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Hampe, George 1-29
GEORGE HAMPE THEATRE Romeo and Juliet Romeo Huntington Theater, Dir. Peter DuBois Dead Metaphor (World Prem.) Dean Trusk A.C.T., Dir. Irene Lewis Arcadia Valentine (u/s) Yale Rep, Dir. James Bundy Regrets Caleb/Hanratty (u/s) Manhattan Theatre Club, Dir. Carolyn Cantor Another Day, Another Dream (World Prem.) Jack Pittsburgh Irish & Classical Theatre, Dir. Stephanie Riso Much Ado About Nothing Claudio Pittsburgh Shakespeare in the Parks Geography of a Horse Dreamer The Waiter Pittsburgh Irish & Classical Theatre YALE SCHOOL OF DRAMA Tis Pity She’s a Whore Soranzo Dir. Jess Rasmussen Tiny Neil Dir. Kevin Hourigan Mrs. Galveston Jim Dir. Rachel Carpman (Yale Cabaret) The Three Sisters Tusenbach Dir. Joan MacIntosh Clybourne Park Jim/Tom/Kenneth Dir. Joan MacIntosh Merchant of Venice Gratiano/Aragon Dir. Kevin Hourigan Othello Brabantio/Montano Dir. Beth Dinkova UBU ROI Company Dir. Christopher Bayes Measure for Measure Duke Ensemble TELEVISION AND FILM The Chaperone Supporting Lead Masterpiece/ Michael Engler Madam Secretary Co-Star CBS/ Rob Greenlea The Good Fight Co-Star CBS/ Michael Zinberg Unforgettable Co-Star CBS/ Matt Earl Beasley Blue Bloods Co-Star CBS/ Martha Mitchell One Tree Hill Co-Star WB/ Austin Nichols Wicked Attraction Guest Star The Discovery Channel TRAINING MFA - Yale School of Drama Ron Van Lieu, Evan Yionoulis, Robert Woodruff, Peter Francis James, Steven Skybell, James Bundy, Beth McGuire, Ron Carlos, Christopher Bayes, Glenn Allen, Anne Tofflemire, Rick Sordelet, Michael Rossmy, Jessica Wolf, Bill Connington. Stella Adler Studio of Acting: Antonio Merenda, Jon Korkes, Joanne Edelmann Upright Citizen’s Brigade (101, 201): Patrick Clair, Kevin Hines, Molly Thomas Special Skills: Improvisation, Ukulele, Guitar, Horseback Riding, Singing (Tenor/Baritone) MANAGER: Kate Moran / Untitled Ent. -
Joel Devlin Director of Photography
Joel Devlin Director of Photography Credits include: WILLOW Director: Debs Paterson High Fantasy Action Adventure Drama Series Showrunner: Wendy Mericle Writer/Executive Producer: Jon Kasdan Executive Producers: Ron Howard, Kathleen Kennedy Roopesh Parekh, Michelle Rejwan Producer: Tommy Harper Featuring: Ellie Bamber, Erin Kellyman, Warwick Davis Production Co: Imagine Entertainment / Lucasfilm / Disney+ ALEX RIDER Director: Rebecca Gatward Action Adventure Spy Series Producer: Richard Burrell Featuring: Otto Farrant, Vicky McClure, Stephen Dillane Production Co: Eleventh Hour Films / Amazon ITV Studios / Sony Pictures Television THE BEAST MUST DIE Director: Dome Karukoski Crime Drama Producer: Sarada McDermott Featuring: Jared Harris, Cush Jumbo, Billy Howle Production Co: New Regency Television International / BritBox THE SPANISH PRINCESS Director: Rebecca Gatward Tudor Period Drama Series Showrunner: Matthew Graham Featuring: Charlotte Hope, Ruari O’Connor, Olly Rix Production Co: New Pictures / Starz! HIS DARK MATERIALS: THE SUBTLE KNIFE Director: Leanne Welham Epic Fantasy Adventure Drama Series Series Producer: Roopesh Parekh Adaptation of Philip Pullman’s award-winning novel. Featuring: Dafne Keen, Ruth Wilson, Lin-Manuel Miranda ‘Will’s World’ for HIS DARK MATERIALS: NORTHERN LIGHTS Director Will McGregor Producer: Laurie Borg Production Co: Bad Wolf / HBO / BBC One THE TRIAL OF CHRISTINE KEELER Directors: Andrea Harkin, Leanne Welham Dramatisation of the infamous Profumo Affair Producer: Rebecca Ferguson that rocked the British -
Tops Globes Noms As Female Directors Break Through
20 Friday Lifestyle | Features Friday, February 5, 2021 Netflix’s ‘Mank’ tops Globes noms as female directors break through This video screen grab shows Taraji P Henson during the Golden This video screen grab shows Sarah Jessica Parker during the In this file photo shows Golden Globe statues are set by the Globes nominations. Golden Globes nominations. stage ahead of the 77th Annual Golden Globe Awards nomina- tions announcement in Beverly Hills.—AFP photos etflix’s “Mank,” a black-and-white drama that dives into Hollywood’s List of key Golden Globe nominees NGolden Age with the making of “Citizen Kane,” on Wednesday topped the ere are the nominees in key Young Woman” BEST FOREIGN LANGUAGE Eugene Levy, “Schitt’s Creek” nominations for the pandemic-delayed categories for the 78th Golden FILM Jason Sudeikis, “Ted Lasso” Golden Globes, as female directors finally HGlobe Awards, which will be BEST ACTOR, MUSICAL OR “Another Round” Ramy Youssef, “Ramy” broke through with multiple nods. “Mank” handed out in Beverly Hills on Febru- COMEDY “La Llorona” earned six nominations, including best ary 28. Netflix’s “Mank”-set in Hol- Sacha Baron Cohen, “Borat Sub- “The Life Ahead” BEST MUSICAL OR COMEDY drama, followed by fellow Netflix movie lywood’s Golden Age about the sequent Moviefilm” “Minari” ACTRESS “The Trial of the Chicago 7” on five, in an making of “Citizen Kane”-led all James Corden, “The Prom” “Two of Us” Lily Collins, “Emily in Paris” announcement that offered an important, films with six nominations. The Lin-Manuel Miranda, “Hamilton” Kaley Cuoco, “The Flight Atten- early glimpse into the movies leading this streaming service crushed the com- Dev Patel, “The Personal History BEST ANIMATED FEATURE dant” year’s unique awards season. -
Speed Kills / Hannibal Production in Association with Saban Films, the Pimienta Film Company and Blue Rider Pictures
HANNIBAL CLASSICS PRESENTS A SPEED KILLS / HANNIBAL PRODUCTION IN ASSOCIATION WITH SABAN FILMS, THE PIMIENTA FILM COMPANY AND BLUE RIDER PICTURES JOHN TRAVOLTA SPEED KILLS KATHERYN WINNICK JENNIFER ESPOSITO MICHAEL WESTON JORDI MOLLA AMAURY NOLASCO MATTHEW MODINE With James Remar And Kellan Lutz Directed by Jodi Scurfield Story by Paul Castro and David Aaron Cohen & John Luessenhop Screenplay by David Aaron Cohen & John Luessenhop Based upon the book “Speed Kills” by Arthur J. Harris Produced by RICHARD RIONDA DEL CASTRO, pga LUILLO RUIZ OSCAR GENERALE Executive Producers PATRICIA EBERLE RENE BESSON CAM CANNON MOSHE DIAMANT LUIS A. REIFKOHL WALTER JOSTEN ALASTAIR BURLINGHAM CHARLIE DOMBECK WAYNE MARC GODFREY ROBERT JONES ANSON DOWNES LINDA FAVILA LINDSEY ROTH FAROUK HADEF JOE LEMMON MARTIN J. BARAB WILLIAM V. BROMILEY JR NESS SABAN SHANAN BECKER JAMAL SANNAN VLADIMIRE FERNANDES CLAITON FERNANDES EUZEBIO MUNHOZ JR. BALAN MELARKODE RANDALL EMMETT GEORGE FURLA GRACE COLLINS GUY GRIFFITHE ROBERT A. FERRETTI SILVIO SARDI “SPEED KILLS” SYNOPSIS When he is forced to suddenly retire from the construction business in the early 1960s, Ben Aronoff immediately leaves the harsh winters of New Jersey behind and settles his family in sunny Miami Beach, Florida. Once there, he falls in love with the intense sport of off-shore powerboat racing. He not only races boats and wins multiple championship, he builds the boats and sells them to high-powered clientele. But his long-established mob ties catch up with him when Meyer Lansky forces him to build boats for his drug-running operations. Ben lives a double life, rubbing shoulders with kings and politicians while at the same time laundering money for the mob through his legitimate business. -
AM FTH Aug04 R1
From the Hill The Publication for Alumni of Albertus Magnus College AUGUST 2004 Albe rtus Kicks Of f Public Phase of Capital Campaign ith the start of the 200 4–2005 fiscal year on July 1, Albertus Magnus College kicked off W the public phase of its $5.5 million capital campaign. The campaign will raise funds to support construction, outfitting and installation of leading edge technology for the new Academic Center for Science, Art and Technology, and to grow the College’s endowment. “I am very, very pleased to announce that we have made significant progress toward our goal, thanks to the extraordinary generosity and commitment of several major donors during the private, or leadership, phase of the campaign,” said President Julia M. McNamara. “Now, during this broadened public phase, (continued on page 4) Window designs for new chapel, page 4. HIGHLIGHTS Reunion 2004 . 2 Windows for New Chapel . 4 Campus News . 5 Alumni came to campus in June Sr. Thoma Swanson, O.P., has designed Commencement Gallery . 6 to renew friendships and enjoy the magnificent stained glass windows for camaraderie of “carefree days.” the new Grace Chapel. Class Notes . 8 REUNION Eleanor Savich Boruch ’54 shared her 50th Reunion with granddaughter Jenna LaRiviere, and daughter Susan LaRiviere. Karen Hickerson ’99 CE and husband, Jay, enjoyed the festivities. Jean Venditti Leary proudly represented the class of 1934 at her 70th Reunion. Kristine Schweter Golden ’84 made Reunion a family affair with her husband, Edward, and children Alexa and Kyle. Good friends, old photos, fond memorie s… Stacey Maturo and friend Chris Arden ’99 with Garrett Dell ’99 and then fiancée Laura Linke at the Reunion dinner. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Fleabag’ from London’S West End Expands Distribution in U.S
MEDIA ALERT – September 20, 2019 ‘Fleabag’ from London’s West End Expands Distribution in U.S. Cinemas Monday, November 18 for One Night See the critically acclaimed, award-winning one woman show that inspired the network series with BAFTA winner and Emmy nominee Phoebe Waller-Bridge • WHAT: Fathom Events, BY Experience and National Theatre Live release “Fleabag” in cinemas on Monday, November 18, 2019 at 7:00 p.m. local time, captured live from Wyndham’s Theatre London during its sell out West End run. • WHERE: Tickets for these events can be purchased online by visiting www.FathomEvents.com or at participating theater box offices. Fans throughout the U.S. will be able to enjoy the events in nearly 500 movie theaters through Fathom’s Digital Broadcast Network (DBN). For a complete list of theater locations visit the Fathom Events website (theaters and participants are subject to change). • WHO: Fathom Events, BY Experience and National Theatre Live “Filthy, funny, snarky and touching” Daily Telegraph “Witty, filthy and supreme” The Guardian “Gloriously Disruptive. Phoebe Waller-Bridge is a name to reckon with” The New York Times Fleabag Written by Phoebe Waller-Bridge and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may appear emotionally unfiltered and oversexed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. Fleabag was adapted into a BBC Three Television series in partnership with Amazon Prime Video in 2016 and earned Phoebe a BAFTA Award for Best Female Comedy Performance. -
Rannual Report 2019
ANNUAL REPORT 2019 3 Dorset Rise, London EC4Y 8EN 020 7822 2810 – [email protected] www.rts.org.uk RtS PATRONS PRINCIPAL PATRONS BBC ITV Channel 4 Sky INTERNATIONAL PATRONS A+E Networks International Netflix Discovery Networks The Walt Disney Company Facebook Viacom International Media Networks Liberty Global WarnerMedia NBCUniversal International YouTube MAJOR PATRONS Accenture IMG Studios All3Media ITN Amazon Video KPMG Audio Network Motion Content Group Avid netgem.tv Boston Consulting Group NTT Data BT OC&C Channel 5 Pinewood TV Studios Deloitte S4C EndemolShine Sargent-Disc Enders Analysis Spencer Stuart Entertainment One STV Group Finecast The Trade Desk Freeview UKTV Fremantle Vice Gravity Media Virgin Media IBM YouView RTS PATRONS Autocue Lumina Search Digital Television Group Mission Bay Grass Valley PriceWaterhouseCoopers Isle of Media Raidió Teilifís Éireann 2 BOARD OF TRUSTEES REPORT TO MEMBERS Forewords by RTS Chair and CEO 4 I Achievements and performance 6 1 Education and skills 8 2 Engaging with the public 16 3 Promoting thought leadership 24 4 Awards and recognition 30 5 The nations and regions 36 6 Membership and volunteers 40 7 Financial support 42 8 Our people 44 9 Summary of national events 46 10 Centre reports 48 II Governance and finance 58 1 Structure, governance and management 59 2 Objectives and activities 60 3 Financial review 60 4 Plans for future periods 62 5 Administrative details 62 Independent auditor’s report 64 Financial statements 66 Notes to the financial statements 70 Who’s who at the RTS 84 Royal Television Society AGM 2020 In light of the restrictions in place due to the Covid-19 crisis, the Society is reviewing the timing and logistics involved in holding its 2020 AGM. -
Nestor Serrano Mayor Michael Salgado
NEW SERIES WEDNESDAY 24TH JUNE 1 \ WEDNESDAY 24TH JUNE Police work isn’t rocket science. It’s harder. Inspired by the New York Times Magazine article “Who Runs the Streets of New Becoming the city’s most advanced police district isn’t easy. Gideon knows if he’s Orleans” by David Amsden, APB is a new police drama with a high-tech twist from going to change anything, he needs help, which he finds from Detective Theresa executive producer/director Len Wiseman (Lucifer, Sleepy Hollow) and executive Murphy producers and writers Matt Nix (Burn Notice) and Trey Callaway (The Messengers). (Natalie Martinez, Kingdom, Under the Dome), an ambitious, street-smart cop who is Sky-high crime, officer-involved shootings, cover-ups and corruption: the willing to give Gideon’s technological ideas a chance. over-extended and under-funded Chicago Police Department is spiraling out of control. Enter billionaire engineer Gideon Reeves (Emmy® Award and Golden Globe® With the help of Gideon’s gifted tech officer, Ada Hamilton (Caitlin Stasey, Reign), nominee Justin Kirk, Tyrant, Weeds). After he witnesses his best friend’s murder, he he and Murphy embark on a mission to turn the 13th District – including a skeptical takes charge of Chicago’s troubled 13th District and reboots it as a technically Capt. Ned Conrad (Ernie Hudson, Grace and Frankie, Ghostbusters) and determined innovative police force, challenging the district to rethink everything about the officers way they fight crime. Nicholas Brandt (Taylor Handley, Vegas, Southland) and Tasha Goss (Tamberla Perry, Boss) – into a dedicated crime-fighting force of the 21st century. -
1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA. -
A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television
A TEXTUAL ANALYSIS OF THE CLOSER AND SAVING GRACE: FEMINIST AND GENRE THEORY IN 21ST CENTURY TELEVISION Lelia M. Stone, B.A., M.P.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Harry Benshoff, Committee Chair George Larke-Walsh, Committee Member Sandra Spencer, Committee Member Albert Albarran, Chair of the Department of Radio, Television and Film Art Goven, Dean of the College of Arts and Sciences Mark Wardell, Dean of the Toulouse Graduate School Stone, Lelia M. A Textual Analysis of The Closer and Saving Grace: Feminist and Genre Theory in 21st Century Television. Master of Arts (Radio, Television and Film), December 2013, 89 pp., references 82 titles. Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differences that serve to explain their widely disparate reception by the viewing public. Copyright 2013 by Lelia M. Stone ii TABLE OF CONTENTS Chapters Page 1 INTRODUCTION .............................................................................................. -
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