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Note to Users
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Fanscient 17
FIRST ISSUE SEPTEMBER _____ 1947 FAHSCIEHT ^?RTLAND __ The FANSCIFNT In each issue, your editor will sound off here on whatever occurs to him. Tho at the front of the booK, it’s actually the last thins written. First of all,I’d like to take this opportunity to thunk A. E. van Vogt for bus wholehearted co-opera tion in providing the material which appears here. Thanks also to all who gave material, cash and time, As I write, it’s all stencilled, The Fhilcm Mem ory Book Edition is done and when 5 more pages are mimeoed we’ll be thru(except for stapling, folding, wrapping and addressing)(How did I get into rhis?) To make the Philcon Book, we had to get this out a good month before we intended. As a result, we hud to do 4 months work in 1. 'Corking in this for mat was all new to us and all the details had to be thrashed cut. On the whole, we're pretty well sat isfied dvr a first issue. VA hope you are too. On locking over this is"ue,I find we haven’t said much about The PORTLAND SClENCE-FANTASY SOCIETY. Our News Bulletin is mostly about the club, but I guess we’re entitled to a bit cf a brag about the newest' but ere of the most active major fan clubs the country. We haven’t got authors or prominent fen but there’s plenty you’ll get to know. Ralph Rayburn Phillips' work in several fanzines has al ready made ham well known (see Back Cover). -
Grumbles from the Grave
GRUMBLES FROM THE GRAVE Robert A. Heinlein Edited by Virginia Heinlein A Del Rey Book BALLANTINE BOOKS • NEW YORK For Heinlein's Children A Del Rey Book Published by Ballantine Books Copyright © 1989 by the Robert A. and Virginia Heinlein Trust, UDT 20 June 1983 All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Ballantine Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Grateful acknowledgment is made to the following for permission to reprint the following material: Davis Publications, Inc. Excerpts from ten letters written by John W. Campbell as editor of Astounding Science Fiction. Copyright ® 1989 by Davis Publications, Inc. Putnam Publishing Group: Excerpt from the original manuscript of Podkayne of Mars by Robert A. Heinlein. Copyright ® 1963 by Robert A. Heinlein. Reprinted by permission of the Putnam Publishing Group. Library of Congress Catalog Card Number: 89-6859 ISBN 0-345-36941-6 Manufactured in the United States of America First Hardcover Edition: January 1990 First Mass Market Edition: December 1990 CONTENTS Foreword A Short Biography of Robert A. Heinlein by Virginia Heinlein CHAPTER I In the Beginning CHAPTER II Beginnings CHAPTER III The Slicks and the Scribner's Juveniles CHAPTER IV The Last of the Juveniles CHAPTER V The Best Laid Plans CHAPTER VI About Writing Methods and Cutting CHAPTER VII Building CHAPTER VIII Fan Mail and Other Time Wasters CHAPTER IX Miscellany CHAPTER X Sales and Rejections CHAPTER XI Adult Novels CHAPTER XII Travel CHAPTER XIII Potpourri CHAPTER XIV Stranger CHAPTER XV Echoes from Stranger AFTERWORD APPENDIX A Cuts in Red Planet APPENDIX B Postlude to Podkayne of Mars—Original Version APPENDIX C Heinlein Retrospective, October 6, 1988 Bibliography Index FOREWORD This book does not contain the polished prose one normally associates with the Heinlein stories and articles of later years. -
Table of Contents
Extensively Cross-Indexed Using Internal Hyperlinks TABLE OF CONTENTS Introduction Preface Important Notes Sources Format Key What Are ISBNs? Main Entries Supplements Books — Fiction The E. Mayne Hull Stories Short Fiction E. Mayne Hull: Another View Books — Non-Fiction Statistics Short Non-Fiction Production Chart Other Works Series List Rare Works Working Titles Collaborative Works Indices Media Adaptations List of Fix-Up Novels Alternate Title Index Book Revisions Magazine Index Alphabetical Index Chronological Index Version 5 ©2001 - 2008 Isaac Wilcott April 9th, 2008 Icshi: The A.E. van Vogt Information Site (Version History) Preface This new document, the Storysource, replaces both the Database and Compendium by combining the two. (I suppose you could call this a "fix-up" bibliography since it is the melding of previously "published" material into a new unified whole. And, in the true van Vogtian tradition, I've not only revised it but I've given it a new title as well.) The last versions of both are still available for download as a single ZIP file for those who would like them for whatever reason. The format of the Compendium has been retained with only a few alterations while adding the bibliographic information of the Database. A section for short stories has accordingly been added. The ugly and outdated Database is eliminated, while retaining all of its positive traits, and the usefulness of the Compendium is drastically improved. No longer will you have to jump between the two while looking something up — all information has been pooled into just one document. This new format's interface is more intuitive, alphabetically arranged rather than chronological, and with all items thoroughly cross- indexed with internal hyperlinks. -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
The Founder Effect
Baen Books Teacher Guide: The Founder Effect Contents: o recommended reading levels o initial information about the anthology o short stories grouped by themes o guides to each short story including the following: o author’s biography as taken from the book itself o selected vocabulary words o content warnings (if any) o short summary o selected short assessment questions o suggested discussion questions and activities Recommended reading level: The Founder Effect is most appropriate for an adult audience; classroom use is recommended at a level no lower than late high school. Background: Published in 2020 by Baen Books, The Founder Effect tackles the lens of history on its subjects—both in their own words and in those of history. Each story in the anthology tells a different part of the same world’s history, from the colonization project to its settlement to its tragic losses. The prologue provides a key to the whole book, serving as an introduction to the fictitious encyclopedia and textbook entries which accompany each short story. Editors’ biographies: Robert E. Hampson, Ph.D., turns science fiction into science in his day job, and puts the science into science fiction in his spare time. Dr. Hampson is a Professor of Physiology / Pharmacology and Neurology with over thirty-five years’ experience in animal neuroscience and human neurology. His professional work includes more than one hundred peer-reviewed research articles ranging from the pharmacology of memory to the first report of a “neural prosthetic” to restore human memory using the brain’s own neural codes. He consults with authors to put the “hard” science in “Hard SF” and has written both fiction and nonfiction for Baen Books. -
The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman
The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman Jay Clayton American Literary History, Volume 25, Number 2, Summer 2013, pp. 317-340 (Article) Published by Oxford University Press For additional information about this article http://muse.jhu.edu/journals/alh/summary/v025/25.2.clayton.html Access provided by Vanderbilt University Library (6 Jun 2013 09:56 GMT) The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman Jay Clayton* Suppose you were a science fiction fan, a Trekkie, and a transhumanist; you once paid to attend a seminar with Rae¨l, knew all about Extropy back in the day, and subscribed to Longevity Meme Newsletter; you have read articles about an “immortality gene” and were thrilled to see Science publish a genome-wide association study in 2010 identifying 150 genes that might improve your chances of living to 100; and you practice extreme caloric restriction while spending a fortune on dietary supple- ments. Over the years, you have zealously collected the following quotes but have forgotten the sources. Which of them do you think came from classic 1950s works of science fiction and which from publications by distinguished scientists, doctors, philosophers, and law professors? 1. We, or our descendents, will cease to be human in the sense in which we now understand that idea. (3) 2. By the standards of evolution, it will be cataclysmic— instantaneous. It has already begun. (181) 3. The new immortals, in the decisive sense, would not be like us at all. (265) 4. Man will go into history along with the Java ape man, the Neanderthal beast man, and the Cro-Magnon Primitive. -
Catalogue 147: Science Fiction
And God said: DELETE lines One to Aleph. LOAD. RUN. And the Universe ceased to exist. Then he pondered for a few aeons, sighed, and added: ERASE. It never had existed. For David Catalogue 147: Science Fiction Bromer Booksellers 607 Boylston Street, at Copley Square Boston, MA 02116 P: 617-247-2818 F: 617-247-2975 E: [email protected] Visit our website at www.bromer.com n the Introduction to Catalogue 123, which contained the bulk of a In his fifty years as a bookman, David naturally recognized the signifi- science fiction collection he had assembled, David Bromer noted cance of the early rarities, the books that laid the groundwork for the that “science fiction is a robust genre of literature, not allowing authors of the modern era. He was pleased to discover, when cata- one to ever complete a collection.” The progressive nature of sci- loguing Cyrano de Bergerac’s The Comical History of the States and enceI and the social fabric that it impacts means that the genre itself Empires of the Worlds of the Moon and the Sun, that its author de- has to be fluid, never quite getting pinned down like a specimen under scribed a personal music player–anticipating in the year 1687 the cre- glass. ation of the Walkman and iPod three centuries later. In this regard, it is entirely fitting that David has been drawn to science Ultimately, science fiction primed the human imagination to accom- fiction as a reader, and as a collector. He is a scientist by training, hav- plish what is perhaps its greatest achievement: the exploration of ing earned a PhD in Metallurgy from MIT and worked in research fields space and the mission to the moon in 1969. -
Outworlds 61
DIANE and XENO From WingNuts Go Hawaiian Copyright © 1991 by Teddy Harvia ALL INTERIOR ILLUSTRATIONS THIS ISSUE ARE BY: EDITED & PUBLISHED BY BILL BOWERS POBox 58174 • Cincinnati • OH • 45258-0174 DAVID R. HAUGH 1513] 251-0806 COVERS: ALAN HUNTER (OUT)7tEDDY HARVIA (IN) OUTWORLDS is Available by Editorial Whim; or, for Contributions of Art &/or Words; and for Printed LoCs. This Issue: $4.00 § 0W62: $5.00, until 10/1/91 Subscriptions: 5 Issues for $20.00 Copyright (c) 1991, by Bill Bowers; for the Contributors This is My Publication #174 July, 1991 This Issue Dedicated, with Thanks, to: Richard Brandt; Patty Peters & Gary Mattingly; Dick & Leah Smith.... •SEUP u> IT H- BEMS for making Corflu Ocho possible, for me! 61:2003 Chris Sherman Dear Bill; P.O. Box 990 Solana Beach, CA 92075 Hah!’! April 29, 1991 Outworlds at last! Praise the lord, Bowers is alive and printing! Even though I'm familiar with The Saga from Xenolith, reading again about your ordeals provoked empathetic nausea quickly followed by vitriolic (I learned that word from Don Thompson) outrage. I'm not a violent person, but reading about the things you're forced to endure because of "Her" makes me want to... to... words can't express. Sometimes I wish you could subject people like that to surgical, aseptic flaying, the kind Gene Wolfe described in The Shadow of the Torturer. Have you read People of the Lie, by M. Scott Peck? Recommended if you're still seeking "understanding". Peck's conclusion: there are some genuinely evil people in the world. -
March 2010 the Next NASFA Meeting Is 20 March 2010 at the Regular Time and Location
Te Shutle March 2010 The Next NASFA Meeting is 20 March 2010 at the Regular Time and Location Con†Stellation XXIX ConCom Meeting 3P, 20 March 2010 at Renasant Bank (right before the club meeting) until we get to the point of needing to hold them more often d Oyez, Oyez d than monthly. NASFA CALENDAR ONLINE The next NASFA Meeting is Saturday 20 March 2010 at NASFA has an online calendar on Google. Interested parties the regular time (6P) and the regular location. Meetings are can check the calendar online, but you can also subscribe to the at the Renasant Bank’s Community Room, 4245 Balmoral Drive in south Huntsville. Exit the Parkway at Airport Road; Map To head east one short block to Balmoral Drive; turn left (north) Whitesbur for less than a block. The bank is on the right, just past Logan’s Memorial Parkway Club Meeting Roadhouse restaurant. Enter at the front door of the bank; turn Location right to the end of a short hallway. MARCH PROGRAM The program will be “Dan Thompson presents Fan Films.” Renasant Bank g Drive ATMMs 4245 Balmoral Drive The March After-The-Meeting Meeting will be hosted by Huntsville AL 35801 Sunn Hayward and will be held at the bank starting right after Carl T. Jones the club meeting. We need ATMM volunteers for April and all Drive months beyond. Airport Road CONCOM MEETINGS The next Con†Stellation XXIX concom meeting will be 3P Sunday 20 March at the Renasant Bank. There will be a dinner break between the concom meeting and the club meeting. -
{PDF EPUB} the Day After Tomorrow by Robert A. Heinlein Sixth Column (The Day After Tomorrow) by Robert A
Read Ebook {PDF EPUB} The Day After Tomorrow by Robert A. Heinlein Sixth Column (The Day After Tomorrow) by Robert A. Heinlein. Published 1949. Originally published as The Day After Tomorrow by Anson McDonald in Astounding Magazine , (later Analog ),1941. 241 pages (from the Virginia Heinlein edition, based on the 1949 Gnome Press hardback.) Review by Mark Yon. Here’s one of my occasional re-reads of Robert Anson Heinlein’s novels. This one is what they call ‘a fixup’, originally being in three parts in the January, February and March editions of Astounding Magazine , under the editorial tuition of John W. Campbell. It became a slightly revised novel in 1949, with the author’s real name rather than his pseudonym, and a little tidying up. Putting it in the context of Heinlein’s other writing, it was published as a novel after his juvenile book Red Planet and before Farmer in the Sky . As written by Anson McDonald, however, it was not written with the intention of being for the juvenile market, but as something more adult. I found it less satisfying than Red Planet and Farmer in the Sky , its adult voice both uncertain and unreal. It reflects the fact that it was written before Heinlein had had any novels published, and seems a little wobbly both in its concept and its delivery: something which would become much less noticeable as Heinlein becomes more confident in later writing. This lack of success may also be partly due to the fact that Sixth Column was based upon an idea given to Heinlein from Campbell, the only major work of Heinlein’s career to be plotted by someone else.