I Remember Me and Other Narratives
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VOID 23 Written, Illustrated, and Executed by Bhob Stewart, an Unsung Genius
^ONTHLlC^ LW gOltfHN INSTANT NO%Ai.&'A is edited by TED WHITE (107 Christopher St., New York 14, NY), GREG- BENFORD (204 Foreman Ave., Norman, Okla.), and FETE GRAHAM (still c/0 White); and is published by the aged and failing QWERTYUIOPress Gestetner 160. As usual, VOIR is available for money (25/ or 1/-), trade (all for all) contribution, or regular letters of comment. British agent is RON BENNETT (7 Southway, Arthurs Ave., Harrogate, Yorks., England). We're dickering for a German agent. Deadline THE UUIEUSH for material for next issue: February 15th. INTRODUCTION TO VOID 23 written, illustrated, and executed by Bhob Stewart, an unsung genius . i COVER by Lee Hoffmeta, and taken by her from her cover for QUANDRY 27/28 ............. 1 GAMBIT 40, the only column which is also a fanzine, by Ted White ......................................................................... 2 HAPPY BENFORD CHATTER by Greg Benford ..................................................................................................................................... 6 AN-OPENED LETTER TO WALT WILLIS by Larry & Noreen Shaw ................................................................................................. 7 BELFASTERS: WALT WILLIS, NEO-GENIUS by John perry, and reprinted from GRUE 23 ......................................... 8 WAN: SOME SMALL & RAMBLING REMINISCENCES by Lee Hoffman ............................................................................................ 13 WHERE THERE'S A WILLIS, THERE'S A WAYSGOOSE by Bob Shaw, and "Waysgoose" -
The Tucker Issue Second Edition
SF COMMENTARY 79 THE TUCKER ISSUE SECOND EDITION Bruce Gillespie Denny Lien Hank Luttrell Lesleigh Luttrell Philip Stephensen-Payne Wilson ‘Bob’ Tucker Paul Walker T. K. F. Weisskopf THANKS TONI WEISSKOPF, for her many years of work on the Tucker biography. The Second Edition really took off when Toni agreed to write a shortened version of her biography as the Introduction. Also thanks to Toni for the selection of Tucker photos she went me by email. Apologies in advance to the photographers — perhaps some of them will recognise their photos when they see them in print and can let me know. HELENA BINNS, who was the official photographer for Aussiecon I, Melbourne, 1975. She scanned and sent me a disk of the original colour photo of Tucker at the convention, as well as photos of other famous people looking impossibly young and hirsute. DITMAR (DICK JENSSEN), who says that the front cover of this issue, which combines a Tucker photo sent to me by Toni and a computer graphic, is the most difficult and time- consuming fanzine cover he’s produced. He points, in particular, to the wonderful glowing effect he’s given to the Great Ghod Tucker. Thanks also to Dick for computer-tweaking the photographs of several book covers in order to make them usable. BOB TUCKER, who, despite poor health, gave much help during the process of gathering together this issue. Bob alerted me to Toni’s biography and introduced me to her (by Internet), and also got in touch with . KEN KELLER, who sent me the copy of his 1975 fanzine, Nickelodeon No. -
Intermission #87.5
This is a special Worldcon edition of my regular APAzine, with some fan history for the Worldcon APA, then my report from Dublin2019 for EAPA – with my steaming take on the Ng/Campbell controversy! You get it because you are mentioned, you were there or I think you may otherwise be interested. Comments at welcome! --Ahrvid INTERMISSION #87.5 Small E-zine by Ahrvid Engholm, [email protected], usually for EAPA – but this is a special issue for WOOF (The Worldcon Order of Faneditors) If you need more Intermissions, follow my plea to join EAPA, which really needs new blood. Beware of typos! August 17, 2019. Editorially Sitting in the press room of Dublin2019, the Irish Worldcon, I notice that WOOF calls or contributions. So I've decided to try to put something together, making it a “half issue” of my regular EAPAzine. I'll dig up some interesting (I hope!) sf & fandom history. My second reason for this special issue is to make a little plea for EAPA. This Electronic APA began in 2004 (see http://efanzines.com/eapa/ ) and is probably the oldest of its electronic kind around. However, in the last few years it has had problems with finding new members and getting activity (though I do my best with Intermission). EAPA really needs new blood! So won't you consider joining? There are no fees, formal minac is one page every second month (EAPA is monthly) but there is some leeway. And all you need to do is to write something interesting and press “Save as PDF” in your word processor. -
An Introduction to Core Fandom!
Written By Arnie Katz Illustrations By Alan White An Introduction to Core Fandom! 1 A lot has happened since Bob Tucker produced the first edition of The Neofan’s Guide in 1955. The editors of the five subsequent editions should be commended for their trufannish spirit and their devotion to helping newcomers acclimate to our quirky and esoteric subculture. However, the brilliance of the original did not fully survive the successive renovations Not only did the excellence of Tucker’s work make it very hard for mere BNFs to revise, but the nature of Fandom itself has changed substantially. The relatively small and homogeneous hobby of the mid-1950’s has Balkanized into numerous specialized sub-Fandoms, Many fans today don’t really know much about the things that make Fandom what it is; it’s literature, history, customs, personalities and myths. Amid all the changes in demographics and population, the biggest difference between Fandom then and now is the impact of the Internet and digital technology. Fanzine Fandom has broadened its focus to embrace new forms of fannish literary and artistic creativity such as electronic fanzines, websites, listservs, podcasts and Internet TV. In the process, the sub-Fandom’s name has changed from ”Fanzine Fandom” to “Core Fan- dom.” (The name reflects the subcultures allegiance to the traditional fannish social contract and its concentra- tion on the extension of Fandom’s literary and artistic activities.) Despite the well-intentioned revisions, The Neofan’s Guide becomes less and less applicable to Fandom in the 21st Century. Lacking the presumption to re-write TNG so that it accurately portrays All Known Fandom, I decided to concentrate on what I know best and is closest to my heart — Core Fandom. -
Fanstuff: a Genuine Editorial Policy Statement from the Carnival Barker Fanstuff Is Available for the Asking
Part Two [Note: This is the conclusion of the initial presentation of the Fannish Eras Theory of Trufandom’s Fanhistory. I want your help in refining further.] Continued on page 2 1 The ‘Phony Seventh’: The Myth-Making Era An Object Lesson Focal Point: Quandry; then Vega Every fan doesn’t need, or even want, (Early 1951–Mid-1954) to be a fanhistorian. While it’s pleasant The Goshwow Era was a bubble. It didn’t resemble either the pre- to have some fans available with a com- ceding or succeeding Eras. That bubble burst when Art Rapp’s overseas prehensive knowledge of fanhistory, the average Trufan needs little more than posting ended the monthly genzine Spacewarp. No replacement materi- the typical American’s smattering of alized. US history. That’s when Fandom got very, very lucky. A Savannah, GA, teen- Occasionally, however, lack of under- ager encountered Fandom, read a bunch of old fanzine and began to standing of fanhistory is wedded to a publish. great desire to make fanhistory. Peter J. Vorzimmer combined both of Vampire and other Wartime Era fanzines inspired Lee Hoffman’s those traits with a big mouth, delusions Quandry . LeeH later revealed that she hadn’t seen Spacewarp before of grandeur and neofannish arrogance. launching Q. Early issues even had Joe Kennedy as a columnist. Bloch Robert Silverberg’s “Numbered Fan- and Tucker also showed renewed enthusiasm. doms” article had a huge effect on Hoffman wasn’t the only newcomer who made a big splash. Walt Vorz, though not in the way Bob would’ve preferred. -
VFW #109!” What an Optimist
1 It all started so innocently. I was working on the36th issue of Softcore Fantasy Adventures for the July, 2008 eMailing of SNAPS. I’m also the electronic monthly apa’s Official Editor, so I like to make a good showing in the bundle . So there I was, writing a series of short pieces for the editorial section when I got the idea that I ought to explain the Theory of Numbered Fandoms to my fellow SNAPSters, quite a few of whom are relatively new fans. “I’ll write 250-500 words,” I thought as I started on the piece. This was just one of several topics I planned to cover in that issue. So I started writing. The article became like a mirage extended farther and farther, the end seemingly just out of reach, as I concocted “The Numbered Fandoms Theory of Core Fandom Fanhistory. There was so much to discuss, so much to analyze. By the time I finished, I had roughly 7,000 words on the subject. The eMailing went out to the members. Several of them responded with unexpected enthusiasm, so I immediately set to work on a version suitable for general circulation. “I’ll use it as the editorial in VFW #109!” What an optimist. The result of my labors is this 28 -page issue entirely devoted to my 10,500 -word article and a lot of pho- tos and drawings I thought you might enjoy while reading it. The total memory of the file is daunting enough; I can’t possibly add any more material to this one. -
Journey Planet 17 November - Journey Planet 17 - 2013 James Bacon, Chris Garcia, & Colin Harris - Editors
JourneyJourney Planet Planet 17 17 Journey Planet 17 November - Journey Planet 17 - 2013 James Bacon, Chris Garcia, & Colin Harris - Editors Articles Art Page 5 - Bob Shaw for 1957’s NFFF Bookmark set Page 3 - Greeting from the 1939 Worldcon Pro- Page 6 - Denise Colman gram Book Page 8 - Andy Trembley Page 4 - Editorials from Colin Harris & James Page 15, 53 - Christopher J Garcia Pages 16, 17, 19, 20 - ATom (Arthur Thompson) Bacon Page 18 - Bob Shaw Page 7 - My Perfect Worldcon by Christopher J Page 21, 22, 23, 25 - From the collection of Norma Shorrock Garcia and Rob Hansen’s THEN archive Page 26-31 - Photos by John C. Andrews Page 9 - The First Worldcon and the 1939 Page 32 - SF Strangelove (http://strangelove4sf.blogspot.com) World’s Fair by Vincent Docherty Page 33 - Ellen Datlow Page 14 - Where’s Forry? by Colin Harris Page 34 - Janna Silverstein Page 15 - On the Long Line - Conversations Page 35 - Beth Gwinn Page 36 - Kyle Cassidy wiith First Fandom by Christopher J Garcia Pages 46 - 49 - Screencaps from the Official Noreascon 4 DVD Page 18 - Memories of Loncon 1 from Rob Han- (by Syd Weinstein for Noreascon 4 Technical Services) sen’s THEN archive (http://www.fiawol.org.uk/FanStuff) Page 50 - Eddie Jones Page 51 - Joe Mayhew; Robert Sneddon Page 26 - Britain Was Fine in ‘79! by Peter Page 52 - Laurie Mann; Carol Porter Weston Page 54 - España Sheriff Page 32 - Worldcon Memories - A Renovation Page 60 - James Sies Page 62, 66 - Delphyne Joan-Hanke Woods Project - Introduction by Patty Wells (Chair, Page 63 - Mo Starkey Renovation) Page 64, 65, 67 - Selina Phanara Page 37 - Worldcon Program Book Gallery Page 68 - Kate Kelton Page 46 - Fifty Years of Hugo Ceremonies: A Page 71 - William Rotsler Page 72 - Ditmar Retrospective by Robert Silverberg Page 50 - Whimsy in FANAC: With Your Shield Page 37 - 45 - Program Book Covers 1940 - W. -
An Introduction to Core Fandom!
Written By Arnie Katz Illustrations By Alan White An Introduction to Core Fandom! 1 A lot has happened since Bob Tucker produced the first edition of The Neofan’s Guide in 1955. The editors of the five subsequent editions should be commended for their trufannish spirit and their devotion to helping newcomers acclimate to our quirky and esoteric subculture. However, the brilliance of the original did not fully survive the successive renovations Not only did the excellence of Tucker’s work make it very hard for mere BNFs to revise, but the nature of Fandom itself has changed substantially. The relatively small and homogeneous hobby of the mid-1950’s has Balkanized into numerous specialized sub-Fandoms, Many fans today don’t really know much about the things that make Fandom what it is; it’s literature, history, customs, personalities and myths. Amid all the changes in demographics and population, the biggest difference between Fandom then and now is the impact of the Internet and digital technology. Fanzine Fandom has broadened its focus to embrace new forms of fannish literary and artistic creativity such as electronic fanzines, websites, listservs, podcasts and Internet TV. In the process, the sub-Fandom’s name has changed from ”Fanzine Fandom” to “Core Fan- dom.” (The name reflects the subcultures allegiance to the traditional fannish social contract and its concentra- tion on the extension of Fandom’s literary and artistic activities.) Despite the well-intentioned revisions, The Neofan’s Guide becomes less and less applicable to Fandom in the 21st Century. Lacking the presumption to re-write TNG so that it accurately portrays All Known Fandom, I decided to concentrate on what I know best and is closest to my heart — Core Fandom.