2020 Maria Caruso – Catalog of Work
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
MOST ADDED Media
AIRPLAL. GALAXY NETWORK/Bristol/Leeds P Playlist Additions: Mina -La Lontananza ©BPI Communications Inc. DANCE Anastacia-Cowboys & Kisses Travis -Sing WEEK 23/01 Vaughan Hobbs - Head Of Music C.Aguilera, Lill Kim, Mya & Pink -Lady Marmalade Power Rotation: Faith Hill -There You'll Be RE. 102.5 - HIT RADIO/Cologno Monzese (MI) P Pied Piper/Masters 01Ceremonies-Do You Really Like It? Shaggy teat. Rayvon-Angel HOT AC Media Luca Viscardi - Programme Director MOST ADDED BEAT 106/Glasgow G Playlist Additions: ALTERNATIVE FRANCF Faithless -We Come 1 Most Added are those songs which received the highest number of playlist additions Playlist Additions: R. Kelly -Fiesta during the week. In the case of a tie, songs are listed alphabetically by artist, Daft Punk -Digital Love EUROPE 2 NETWORK/Paris P Robert Miles -Paths Delerium feat Leigh Nash -Innocents (Haling In Love) AC Sugababes-Run For Cover C.Aguilera, Lil' Kim, Mya & PinkLady Fun Lovin' Criminals -Bump Sebastien Cauet - Prog. Dir. Titiyo-Come Along Gloss -New York Boy Playlist Additions: Marmalade (Festival) 13 I Monster -Daydream In Blue Pascal Obispo-Ce Qu'On Voit Allee Rimbaud Daft Punk Digital Love Kid Galahad-Stealin' Beats EP Patrick Bruel-Au Bout De La Marelle PA I NJ (Virgin) 11 CLYDE 1 FM/Glasgow G FRANCE INTER/Paris P CADENA DIAL/Madrid P CHR FULL SERVICE NATIONAL MUSIC Bran Van 3000 feat. Curtis Mayfield Ross Macfadgen - Head Of Music Bernard Chereze - Music Dir Paco Herrera - Prog Dir/ Astounded (Grand Royal) 9 Playlist Additions: Playlist Additions: Music Programmer 2Pac-Until The End Of Time Ani Di Franco -Heartbreak Even Power Rotation: Faithless We Come 1 Brandy & Ray J -Another Day In Paradise Hubert Felix Thiefaine-Le Touquet Juillet 1925 Cafe Quijano-Nada De Na Daft Punk -Digital Love Madredeus-O Labirinto Parado Playlist Additions: (Cheeky/Arista) 9 Dina Carroll -Someone Like You Marc Lavoine-Le Pont Mirabeau Daniel Andrea -Dime Por Qu' Farrell Lennon -World's Greatest Lover Tete-Les Envies Ella Baila Sola-Sin Confesarlo Todo Shaggy feat. -
Workshops & Research
WORKSHOPS & RESEARCH 20 JULY - 16 AUGUST 2014 Workshops in Contemporary Dance and Bodywork for all levels from beginners to professional dancers. Seven phases which can be attended independently from each other (each week- workshop: 1 class per day, each intensive-workshop: 2 classes per day) «impressions'14»: 20 July ! Week1: 21 - 25 July Intensive1: 26 + 27 July Week2: 28 July - 01 August! Intensive2: 02 + 03 August! Week3: 04 - 08 August! Intensive3: 09 + 10 August! Week4: 11 - 15 August ! «expressions'14»: 16 August Index 3 Artists listed by departments 4 - 133 All workshop descriptions listed by artists 134 - 149 All Field Project descriptions listed by artists 149 - 150 Pro Series description 2 CONTEMPORARY DANCE Jose Agudo | Conny Aitzetmueller | Kristina Alleyne | Sadé Alleyne | Laura Arís | Iñaki Azpillaga | Susanne Bentley | Marco Berrettini | Bruno Caverna | Marta Coronado | Zoi Dimitriou | Frey Faust | Ori Flomin | Saju Hari | Sascha Hauser aka CIONN | Kathleen Hermesdorf | Damien Jalet | Peter Jasko | German Jauregui | Kira Kirsch | Kerstin Kussmaul | Juliana Neves | Sabine Parzer | Rasmus Ölme | Francesco Scavetta | Rakesh Sukesh | Samantha Van Wissen | Hagit Yakira | David Zambrano IMPROVISATION Marco Berrettini | Adriana Borriello | Alice Chauchat | Ivo Dimchev | Zoi Dimitriou | Defne Erdur | Judith Grodowitz | Miguel Gutierrez | Francesca Harper | Andrew Harwood de Lotbinière | Keith Hennessy | Damien Jalet | Martin Kilvády | Barbara Kraus | Aiko Kazuko Kurosaki | Jennifer Lacey | Benoît Lachambre | Nita Little | Eroca -
Musikexpress Feiert Style-Award-Jubiläum Mit Mode-Special
MUSIKEXPRESS 19.10.2009 – 18:00 Uhr Musikexpress feiert Style-Award-Jubiläum mit Mode-Special München (ots) - 16. Oktober 2009 Seit fünf Jahren ehrt der Musikexpress mit dem Style Award Modelabels, Musiker und Medien, die mit Stilbewusstsein und Mut zur Innovation die Popkultur vorantreiben. Zum Geburtstag gratuliert sich der Musikexpress mit einem Fashion-Special. Indierocker wie Beth Ditto spazieren über die Catwalks der Welt, Elektro-Acts wie Justice liefern den Soundtrack dazu. Madonna wirbt für Versace. Pete Doherty komponiert für Dior. Karl Lagerfelds Plattensammlung ist größer als so manche innerstädtische Tonträgerabteilung. Man sieht: Die symbiotischen Verflechtungen von aktueller Musik und aktueller Mode sind nicht länger zu leugnen. Der Musikexpress zollt dieser Entwicklung mit einem 30-seitigen "Style Special" in seiner Dezemberausgabe (jetzt am Kiosk) Rechnung. In dem Sonderteil stellt das Musikmagazin, das kürzlich seinen 40. Geburtstag feierte, die Gewinner des Musikexpress Style-Award 2009 vor. Das Special enthält unter anderem eine Modestrecke mit den Siegern in der Kategorie "Performer domestic" (die Berliner Newcomersensation Bonaparte) und "Performer international" (die britischen Elektropopper um Madonna-Produzent Stuart Price, Zoot Woman). Modemuffel haben allerdings nichts zu befürchten: Das "Style Special" geht nicht auf Kosten der Musikthemen. Das 164 Seiten starke Heft behandelt auf über 130 Seiten wie gewohnt alle relevanten Trends der aktuellen Musikszene, bespricht die Platten, auf die es im Herbst ankommt. Dazu gibt es zwei Geschichtsstunden: In zwei großen Dossiers erzählt das Magazin die Geschichte von Pearl Jam und der momentan wieder einmal größten Band des Planeten, der Beatles. Pressekontakt: Kontakt: Redaktion Musikexpress Tel: +49 089/ 697 49 400 Diese Meldung kann unter https://www.presseportal.ch/de/pm/100002141/100591867 abgerufen werden.. -
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times -
The Long Term You Cannot Afford
e LONG TERM you caot aÿord. on e distribuon of e TOXIC INVOCATIONS .– WITH Edna Bonhomme BPoC Environmenta and Cimate Justice Coective (Imeh Ituen and Rebecca Abena Kennedy-Asante) Center for Intersectiona Justice (Emiia Roig) Yoanda Ariadne Coins Discard Studies (Aex Zahara and Josh Lepawsky) Angea Fournoy The Forest Curricuum (Pujita Guha and Abhijan Toto) Hazardous Traves (Ayushi Dhawan, Maximiian Feichtner and Simone Müer) Hyoung-Min Kim and Gabrie Gaindez Cruz Jessika Khazrik Laboratory for Aesthetics and Ecoogy (Ida Bencke) Latedjou Liping Ting Mother the Verb (Ivan “Ivy” Monteiro) Franziska Pierwoss Raqs Media Coective (Shuddhabrata Sengupta) Matana Roberts Huda Rós Guðnadóttir Tomás Saraceno and the Aerocene Foundation Aexis Shotwe Stephan Thierbach Françoise Vergès Wearebornfree! Empowerment Radio (Moro Yapha) XR Extinction Rebeion (Kate Sagovsky) among others CURATORS Antonia Aampi Caroine Ektander CO¨CURATORS Jasmina A-Qaisi Kamia Metway ARTISTIS DIRECTOR Bonaventure Soh Bejeng Ndikung PROJECT TEAM Monioa Iupeju António Pedro Mendes Oa Zieińska CURATORIAL ASSISTANT Mahnoor Zehra Lodhi MANAGEMENT Lema Sikod Lynhan Baatbat-Hebock COMMUNICATION Anna Jäger GRAPHIC DESIGN Esa Westreicher Lii Somogyi SOUND ENGINEER Kay Bennet Kruthoff LIVE STREAM Boiing Head The project is funded by Hauptstadtkuturfonds and the Foundation for Arts Initiatives. With additiona support by the Mondriaan Fund, Goethe-Institut / Max Mueer Bhavan Kokata, Goethe Institut Pakistan, White Space Beijing, The Visua Arts Fund Iceand, DAAD Artists-in-Berin Program and the Berin Senate Department for Cuture and Europe. SAVVY Contemporary T Laboratory of Form-Ideas THE LONG TERM YOU CANNOT AFFORD. ON THE DISTRIBUTION OF THE TOXIC is the third chapter of SCHEDULE our ong-term investigation THE INVENTION OF SCIENCE. -
Slugmag.Com 1
slugmag.com 1 SaltLakeUnderGround • Vol. 25 • Issue #310 • October 2014 • slugmag.com ABOUT THE COVER: There’s something out there, right in our back yard—in Ft. Duchesne, Utah, where Publisher: Eighteen Percent Gray Marketing Coordinator: people often report sightings of lights, noises and Editor: Angela H. Brown Robin Sessions voices possibly associated with UFOs. Revel in illus- Managing Editor: Alexander Ortega Marketing Team: Alex Topolewski, Carl Acheson, trator Robin Banks’ sensationalized presentation of Junior Editor: Christian Schultz Cassie Anderson, Cassie Loveless, Ischa B., Janie this Northeastern Utah point of interest. SLUG Senior Office Coordinator:Gavin Sheehan Greenberg, Jono Martinez, Kendal Gillett, Rachel Staff Writer Cody Kirkland went down to investi- Fact Checker: Henry Glasheen Roller, Raffi Shahinian, Robin Sessions, Zac Freeman gate—read his story on pg. 36. Copy Editing Team: Alex Cragun, Alexander Social Media Coordinator: Catie Weimer Ortega, Allison Shephard, Christian Schultz, Cody Distribution Manager: Eric Granato DISCLAIMER: SLUG Magazine does not necessarily Kirkland, Genevieve Smith, Henry Glasheen, Distro: Adam Okeefe, Eric Granato, John Ford, maintain the same opinions as those found in our John Ford, Jordan Deveraux, Julia Sachs, Maria Jordan Deveraux, Julia Sachs, Michael Sanchez, content. We seek to circulate ideas and dialogue Valenzuela, Mary E. Duncan, Shawn Soward, Traci Nancy Burkhart, Nancy Perkins, Nate Abbott, Ricky through quality coverage of contemporary music, art, Grant Vigil, Ryan Worwood, Tommy Dolph, Tony Bassett, action sports and the subcultures therein … except Content Consultants: Jon Christiansen, Xkot Toxsik rollerblading. Content is property of SLUG Magazine— Matt Hoenes Senior Staff Writers: Alex Springer, Alexander Cover Illustration: Robin Banks Ortega, Ben Trentelman, Brian Kubarycz, Brinley please do not use without written permission. -
History Report Freiburg HOT 03.02.2016 00 Through 09.02.2016 23
History Report Freiburg_HOT 03.02.2016 00 through 09.02.2016 23 Air Date Air Time Cat RunTime Artist Keyword Title Keyword Mi 03.02.2016 00:05 SRO 04:11 Purple Souls There Goes The Fear Mi 03.02.2016 00:09 EKR 02:28 Bondage Fairies Clone Mi 03.02.2016 00:12 DPR 03:10 ANSA Foto Mi 03.02.2016 00:15 RCK 04:34 David Bowie Rebel Rebel Mi 03.02.2016 00:19 EKR 03:59 Delphic Doubt Mi 03.02.2016 00:23 RCK 03:04 The Rural Alberta Advantage Terrified Mi 03.02.2016 00:26 RCK 03:08 Eating Pebble Wrestling The Radio Mi 03.02.2016 00:30 NAC 01:41 EFFI Lovefiles Mi 03.02.2016 00:31 ARO 03:42 Foals Birch Tree Mi 03.02.2016 00:35 EKR 08:05 Ry/Frank Wiedemann Howling Mi 03.02.2016 00:43 SRO 04:18 Søjus1 003 (feat. i Am Halo) Mi 03.02.2016 00:47 POP 03:31 Kakkmaddafakka Forever Alone Mi 03.02.2016 00:51 DPR 03:08 Niels Frevert Das mit dem Glücklichsein ist relativ Mi 03.02.2016 00:54 RCK 03:52 The white stripes My Doorbell Mi 03.02.2016 00:58 ARO 02:40 JAIN Come Mi 03.02.2016 00:61 EKR 03:27 Darkstar Amplified Ease Mi 03.02.2016 00:64 POP 03:18 Monta all the luck in the world Mi 03.02.2016 00:67 NAC 04:25 William Fitzsimmons When I Come Home Mi 03.02.2016 00:72 NAC 04:00 Willard Grant Conspiracy Mary Of The Angels Mi 03.02.2016 01:05 NAC 04:43 Badly drawn boy Year of the Rat Mi 03.02.2016 01:10 J 00:02 Flüsterer_Ids1 Mi 03.02.2016 01:10 RCK 03:24 Givers Up Up UP Mi 03.02.2016 01:13 ARO 03:07 Lilith Ai Hang Tough Mi 03.02.2016 01:16 POP 04:18 Elliott Smith Cant Make A Sound Mi 03.02.2016 01:21 NAC 07:22 Sigur Rós Svo Hljótt Mi 03.02.2016 01:28 POP 03:58 The -
Issue 156.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 156 July Oxford’s Music Magazine 2008 thethethe epsteinepsteinepstein Going up the country with Oxford’s festival faves Interview inside Plus News, reviews and six pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net LOCAL PHOTOGRAPHER MARC WEST has an exhibition of his music photos at the Lolapaloza Gallery on Blue Boar Street from Monday 30th June through to Thursday 31st July. Marc, whose exhibition is entitled First 3, No Flash, regularly contributes live photos to Nightshift as well as conducting band interviews for BBC Rado Oxford’s Introducing music show. Lolapaloza is open from 10am through to 5.30pm. A LOCAL POP LEGENDS THE special evening viewing, on Friday 4th July, CANDYSKINS are set to reform again for from 5.30-8pm, features a live set from a one-off Music For Life gig in aid of Tristan & The Troubadours. Cancer Research at the Academy on Friday 8th August. The band, who last played SUNNYVALE NOISE SUB-ELEMENT together at the Zodiac’s closing down party release a limited edition album of live last year, will be joined by fellow Britpop tracks and remixes this month. ‘More stars Dodgy as well as Frank Turner and A Than 20%’ is available from the band’s Silent Film. The benefit gig is being website and comes in a hand-doodled and organised by Dave Holt, who managed numbered mailer box and features remixes Unbelievable Truth and promoted early by the likes of Boywithatoy, Eduard shows by Radiohead and Supergrass, who Soundingblock, Space Heroes of the has been treated for cancer this year. -
Memory Is Fragile Garbage Lasts Forever
MEMORY IS FRAGILE GARBAGE LASTS FOREVER INDEX CONSTANZA MACRAS |DORKYPARK SHOWS OPEN FOR EVERYTHING HERE/AFTER BERLIN ELSEWHERE THE OFFSIDE RULES MEGALOPOLIS OEDIPUS REX HELL ON EARTH BRICKLAND I´M NOT THE ONLY ONE SURE, SHALL WE TALK ABOUT IT? NO WONDER BIG IN BOMBAY BACK TO THE PRESENT UPCOMING PIECES PIECES FOR TOURING TOURING CONTACT CONSTANZA MACRAS Constanza Macras was born in Buenos Aires, Argentina, where she In 2008 Constanza Macras received the GOETHE-INSTITUT Award for an outstanding German studied dance and fashion design, at the Buenos Aires University production for her piece Hell On Earth. (UBA). She continued her dance studies in Amsterdam and New York (Merce Cunningham Studios). In 1995, Macras moved to Berlin and In 2010 she was awarded with the Arts at MIT (Massachusetts Institute of Technology) William danced for various companies. In 1997, she founded her own first L. Abramowitz Residency. Since 1961, the series has brought renowned performing artists and company TAMAGOTCHI Y2K. writers to MIT to perform, present public lectures, and collaborate with students in free Between 1998 and 2000, TAMAGOTCHI Y2K presented four pieces: programs. Wild Switzerland (1998), Face One (1999), In Between (2000) and Dolce Vita (2000), a site-specific live music performance that com- In the same year Constanza Macras was awarded the national German theater-prize DER FAUST bined artists from various disciplines. It was created as a one-time for best choreography for the piece Megalopolis. event for each specific location. Next to her productions with her company Constanza Macras | DorkyPark, Constanza Macras From 2001 to 2002, Macras developed and presented the trilogy MIR: has also created: A Love Story. -
Orff-Schulwerk Elementare Musik- Und Tanzpädagogik Elemental Music and Dance Pedagogy
Sommer 2016 Orff-Schulwerk Elementare Musik- und Tanzpädagogik Elemental Music and Dance Pedagogy 94 Interkulturalität in der Elementaren Musik- und Tanzerziehung II Interculturality in Elemental Music and Dance Pedagogy II Publikationen II Publications - Winter 2015 CHANGES?! Orff-Schulwerk Elementare Musik- und Tanzpädagogik 9. INTERNATIONALES Elemental Music and Dance Pedagogy ORFF-SCHULWERK SYMPOSIUM Elementare Musik- und Tanzpädagogik im WANDEL der Medien Interculturality in the Elemental Music and Dance Pedagogy in the Elemental Music Interculturality / 93 Interkulturalität in der Elementaren Musik- und Tanzerziehung Interculturality in the Elemental Music and Interkulturalität in der Elementaren Musik- und Tanzpädagogik Musik- in der Elementaren Interkulturalität Dance Pedagogy Orff-Schulwerk Weitere Informationen siehe Rückseite. Informationen siehe Weitere furtherFor information see back page. ISSNISSN 2312-8895 2305-9079 Schutzgebühr 5,– Euro 93 odh93_umschlag_def.indd 1 02.12.15 16:32 Zum Titelthema werden in Theorie und Praxis Three main questions have been asked in “The- drei großen Fragen nachgegangen: Warum, ory and Practice”: Why, what and how? Reports Was und Wie? Projektberichte ergänzen das of projects expand the theme clearly. They have Thema anschaulich. Dabei geht es vor allem to do above all with advocating music, dance and darum Musik, Tanz und Sprache und die an- speech and the other arts to further a sensibility deren Künste auch einzusetzen um interkul- to intercultural competence in thinking, feeling turelle Kompetenzen zu fördern, d. h. Sensi- and activities with people from other cultures – bilisierung zu fördern um Denken, Fühlen to learn understanding and respect. und Handeln von Menschen aus anderen Kul- turen verstehen und respektieren zu lernen. This approach has been distinctive to the Orff Institute for years. -
Constanza Macras / Dorky Park Berlin
constanza macras / dorky park berlin Constanza Macras, geboren 1970 in Buenos Aires / Argentinien, absolvierte eine Tanzausbildung an der Margarita Bali Tanzschule und ein Studium für Modedesign an der Universität Buenos Aires. 1992 setzte sie ihre Ausbildung am New Yorker Merce Cunningham Studio fort. Anschließend arbeitete sie in Amsterdam, u.a. zusammen mit Ivan Kranmar, Glenn Eddy und Amanda Miller. Während dieser Zeit entstanden erste eigene Choreografien. Seit 1995 lebt und arbeitet sie als Performerin, Regisseurin und Choreografin in Berlin. 1997 grün- dete sie ihre eigene Tanzkompanie tamagotchi Y2K, heute DORKY PARK. Seither entwickelte Macras u.a. das mehrteilige Projekt „MIR – A love story“ (2000–02), „PORNOsotros“ (2002) und „Back to the Present“ (2003). Ich interessiere mich für die Arbeit mit unterschiedlich ausgebildeten Darstellern, ohne auf diese Unterschiedlichkeiten Rücksicht zu nehmen: Am Ende werden alle Darsteller zu Tänzern, Sängern und Schauspielern. Konzepte dienen meinen Arbeiten als Ausgangs- punkte, sind jedoch nicht Fokus. Es geht um die Vielschichtigkeit eines Themas und um des- sen Brechung durch die Einführung verschiedener Blickwinkel. So gibt es immer mehrere Publikumsbereiche, die oftmals mit den Aktionsräumen der Darsteller verschränkt sind. Ich suche nach einem Weg, Darstellung zum „perfekten Fake” zu machen – was » Scratch Neukölln « Darstellung eigentlich immer ist – und darin das Authentische und Spontane zu finden. Foto: Thomas Aurin Diesen „perfekten Fake“ kann man auf mindestens zweierlei Weise sehen, das Publikum sollte dann immer die Wahl haben, auf welche. Constanza Macras Das größte Trauma ihrer Kindheit sei der Verlust des familieneigenen Vorort- Constanza Macras, born in Buenos Aires / Argentina in 1970, got her dance Swimmingpools gewesen, sagte jüngst Constanza Macras wunderbar selbstironisch. -
Llibre Abstracts.Pdf
THE BORDER, AN UNAVOIDABLE CONCEPT? GRAE - UAB GRAE THE BORDER, AN UNAVOIDABLE CONCEPT? International Conference on the Border and its Relationship to the Performing Arts in Europe Barcelona, 1st-3rd March 2012 Programme and Abstracts GRAE – UAB Grup de Recerca en Arts Escèniques (GRAE) de la Universitat Autònoma de Barcelona Designed by Magda Alemany Printed by Publidisa D. l.: Benvolguts participants, Ens complau donar-vos la benvinguda al Primer Congrés Internacional, organitzat pel GRAE (grup de Recerca en Arts Escèniques) de la Universitat Autònoma de Barcelona, que se celebrarà a la Residència d’Investigadors de Barcelona, entre l’1 i el 3 de març de 2012. La frontera, un concepte ineludible? ha pretès reunir investigadors d’arreu per participar en el debat sobre les complexes facetes que poden tenir les relacions entre el concepte de frontera i les arts escèniques europees: des dels abordatges territorials, polítics, identitaris fins a les reflexions sobre els límits del que anomenem escènic i/o artístic, passant per les fronteres ideològiques, socials, que incideixen en la producció artística contemporània. Ens encarem a dos eixos essencials per a la comprensió de l’hora actual o invoquem dues entelèquies, dues fantasmagories: hi ha un teatre europeu? És la frontera un concepte ineludible? Agraïm el suport financer del Departament de Filologia Catalana i del Deganat de la Facultat de Filosofia i Lletres de la Universitat Autònoma de Barcelona i l’ajut en l’organització que ens ha brindat el personal administratiu del Departament de Filologia Catalana, la Agència de Promoció d’Activitats i Congressos de la UAB i la Biblioteca de Catalunya.