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Journey Planet 17 November - Journey Planet 17 - 2013 James Bacon, Chris Garcia, & Colin Harris - Editors

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JourneyJourney Planet Planet 17 17 Journey Planet 17 November - Journey Planet 17 - 2013 James Bacon, Chris Garcia, & Colin Harris - Editors Articles Art Page 5 - Bob Shaw for 1957’s NFFF Bookmark set Page 3 - Greeting from the 1939 Worldcon Pro- Page 6 - Denise Colman gram Book Page 8 - Andy Trembley Page 4 - Editorials from Colin Harris & James Page 15, 53 - Christopher J Garcia Pages 16, 17, 19, 20 - ATom (Arthur Thompson) Bacon Page 18 - Bob Shaw Page 7 - My Perfect Worldcon by Christopher J Page 21, 22, 23, 25 - From the collection of Norma Shorrock Garcia and Rob Hansen’s THEN archive Page 26-31 - Photos by John C. Andrews Page 9 - The First Worldcon and the 1939 Page 32 - SF Strangelove (http://strangelove4sf.blogspot.com) World’s Fair by Vincent Docherty Page 33 - Ellen Datlow Page 14 - Where’s Forry? by Colin Harris Page 34 - Janna Silverstein Page 15 - On the Long Line - Conversations Page 35 - Beth Gwinn Page 36 - Kyle Cassidy wiith First Fandom by Christopher J Garcia Pages 46 - 49 - Screencaps from the Official Noreascon 4 DVD Page 18 - Memories of Loncon 1 from Rob Han- (by Syd Weinstein for Noreascon 4 Technical Services) sen’s THEN archive (http://www.fiawol.org.uk/FanStuff) Page 50 - Eddie Jones Page 51 - Joe Mayhew; Robert Sneddon Page 26 - Britain Was Fine in ‘79! by Peter Page 52 - Laurie Mann; Carol Porter Weston Page 54 - España Sheriff Page 32 - Worldcon Memories - A Renovation Page 60 - James Sies Page 62, 66 - Delphyne Joan-Hanke Woods Project - Introduction by Patty Wells (Chair, Page 63 - Mo Starkey Renovation) Page 64, 65, 67 - Selina Phanara Page 37 - Worldcon Program Book Gallery Page 68 - Kate Kelton Page 46 - Fifty Years of Hugo Ceremonies: A Page 71 - William Rotsler Page 72 - Ditmar Retrospective by Robert Silverberg Page 50 - Whimsy in FANAC: With Your Shield Page 37 - 45 - Program Book Covers 1940 - W. Lawrence Hamling/Mark Reinsberg; 1941 - Roy V. Hunt; 1946 (of Umor) - or On It! by Deb Geisler - Goldstone; 1947 - John V. Baltadonis & Solomon Levin; 1948 -- Beak Page 53 - INSTANT FANZINE! featuring Gail Taylor (Editor), Bill Grant (Art); Lee Greenwell, 1951 - Hannes Bok (and Carriger, Jared Mitchell Dashoff, Juan Sanmiguel, possibly Pat Davis); 1952 - T.E. Dikty (Editor); 1953 - Dave Kyle (Editor); 1955 - Frank R. Paul; 1956 - Frank Kelly Freas; 1957 - Harry Turner; Crystal Huff, James Bacon, Warren Buff, Grant 1959 - Ray Smith (Front), Dan Adkins (Back); 1960 - Ray Smith; 1962 - Kruger, Genese Davis, and James Shields Ed Emsh; 1965 - ATom (Athur Thompson); 1967 - Frank Kelly Freas & Joseph J. Wehrle; 1968 & 1969 - Jack Gaughan; 1970 - Eddie Jones; 1971 Page 61 - Preaching to the Unconverted by Meg - Mike Gilbert; 1972 - Wendy Fletcher; 1973 - Derek Carter; 1974 - Frank Harry Roland, 1975 - Image Projects, 1976 - George Barr; 1977 - Vincent Page 63 - Bids for Future Worlds by Kansas City di Fate; 1978 - Bill Warren; 1979 - Pauline Jones; 1980 - Jane MacKenzie & Philip Hagopian; 1981 - Phil Normand; 1982 - Frank Kelly Freas; 1983 in 2016, Nippon in 2017, Northeast in 2017, - Robin Wood; 1984 - Linda Miller; 1985 - Marilyn Pride; 1986 - Doug Helsinki in 2017, New Orleans in 2018, and Chaffee; 1987 - Jim Burns; 1988 - Ned Dameron; 1989 - Bob Eggleton; 1990 - Len de Vries; 1991 - Richard Powers; 1992 - Vincent di Fate; Dublin 2019 1993 - Alicia Austin; 1994 - George Barr; 1995 - Les Edwards; 1996 - Page 69 - The Case For The Defence by Colin Rick Sternbach; 1997 - Don Maitz; 1998 - Michael Whelan; 1999 - Nick Strathopoulos; 2000 - Bob Eggleton; 2001 - Stephen Youll; 2002 - David Harris Cherry; 2003 - Paul McCusker; 2004 - Bob Eggleton; 2005 - Jim Burns; 2006 - James Gurney; 2007 - Michael Whelan; 2008 - Rick Sternbach; 2009 - Jean-Pierre Normand; 2010 - Shun Tan; 2011 - Boris Vallejo; 2012 - Rowena; 2013 - Darrell K. Sweet Cover by Delphyne Woods - 1945 - 2013 3 Colin Harris Welcome to this latest edition of Jour- ney Planet, a celebration of Worldcon’s 75th Anniversary. There is something special about long- lived institutions. Seen up close, history and memory are not continuous things; each are formed of an accretion of individual moments, orbiting around an event, a place, or a person just as a cloud of whirling ice particles create the rings of Saturn. The aura that surrounds the Oscars or the Olympics is not a result of money spent or viewers gained (although the shared experience of a large audience certain- ly adds another dimension); history gives these events a patina that cannot be created artifi- cially. The same is true of the World Science Fiction Convention. At a time when Worldcon is competing with bigger and splashier events, challenged to meet increasing expectations, and seeking to find a new generation of fans, it is therefore doubly important to remember and reflect on where Worldcon has come from and what makes it unique. For me at least, this starts with the unbroken thread of continuity that runs all the way back to New York in 1939. This may seem obvious, but it is often over- looked in the debates about what Worldcon should be in the future. Today’s three-ringed circus with its thousands of attendees, multi- track programming, plethora of publications, and globally streamed Hugo Awards may at first glance seem unrecognizable alongside that first gathering, and yet the greetings of- fered to the 1939 attendees - reproduced on the previous page - are timeless. Indeed, the sentiments expressed in those few paragraphs seem as relevant as ever. While we cannot es- cape the logistical complexities that come with putting on a modern Worldcon, we should not lose sight of this simpler truth of why we do it and what makes it work. In the first half of this issue, we there- fore invite you to retrace the journey from 1939 in New York to 2014 in London. We start at the World’s Fair, stopping off in Lon- don in 1957 and Brighton in 1979, take a look at the Hugos with Robert Silverberg (the only man to have attended every ceremony since the very first in 1953), and explore the role of Editorials whimsy with Deb Geisler. Chris writes about 3 encounters with first fandom - another thing which makes this era special, while our commu- nity still has living memory right back to its very origins. If you have never spoken to Dave Kyle, Erle Korshak, or Bob Madle, take the chance while you still can. The focus on first person accounts is something that was very important to me in editing this zine. The patina of history is always that much richer when seen through the eyes of those who were there, and so we have also taken the chance to reprint a selection of the Worldcon Memories collected for Renovation in 2011. With our historical journey completed by a visual panorama of every Worldcon Pro- gram Book, it’s then time to turn our attention to the present - and the future. We ask a num- ber of younger conrunners about their view of Worldcon, hear from Meg Frank on marketing Worldcon to new fans and invite bidders to tell us why they want the Worldcon for their city. (For those who doubt the health of the event, the existence of enthusiastic bids going out into the next decade is surely a good sign). And claiming editor’s privilege, I’ve added my own thoughts to close the issue. It remains only to thank Chris and James for inviting me to edit this issue, and all of those who contributed their time and memories to make it real. See you in London! 5 James Bacon As one reads about the first Worldcon out- I am grateful to Colin for coming on board for side North America, in London in 1957, one realises this issue, he has been a very welcome co-editor and that there is such a shared experience, such a sense of I have enjoyed working with him, as he brought ele- spirit, and fun, that it is hard to imagine these events ments to this fanzine that Chris and I might not have took place more than half a century ago. thought of. That is what co-editing is about: empow- I can hear James White’s voice as I read. Al- erment, loosening the reins for a better jaunt, new though sadly I never heard or met Walt Willis, I hear ideas, a fresh perspective and an enjoyable read. I am a very proper, soft, slightly posh, Belfast accent. The also grateful to all our contributors - writers and art- words are golden, the writing so smooth, and captur- ists alike - and also to Rob Hansen, Pat Larkin and all ing the sense of place so well, that it feels like a place I the people who run conventions. could be. Albeit in different clothes; no short trousers Here in this Fanzine we look at a history, read I suspect. And ‘sneering’ is just so awesome. It makes about other times and also new thoughts of the fu- me smile, a bunch of fans enjoying some ludicrously ture. It is just nice to talk and meet and celebrate sci- incomprehensible joke, and it appeals to me. Such ence fiction, or comics or whatever campfire we are malarkey, such a bunch of ejits. I wish I was there. gathered around, and one of those gatherings for me Worldcon is not objectively the “best” sci- (us) is Worldcon. It’s a great time. ence fiction convention. How can it be? Everyone I hope you enjoy this issue as much as I have. has different tastes. But Worldcon does have many strengths; its longevity for instance, or that it is en- tirely fan-run, or that it is truly democratic, where one person really has one vote, or that the Hugo Awards have managed to capture people’s imagina- tion like no other science fictional award.
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