Cappella Istropolitana, Noneto me el funcionamiento anual, se Checo, Camerata del Prado). advierte el descenso de usuarios/ Teatro 2011 contó como todos espectadores, debido a la restric- los años con grandes nombres de ción de algunas actividades, com- la escena: intérpretes como Vicky pensado con el de usuarios/lecto- Peña, José María Pou, Juan res, producto del restablecimiento Echanove, Verónica Forqué, Nu- de todos los servicios de la Red ria Espert, Natalia Dicenta, Cha- RICARDO SOLÍS bibliotecaria. En conjunto supo- ro López, Javier Gurruchaga; Sergio Otegui y Blanca Oteyza en el estreno absoluto de Antes te gustaba la lluvia. nen 501.198 (494.289 en 2010). MANUEL HARLAN MANUEL DAVID RUANO DAVID The Bridge Project: Kevin Spacey en Richard III. José María Pou (en el centro) dirigió y protagonizó Llama un inspector. Página II Enero-diciembre 2011 Enero-diciembre 2011 Página III ‘Avilés arte sonoro’ MARIETA Orquesta Sinfónica del Principado de Asturias dirigida por Kynan Johns. Ciclo programado por el Servi- Ópera de Cámara de Varsovia: El cazador furtivo. cio Municipal de Promoción y Difusión Cultural. Las representaciones relacio- nadas en esta página y en las • The World of Abba. (12 febrero). cinco siguientes tuvieron lugar • Isaac Turienzo y Vaudí. (19 en el Teatro Palacio Valdés, ex- febrero). cepto cinco celebradas en el • Quique González: Desbanda- Auditorio (página VIII). dos. (19 marzo). • Septeto Santiaguero y Rey- La lírica naldo Creagh. (2 abril). ANDRÉS DE GABRIEL ANDRÉS CASTILLO • Avilés, ciudad dylanita. (21 Tomás Garrido (de espaldas) dirige a la Camerata del Prado, con los so- MÚSICA EN ESCENA Cappella Istropolitana. listas Magdalena Llamas, Gabriel Díaz, Miguel Bernal e Isidro Anaya. mayo). (ENERO-JUNIO) • Soul Tellers. (15 octubre). Los conciertos relacionados en Perry So. Solista (violín): Valeriy • Orquesta Sinfónica del Prin- • El cazador furtivo. Ópera de Entidades • From The Jam. (5 noviembre). esta página y siguiente tuvieron Sokolov. (24 marzo). cipado de Asturias. Director: Carl Maria von Weber. Produc- • Gladiadord, musical freak. Es- lugar en el Auditorio de la Casa • Orquesta Sinfónica del Prin- Benjamin Bayl. Solistas: José Luis ción de la Ópera de Cámara de treno absoluto. (3 diciembre). Municipal de Cultura. cipado de Asturias. Director: Ari Morató (trompa), Vicente Masca- Entidades musicales con pro- Varsovia. Con Slawomir Jurczac Rasilainen. (28 abril). rell (fagot), Juan Ferriol (oboe) y gramación en el Auditorio. • Pepín Salazar y Tino di Geral- (Max), Tatjana Hempel (Ágata), do. (10 diciembre). Programación • Orquesta Sinfónica del Prin- Andreas Weisgerber (clarinete). RICARDO SOLIS Andrzej Klimczack (Kaspar) y cipado de Asturias. Concierto de (10 noviembre). • Sociedad Filarmónica Avile- • Patricia Kraus: Retrocollection. MARIETA Mario Braña y Omar Majbour (curso de músi- otros. Sinfonietta de Varsovia. de la Casa XX aniversario. Director: Maximia- • Camerata del Prado. Director: sina. Cinco conciertos de su tem- (17 diciembre). Vaudí e Isaac Turienzo (Avilés arte sonoro). ca de La Granda). Coro de la Ópera de Cámara de no Valdés. (13 mayo). Tomás Garrido. Solistas: Magda- porada LVI y cuatro de su tempo- Varsovia. Director de escena: lena Llamas (soprano), Gabriel rada LVII. (Enero-mayo y octubre- Marek Weis. Director musical: MÚSICA EN ESCENA • Orquesta Sinfónica del Prin- Díaz (contratenor), Miguel Bernal diciembre). Rubén Silva. (11 febrero). (ENERO-JUNIO) cipado de Asturias. Director: (tenor) e Isidro Anaya (bajo). (16 • Conservatorio Julián Orbón. • La canción del olvido. Zar- • Noneto Checo. (27 enero). David Lockington. (2 junio). diciembre). Conciertos de primavera, de fin zuela de José Serrano. Produc- • Orquesta Sinfónica del Prin- de curso y de Navidad. (22 marzo, ciones La Folía. Con Fuensanta cipado de Asturias. Director: MÚSICA EN ESCENA 11 junio y 20 diciembre). Morcillo (Rosina), Alberto Arrabal Kynan Johns. Solista (barítono): (OCTUBRE-DICIEMBRE) Los dos ciclos de Música en es- • Agrupación Polifónica Centro (Leonello) y otros. Orquesta Dietrich Henschel. (17 febrero). • Cappella Istropolitana. Director: cena incluyeron además funcio- Asturiano de Avilés. XX Encuen- Filarmónica de La Mancha. • Orquesta Sinfónica del Prin- Róbert Mareček. Solista (soprano): nes de ópera, zarzuela y danza tro Coral de Habaneras. (24 y 25 Schola Cantorum de Albacete. cipado de Asturias. Director: Petra Froese. (21 octubre). (véanse páginas III, IV y VIII). abril). Director de escena: José María López Ariza. Director musical: • Asociación Cultural Avilés SERGIO LÓPEZ Francisco Moya. (8 abril). Joven. VIII Festival Coral Interna- Sakapatú: Un viaje por la música andina. Producciones La Folía: La canción del olvido. cional Asturias Joven. (30 abril y 14 mayo). Otros conciertos Navidad. (9 abril, 4 octubre y 23 • Orquesta de Jóvenes de la diciembre). Región de Murcia. Directora: Vir- • Asociación de Amas de Casa. ginia Martínez. Solista (violín): • Servicio Municipal de Promo- Coral Contracanto. (11 abril). Antonio García Egea. (12 sep- ción y Difusión Cultural. Beatriz • La Voz de Avilés. VIII Concur- tiembre). Díaz y Sabugo Filarmonía (gala so de la Canción Asturiana. (7, 8, • Asociación Coral Avilesina. lírica de Reyes), Morrigans y 12, 13 y 15 julio). XXVIII Certamen Coral Villa de Cuarteto Sabugo Filarmonía. (8 • Cursos de La Granda. Mario RICARDO SOLÍS MARIETA Avilés. (12, 19 y 26 noviembre). enero, 15 abril y 29 abril). Braña (violín) y Omar Majbour Virginia Martínez dirige a la Orquesta de Jóvenes de la Región de Murcia. Harmonía XXI (temporada de la Sociedad Filarmónica). • Fundación La Caixa. Saka- (piano). (14 julio). patú: Un viaje por la música an- Imprime: dina. (19 y 20 enero, dos sesio- MERCANTIL-ASTURIAS, S. A. Director: Secretaría Técnica: Jefe Técnico: nes cada día). ANTONIO RIPOLL ZAIDA GLEZ. VALCÁRCEL JAVIER FDEZ. VALDÉS D. L.: AS.-2.755/89 • Sociedad Económica de Ami- I.S.S.N.: 0214 - 8234 Total Jefa Sección Bibliotecas: Publicaciones: Coordinadora Centros: Pza. Domingo Álvarez Acebal, 2 RICARDO SOLÍS gos del País. Conciertos de Die- SERGIO LÓPEZ C. P.: 33402 ROSARIO FDEZ. MONTAÑO JOSÉ F. ÁLVAREZ JULIA RGUEZ. FRANCO © CASA MUNICIPAL DE CULTURA conciertos: 56 Tfnos.: 98 551 04 39 - 98 551 04 52 AVILÉS Beatriz Díaz con Sabugo Filarmonía (gala lí- go Fernández Magdaleno (piano), VIII Concurso de la Canción Asturiana La Voz rica de Reyes). de homenaje a Justo Ureña y de de Aviles. Página IV Enero-diciembre 2011 Enero-diciembre 2011 Página V SON AOUJIL SON SERGIO LÓPEZ Producciones La Folía: La rosa del azafrán. La avería. Javier Gurruchaga y Charo López en Carcajada salvaje. MÚSICA EN ESCENA OCTUBRE-DICIEMBRE • La traviata. Ópera de Giuseppe Verdi. Producción de la State Opera de Bulgaria. Con Mariya Tsvetkova (Violetta), Petar Kostov (Alfredo), Alexandar Krounev (Germont) y otros. Orquesta y Co- ro del Teatro de la Ópera de Ru- se. Director escénico: Marco Ca- tena. Director musical: Stefano Adabbo. (14 octubre). NAVAL JAVIER RICARDO SOLÍS DANIEL DICENTA DANIEL • La rosa del azafrán. Zarzuela Roberto Álamo y Vicky Peña en Un tranvía MARIETA JESÚS VALLINAS llamado deseo. Natalia Dicenta y Miguel Rellán en Al final del arco iris. de Jacinto Guerrero. Producciones State Opera de Bulgaria: La traviata. Verónica Forqué en Shirley Valentine. Mi mapa de Madrid. La Folía. Con Minerva Moliner (Sa- • Lazona: Tartufo de Molière. • Lazona y Teatro Español: El • Centro Dramático Nacional y • Producción de Carlos Lorenzo: • Mastia Producciones y Riga: Al • La Zaranda: Nadie lo quiere • Teatro de La Abadía y Kamika- grario), César San Martín (Juan Traducción y versión: Mauro Ar- proyecto Laramie
Recommended publications
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Rannual Report 2019
    ANNUAL REPORT 2019 3 Dorset Rise, London EC4Y 8EN 020 7822 2810 – [email protected] www.rts.org.uk RtS PATRONS PRINCIPAL PATRONS BBC ITV Channel 4 Sky INTERNATIONAL PATRONS A+E Networks International Netflix Discovery Networks The Walt Disney Company Facebook Viacom International Media Networks Liberty Global WarnerMedia NBCUniversal International YouTube MAJOR PATRONS Accenture IMG Studios All3Media ITN Amazon Video KPMG Audio Network Motion Content Group Avid netgem.tv Boston Consulting Group NTT Data BT OC&C Channel 5 Pinewood TV Studios Deloitte S4C EndemolShine Sargent-Disc Enders Analysis Spencer Stuart Entertainment One STV Group Finecast The Trade Desk Freeview UKTV Fremantle Vice Gravity Media Virgin Media IBM YouView RTS PATRONS Autocue Lumina Search Digital Television Group Mission Bay Grass Valley PriceWaterhouseCoopers Isle of Media Raidió Teilifís Éireann 2 BOARD OF TRUSTEES REPORT TO MEMBERS Forewords by RTS Chair and CEO 4 I Achievements and performance 6 1 Education and skills 8 2 Engaging with the public 16 3 Promoting thought leadership 24 4 Awards and recognition 30 5 The nations and regions 36 6 Membership and volunteers 40 7 Financial support 42 8 Our people 44 9 Summary of national events 46 10 Centre reports 48 II Governance and finance 58 1 Structure, governance and management 59 2 Objectives and activities 60 3 Financial review 60 4 Plans for future periods 62 5 Administrative details 62 Independent auditor’s report 64 Financial statements 66 Notes to the financial statements 70 Who’s who at the RTS 84 Royal Television Society AGM 2020 In light of the restrictions in place due to the Covid-19 crisis, the Society is reviewing the timing and logistics involved in holding its 2020 AGM.
    [Show full text]
  • INSPECTOR GEORGE GENTLY Vlii PRESS PACK Created by Peter
    INSPECTOR GEORGE GENTLY VlII PRESS PACK Created by Peter Flannery Produced by Company Pictures For BBC ONE Broadcast Series starts BBC WEEK 17 TBC by the BBC on BBC ONE ALL interviews strictly embargoed until lead up to TX ALL guest star interviews strictly embargoed until week of their corresponding episode For further information please contact Deborah Goodman Publicity on 020 8959 9980 or [email protected] For photography please contact BBC Pictures www.bbcpictures.com or [email protected] To view please contact BBC Preview Tapes Department or www.bbcpreviews.co.uk 1 INSPECTOR GEORGE GENTLY VIII Contents Page No INTRODUCTION 3-4 PRODUCTION CREDITS 5 FILM 1 SYNOPSIS – 6 CAST LIST – Gently With The Women FILM 2 7 SYNOPSIS – Breathe In The Air CAST LIST FILM 3 8 SYNOPSIS – Gently Among Friends CAST LIST FILM 4 9 SYNOPSIS – Son Of A Gun CAST LIST CAST INTERVIEWS REGULARS Martin Shaw 10-11 Lee Ingleby 12-13 Lisa McGrillis 14 Annabel Scholey 15 GUEST STAR EPISODIC INTERVIEWS FILM 1 - Gently With The Women: Denise Welch 16 FILM 2 - Breathe In The Air: Lesley Nicol 17 FILM 3 - Gently Among Friends: Jim Moir 18 Louise Brearley 19 FILM 4 – Son Of A Gun: Jody Latham 20 2 Inspector George Gently VIII 1969: and Gently (MARTIN SHAW) and Bacchus (LEE INGLEBY) return to BBC ONE for the eighth series of the classic INSPECTOR GEORGE GENTLY, with four new feature- length films. This season PETER FLANNERY writes the first two episodes – with stories that tap into the period with all its vivid and colourful changes in perfect detail.
    [Show full text]
  • ANNUAL REPORT and ACCOUNTS the Courtyard Theatre Southern Lane Stratford-Upon-Avon Warwickshire CV37 6BH
    www.rsc.org.uk +44 1789 294810 Fax: +44 1789 296655 Tel: 6BH CV37 Warwickshire Stratford-upon-Avon Southern Lane Theatre The Courtyard Company Shakespeare Royal ANNUAL REPORT AND ACCOUNTS 2006 2007 2006 2007 131st REPORT CHAIRMAN’S REPORT 03 OF THE BOARD To be submitted to the Annual ARTISTIC DIRECTOR’S REPORT 04 General Meeting of the Governors convened for Friday 14 December EXECUTIVE DIRECTOR’S REPORT 07 2007. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is ACHIEVEMENTS 08 – 09 hereby given that the Annual General Meeting of the Governors will be held in The Courtyard VOICES 10 – 33 Theatre, Stratford-upon-Avon on Friday 14 December 2007 FINANCIAL REVIEW OF THE YEAR 34 – 37 commencing at 2.00pm, to consider the report of the Board and the Statement of Financial SUMMARY ACCOUNTS 38 – 41 Activities and the Balance Sheet of the Corporation at 31 March 2007, to elect the Board for the SUPPORTING OUR WORK 42 – 43 ensuing year, and to transact such business as may be trans- AUDIENCE REACH 44 – 45 acted at the Annual General Meetings of the Royal Shakespeare Company. YEAR IN PERFORMANCE 46 – 51 By order of the Board ACTING COMPANIES 52 – 55 Vikki Heywood Secretary to the Governors THE COMPANY 56 – 57 CORPORATE GOVERNANCE 58 ASSOCIATES/ADVISORS 59 CONSTITUTION 60 Right: Kneehigh Theatre perform Cymbeline photo: xxxxxxxxxxxxx Harriet Walter plays Cleopatra This has been a glorious year, which brought together the epic and the personal in ways we never anticipated when we set out to stage every one of Shakespeare’s plays, sonnets and long poems between April 2006 and April 2007.
    [Show full text]
  • 4 Modern Shakespeare Festivals
    UNIVERSIDAD DE MURCIA ESCUELA INTERNACIONAL DE DOCTORADO Festival Shakespeare: Celebrating the Plays on the Stage Festival Shakespeare: Celebrando las Obras en la Escena Dª Isabel Guerrero Llorente 2017 Page intentionally left blank. 2 Agradecimientos / Acknoledgements / Remerciments Estas páginas han sido escritas en lugares muy diversos: la sala becarios en la Universidad de Murcia, la British Library de Londres, el centro de investigación IRLC en Montpellier, los archivos de la National Library of Scotland, la Maison Jean Vilar de Aviñón, la biblioteca del Graduate Center de la City University of New York –justo al pie del Empire State–, mi habitación en Torre Pacheco en casa de mis padres, habitaciones que compartí con Luis en Madrid, Londres y Murcia, trenes con destinos varios, hoteles en Canadá, cafeterías en Harlem, algún retazo corregido en un avión y salas de espera. Ellas son la causa y el fruto de múltiples idas y venidas durante cuatro años, ayudándome a aunar las que son mis tres grandes pasiones: viajar, el estudio y el teatro.1 Si bien los lugares han sido esenciales para definir lo que aquí se recoge, aún más primordial han sido mis compañeros en este viaje, a los que hoy, por fin, toca darles las gracias. Mis primeras gracias son para mi directora de tesis, Clara Calvo. Gracias, Clara, por la confianza depositada en mí estos años. Gracias por propulsar tantos viajes intelectuales. Gracias también a Ángel-Luis Pujante y Vicente Cervera, quienes leyeron una versión preliminar de algunos capítulos y cuyos consejos han sido fundamentales para su mejora. Juanfra Cerdá fue uno de los primeros lectores de la propuesta primigenia y consejero excepcional en todo este proceso.
    [Show full text]
  • Dialogue Coach Cv a Mccourt 06022021
    CURRICULUM VITAE Adrian McCourt DIALOGUE COACH Italy cell: 00393388555361 U.K cell: 0044(0)7774297524 E-mail: [email protected] Date and place of birth: May 5th 1961, London. WEB SITE: www.adrianmccourtvoicecoach.com Michael Madsen, Tom Arnold, Douglas Dean, Katie McGovern. Director: Francesco Cinquemani. Comedy. (General American accent) Minerva productions. “THE CHRISTMAS WITCH” (2021) Liam Cunningham (Game of Thrones), Kasia Smutniak, Isabella Rossellini, Darrell D’Silva, Earl Cave, Lex Shrapnel, Brian Mccardie, Michael McNulty, Ben Batt, Claire Forlani, Christine Bottomley, Antohny Barclay, Alexandra Moloney, Oliver Huntingdon, Colette Tchantcho, Melodie Wakivuamina, Bailey Spalding, Merch Huset, Alex Lanipekun, Liah O’Prey, Liam Garrigan, Peter Campion, Ewan Horrocks, Finn Bennett, Joseph Ollman, Oliver Dench, Mark Rowley, Greg Hicks, Anthony Calf, Claudia Stecher, Alais Lawson, Emma Canning, Pedro Leandro, Martina Galletta, Emily Bevan, Naike Silipo, Kevin Lettieri, Nadia Parkes. “DOMINA” - Season One (end of 2020/ 2019) SKY/ Fifty Fathoms/ Cattleya series. (Engl RP etc) Directors: David Evans/ Claire Mccarthy/ Debs Paterson. Alan Cox, Antonio Fazzini, Tori Frazer, Dickran Tulane, M.Tomlinson, Mathew Sanders, Giacomo Rocchini. “DANTE”. DOCUMENTARY DIRECTED BY RIC BURNS. PRODUCED BY STEEPLECHASE FILMS, NEW YORK, FOR PBS/BBC (2020 Florence. 2019 London) (Engl RP and ITALIAN voice coaching). Patrick Dempsey (Grey’s Anatomy), Alessandro Borghi (Suburra), Laia Costa (Victoria, Duck butter) , Lars Mikkelsen (Sherlock), Kasia Smutniak
    [Show full text]
  • Creative Team Gemma Aked-Priestley Director
    CAST Oscar Adams Robert Akodoto Curtis Jez Callum Cronin Ardan Devine Bethany Merryn Gavin, Wayne Tommy Nina Jasmín Pitt Cecilia Rodriguez Georgina Tack Stacey Alex Link If you have any enquiries regarding representation or working with any of the graduates, please contact Ed Hicks, Principal, at [email protected] Alice Unitt Christopher Watson Sarah Zak Creative Team Director Gemma Aked-Priestley Lighting Designer Rachel Sampley Set and Costume Designer Natalie Johnson Sound Designer Annie-May Fletcher Production Manager Mishi Bekesi Technical Manager Daniel Parry With thanks to: The Mill Arts Centre, Applecart Arts Gemma Aked-Priestley Director Gemma is a theatre director with a passion for new writing. Her work can be identified as emotionally daring, visually dynamic and “live”. As a woman from a working-class background the need to provide platforms for under-represented voices is embedded in the fabric of her work. Directing credits include Ripe (Nuffield Southampton Theatres, Make It So Festival 2020) My Dad’s Blind (Irish Tour 2019/ Abbey Theatre/Dublin Fringe Festival 2018, Winner of Best Production and Best Design 2018); Passing (Winner of the Theatre Royal Haymarket’s Masterclass Trust’s Pitch Your Play Award 2018, staged readings at the Theatre Royal Haymarket/Royal Academy of Dramatic Arts/The Bunker Theatre/Pleasance Theatre; The Narcissist (Flux Theatre/Hen and Chickens Theatre) Gracie (Finborough Theatre, Off West End Awards Nomination for Best Actress) and Grimm: An Untold Tale (Underbelly, Edinburgh Fringe Festival). Assistant directing credits include Mehmet Ergen on Little Miss Sunshine the Musical (Arcola Theatre); Mehmet Ergen on Stop & Search (Arcola Theatre); Sam Hodges on the world premiere and revival productions of The Shadow Factory (Nuffield Southampton Theatres); Daniel Goldman on Thebes Land (Winner of Best Production, Off West End Awards 2016, Arcola Theatre) and David Mercatali on Tonight with Donny Stixx (Bunker Theatre).
    [Show full text]
  • Television Society November 2019 L Volume 56/10
    November 2019 The art of screenwriting Jack Thorne Jez Butterworth Russell T Davies ScreenSkills develops and sustains a world-class workforce for UK film, TV (high-end, children’s, unscripted), animation, VFX and games Do you want to share your industry experience and boost your career? Give back. Become a mentor Visit ScreenSkills.com/mentoring for information on how you can help shape the future of the industry Peaky Blinders © BBC/Caryn Mandabach Production Ltd 2019/Robert Viglasky Killing Eve 2 © Sid Gentle Productions Doctor Who © BBC Journal of The Royal Television Society November 2019 l Volume 56/10 From the CEO Elsewhere, all eyes This was followed by a Q&A with the broadcaster and political journalist might be on the elec- series’ creators. It was great to see so and former Chair of the RTS Televi- tion but, here at the many of the show’s dedicated fans at sion Journalism Awards; Seetha RTS, we’ve continued this highly entertaining evening. Kumar, CEO of ScreenSkills; Andy to roll out our autumn It is always a thrill to get out of Lon- Lucas, vice-president, global distribu- events calendar. don and visit the nations and regions. tion technology, Universal Pictures The early-evening Attending this year’s RTS Northern International; Kevin Lygo, ITV’s direc- session on branded content was a Ireland Programme Awards, held in tor of television; Niall Sloane, ITV’s sell-out. Huge thanks to everybody Belfast and hosted by Vogue Williams, director of sport; Jane Turton, CEO of who made this such an informative was a real pleasure.
    [Show full text]
  • MEDICI BROCHURE WB Nov 09
    CreATed bY: NicholAs MeYer ANd FrANk SpoTNiTz DirecTed bY: Sergio MiMicA-GezzAN PEOPLE FEAR KINGS KINGS FEAR POPES POPES FEAR THE MEDICI Format 8 x 50’ Genre Murder Mystery Political Thriller Created by Nicholas Meyer Frank Spotnitz Directed by Sergio Mimica-Gezzan Executive Producers Frank Spotnitz Luca & Matilde Bernabei Locations Florence: Renaissance real locations Tuscan countryside Rome Shooting September 2015 Delivery September 2016 Production Company Lux Vide SPA Big Light Productions Ltd International Distribution Wild Bunch TV FloreNce, 1429 Giovanni de’ Medici, thanks to a contract stipulated with the Papacy twenty years before, has transformed his family bank into an unprecedented economic force. But then, Giovanni is mysteriously murdered, and his sons, Cosimo and Lorenzo, are forced to face a range of enemies plotting to oust the Medici fom power. First in line is Rinaldo Albizzi, head of the faction of nobles, who stands opposed not only to the rise of the middle class, favored by the Medici, but also to Cosimo’s vision for the city, including his patronage of magnificent works of art and architecture by such great artists as Donatello and Brunelleschi. Also in the Medici family keeping the peace is not an easy task. Lorenzo and Cosimo are nearly opposite in temperament, and Cosimo’s marriage to Contessina de Bardi – formed as a political alliance but then matured into a formidable partnership – will be severely strained during his exile in Venice. It is there that Cosimo takes up with Maddalena, a beautiful slave who becomes his mistress and the mother of his illegitimate son. In the meantime, the mystery of who killed Giovanni continues to lurk behind the scenes, and a new arch- enemy appears on the horizon in the person of the rival THE banker Pazzi.
    [Show full text]
  • Mary-Jane Burcher
    President: Vice President: No. 483 - June 2013 Simon Russell Beale CBE Nickolas Grace Price 50p when sold The ‘Winslow Boy’ celebrates Shakespeare’s Birthday Party! by Jim Ranger This year, Henry Goodman, ably supported by young Charlie Rowe, performed the historic Vic-Wells role of proposing a toast to the Bard on his birthday! Henry said he greatly admired and enjoyed Shakespeare's plays. (He certainly has acted in many of them - most memorably in the role of Shylock at the National Theatre). Amazingly, Henry and Charlie both share a birth date with Shakespeare - so a birthday cake was prepared for all three to be enjoyed back stage later. Members were delighted that Henry stayed so long and spoke to so many of our members. At the Old Vic Henry Goodman played the father (Arthur Winslow) of ‘The Winslow Boy’ (Charlie Rowe). Godwin’s Charlie Rowe and Henry Goodman thought provoking performance was moving and poignant. Charlie Rowe, as the ‘Winslow Boy’ looked, on stage, convincingly young, likable, naive and believable (and, towards the end of the play, displayed a lack of full adult understanding and nonchalance so very typical of the adolescent). Thankfully, as you can see from the photographs, he was much more animated at our party! Henry Goodman and Vic-Wells members enjoy a wonderful spread! ...and a birthday cake for three! Our thanks go to the Old Vic for letting us use the second floor bar area between the matinee and the evening performance, as well as to Ruth Jeayes (and her team!) for providing all the delicious food and wine and to Yvonne Hickman for making and decorating the fabulous cake.
    [Show full text]
  • Sunday Morning Grid 7/17/16 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 7/17/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Gospel Music Presents Going the Distance (N) 4 NBC 2016 Open Championship Final Round. From Royal Troon Golf Club in South Ayrshire, Scotland. (4) (N) Meet the Press (N) (TVG) Beach Volleyball 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Å News (N) Eye on L.A. Paid Eye on L.A. 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX In Touch Paid Fox News Sunday Midday Paid Program Pregame MLS Soccer 13 MyNet Paid Program Paid Program 18 KSCI Man Land Mom Mkver Church Faith Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Transform. Transform. 24 KVCR Painting Painting Joy of Paint Wyland’s Paint This Painting Kitchen Let’s Dine Out (TVG) Ellie’s Real Baking Project 28 KCET Wunderkind 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ Ed Slott’s Retirement Road Map... From Forever Eat Dirt-Axe 30 ION Jeremiah Youssef In Touch Leverage Å Leverage The Toy Job. Leverage (TV14) Å Leverage Å 34 KMEX Conexión Paid Program Fútbol Central (N) Fútbol Mexicano Primera División República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Pathway Super Kelinda John Hagee 46 KFTR Paid Program Firehouse Dog ›› (2007) Josh Hutcherson.
    [Show full text]
  • 2012 Winter/Spring Season January
    2012 Winter/Spring Season January Philip Taaffe, Chorus, 2011 (detail) BAM 2012 Winter/Spring Season sponsor: Published by: BAM 2012 Winter/Spring Brooklyn Academy of Music Bank of America Alan H. Fishman, presents Chairman of the Board William I. Campbell, The Bridge Project Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Richard III Joseph V. Melillo, Executive Producer Produced by BAM, The Old Vic & Neal Street By William Shakespeare Directed by Sam Mendes BAM Harvey Theater Jan 10—Mar 4, 2012 Approximate running time: three hours and 15 minutes, including one intermission Scenery by Tom Piper Costumes by Catherine Zuber Lighting by Paul Pyant BAM 2012 Winter/Spring sponsor: Projection by Jon Driscoll Sound by Gareth Fry Bank of America is the proud presenting sponsor of Music by Mark Bennett The Bridge Project Musical coordination and direction by Curtis Moore Leadership support for The Bridge Project provided Fight direction by Terry King by Stavros Niarchos Foundation Artistic associate Gaye Taylor Upchurch Bridge Project Production Partners: Celia Atkin; Casting by Daniel Swee and Maggie Lunn John & Samantha Hunt; Donald R. Mullen Jr.; International Tour Producer Claire Béjanin Tony Randall Theatrical Fund; Jon & NoraLee Sedmak; Carol & Ian Sellars; Scott & Kathleen Simpson; and Barbara & David Zalaznick with additional support from Mr. Remmel T. Dickinson; Sophie Hughes; First performance of this production was at The Old Vic, Sharon E. Karmazin; and Peregrine Whittlesey. London, on June 18, 2011 Major support for theater at BAM provided by Rose M. Badgeley Residuary Charitable Trust; The Gladys Krieble Delmas Foundation; Frederick Loewe Foundation; The Fan Fox & Leslie R.
    [Show full text]